Larkin, ideology and critical violence: a case of wrongful conviction
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Basingstoke [u.a.]
Palgrave Macmillan
2008
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references (p. 284-292) and index |
| Beschreibung: | VIII, 304 S. 23 cm |
| ISBN: | 1403937060 9781403937063 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgements
vi
List of Abbreviations
viii
Introduction: Radical Larkin and
the Late Millennial Bowdler
1
1
Larkin and Modernism: Jazz
27
2
Larkin and Modernism: Poetry
50
3
Larkin and Philosophy: Existentialism
82
4
Larkin and Philosophy: Poststructuralism
100
5
Larkin and Englishness
132
6
Larkin and Gender
159
7
Larkin and Politics
187
8
Larkin and Identity
216
Conclusion: Larkin and Postmodernism
257
Notes
261
Bibliography
284
Index
293
Philip Larkin
has been described as a Parnassian Ron Glum (Andrew
Motion), a foul-mouthed bigot (Peter Ackroyd), a provincial grotesque
(Bryan Appleyard) and anti-intellectual, racist, sexist, and rotten with
class-consciousness
(Germaine Gréer). A
recent eBay auction advertised
his biography under the key words: Homosexual Pornography Poet PHILIP
LARKIN Nazi . Yet this same Philip Larkin is a massive and enabling
influence on such exciting new millennial artists as Ian McEwan, Zadie
Smith, David Mitchell, Carol Ann Duffy, Thomas
Ades,
the composers of
Jerry Springer- the Opera and Damien Hirst (every painting in whose
latest exhibition is titled after one of Larkin s poems).
Written in an outspoken, polemical style, this volume combines a
devastating critique of the theoretical flimsiness of most Larkin
scholarship with a revolutionary interpretation of the poems that grants
them a central role in the emergence of a British Postmodernism and
accounts for their continuing utility to the brilliant young.
John Osborne is Director of American Studies at the University of Hull,
U K.
For ten years
(1985-95)
he edited Bete Noire magazine and ran what
the Guardian described as the premier poetry reading series in the
English-speaking world . More recently, he was co-founder and first
Secretary of the Philip Larkin Society.
|
| adam_txt |
Contents
Acknowledgements
vi
List of Abbreviations
viii
Introduction: Radical Larkin and
the Late Millennial Bowdler
1
1
Larkin and Modernism: Jazz
27
2
Larkin and Modernism: Poetry
50
3
Larkin and Philosophy: Existentialism
82
4
Larkin and Philosophy: Poststructuralism
100
5
Larkin and Englishness
132
6
Larkin and Gender
159
7
Larkin and Politics
187
8
Larkin and Identity
216
Conclusion: Larkin and Postmodernism
257
Notes
261
Bibliography
284
Index
293
Philip Larkin
has been described as 'a Parnassian Ron Glum' (Andrew
Motion), 'a foul-mouthed bigot' (Peter Ackroyd), 'a provincial grotesque'
(Bryan Appleyard) and 'anti-intellectual, racist, sexist, and rotten with
class-consciousness'
(Germaine Gréer). A
recent eBay auction advertised
his biography under the key words: 'Homosexual Pornography Poet PHILIP
LARKIN Nazi'. Yet this same Philip Larkin is a massive and enabling
influence on such exciting new millennial artists as Ian McEwan, Zadie
Smith, David Mitchell, Carol Ann Duffy, Thomas
Ades,
the composers of
Jerry Springer- the Opera and Damien Hirst (every painting in whose
latest exhibition is titled after one of Larkin's poems).
Written in an outspoken, polemical style, this volume combines a
devastating critique of the theoretical flimsiness of most Larkin
scholarship with a revolutionary interpretation of the poems that grants
them a central role in the emergence of a British Postmodernism and
accounts for their continuing utility to the brilliant young.
John Osborne is Director of American Studies at the University of Hull,
U K.
For ten years
(1985-95)
he edited Bete Noire magazine and ran what
the Guardian described as 'the premier poetry reading series in the
English-speaking world'. More recently, he was co-founder and first
Secretary of the Philip Larkin Society. |
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| spellingShingle | Osborne, John Larkin, ideology and critical violence a case of wrongful conviction Larkin, Philip / Criticism and interpretation Larkin, Philip Criticism and interpretation Larkin, Philip 1922-1985 (DE-588)118569740 gnd English poetry / History and criticism American poetry / History and criticism Censorship / Great Britain / History Censorship / United States / History English literature / Censorship American literature / Censorship Hermeneutics Knowledge, Theory of, in literature Geschichte American literature Censorship American poetry History and criticism Censorship Great Britain History Censorship United States History English literature Censorship English poetry History and criticism Rezeption (DE-588)4049716-1 gnd |
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| title | Larkin, ideology and critical violence a case of wrongful conviction |
| title_auth | Larkin, ideology and critical violence a case of wrongful conviction |
| title_exact_search | Larkin, ideology and critical violence a case of wrongful conviction |
| title_exact_search_txtP | Larkin, ideology and critical violence a case of wrongful conviction |
| title_full | Larkin, ideology and critical violence a case of wrongful conviction John Osborne |
| title_fullStr | Larkin, ideology and critical violence a case of wrongful conviction John Osborne |
| title_full_unstemmed | Larkin, ideology and critical violence a case of wrongful conviction John Osborne |
| title_short | Larkin, ideology and critical violence |
| title_sort | larkin ideology and critical violence a case of wrongful conviction |
| title_sub | a case of wrongful conviction |
| topic | Larkin, Philip / Criticism and interpretation Larkin, Philip Criticism and interpretation Larkin, Philip 1922-1985 (DE-588)118569740 gnd English poetry / History and criticism American poetry / History and criticism Censorship / Great Britain / History Censorship / United States / History English literature / Censorship American literature / Censorship Hermeneutics Knowledge, Theory of, in literature Geschichte American literature Censorship American poetry History and criticism Censorship Great Britain History Censorship United States History English literature Censorship English poetry History and criticism Rezeption (DE-588)4049716-1 gnd |
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