Fluid screens, expanded cinema:
"This book considers the shift from traditional cinema to new frontiers of interactive, performative, and networked media. Using the theories of Marshall McLuhan and Gilles Deleuze as a starting point, renowned scholars explore the way in which digital technology is transforming contemporary vi...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Toronto [u.a.]
Univ. of Toronto Press
2007
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "This book considers the shift from traditional cinema to new frontiers of interactive, performative, and networked media. Using the theories of Marshall McLuhan and Gilles Deleuze as a starting point, renowned scholars explore the way in which digital technology is transforming contemporary visual culture."--BOOK JACKET. |
| Beschreibung: | Includes bibliographical references (p. [327]-340) and index |
| Beschreibung: | 361 S. Ill. 24 cm |
| ISBN: | 9780802092977 |
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Datensatz im Suchindex
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| adam_text | Contents
Acknowledgments
vii
Introduction
3
JANINE MARCHESSAULT
AND SUSAN LORD
PART I. EXPANDING CINEMA
-
IMMERSION
1
Multi-Screens and Future Cinema: The Labyrinth Project at
Expo
67 29
JANINE
MARCHESSAULT
2
Sounds Complicated: What Sixties Audio Experiments Can Teach
Us about the New Media Environments
52
STEPHEN CROCKER
3
The Networked Screen: Moving Images, Materiality, and the
Aesthetics of Size
74
HAIDEE WASSON
4
The Iterative Circle : Transformation of Web Narrative in
Amika
96
SHEILA PETTY
5
Handcrank That Globalism: A Digi-Dialogue 111
ABTGAIL CHILD
6
From Photography to Imography: New Media as Metaphor
126
RON BURNETT
vi
Contents
PART II. DIGITAL TIME
-
ARCHIVE
7
Feminist Digital Aesthetics: The Everyday and Yesterday
145
CAITLIN FISHER
8
The Sight of Sound: The Last Angel of History
160
RINALDO WALCOTT
9
History and Histrionics: Vision Machine s Digital Poetics
177
MICHAEL UWEMEDIMO AND JOSHUA
OPPENHEIMER
10
From Sequence to Stream: Historiography and Media Art
192
SUSAN LORD
11
The Birth of Tragedy in Digital Aesthetics
210
GLENN WILLMOTT
PART III. LIQUID SPACE
-
MOBILITY
12
Armed Vision and the Banalization of War: Full Spectrum
Warrior
231
NICK DYER-WITHEFORD AND GREIG
DE PEUTER
13
The Dialectics of Canadian Film Labour: Technology, Globalization,
Nation
251
JOHN MCCULLOUGH
14
Screening the Call: Cell Phones, Activism, and the Art of
Connection
270
KIRSTY ROBERTSON
15
Immigrant Semiosis
284
LAURA U. MARKS
16
Precepts for Digital Artwork
304
SEAN CUBITT
Afterword: What We Must Do
321
GENE YOUNGBLOOD
Bibliography
327
Contributors
341
Index
349
Fluid Screens, Expanded Cinema
edited by
Janine
Marchessault and Susan Lord
As a medium, film is constantly evolving in
both form and content. Fluid Screens,
Expanded Cinema considers the shift from
traditional cinema to new frontiers of interactive,
performative, and networked media.
Using the theories of Marshall McLuhan and
Gilles Deleuze as a
starting point, renowned
scholars from the fields of film theory, communi¬
cation studies, cultural studies, and new media
theory explore the ways in which digital technology
is transforming contemporary visual culture. The
essays consider a series of questions: What
constitutes the new in new media? How are
digital aesthetics different from film aesthetics?
What new forms of spectatorship and storytelling,
political community, and commodity production
are being made possible through digital media?
Using Gene Youngblood s
1970
book
Expanded Cinema as an anchor for the volume,
Fluid Screens, Expanded Cinema understands
the digital not simply as a technological form,
but also as an experience of space and time that
is tied to capitalism. This important collection is
unique in framing a range of social justice issues
with aesthetic theories of new digital screen
culture that will appeal to scholars and multimedia
artists prepared to break new ground.
