Trash or treasure?: censorship and the changing meanings of the video nasties
"This book is a wide-ranging historical study of the British circulation of the video nasties - a term that was originally coined in order to ban a group of horror videos in Britain in the 1980s. Through an exploration of the range of historical materials, the book examines how this unusual gen...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Manchester [u.a.]
Manchester Univ. Press
2007
|
Ausgabe: | 1. publ. |
Schriftenreihe: | Inside popular film
|
Schlagworte: | |
Online-Zugang: | Klappentext |
Zusammenfassung: | "This book is a wide-ranging historical study of the British circulation of the video nasties - a term that was originally coined in order to ban a group of horror videos in Britain in the 1980s. Through an exploration of the range of historical materials, the book examines how this unusual genre category was formulated in a particular context and then used (for different reasons) by moral campaigners, distributors, critics and fans.By examining the discourses that inform the circulation of a group of banned films, the book argues that censorship is not just about rules and regulations, but also about the discourses that generate censorship, and the cultural and commercial consequences of a censorship act or law."--Publisher. |
Beschreibung: | 272 S. Ill. |
ISBN: | 9780719072321 |
Internformat
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Datensatz im Suchindex
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adam_text | Trash or treasure? is a wide-ranging
historical study of the British circulation of
the video nasties , a term that was originally
coined to ban a group of horror videos in
Britain in the
1980s,
but which continues to
have cultural resonance in Britain up to the
present day.
The book is divided into three sections
which represent the key periods of existence
of the nasties category: the formation of
the term in the
1980s;
the fan culture that
formed around the nasties subsequent to
their banning under the Video Recordings
Act; and the DVD and theatrical re-release
of some of the nasty titles from
1990
onwards. Through an exploration of a range
of relevant historical materials (from film
reviews to fan websites to video advertising
materials), the book examines how this
unusual, historically-specific genre category
was formulated in a particular context, and
then used (for different reasons) by moral
campaigners, distributors, critics and fans.
By examining the discourses that inform
the circulation of a group of banned films,
including the growth of DVD, the internet
and the academic rehabilitation of horror
films, the book argues that censorship is not
just about rules and regulations, but also
about the material, cultural and commercial
consequences of a censorship act of law.
By focusing on this illuminating case
study, this book intersects with a range of
areas within film studies
-
covering film
censorship, film history and reception
studies, video and fan cultures and horror
and genre study
-
and will be of great
interest to lecturers and students of film,
popular culture and the media, as well
as enthusiasts of horror films and those
interested in film censorship debates.
|
adam_txt |
Trash or treasure? is a wide-ranging
historical study of the British circulation of
the 'video nasties', a term that was originally
coined to ban a group of horror videos in
Britain in the
1980s,
but which continues to
have cultural resonance in Britain up to the
present day.
The book is divided into three sections
which represent the key periods of existence
of the nasties category: the formation of
the term in the
1980s;
the fan culture that
formed around the nasties subsequent to
their banning under the Video Recordings
Act; and the DVD and theatrical re-release
of some of the nasty titles from
1990
onwards. Through an exploration of a range
of relevant historical materials (from film
reviews to fan websites to video advertising
materials), the book examines how this
unusual, historically-specific genre category
was formulated in a particular context, and
then used (for different reasons) by moral
campaigners, distributors, critics and fans.
By examining the discourses that inform
the circulation of a group of banned films,
including the growth of DVD, the internet
and the academic rehabilitation of horror
films, the book argues that censorship is not
just about rules and regulations, but also
about the material, cultural and commercial
consequences of a censorship act of law.
