Shakespeare's women: performance and conception
David Mann examines the influence of the Elizabethan cross-dressed tradition on the performance and conception of Shakespeare's female roles through an analysis of all 205 extant plays written for the adult theatre.
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2008
|
Ausgabe: | 1. publ. |
Schlagworte: | |
Online-Zugang: | Klappentext Inhaltsverzeichnis |
Zusammenfassung: | David Mann examines the influence of the Elizabethan cross-dressed tradition on the performance and conception of Shakespeare's female roles through an analysis of all 205 extant plays written for the adult theatre. |
Beschreibung: | IX, 293 S. Ill. |
ISBN: | 0521882133 9780521882132 |
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520 | 3 | |a David Mann examines the influence of the Elizabethan cross-dressed tradition on the performance and conception of Shakespeare's female roles through an analysis of all 205 extant plays written for the adult theatre. | |
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Datensatz im Suchindex
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---|---|
adam_text | David Mann
examines
the influence of the Elizabethan cross-dressed
tradition on the performance and conception of Shakespeare s female
roles through an analysis of all
205
extant plays written for the adult
theatre. The study provides both a historical context, showing how
performance practice developed in the era before Shakespeare, and a
comparative one, in revealing how dramatists in genetal treated their
female characters and the influence their characterisation had upon
Shakespeare s writing. The book challenges current views of the
sexual ethos of Elizabethan theatre, offering instead a picture of
Shakespeare which pays less attention to his supposed gender politics
and more to his ability to exploit the cross-dressed convention as a
dramatic medium. The late-adolescent performer identified here,
more capable of empathy, pethaps, than the received version of the
boy actress but often mockingly satirical, was ultimately, Mann
argues, disengaged from the roles he played and a spokesman for
the male point of view.
Contents
List of tables and illustrations page
ix
Preliminary: the persistence of all-male theatre
ι
Playing the woman s part
4
Introduction: the significance of the performer
9
Shakespeare and the critics
9
Shakespeare and the performers
24
1
Age and status
31
The argument for juvenile performers
33
The argument for young adults
43
Conclusion
58
2
Erotic ambience
59
The charge of homosexuality
59
The social construction of eroticism J~J
Neo-platonism
9
3
Stage costume and performer ethos
102
4
Male didacticism and female stereotyping
122
The negative consequences of stereotyping I23
Models and warnings I30
Heywooďs
innocent adulteresses 144
Shakespeare and received character conventions 149
5
Dramatic empathy and moral ambiguity
160
The stage whore 1
62
The multi-dimensional female character 1
79
viii
List of contents
6
Sexual violence
186
7
Positive representations of young women
208
Breeches roles and gender construction
223
Appendix: female characters in the adult repertory,
1500—
1614
241
Notes
246
Bibliography
266
Index of adult repertory
280
General index
285
|
adam_txt |
David Mann
examines
the influence of the Elizabethan cross-dressed
tradition on the performance and conception of Shakespeare's female
roles through an analysis of all
205
extant plays written for the adult
theatre. The study provides both a historical context, showing how
performance practice developed in the era before Shakespeare, and a
comparative one, in revealing how dramatists in genetal treated their
female characters and the influence their characterisation had upon
Shakespeare's writing. The book challenges current views of the
sexual ethos of Elizabethan theatre, offering instead a picture of
Shakespeare which pays less attention to his supposed gender politics
and more to his ability to exploit the cross-dressed convention as a
dramatic medium. The late-adolescent performer identified here,
more capable of empathy, pethaps, than the received version of the
'boy actress' but often mockingly satirical, was ultimately, Mann
argues, disengaged from the roles he played and a spokesman for
the male point of view.