|
| adam_txt |
Contents
Acknowledgments
vii
Introduction
3
JANINE MARCHESSAULT
AND SUSAN LORD
PART I. EXPANDING CINEMA
-
IMMERSION
1
Multi-Screens and Future Cinema: The Labyrinth Project at
Expo
67 29
JANINE
MARCHESSAULT
2
Sounds Complicated: What Sixties Audio Experiments Can Teach
Us about the New Media Environments
52
STEPHEN CROCKER
3
The Networked Screen: Moving Images, Materiality, and the
Aesthetics of Size
74
HAIDEE WASSON
4
The 'Iterative Circle': Transformation of Web Narrative in
Amika
96
SHEILA PETTY
5
Handcrank That Globalism: A Digi-Dialogue 111
ABTGAIL CHILD
6
From Photography to Imography: New Media as Metaphor
126
RON BURNETT
vi
Contents
PART II. DIGITAL TIME
-
ARCHIVE
7
Feminist Digital Aesthetics: The Everyday and Yesterday
145
CAITLIN FISHER
8
The Sight of Sound: The Last Angel of History
160
RINALDO WALCOTT
9
History and Histrionics: Vision Machine's Digital Poetics
177
MICHAEL UWEMEDIMO AND JOSHUA
OPPENHEIMER
10
From Sequence to Stream: Historiography and Media Art
192
SUSAN LORD
11
The Birth of Tragedy in Digital Aesthetics
210
GLENN WILLMOTT
PART III. LIQUID SPACE
-
MOBILITY
12
Armed Vision and the Banalization of War: Full Spectrum
Warrior
231
NICK DYER-WITHEFORD AND GREIG
DE PEUTER
13
The Dialectics of Canadian Film Labour: Technology, Globalization,
Nation
251
JOHN MCCULLOUGH
14
Screening the Call: Cell Phones, Activism, and the Art of
Connection
270
KIRSTY ROBERTSON
15
Immigrant Semiosis
284
LAURA U. MARKS
16
Precepts for Digital Artwork
304
SEAN CUBITT
Afterword: What We Must Do
321
GENE YOUNGBLOOD
Bibliography
327
Contributors
341
Index
349
Fluid Screens, Expanded Cinema
edited by
Janine
Marchessault and Susan Lord
As a medium, film is constantly evolving in
both form and content. Fluid Screens,
Expanded Cinema considers the shift from
traditional cinema to new frontiers of interactive,
performative, and networked media.
Using the theories of Marshall McLuhan and
Gilles Deleuze as a
starting point, renowned
scholars from the fields of film theory, communi¬
cation studies, cultural studies, and new media
theory explore the ways in which digital technology
is transforming contemporary visual culture. The
essays consider a series of questions: What
constitutes the 'new' in new media? How are
digital aesthetics different from film aesthetics?
What new forms of spectatorship and storytelling,
political community, and commodity production
are being made possible through digital media?
Using Gene Youngblood's
1970
book
Expanded Cinema as an anchor for the volume,
Fluid Screens, Expanded Cinema understands
the digital not simply as a technological form,
but also as an experience of space and time that
is tied to capitalism. This important collection is
unique in framing a range of social justice issues
with aesthetic theories of new digital screen
culture that will appeal to scholars and multimedia
artists prepared to break new ground. |
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| spelling | Fluid screens, expanded cinema ed. by Janine Marchessault ... Toronto [u.a.] Univ. of Toronto Press 2007 361 S. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. [327]-340) and index "This book considers the shift from traditional cinema to new frontiers of interactive, performative, and networked media. Using the theories of Marshall McLuhan and Gilles Deleuze as a starting point, renowned scholars explore the way in which digital technology is transforming contemporary visual culture."--BOOK JACKET. Motion pictures Digital media Interactive multimedia Technology and the arts Cinéma Médias numériques Multimédias interactifs Technologie et arts Filmkunst gtt Massamedia gtt Film Medien Neue Medien (DE-588)4196910-8 gnd rswk-swf Interaktive Medien (DE-588)4642838-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Film (DE-588)4017102-4 s Neue Medien (DE-588)4196910-8 s DE-604 Interaktive Medien (DE-588)4642838-0 s Marchessault, Janine 1959- Sonstige (DE-588)173396097 oth Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016279794&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016279794&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Fluid screens, expanded cinema Motion pictures Digital media Interactive multimedia Technology and the arts Cinéma Médias numériques Multimédias interactifs Technologie et arts Filmkunst gtt Massamedia gtt Film Medien Neue Medien (DE-588)4196910-8 gnd Interaktive Medien (DE-588)4642838-0 gnd Film (DE-588)4017102-4 gnd |
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| title | Fluid screens, expanded cinema |
| title_auth | Fluid screens, expanded cinema |
| title_exact_search | Fluid screens, expanded cinema |
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| title_full | Fluid screens, expanded cinema ed. by Janine Marchessault ... |
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| title_full_unstemmed | Fluid screens, expanded cinema ed. by Janine Marchessault ... |
| title_short | Fluid screens, expanded cinema |
| title_sort | fluid screens expanded cinema |
| topic | Motion pictures Digital media Interactive multimedia Technology and the arts Cinéma Médias numériques Multimédias interactifs Technologie et arts Filmkunst gtt Massamedia gtt Film Medien Neue Medien (DE-588)4196910-8 gnd Interaktive Medien (DE-588)4642838-0 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Motion pictures Digital media Interactive multimedia Technology and the arts Cinéma Médias numériques Multimédias interactifs Technologie et arts Filmkunst Massamedia Film Medien Neue Medien Interaktive Medien Aufsatzsammlung |
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