Politics and painting at the Venice Biennale: 1948 - 64 ; Italy and the idea of Europe
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Manchester ; New York
Manchester University Press
2007
|
| Ausgabe: | First published |
| Schriftenreihe: | Critical perspectives in art history
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext Inhaltsverzeichnis |
| Beschreibung: | X, 213 Seiten zahlreiche Illustrationen 25 cm |
| ISBN: | 9780719068966 0719068967 |
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| adam_text | Although cultural exchanges were named within the Council of Europe in the
mid-1950s
as being
second only in importance to the military as a tool for ensuring a stable and integrated Western
Europe in the aftermath of the Second World War, European-led initiatives have generally been
overlooked in the historiography of art of the immediate post-war period. Popularly remembered
as the era of the United States cultural triumph , American Abstract Expressionism in particular
is commonly identified as the cultural weapon by which that nation conquered Western European
culture.
Using the Venice
Biennale
as a case study, this book challenges the idea that there was an American
cultural conquest in the
1950s
through the fine arts, arguing instead that Western Europe retained
a strong sense of world cultural leadership in the immediate post-war years. An institutional
history that combines political and diplomatic with art history, and is informed by extensive
archival research, it argues that Italian political and cultural figures actively promoted the Idea of
Europe
-
the Council of Europe s cultural initiative of
1955
designed to promote the idea of a
homogeneous post-war European culture
-
at the
Biennale
in the form of gesture painting as an
international style, as the emblem of a culturally united Western Europe, and as the repository of
universal humanist values for the international community.
Scholarly but accessible, this book will appeal to all those with an interest in international cultural
relations during the Cold War.
Contents
Acknowledgements
page vi
List of figures
vii
Abbreviations
ix
Introduction: the Idea of Europe
ι
ι
The abstraction-realism debate and its background,
1938-48 18
г
Communism, anti-communism and government intervention
at the Venice
Biennale,
1948-52 36
3
The
Biennali
of
1954
and
1956:
the politics of realism
64
4
The
1958
Biennale:
the collapse of xhcEnte and the rise of gesture
painting as the European Idea
86
5
The
Biennali
of
i960
and
196г:
from European to global cultural policy
106
6
Gesture painting in communist Europe
130
7
Gesture painting in Africa, Asia and Latin America
155
8
Epilogue: the
1964
Biennale
-
the end of gesture painting i8z
Bibliography
189
Index
zoi
Politics and painting
at the Venice
Biennale
1948-64
Italy and the Idea of Europe
NANCYJACHEC
Manchester University Press
Manchester and New York
distributed exclusively in the USA by Palgrave
Contents
Acknowledgements page
vi
List of figures
vii
Abbreviations
ix
Introduction: the Idea of Europe
ι
ι
The abstraction-realism debate and its background,
1938-48 18
2.
Communism, anti-communism and government intervention
at the Venice
Biennale,
1948-52 36
3
The
Biennali
of
1954
and
1956:
the politics of realism
64
4
The
1958
Biennale:
the collapse of the
Ente
and the rise of gesture
painting as the European Idea
86
5
The
Biennali
of
i960
and
196г:
from European to global cultural policy
106
6
Gesture painting in communist Europe
130
7
Gesture painting in Africa, Asia and Latin America
155
8
Epilogue: the
1964
Biennale
-
the end of gesture painting
182.
Bibliography
189
Index
ιοί
|
| adam_txt |
Although cultural exchanges were named within the Council of Europe in the
mid-1950s
as being
second only in importance to the military as a tool for ensuring a stable and integrated Western
Europe in the aftermath of the Second World War, European-led initiatives have generally been
overlooked in the historiography of art of the immediate post-war period. Popularly remembered
as the era of the United States' cultural 'triumph', American Abstract Expressionism in particular
is commonly identified as the cultural 'weapon' by which that nation conquered Western European
culture.
Using the Venice
Biennale
as a case study, this book challenges the idea that there was an American
cultural conquest in the
1950s
through the fine arts, arguing instead that Western Europe retained
a strong sense of world cultural leadership in the immediate post-war years. An institutional
history that combines political and diplomatic with art history, and is informed by extensive
archival research, it argues that Italian political and cultural figures actively promoted the 'Idea of
Europe'
-
the Council of Europe's cultural initiative of
1955
designed to promote the idea of a
homogeneous post-war European culture
-
at the
Biennale
in the form of gesture painting as an
international style, as the emblem of a culturally united Western Europe, and as the repository of
universal humanist values for the international community.
Scholarly but accessible, this book will appeal to all those with an interest in international cultural
relations during the Cold War.
