Awangarda wobec instytucji: o sposobach prezentacji sztuki w PRL-u
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Polish |
| Veröffentlicht: |
Lublin
Towarzystwo Naukowe Katolickiego Uniw. Lubelskiego Jana Pawła II
2006
|
| Schriftenreihe: | Sztuka Nowa
źródła i komentarze ; 2 |
| Schlagworte: | |
| Online-Zugang: | Abstract Inhaltsverzeichnis |
| Beschreibung: | Zsfassung in engl. Sprache u.d.T.: Avant-garde vis-à-vis Institutions |
| Beschreibung: | 267, [2] s. il. 24 cm |
| ISBN: | 8373063048 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804137321537208320 |
|---|---|
| adam_text | Spis
tresei
Podziękowania
....................................... 5
Instytucja wobec awangardy: stan badań, zarys problemu
...... 7
I. Powołanie miejsca
................................... 33
1.
Rodowód galerii „niezależnych
...................... 33
1.1.
W kierunku awangardy
......................... 33
1.2.
Między przestrzenią miasta a wnętrzem galerii
...... 48
2.
Galeria Foksal: krytyk jako uczestnik
—
ontologia
„miejsca
68
3.
Galeria Pod Moną Liza_: historia i ideologia
............. 95
II.
Struktura „sieci
.................................... 117
1.
Rodowód galera „autorskich
....................... 117
2.
Galeria Permafo: „język i „rzeczywistość fotografii
..... 140
3.
Galeria
Repassage: „dialektyka
okna
................. 156
4.
Biuro Poezji: miejsce publiczne/prywatne
............. 173
5.
Galeria Foksal: archiwizowanie awangardy
.............. 181
III. Awangarda wobec instytucji
.......................... 195
1.
Bieguny teorii awangardy
........................... 195
2.
W kręgu autorstwa
............................... 199
3.
W kręgu dokumentu
............................... 212
4.
Definiowanie awangardy: krytyk i artysta
.............. 227
5.
„Miejsce w dokumencie
.......................... 239
Bibliografia
.......................................... 251
Summary
............................................ 259
Spis ilustracji
......................................... 261
Indeks nazwisk
....................................... 265
Avant-garde vis-a-vis Institutions
On the Ways to Present to Art
Ín
the Polish People s Republic
Summary
The tide of the book draws on Peter Burger s paper entitled Theory of
Avant-garde. The author describes avant-garde art as going beyond the
category of the autonomy of art or art for art s sake. He shows that
avant-garde works of art, based on the principle of installation, combina¬
tion of heterogeneous elements, contradicts the illusory and organic
nature of the traditional work of art.
Such concepts as inorganic work, institution of art, or social
commitment of the artist are adequate for the description of the situa¬
tion in Polish art and history of particular institutions: independent
galleries
(Foksal, Pod Moną Lizą, Permafo,
Repassage,
Biuro Poezji
and
others). In these small and unofficial spaces new art was displayed, the
kind of
att
parallel to the new trends in art in Western Europe and the
USA: environment, happening, and conceptual art. In Poland, however,
these artistic phenomena have received particular importance, since they
were presented in elitist galleries that gathered artistic
micromilieus.
In
the two decades, the
1960s
and the
1970s,
the circumstances had become
very interesting and complex. On the one hand, following the period of
socialist realism of the
1950s,
there was a reception of innovative artistic
movements, but on the other hand the socio-political significance of
those tendencies were corrected by the socio-political frame-work of the
Polish People s Republic. After the ideologically oriented social realism,
groups of artists and critics who established galleries defended the inde¬
pendence and freedom of artistic experiment in the form of the work of
art; rather than projected
utopias
of a social revolution through art
(which was a characteristic motive of the neoavant-garde in the West of
the
1960s).
Thus avant-garde became de-politicised, but as a specific
response to the ideological context of public life in the then Poland.
The author traces the transformations of the model of the inde¬
pendent gallery
Ín
the two decades under consideration. The
transforma-
260
dons of artistic institutions were combines with the decentralisation of
artistic life, changes of the language of artistic expression
ín
various cen¬
tres. Now there was a constant exchange of ideas and conceptions be¬
tween these centres on the map of Polish art. This phenomenon was
described in the
1970s
as an artistic network. The institutional model
seemed adequate for the presentation of the art of conceptual character.