By focusing on this illuminating case
study, this book intersects with a range of
areas within film studies
-
covering film
censorship, film history and reception
studies, video and fan cultures and horror
and genre study
-
and will be of great
interest to lecturers and students of film,
popular culture and the media, as well
as enthusiasts of horror films and those
interested in film censorship debates. |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Egan, Kate 1975- |
author_GND | (DE-588)1031302476 |
author_facet | Egan, Kate 1975- |
author_role | aut |
author_sort | Egan, Kate 1975- |
author_variant | k e ke |
building | Verbundindex |
bvnumber | BV023075440 |
callnumber-first | P - Language and Literature |
callnumber-label | PN1995 |
callnumber-raw | PN1995.65.G7 |
callnumber-search | PN1995.65.G7 |
callnumber-sort | PN 41995.65 G7 |
callnumber-subject | PN - General Literature |
classification_rvk | AP 53900 |
ctrlnum | (OCoLC)154789105 (DE-599)BVBBV023075440 |
dewey-full | 363.31094109048 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 363 - Other social problems and services |
dewey-raw | 363.31094109048 |
dewey-search | 363.31094109048 |
dewey-sort | 3363.31094109048 |
dewey-tens | 360 - Social problems and services; associations |
discipline | Allgemeines Soziologie |
discipline_str_mv | Allgemeines Soziologie |
edition | 1. publ. |
era | Geschichte 1980-1990 gnd |
era_facet | Geschichte 1980-1990 |
format | Book |
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id | DE-604.BV023075440 |
illustrated | Illustrated |
index_date | 2024-07-02T19:34:52Z |
indexdate | 2024-07-09T21:10:25Z |
institution | BVB |
isbn | 9780719072321 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016278543 |
oclc_num | 154789105 |
open_access_boolean | |
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physical | 272 S. Ill. |
publishDate | 2007 |
publishDateSearch | 2007 |
publishDateSort | 2007 |
publisher | Manchester Univ. Press |
record_format | marc |
series2 | Inside popular film |
spelling | Egan, Kate 1975- Verfasser (DE-588)1031302476 aut Trash or treasure? censorship and the changing meanings of the video nasties Kate Egan 1. publ. Manchester [u.a.] Manchester Univ. Press 2007 272 S. Ill. txt rdacontent n rdamedia nc rdacarrier Inside popular film "This book is a wide-ranging historical study of the British circulation of the video nasties - a term that was originally coined in order to ban a group of horror videos in Britain in the 1980s. Through an exploration of the range of historical materials, the book examines how this unusual genre category was formulated in a particular context and then used (for different reasons) by moral campaigners, distributors, critics and fans.By examining the discourses that inform the circulation of a group of banned films, the book argues that censorship is not just about rules and regulations, but also about the discourses that generate censorship, and the cultural and commercial consequences of a censorship act or law."--Publisher. Geschichte 1980-1990 gnd rswk-swf Film Horror films Motion pictures Censorship Great Britain Motion pictures Great Britain Distribution Rezeption (DE-588)4049716-1 gnd rswk-swf Horrorfilm (DE-588)4127415-5 gnd rswk-swf Großbritannien Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Horrorfilm (DE-588)4127415-5 s Rezeption (DE-588)4049716-1 s Geschichte 1980-1990 z DE-604 Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016278543&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Egan, Kate 1975- Trash or treasure? censorship and the changing meanings of the video nasties Film Horror films Motion pictures Censorship Great Britain Motion pictures Great Britain Distribution Rezeption (DE-588)4049716-1 gnd Horrorfilm (DE-588)4127415-5 gnd |
subject_GND | (DE-588)4049716-1 (DE-588)4127415-5 (DE-588)4022153-2 |
title | Trash or treasure? censorship and the changing meanings of the video nasties |
title_auth | Trash or treasure? censorship and the changing meanings of the video nasties |
title_exact_search | Trash or treasure? censorship and the changing meanings of the video nasties |
title_exact_search_txtP | Trash or treasure? censorship and the changing meanings of the video nasties |
title_full | Trash or treasure? censorship and the changing meanings of the video nasties Kate Egan |
title_fullStr | Trash or treasure? censorship and the changing meanings of the video nasties Kate Egan |
title_full_unstemmed | Trash or treasure? censorship and the changing meanings of the video nasties Kate Egan |
title_short | Trash or treasure? |
title_sort | trash or treasure censorship and the changing meanings of the video nasties |
title_sub | censorship and the changing meanings of the video nasties |
topic | Film Horror films Motion pictures Censorship Great Britain Motion pictures Great Britain Distribution Rezeption (DE-588)4049716-1 gnd Horrorfilm (DE-588)4127415-5 gnd |
topic_facet | Film Horror films Motion pictures Censorship Great Britain Motion pictures Great Britain Distribution Rezeption Horrorfilm Großbritannien |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016278543&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT egankate trashortreasurecensorshipandthechangingmeaningsofthevideonasties |