Screening modernism: European art cinema, 1950-1980
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago, Ill. ; Bristol
University of Chicago Press
2007
|
| Schriftenreihe: | Cinema and modernity
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Kurzbeschreibung Inhaltsverzeichnis |
| Beschreibung: | Literaturverzeichnis Seite 409-413 |
| Beschreibung: | xii, 427 Seiten Illustrationen 23 cm |
| ISBN: | 9780226451633 0226451631 9780226451657 0226451658 |
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| 245 | 1 | 0 | |a Screening modernism |b European art cinema, 1950-1980 |c András Bálint Kovács |
| 246 | 1 | 3 | |a Screening modernism: European art cinema, 1950-1980 |
| 264 | 1 | |a Chicago, Ill. ; Bristol |b University of Chicago Press |c 2007 | |
| 300 | |a xii, 427 Seiten |b Illustrationen |c 23 cm | ||
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| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Cinema and modernity | |
| 500 | |a Literaturverzeichnis Seite 409-413 | ||
| 648 | 7 | |a Geschichte 1950-1980 |2 gnd |9 rswk-swf | |
| 650 | 7 | |a Filmkunst |2 gtt | |
| 650 | 7 | |a Modernisme (cultuur) |2 gtt | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Motion pictures |z Europe |x History | |
| 650 | 4 | |a Modernism (Aesthetics) |z Europe | |
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Datensatz im Suchindex
| _version_ | 1804137346147287040 |
|---|---|
| adam_text | IMAGE 1
XI 1
CONTENTS
ACKNOWLEDGMENTS
INTRODUCTION
PART ONE: WHAT IS THE MODERN?
1 THEORIZING MODERNISM 7
MODERN 8
MODERNISM 11
AVANT-GARDE 14
CINEMA AND MODERNISM: THE FIRST ENCOUNTER 16
THE INSTITUTION OF THE ART FILM 20
MODERNIST ART CINEMA AND THE AVANT-GARDE 27
2 THEORIES OF THE CLASSICAL/MODERN
DISTINCTION IN THE CINEMA 33
STYLE ANALYSTS 34
EVOLUTIONISTS 38
MODERN CINEMA AND DELEUZE 40
MODERNISM AS AN UNFINISHED PROJECT 44
PART TWO: THE FORMS OF MODERNISM
3 MODERN ART CINEMA: STYLE OR MOVEMENT? 51
4 NARRATION IN MODERN CINEMA 56
CLASSICAL VERSUS MODERNIST ART FILMS 61
THE ALIENATION OF THE ABSTRACT INDIVIDUAL 65
IMAGE 2
C ONTE N T S
WHO IS THE INDIVIDUAL IN MODERN CINEMA? 67
THE ROLE OF CHANCE 7O
OPEN-ENDED NARRATIVE 77
NARRATIVE TRAJECTORY PATTERNS: LINEAR, CIRCULAR, SPIRAL 78 5 GENRE IN
MODERN CINEMA 82
MELODRAMA AND MODERNISM 84
EXCURSUS: SARTRE AND THE PHILOSOPHY OF NOTHINGNESS 90 A MODERN
MELODRAMA: ANTONIONI S ECLIPSE (1962)) 96 OTHER GENRES AND RECURRENT
PLOT ELEMENTS 99
INVESTIGATION 99
WANDERING/TRAVEL 102
THE MENTAL JOURNEY 103
CLOSED-SITUATION DRAMA 111
SATIRE/GENRE PARODY 114
VIII THE FILM ESSAY 116
6 PATTERNS OF MODERN FORMS 120
PRIMARY FORMATION: CONTINUITY AND DISCONTINUITY 122
RADICAL CONTINUITY 128
IMAGINARY TIME IN LAST YEAR AT MARIENBAD 130
RADICAL DISCONTINUITY 131
THE FRAGMENTED FORM ACCORDING TO GODARD 132
SERIAL FORM 136
7 STYLES MODERNISM 140