We find here, however, the basic paradox: the individual, arbitrary and
artistic gesture, exposed in the private and informal context of a gallery,
aspired to contain universal meanings and participate in the global net¬
work of art; the concrete situation seemed to be transformed into
a common experience. In the
1970s
the author notices two ways by
means of which to describe galleries: an
autonomìe
place and a non-
diversified no place, network. At the same time he shows the history
of galleries through a reconstruction of small and individualised artistic
circles.
One of the main threads of the book shows the artistic strategy of
critical distance. Some strategies of exhibitions or publications unveil
the artists activity in public space. It goes without saying that this is one
of the main accomplishments of the independent galleries, i.e. they
unveiled the limits of artistic space and a constant interaction between
the artistic idea, expression and the public, social context. It is worth
stressing that this reflection was supposed to protect artistic independ¬
ence as it is contained in the form of a work of art. This was one of the
basic difference in relation to the decade that followed
—
the period of
Solidarity.
Translated by
Jan Kłos
|
| adam_txt |
Spis
tresei
Podziękowania
. 5
Instytucja wobec awangardy: stan badań, zarys problemu
. 7
I. Powołanie miejsca
. 33
1.
Rodowód galerii „niezależnych"
. 33
1.1.
W kierunku awangardy
. 33
1.2.
Między przestrzenią miasta a wnętrzem galerii
. 48
2.
Galeria Foksal: krytyk jako uczestnik
—
ontologia
„miejsca"
68
3.
Galeria Pod Moną Liza_: historia i ideologia
. 95
II.
Struktura „sieci"
. 117
1.
Rodowód galera „autorskich"
. 117
2.
Galeria Permafo: „język" i „rzeczywistość" fotografii
. 140
3.
Galeria
Repassage: „dialektyka
okna"
. 156
4.
Biuro Poezji: miejsce publiczne/prywatne
. 173
5.
Galeria Foksal: archiwizowanie awangardy
. 181
III. Awangarda wobec instytucji
. 195
1.
Bieguny teorii awangardy
. 195
2.
W kręgu autorstwa
. 199
3.
W kręgu dokumentu
. 212
4.
Definiowanie awangardy: krytyk i artysta
. 227
5.
„Miejsce w dokumencie"
. 239
Bibliografia
. 251
Summary
. 259
Spis ilustracji
. 261
Indeks nazwisk
. 265
Avant-garde vis-a-vis Institutions
On the Ways to Present to Art
Ín
the Polish People's Republic
Summary
The tide of the book draws on Peter Burger's paper entitled Theory of
Avant-garde. The author describes avant-garde art as going beyond the
category of the autonomy of art or "art for art's sake." He shows that
avant-garde works of art, based on the principle of installation, combina¬
tion of heterogeneous elements, contradicts the illusory and organic
nature of the traditional work of art.
Such concepts as "inorganic work," "institution of art," or "social
commitment of the artist" are adequate for the description of the situa¬
tion in Polish art and history of particular institutions: "independent
galleries
(Foksal, Pod Moną Lizą, Permafo,
Repassage,
Biuro Poezji
and
others). In these small and unofficial spaces "new art" was displayed, the
kind of
att
parallel to the new trends in art in Western Europe and the
USA: environment, happening, and conceptual art. In Poland, however,
these artistic phenomena have received particular importance, since they
were presented in elitist galleries that gathered artistic
micromilieus.
In
the two decades, the
1960s
and the
1970s,
the circumstances had become
very interesting and complex. On the one hand, following the period of
socialist realism of the
1950s,
there was a reception of innovative artistic
movements, but on the other hand the socio-political significance of
those tendencies were corrected by the socio-political frame-work of the
Polish People's Republic. After the ideologically oriented social realism,
groups of artists and critics who established galleries defended the inde¬
pendence and freedom of artistic experiment in the form of the work of
art; rather than projected
utopias
of a social revolution through art
(which was a characteristic motive of the neoavant-garde in the West of
the
1960s).
