The visual object of desire in late medieval England:
"Little remains of the rich visual culture of late medieval English piety. The century and a half leading up to the Reformation had seen an unparalleled growth of devotional arts, as chapels, parish churches, and cathedrals came to be filled with images in stone, wood, alabaster, glass, embroid...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Philadelphia
Univ. of Pennsylvania Press
2008
|
| Schriftenreihe: | The Middle Ages Series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Little remains of the rich visual culture of late medieval English piety. The century and a half leading up to the Reformation had seen an unparalleled growth of devotional arts, as chapels, parish churches, and cathedrals came to be filled with images in stone, wood, alabaster, glass, embroidery, and paint of newly personalized saints, angels, and the Holy Family. But much of this fell victim to the Royal Injunctions of September 1538, when parish officials were ordered to remove images from their churches." "In this highly insightful book Sarah Stanbury explores the lost traffic in images in late medieval England and its impact on contemporary authors and artists. For Chaucer, Nicholas Love, Margery Kempe, the image debate provides an urgent language for exploring the demands of a material devotional culture - though these writers by no means agree on the ethics of those demands. As Stanbury contends, England in the late Middle Ages was keenly attuned to and troubled by its "culture of the spectacle," whether this spectacle took the form of a newly-made queen in Chaucer's Clerk's Tale or of the animate Christ in Norwich Cathedral's Despenser Retable. In picturing images and icons, these texts were responding to reformist controversies as well as to the social and economic demands of things themselves, the provocative objects that made up the fabric of ritual life."--BOOK JACKET. |
| Beschreibung: | Includes bibliographical references (p. [259]-278) and index |
| Beschreibung: | 290 S. Ill. 24 cm |
| ISBN: | 9780812240382 0812240383 |
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Datensatz im Suchindex
| _version_ | 1804137322370826240 |
|---|---|
| adam_text | INTRODUCTION: PREMODERN FETISHES I FETISH, IDOL, ICON I. KNIGHTON S
LOLLARDS, CAPGRAVE S KATHERINE, AND WALTER HILTON S MERK YMAGE 33 2.
THE DESPENSER RETABLE AND 13 8 I 76 CHAUCER S SACRAMENTAL POETIC 3.
CHAUCER AND IMAGES 95 4. TRANSLATING GRISELDA 122 5, THE CLERGEON S
TONGUE 153 MOVING PICTURES 6. NICHOLAS LOVE S MIRROR: DEAD IMAGES AND
THE LIFE OF CHRIST 172 7. ARTS OF SELF-PATRONAGE IN THE BOOK OF MARGERY
KEMPE 191 NOTES 219 WORKS CITED 259 INDEX 279 ACKNOWLEDGMENTS 291 PPN:
276659627 TITEL: THE VISUAL OBJECT OF DESIRE IN LATE MEDIEVAL ENGLAND /
. - PHILADELPHIA, PA. : UNIVERSITY OF PENNSYLVANIA PRESS, 2008 ISBN:
978-0-8122-4038-2CA. 65,00 USD; 0-8122-4038-3 BIBLIOGRAPHISCHER
DATENSATZ IM SWB-VERBUND
|
| adam_txt |
INTRODUCTION: PREMODERN FETISHES I FETISH, IDOL, ICON I. KNIGHTON'S
LOLLARDS, CAPGRAVE'S KATHERINE, AND WALTER HILTON'S "MERK YMAGE" 33 2.
THE DESPENSER RETABLE AND 13 8 I 76 CHAUCER'S SACRAMENTAL POETIC 3.
CHAUCER AND IMAGES 95 4. TRANSLATING GRISELDA 122 5, THE CLERGEON'S
TONGUE 153 MOVING PICTURES 6. NICHOLAS LOVE'S MIRROR: DEAD IMAGES AND
THE LIFE OF CHRIST 172 7. ARTS OF SELF-PATRONAGE IN THE BOOK OF MARGERY
KEMPE 191 NOTES 219 WORKS CITED 259 INDEX 279 ACKNOWLEDGMENTS 291 PPN:
276659627 TITEL: THE VISUAL OBJECT OF DESIRE IN LATE MEDIEVAL ENGLAND /
. - PHILADELPHIA, PA. : UNIVERSITY OF PENNSYLVANIA PRESS, 2008 ISBN:
978-0-8122-4038-2CA. 65,00 USD; 0-8122-4038-3 BIBLIOGRAPHISCHER
DATENSATZ IM SWB-VERBUND |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Stanbury, Sarah |
| author_facet | Stanbury, Sarah |
| author_role | aut |
| author_sort | Stanbury, Sarah |
| author_variant | s s ss |
| building | Verbundindex |
| bvnumber | BV023076694 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR275 |
| callnumber-raw | PR275.I3 |
| callnumber-search | PR275.I3 |
| callnumber-sort | PR 3275 I3 |
| callnumber-subject | PR - English Literature |
| classification_rvk | LO 50050 |
| ctrlnum | (OCoLC)154800580 (DE-599)BVBBV023076694 |
| dewey-full | 820.9/001 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 820 - English & Old English literatures |
| dewey-raw | 820.9/001 |
| dewey-search | 820.9/001 |
| dewey-sort | 3820.9 11 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Kunstgeschichte Anglistik / Amerikanistik |
| discipline_str_mv | Kunstgeschichte Anglistik / Amerikanistik |
| era | Geschichte 1300-1500 gnd Geschichte 1380-1450 gnd |
| era_facet | Geschichte 1300-1500 Geschichte 1380-1450 |
| format | Book |
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| illustrated | Illustrated |
| index_date | 2024-07-02T19:35:23Z |
| indexdate | 2024-07-09T21:10:27Z |
| institution | BVB |
| isbn | 9780812240382 0812240383 |
| language | English |
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| record_format | marc |
| series2 | The Middle Ages Series |