Contents
List of tables and illustrations page
ix
Preliminary: the persistence of all-male theatre
ι
'Playing the woman's part'
4
Introduction: the significance of the performer
9
Shakespeare and the critics
9
Shakespeare and the performers
24
1
Age and status
31
The argument for juvenile performers
33
The argument for young adults
43
Conclusion
58
2
Erotic ambience
59
The charge of homosexuality
59
The social construction of eroticism J~J
Neo-platonism
9"
3
Stage costume and performer ethos
102
4
Male didacticism and female stereotyping
122
The negative consequences of stereotyping I23
Models and warnings I30
Heywooďs
innocent adulteresses 144
Shakespeare and received character conventions 149
5
Dramatic empathy and moral ambiguity
160
The stage whore 1
62
The multi-dimensional female character 1
79
viii
List of contents
6
Sexual violence
186
7
Positive representations of young women
208
Breeches roles and gender construction
223
Appendix: female characters in the adult repertory,
1500—
1614
241
Notes
246
Bibliography
266
Index of adult repertory
280
General index
285 |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Mann, David |
author_facet | Mann, David |
author_role | aut |
author_sort | Mann, David |
author_variant | d m dm |
building | Verbundindex |
bvnumber | BV023072057 |
callnumber-first | P - Language and Literature |
callnumber-label | PR2991 |
callnumber-raw | PR2991 |
callnumber-search | PR2991 |
callnumber-sort | PR 42991 |
callnumber-subject | PR - English Literature |
classification_rvk | HI 3385 HI 3560 |
ctrlnum | (OCoLC)166357713 (DE-599)HBZHT015385058 |
dewey-full | 822.33 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 822 - English drama |
dewey-raw | 822.33 |
dewey-search | 822.33 |
dewey-sort | 3822.33 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
discipline_str_mv | Anglistik / Amerikanistik |
edition | 1. publ. |
format | Book |
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illustrated | Illustrated |
index_date | 2024-07-02T19:33:26Z |
indexdate | 2024-07-09T21:10:21Z |
institution | BVB |
isbn | 0521882133 9780521882132 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016275195 |
oclc_num | 166357713 |
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physical | IX, 293 S. Ill. |
publishDate | 2008 |
publishDateSearch | 2008 |
publishDateSort | 2008 |
publisher | Cambridge Univ. Press |
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spelling | Mann, David Verfasser aut Shakespeare's women performance and conception David Mann 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2008 IX, 293 S. Ill. txt rdacontent n rdamedia nc rdacarrier David Mann examines the influence of the Elizabethan cross-dressed tradition on the performance and conception of Shakespeare's female roles through an analysis of all 205 extant plays written for the adult theatre. Shakespeare, William <1564-1616> - Personnages ram Shakespeare, William <1564-1616> Characters Women Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Femmes - Dans la littérature ram Frau Frau Motiv (DE-588)4113617-2 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Frauenrolle Theater (DE-588)4498817-5 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Frauenrolle Theater (DE-588)4498817-5 s DE-604 Drama (DE-588)4012899-4 s Frau Motiv (DE-588)4113617-2 s Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016275195&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016275195&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Mann, David Shakespeare's women performance and conception Shakespeare, William <1564-1616> - Personnages ram Shakespeare, William <1564-1616> Characters Women Shakespeare, William 1564-1616 (DE-588)118613723 gnd Femmes - Dans la littérature ram Frau Frau Motiv (DE-588)4113617-2 gnd Drama (DE-588)4012899-4 gnd Frauenrolle Theater (DE-588)4498817-5 gnd |
subject_GND | (DE-588)118613723 (DE-588)4113617-2 (DE-588)4012899-4 (DE-588)4498817-5 |
title | Shakespeare's women performance and conception |
title_auth | Shakespeare's women performance and conception |
title_exact_search | Shakespeare's women performance and conception |
title_exact_search_txtP | Shakespeare's women performance and conception |
title_full | Shakespeare's women performance and conception David Mann |
title_fullStr | Shakespeare's women performance and conception David Mann |
title_full_unstemmed | Shakespeare's women performance and conception David Mann |
title_short | Shakespeare's women |
title_sort | shakespeare s women performance and conception |
title_sub | performance and conception |
topic | Shakespeare, William <1564-1616> - Personnages ram Shakespeare, William <1564-1616> Characters Women Shakespeare, William 1564-1616 (DE-588)118613723 gnd Femmes - Dans la littérature ram Frau Frau Motiv (DE-588)4113617-2 gnd Drama (DE-588)4012899-4 gnd Frauenrolle Theater (DE-588)4498817-5 gnd |
topic_facet | Shakespeare, William <1564-1616> - Personnages Shakespeare, William <1564-1616> Characters Women Shakespeare, William 1564-1616 Femmes - Dans la littérature Frau Frau Motiv Drama Frauenrolle Theater |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016275195&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016275195&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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