Thus avant-garde became de-politicised, but as a specific
response to the ideological context of public life in the then Poland.
The author traces the transformations of the model of the inde¬
pendent gallery
Ín
the two decades under consideration. The
transforma-
260
dons of artistic institutions were combines with the decentralisation of
artistic life, changes of the language of artistic expression
ín
various cen¬
tres. Now there was a constant exchange of ideas and conceptions be¬
tween these centres on the map of Polish art. This phenomenon was
described in the
1970s
as an artistic "network." The "institutional model
seemed adequate for the presentation of the art of conceptual character.
We find here, however, the basic paradox: the individual, arbitrary and
artistic gesture, exposed in the private and informal context of a gallery,
aspired to contain universal meanings and participate in the global "net¬
work" of art; the concrete situation seemed to be transformed into
a common experience. In the
1970s
the author notices two ways by
means of which to describe galleries: an
"autonomìe
place" and a non-
diversified "no place," "network." At the same time he shows the history
of galleries through a reconstruction of small and individualised artistic
circles.
One of the main threads of the book shows the artistic strategy of
"critical distance." Some strategies of exhibitions or publications unveil
the artists' activity in public space. It goes without saying that this is one
of the main accomplishments of the "independent galleries," i.e. they
unveiled the limits of artistic space and a constant interaction between
the artistic idea, expression and the public, social context. It is worth
stressing that this reflection was supposed to protect artistic independ¬
ence as it is contained in the form of a work of art. This was one of the
basic difference in relation to the decade that followed
—
the period of
"Solidarity."
Translated by
Jan Kłos |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Lachowski, Marcin 1975- |
| author_GND | (DE-588)1191717224 |
| author_facet | Lachowski, Marcin 1975- |
| author_role | aut |
| author_sort | Lachowski, Marcin 1975- |
| author_variant | m l ml |
| building | Verbundindex |
| bvnumber | BV023076066 |
| contents | Bibliografia s. 251-258. Indeks |
| ctrlnum | (OCoLC)169909595 (DE-599)BVBBV023076066 |
| era | Geschichte 1945-1990 gnd Geschichte 1960-1990 gnd |
| era_facet | Geschichte 1945-1990 Geschichte 1960-1990 |
| format | Book |
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| geographic | Polen (DE-588)4046496-9 gnd |
| geographic_facet | Polen |
| id | DE-604.BV023076066 |
| illustrated | Not Illustrated |
| index_date | 2024-07-02T19:35:10Z |
| indexdate | 2024-07-09T21:10:26Z |
| institution | BVB |
| isbn | 8373063048 |
| language | Polish |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016279162 |
| oclc_num | 169909595 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 267, [2] s. il. 24 cm |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Towarzystwo Naukowe Katolickiego Uniw. Lubelskiego Jana Pawła II |
| record_format | marc |
| series | Sztuka Nowa |
| series2 | Sztuka Nowa : źródła i komentarze |