MINIMALIST STYLES 140
THE BRESSON STYLE 141
ABSTRACT SUBJECTIVITY AND THE MODEL 146
BRESSON AND HIS FOLLOWERS 148
ANALYTICAL MINIMALISM: THE ANTONIONI STYLE 149
PSYCHIC LANDSCAPE? 149
CONTINUITY 153
ANTONIONI AND HIS FOLLOWERS 156
EXPRESSIVE MINIMALISM 161
8 NATURALIST STYLES 168
POST-NEOREALISM 169
CINEMA VERITE 170
THE NEW WAVE STYLE 172
9 ORNAMENTAL STYLES 175
10 THEATRICAL STYLES 192
11 MODERN CINEMA TRENDS 203
THE FAMILY TREE OF MODERN CINEMA 210
IMAGE 3
CONTENTS
PART THREE: APPEARANCE AND PROPAGATION OF MODERNISM (1949-1958)
12 CRITICAL REFLEXIVITY OR THE BIRTH
OF THE AUTEUR 217
THE BIRTH OF THE AUTEUR 218
HISTORICAL FORMS OF REFLEXIVITY 224
THE EMERGENCE OF CRITICAL REFLEXIVITY: BERGMAN S P RISON 227
REFLEXIVITY AND ABSTRACTION: MODERN CINEMA AND THE NOUVEAU ROMAN 231
13 THE RETURN OF THE THEATRICAL 238
ABSTRACT DRAMA 241
14 THE DESTABILIZATION OF THE FABULA 244
VOICE-OVER NARRATION 245
THE DISSOLUTION OF CLASSICAL NARRATIVE: FILM NOIR AND MODERNISM 246
FABULA ALTERNATIVES: HITCHCOCK 248
ALTERNATIVE SUBJECTIVE NARRATION: RASHOMON 251
15 AN ALTERNATIVE TO THE CLASSICAL FORM: NEOREALISM AND MODERNISM 253
THE END OF NEOREALISM 255
MODERNISM IN STORY OF A LOVE AFFAIR: NEOREALISM MEETS FILM NOIR 256
ROSSELLINI: THE NEOREALIST MIRACLE 26O
PART FOUR: THE SHORT STORY OF MODERN CINEMA (1959-1975)
16 THE ROMANTIC PERIOD, 1959-1961 275
NEOREALISM: THE REFERENCE 276
EASTERN EUROPE: FROM SOCIALIST REALISM TOWARD NEOREALISM 282 HEROISM
VERSUS MODERNISM 284
JERZY KAWALEROWICZ: THE FIRST MODERN POLISH AUTEUR 286
THE YEAR 1959 290
FORMS OF ROMANTIC MODERNISM 293
GENRE AND NARRATION IN THE EARLY YEARS 295
SOUND AND IMAGE 298
BACKGROUND AND FOREGROUND 300
FROM HIROSHIMA TO MARIENBAD: MODERNISM AND
THE CINEMA OF THE ELITE 303
THE PRODUCTION SYSTEM OF THE NEW CINEMA 306
IX
IMAGE 4
CONTENTS
17 ESTABLISHED MODERNISM, 1962-1966 310
WESTERN EUROPE AROUND 1962 310
THE KEY FILM OF 1962: FELLINI S 812 316
CENTRAL EUROPE 322
CZECHOSLOVAK GROTESQUE REALISM 324
THE CENTRAL EUROPEAN EXPERIENCE 326
JANCSO AND THE ORNAMENTAL STYLE 329
SUMMARY 336
18 THE YEAR 1966 338
THE LONELINESS OF THE AUTEUR 341
19 POLITICAL MODERNISM, 1967-1975 349
THE YEAR 1968 350
CONCEPTUAL MODERNISM: THE AUTEUR S NEW WORLD 355 RECONSTRUCTING REALITY
357
COUNTER-CINEMA: NARRATION AS A DIRECT AUTEURIAL DISCOURSE 363 THE FILM
AS A MEANS OF DIRECT POLITICAL ACTION 368
PARABOLIC DISCOURSE 371
TEOREMA 373
THE AUTEUR S PRIVATE MYTHOLOGY 376
THE SELF-CRITIQUE OF POLITICAL MODERNISM: SWEET MOVIE 38O SUMMARY 382
20 THE DEATH OF THE AUTEUR 383
THE LAST OF MODERNISM: MIRROR 387
MIRROR AND SERIAL STRUCTURE 389
THE DISAPPEARANCE OF NOTHINGNESS 394
APPENDIX: A CHRONOLOGY OF MODERN CINEMA 401
SELECTED BIBLIOGRAPHY 409
INDEX OF NAMES AND MOVIE TITLES 415
|
| adam_txt |
IMAGE 1
XI 1
CONTENTS
ACKNOWLEDGMENTS
INTRODUCTION
PART ONE: WHAT IS THE MODERN?