Contents
Acknowledgements
page vi
List of figures
vii
Abbreviations
ix
Introduction: the Idea of Europe
ι
ι
The abstraction-realism debate and its background,
1938-48 18
г
Communism, anti-communism and government intervention
at the Venice
Biennale,
1948-52 36
3
The
Biennali
of
1954
and
1956:
the politics of realism
64
4
The
1958
Biennale:
the collapse of xhcEnte and the rise of gesture
painting as the 'European Idea'
86
5
The
Biennali
of
i960
and
196г:
from European to global cultural policy
106
6
Gesture painting in communist Europe
130
7
Gesture painting in Africa, Asia and Latin America
155
8
Epilogue: the
1964
Biennale
-
the end of gesture painting i8z
Bibliography
189
Index
zoi
Politics and painting
at the Venice
Biennale
1948-64
Italy and the Idea of Europe
NANCYJACHEC
Manchester University Press
Manchester and New York
distributed exclusively in the USA by Palgrave
Contents
Acknowledgements page
vi
List of figures
vii
Abbreviations
ix
Introduction: the Idea of Europe
ι
ι
The abstraction-realism debate and its background,
1938-48 18
2.
Communism, anti-communism and government intervention
at the Venice
Biennale,
1948-52 36
3
The
Biennali
of
1954
and
1956:
the politics of realism
64
4
The
1958
Biennale:
the collapse of the
Ente
and the rise of gesture
painting as the 'European Idea'
86
5
The
Biennali
of
i960
and
196г:
from European to global cultural policy
106
6
Gesture painting in communist Europe
130
7
Gesture painting in Africa, Asia and Latin America
155
8
Epilogue: the
1964
Biennale
-
the end of gesture painting
182.
Bibliography
189
Index
ιοί |
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| era | Geschichte 1900-2000 Geschichte 1948-1964 gnd |
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| spelling | Jachec, Nancy Verfasser (DE-588)1012470172 aut Politics and painting at the Venice Biennale 1948 - 64 ; Italy and the idea of Europe Nancy Jachec First published Manchester ; New York Manchester University Press 2007 X, 213 Seiten zahlreiche Illustrationen 25 cm txt rdacontent n rdamedia nc rdacarrier Critical perspectives in art history Biennale di Venezia History 20th century Council of Europe History Biennale di Venezia (DE-588)1019502-6 gnd rswk-swf Geschichte 1900-2000 Geschichte 1948-1964 gnd rswk-swf Geschichte Kunst Politik Art Political aspects Europe History 20th century Art, European 20th century Exhibitions History European federation Nationalism and art Europe History 20th century Kunst (DE-588)4114333-4 gnd rswk-swf Politik (DE-588)4046514-7 gnd rswk-swf Europa (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4135467-9 Ausstellungskatalog gnd-content Biennale di Venezia (DE-588)1019502-6 f Kunst (DE-588)4114333-4 s Politik (DE-588)4046514-7 s Geschichte 1948-1964 z DE-604 Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016269349&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016269349&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016269349&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Jachec, Nancy Politics and painting at the Venice Biennale 1948 - 64 ; Italy and the idea of Europe Biennale di Venezia History 20th century Council of Europe History Biennale di Venezia (DE-588)1019502-6 gnd Geschichte Kunst Politik Art Political aspects Europe History 20th century Art, European 20th century Exhibitions History European federation Nationalism and art Europe History 20th century Kunst (DE-588)4114333-4 gnd Politik (DE-588)4046514-7 gnd |
| subject_GND | (DE-588)1019502-6 (DE-588)4114333-4 (DE-588)4046514-7 (DE-588)4143413-4 (DE-588)4135467-9 |
| title | Politics and painting at the Venice Biennale 1948 - 64 ; Italy and the idea of Europe |
| title_auth | Politics and painting at the Venice Biennale 1948 - 64 ; Italy and the idea of Europe |
| title_exact_search | Politics and painting at the Venice Biennale 1948 - 64 ; Italy and the idea of Europe |
| title_exact_search_txtP | Politics and painting at the Venice Biennale 1948 - 64 ; Italy and the idea of Europe |
| title_full | Politics and painting at the Venice Biennale 1948 - 64 ; Italy and the idea of Europe Nancy Jachec |
| title_fullStr | Politics and painting at the Venice Biennale 1948 - 64 ; Italy and the idea of Europe Nancy Jachec |
| title_full_unstemmed | Politics and painting at the Venice Biennale 1948 - 64 ; Italy and the idea of Europe Nancy Jachec |
| title_short | Politics and painting at the Venice Biennale |
| title_sort | politics and painting at the venice biennale 1948 64 italy and the idea of europe |
| title_sub | 1948 - 64 ; Italy and the idea of Europe |
| topic | Biennale di Venezia History 20th century Council of Europe History Biennale di Venezia (DE-588)1019502-6 gnd Geschichte Kunst Politik Art Political aspects Europe History 20th century Art, European 20th century Exhibitions History European federation Nationalism and art Europe History 20th century Kunst (DE-588)4114333-4 gnd Politik (DE-588)4046514-7 gnd |
| topic_facet | Biennale di Venezia History 20th century Council of Europe History Biennale di Venezia Geschichte Kunst Politik Art Political aspects Europe History 20th century Art, European 20th century Exhibitions History European federation Nationalism and art Europe History 20th century Europa Aufsatzsammlung Ausstellungskatalog |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016269349&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016269349&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016269349&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT jachecnancy politicsandpaintingatthevenicebiennale194864italyandtheideaofeurope |
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