| spelling | Lachowski, Marcin 1975- Verfasser (DE-588)1191717224 aut Awangarda wobec instytucji o sposobach prezentacji sztuki w PRL-u Marcin Lachowski ; Towarzystwo Naukowe Katolickiego Uniwersytetu Lubelskiego Jana Pawła II ; Katedra Historii Sztuki Współczesnej KUL. Lublin Towarzystwo Naukowe Katolickiego Uniw. Lubelskiego Jana Pawła II 2006 267, [2] s. il. 24 cm txt rdacontent n rdamedia nc rdacarrier Sztuka Nowa : źródła i komentarze 2 Zsfassung in engl. Sprache u.d.T.: Avant-garde vis-à-vis Institutions Bibliografia s. 251-258. Indeks Geschichte 1945-1990 gnd rswk-swf Geschichte 1960-1990 gnd rswk-swf Awangarda (estetyka) / Polska / 1945-1990 jhpk Galerie sztuki / Polska / 1945-1990 jhpk Awangarda (estetyka) - Polska - 1945-1990 jhpk Galerie sztuki - Polska - 1945-1990 jhpk Kunst (DE-588)4114333-4 gnd rswk-swf Avantgarde (DE-588)4133965-4 gnd rswk-swf Kunstgalerie (DE-588)4166030-4 gnd rswk-swf Kunstbetrieb (DE-588)4208853-7 gnd rswk-swf Polen (DE-588)4046496-9 gnd rswk-swf Polen (DE-588)4046496-9 g Avantgarde (DE-588)4133965-4 s Kunstbetrieb (DE-588)4208853-7 s Kunstgalerie (DE-588)4166030-4 s Geschichte 1945-1990 z DE-604 Kunst (DE-588)4114333-4 s Geschichte 1960-1990 z 1\p DE-604 Sztuka Nowa źródła i komentarze ; 2 (DE-604)BV023076064 2 Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016279162&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Abstract Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016279162&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Lachowski, Marcin 1975- Awangarda wobec instytucji o sposobach prezentacji sztuki w PRL-u Sztuka Nowa Bibliografia s. 251-258. Indeks Awangarda (estetyka) / Polska / 1945-1990 jhpk Galerie sztuki / Polska / 1945-1990 jhpk Awangarda (estetyka) - Polska - 1945-1990 jhpk Galerie sztuki - Polska - 1945-1990 jhpk Kunst (DE-588)4114333-4 gnd Avantgarde (DE-588)4133965-4 gnd Kunstgalerie (DE-588)4166030-4 gnd Kunstbetrieb (DE-588)4208853-7 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4133965-4 (DE-588)4166030-4 (DE-588)4208853-7 (DE-588)4046496-9 |
| title | Awangarda wobec instytucji o sposobach prezentacji sztuki w PRL-u |
| title_auth | Awangarda wobec instytucji o sposobach prezentacji sztuki w PRL-u |
| title_exact_search | Awangarda wobec instytucji o sposobach prezentacji sztuki w PRL-u |
| title_exact_search_txtP | Awangarda wobec instytucji o sposobach prezentacji sztuki w PRL-u |
| title_full | Awangarda wobec instytucji o sposobach prezentacji sztuki w PRL-u Marcin Lachowski ; Towarzystwo Naukowe Katolickiego Uniwersytetu Lubelskiego Jana Pawła II ; Katedra Historii Sztuki Współczesnej KUL. |
| title_fullStr | Awangarda wobec instytucji o sposobach prezentacji sztuki w PRL-u Marcin Lachowski ; Towarzystwo Naukowe Katolickiego Uniwersytetu Lubelskiego Jana Pawła II ; Katedra Historii Sztuki Współczesnej KUL. |
| title_full_unstemmed | Awangarda wobec instytucji o sposobach prezentacji sztuki w PRL-u Marcin Lachowski ; Towarzystwo Naukowe Katolickiego Uniwersytetu Lubelskiego Jana Pawła II ; Katedra Historii Sztuki Współczesnej KUL. |
| title_short | Awangarda wobec instytucji |
| title_sort | awangarda wobec instytucji o sposobach prezentacji sztuki w prl u |
| title_sub | o sposobach prezentacji sztuki w PRL-u |
| topic | Awangarda (estetyka) / Polska / 1945-1990 jhpk Galerie sztuki / Polska / 1945-1990 jhpk Awangarda (estetyka) - Polska - 1945-1990 jhpk Galerie sztuki - Polska - 1945-1990 jhpk Kunst (DE-588)4114333-4 gnd Avantgarde (DE-588)4133965-4 gnd Kunstgalerie (DE-588)4166030-4 gnd Kunstbetrieb (DE-588)4208853-7 gnd |
| topic_facet | Awangarda (estetyka) / Polska / 1945-1990 Galerie sztuki / Polska / 1945-1990 Awangarda (estetyka) - Polska - 1945-1990 Galerie sztuki - Polska - 1945-1990 Kunst Avantgarde Kunstgalerie Kunstbetrieb Polen |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016279162&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016279162&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV023076064 |
| work_keys_str_mv | AT lachowskimarcin awangardawobecinstytucjiosposobachprezentacjisztukiwprlu |