| spelling | Stanbury, Sarah Verfasser aut The visual object of desire in late medieval England Sarah Stanbury Philadelphia Univ. of Pennsylvania Press 2008 290 S. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier The Middle Ages Series Includes bibliographical references (p. [259]-278) and index "Little remains of the rich visual culture of late medieval English piety. The century and a half leading up to the Reformation had seen an unparalleled growth of devotional arts, as chapels, parish churches, and cathedrals came to be filled with images in stone, wood, alabaster, glass, embroidery, and paint of newly personalized saints, angels, and the Holy Family. But much of this fell victim to the Royal Injunctions of September 1538, when parish officials were ordered to remove images from their churches." "In this highly insightful book Sarah Stanbury explores the lost traffic in images in late medieval England and its impact on contemporary authors and artists. For Chaucer, Nicholas Love, Margery Kempe, the image debate provides an urgent language for exploring the demands of a material devotional culture - though these writers by no means agree on the ethics of those demands. As Stanbury contends, England in the late Middle Ages was keenly attuned to and troubled by its "culture of the spectacle," whether this spectacle took the form of a newly-made queen in Chaucer's Clerk's Tale or of the animate Christ in Norwich Cathedral's Despenser Retable. In picturing images and icons, these texts were responding to reformist controversies as well as to the social and economic demands of things themselves, the provocative objects that made up the fabric of ritual life."--BOOK JACKET. Chaucer, Geoffrey / d. 1400 Geschichte 1300-1500 gnd rswk-swf Geschichte 1380-1450 gnd rswk-swf Art and literature / England / History / To 1500 Christian art and symbolism / England / Medieval, 500-1500 Christian art and symbolism in literature Civilization, Medieval, in literature Geschichte Art and literature England History To 1500 Christian art and symbolism England Medieval, 500-1500 English literature Middle English, 1100-1500 History and criticism Iconoclasm in literature Iconoclasm England History To 1500 Idols and images in literature Christliche Kunst (DE-588)4010109-5 gnd rswk-swf Frömmigkeit (DE-588)4018672-6 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf England (DE-588)4014770-8 gnd rswk-swf England (DE-588)4014770-8 g Christliche Kunst (DE-588)4010109-5 s Geschichte 1380-1450 z DE-604 Kunst (DE-588)4114333-4 s Literatur (DE-588)4035964-5 s Geschichte 1300-1500 z Frömmigkeit (DE-588)4018672-6 s SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016279776&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Stanbury, Sarah The visual object of desire in late medieval England Chaucer, Geoffrey / d. 1400 Art and literature / England / History / To 1500 Christian art and symbolism / England / Medieval, 500-1500 Christian art and symbolism in literature Civilization, Medieval, in literature Geschichte Art and literature England History To 1500 Christian art and symbolism England Medieval, 500-1500 English literature Middle English, 1100-1500 History and criticism Iconoclasm in literature Iconoclasm England History To 1500 Idols and images in literature Christliche Kunst (DE-588)4010109-5 gnd Frömmigkeit (DE-588)4018672-6 gnd Literatur (DE-588)4035964-5 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4010109-5 (DE-588)4018672-6 (DE-588)4035964-5 (DE-588)4114333-4 (DE-588)4014770-8 |
| title | The visual object of desire in late medieval England |
| title_auth | The visual object of desire in late medieval England |
| title_exact_search | The visual object of desire in late medieval England |
| title_exact_search_txtP | The visual object of desire in late medieval England |
| title_full | The visual object of desire in late medieval England Sarah Stanbury |
| title_fullStr | The visual object of desire in late medieval England Sarah Stanbury |
| title_full_unstemmed | The visual object of desire in late medieval England Sarah Stanbury |
| title_short | The visual object of desire in late medieval England |
| title_sort | the visual object of desire in late medieval england |
| topic | Chaucer, Geoffrey / d. 1400 Art and literature / England / History / To 1500 Christian art and symbolism / England / Medieval, 500-1500 Christian art and symbolism in literature Civilization, Medieval, in literature Geschichte Art and literature England History To 1500 Christian art and symbolism England Medieval, 500-1500 English literature Middle English, 1100-1500 History and criticism Iconoclasm in literature Iconoclasm England History To 1500 Idols and images in literature Christliche Kunst (DE-588)4010109-5 gnd Frömmigkeit (DE-588)4018672-6 gnd Literatur (DE-588)4035964-5 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Chaucer, Geoffrey / d. 1400 Art and literature / England / History / To 1500 Christian art and symbolism / England / Medieval, 500-1500 Christian art and symbolism in literature Civilization, Medieval, in literature Geschichte Art and literature England History To 1500 Christian art and symbolism England Medieval, 500-1500 English literature Middle English, 1100-1500 History and criticism Iconoclasm in literature Iconoclasm England History To 1500 Idols and images in literature Christliche Kunst Frömmigkeit Literatur Kunst England |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016279776&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT stanburysarah thevisualobjectofdesireinlatemedievalengland |