1 THEORIZING MODERNISM 7
MODERN 8
MODERNISM 11
AVANT-GARDE 14
CINEMA AND MODERNISM: THE FIRST ENCOUNTER 16
THE INSTITUTION OF THE ART FILM 20
MODERNIST ART CINEMA AND THE AVANT-GARDE 27
2 THEORIES OF THE CLASSICAL/MODERN
DISTINCTION IN THE CINEMA 33
STYLE ANALYSTS 34
EVOLUTIONISTS 38
MODERN CINEMA AND DELEUZE 40
MODERNISM AS AN UNFINISHED PROJECT 44
PART TWO: THE FORMS OF MODERNISM
3 MODERN ART CINEMA: STYLE OR MOVEMENT? 51
4 NARRATION IN MODERN CINEMA 56
CLASSICAL VERSUS MODERNIST ART FILMS 61
THE ALIENATION OF THE ABSTRACT INDIVIDUAL 65
IMAGE 2
C ONTE N T S
WHO IS "THE INDIVIDUAL" IN MODERN CINEMA? 67
THE ROLE OF CHANCE 7O
OPEN-ENDED NARRATIVE 77
NARRATIVE TRAJECTORY PATTERNS: LINEAR, CIRCULAR, SPIRAL 78 5 GENRE IN
MODERN CINEMA 82
MELODRAMA AND MODERNISM 84
EXCURSUS: SARTRE AND THE PHILOSOPHY OF NOTHINGNESS 90 A MODERN
MELODRAMA: ANTONIONI 'S ECLIPSE (1962)) 96 OTHER GENRES AND RECURRENT
PLOT ELEMENTS 99
INVESTIGATION 99
WANDERING/TRAVEL 102
THE MENTAL JOURNEY 103
CLOSED-SITUATION DRAMA 111
SATIRE/GENRE PARODY 114
VIII THE FILM ESSAY 116
6 PATTERNS OF MODERN FORMS 120
PRIMARY FORMATION: CONTINUITY AND DISCONTINUITY 122
RADICAL CONTINUITY 128
IMAGINARY TIME IN LAST YEAR AT MARIENBAD 130
RADICAL DISCONTINUITY 131
THE FRAGMENTED FORM ACCORDING TO GODARD 132
SERIAL FORM 136
7 STYLES MODERNISM 140
MINIMALIST STYLES 140
THE BRESSON STYLE 141
ABSTRACT SUBJECTIVITY AND THE "MODEL" 146
BRESSON AND HIS FOLLOWERS 148
ANALYTICAL MINIMALISM: THE ANTONIONI STYLE 149
PSYCHIC LANDSCAPE? 149
CONTINUITY 153
ANTONIONI AND HIS FOLLOWERS 156
EXPRESSIVE MINIMALISM 161
8 NATURALIST STYLES 168
POST-NEOREALISM 169
CINEMA VERITE 170
THE "NEW WAVE" STYLE 172
9 ORNAMENTAL STYLES 175
10 THEATRICAL STYLES 192
11 MODERN CINEMA TRENDS 203
THE FAMILY TREE OF MODERN CINEMA 210
IMAGE 3
CONTENTS
PART THREE: APPEARANCE AND PROPAGATION OF MODERNISM (1949-1958)
12 CRITICAL REFLEXIVITY OR THE BIRTH
OF THE AUTEUR 217
THE BIRTH OF THE AUTEUR 218
HISTORICAL FORMS OF REFLEXIVITY 224
THE EMERGENCE OF CRITICAL REFLEXIVITY: BERGMAN'S P RISON 227
REFLEXIVITY AND ABSTRACTION: MODERN CINEMA AND THE NOUVEAU ROMAN 231
13 THE RETURN OF THE THEATRICAL 238
ABSTRACT DRAMA 241
14 THE DESTABILIZATION OF THE FABULA 244
VOICE-OVER NARRATION 245
THE DISSOLUTION OF CLASSICAL NARRATIVE: FILM NOIR AND MODERNISM 246
FABULA ALTERNATIVES: HITCHCOCK 248
ALTERNATIVE SUBJECTIVE NARRATION: RASHOMON 251
15 AN ALTERNATIVE TO THE CLASSICAL FORM: NEOREALISM AND MODERNISM 253
THE END OF NEOREALISM 255
MODERNISM IN STORY OF A LOVE AFFAIR: NEOREALISM MEETS FILM NOIR 256
ROSSELLINI: THE "NEOREALIST MIRACLE" 26O
PART FOUR: THE SHORT STORY OF MODERN CINEMA (1959-1975)
16 THE ROMANTIC PERIOD, 1959-1961 275
NEOREALISM: THE REFERENCE 276
EASTERN EUROPE: FROM SOCIALIST REALISM TOWARD NEOREALISM 282 HEROISM
VERSUS MODERNISM 284
JERZY KAWALEROWICZ: THE FIRST MODERN POLISH AUTEUR 286
THE YEAR 1959 290
FORMS OF ROMANTIC MODERNISM 293
GENRE AND NARRATION IN THE EARLY YEARS 295
SOUND AND IMAGE 298
BACKGROUND AND FOREGROUND 300
FROM HIROSHIMA TO MARIENBAD: MODERNISM AND
THE CINEMA OF THE ELITE 303
THE PRODUCTION SYSTEM OF THE "NEW CINEMA" 306
IX
IMAGE 4
CONTENTS
17 ESTABLISHED MODERNISM, 1962-1966 310
WESTERN EUROPE AROUND 1962 310
THE KEY FILM OF 1962: FELLINI'S 812 316
CENTRAL EUROPE 322
CZECHOSLOVAK GROTESQUE REALISM 324
THE "CENTRAL EUROPEAN EXPERIENCE" 326
JANCSO AND THE ORNAMENTAL STYLE 329
SUMMARY 336
18 THE YEAR 1966 338
THE LONELINESS OF THE AUTEUR 341
19 POLITICAL MODERNISM, 1967-1975 349
THE YEAR 1968 350
CONCEPTUAL MODERNISM: THE AUTEUR'S NEW WORLD 355 RECONSTRUCTING REALITY
357
COUNTER-CINEMA: NARRATION AS A DIRECT AUTEURIAL DISCOURSE 363 THE FILM
AS A MEANS OF DIRECT POLITICAL ACTION 368
PARABOLIC DISCOURSE 371
TEOREMA 373
THE AUTEUR'S PRIVATE MYTHOLOGY 376
THE SELF-CRITIQUE OF POLITICAL MODERNISM: SWEET MOVIE 38O SUMMARY 382
20 "THE DEATH OF THE AUTEUR" 383
THE LAST OF MODERNISM: MIRROR 387
MIRROR AND SERIAL STRUCTURE 389
THE DISAPPEARANCE OF NOTHINGNESS 394
APPENDIX: A CHRONOLOGY OF MODERN CINEMA 401
SELECTED BIBLIOGRAPHY 409
INDEX OF NAMES AND MOVIE TITLES 415 |
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| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| era | Geschichte 1950-1980 gnd |
| era_facet | Geschichte 1950-1980 |
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| index_date | 2024-07-02T19:41:36Z |
| indexdate | 2024-07-09T21:10:50Z |
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| language | English |
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| physical | xii, 427 Seiten Illustrationen 23 cm |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | University of Chicago Press |
| record_format | marc |
| series2 | Cinema and modernity |
| spelling | Kovács, András Bálint 1959- Verfasser (DE-588)1100729402 aut Screening modernism European art cinema, 1950-1980 András Bálint Kovács Screening modernism: European art cinema, 1950-1980 Chicago, Ill. ; Bristol University of Chicago Press 2007 xii, 427 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Cinema and modernity Literaturverzeichnis Seite 409-413 Geschichte 1950-1980 gnd rswk-swf Filmkunst gtt Modernisme (cultuur) gtt Film Geschichte Motion pictures Europe History Modernism (Aesthetics) Europe Film (DE-588)4017102-4 gnd rswk-swf Europa (geografie) gtt Europa Europa (DE-588)4015701-5 gnd rswk-swf Europa (DE-588)4015701-5 g Film (DE-588)4017102-4 s Geschichte 1950-1980 z DE-604 http://www.loc.gov/catdir/toc/ecip0715/2007013782.html Inhaltsverzeichnis http://www.loc.gov/catdir/enhancements/fy0732/2007013782-d.html Kurzbeschreibung OEBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016295377&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Kovács, András Bálint 1959- Screening modernism European art cinema, 1950-1980 Filmkunst gtt Modernisme (cultuur) gtt Film Geschichte Motion pictures Europe History Modernism (Aesthetics) Europe Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4015701-5 |
| title | Screening modernism European art cinema, 1950-1980 |
| title_alt | Screening modernism: European art cinema, 1950-1980 |
| title_auth | Screening modernism European art cinema, 1950-1980 |
| title_exact_search | Screening modernism European art cinema, 1950-1980 |
| title_exact_search_txtP | Screening modernism European art cinema, 1950-1980 |
| title_full | Screening modernism European art cinema, 1950-1980 András Bálint Kovács |
| title_fullStr | Screening modernism European art cinema, 1950-1980 András Bálint Kovács |
| title_full_unstemmed | Screening modernism European art cinema, 1950-1980 András Bálint Kovács |
| title_short | Screening modernism |
| title_sort | screening modernism european art cinema 1950 1980 |
| title_sub | European art cinema, 1950-1980 |
| topic | Filmkunst gtt Modernisme (cultuur) gtt Film Geschichte Motion pictures Europe History Modernism (Aesthetics) Europe Film (DE-588)4017102-4 gnd |
| topic_facet | Filmkunst Modernisme (cultuur) Film Geschichte Motion pictures Europe History Modernism (Aesthetics) Europe Europa (geografie) Europa |
| url | http://www.loc.gov/catdir/toc/ecip0715/2007013782.html http://www.loc.gov/catdir/enhancements/fy0732/2007013782-d.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016295377&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT kovacsandrasbalint screeningmodernismeuropeanartcinema19501980 |
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Inhaltsverzeichnis