The tenth muse: writing about cinema in the modernist period
"The Tenth Muse explores writings on the cinema in the first decades of the twentieth century. Laura Marcus examines the impact of cinema on early twentieth-century literary and, more broadly, aesthetic and cultural consciousness, by bringing together the study of the terms and strategies of ea...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2007
|
Ausgabe: | 1. publ. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Zusammenfassung: | "The Tenth Muse explores writings on the cinema in the first decades of the twentieth century. Laura Marcus examines the impact of cinema on early twentieth-century literary and, more broadly, aesthetic and cultural consciousness, by bringing together the study of the terms and strategies of early writings about film with literary engagement with cinema in the same period. She gives a new understanding of the ways in which early writers about film - reviewers, critics, theorists - developed aesthetic categories to define and accommodate what was called 'the seventh art' or 'the tenth muse' and found discursive strategies adequate to the representation of the new art and technology of cinema, with its unprecedented powers of movement."--BOOK JACKET. |
Beschreibung: | XV, 562 S. Ill. |
ISBN: | 9780199230273 0199230277 |
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520 | 1 | |a "The Tenth Muse explores writings on the cinema in the first decades of the twentieth century. Laura Marcus examines the impact of cinema on early twentieth-century literary and, more broadly, aesthetic and cultural consciousness, by bringing together the study of the terms and strategies of early writings about film with literary engagement with cinema in the same period. She gives a new understanding of the ways in which early writers about film - reviewers, critics, theorists - developed aesthetic categories to define and accommodate what was called 'the seventh art' or 'the tenth muse' and found discursive strategies adequate to the representation of the new art and technology of cinema, with its unprecedented powers of movement."--BOOK JACKET. | |
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Datensatz im Suchindex
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---|---|
adam_text | Contents
List of Illustrations
xi
Epigraphs
xiii
Introduction
ι
ι
.
The Things that Move: Early Film and Literature
1
8
2.
The Shadow on the Screen: Virginia
Woolf
and the Cinema
99
3.
A new form of true beauty : Aesthetics and Early Film
Criticism
179
4.
The cinema mind : Film Criticism and Film Culture in
1920s
Britain
234
5.
The Moment of Close Up 3i9
6.
Coda: The Coming of Sound
404
Abbreviations Used in Notes and Bibliography
438
Notes
440
Bibliography
520
Index
545
Thclcnth Mme explores
writings on cinema in the first decades of the twentieth-century,
[.aura Marcus examine« the impact of cinema on early twentieth-centurv lilerarv and,
more broadly, aesthetic and cultural consciousness, by bringing together the study of the
terms and strategies ofearlv writings about film with
literarv
engagement with cinema
in the same period. She gives
a nov
understanding of the ways in which early writers
about film
—
reviewers, critics, theorists
—
developed aesthetic categories to define and
accommodate what was called the seventh art or the tenth muse and found discursive
strategies adequate to the representation of the new art and technology
oí
cinema,
with its unprecedented powers of movement.
In examining the writings of earlv film critics and commentators in tandem with those of
more specifically literary figures, including
H.G.Wells andYïrginiaWoolf,
and in bringing
literary texts into this field, Laura Marcus provides a new account of relationships between
cinema and literature. Intertwining two major strands of research
—
the exploration,
oí
earlv him criticism and theorv and cinema s presence in literary texts
—
The Tenth Muse
shows how issues central to an understanding of cinema (including questions of time,
repetition, movement, vision, sound and silence) are threaded through both kinds of
writing, and the
w
avs
in which discursive and fictional writings overlapped.
The movement that defined cinema was also perceived as a more fragile and unstable
ephemeralitv that inhered at every
клеї,
Írom
the Meeting nature of the projected images to
the vagaries of cinematic exhibition. It was the anxiety over the transience of the medium
and its exhibition which, from the
н)лоѕ
onwards, led to the establishment
oí
such institu¬
tional spaces for cinema as the London-based Him
Societ
v, the new film journals, and, in
the
19
30s, the first film archives. The lent
h
Mttse explores the continuities between these
sites of cinematic culture and the conceptual,
literarv
and philosophical understandings
of the filmic medium.
L Ufi
^Ltfc
/u:»
is Regius Professor of Rhetoric and
línglish
Literature at the
Univcrsttvof lidinburgh.
|
adam_txt |
Contents
List of Illustrations
xi
Epigraphs
xiii
Introduction
ι
ι
.
The Things that Move: Early Film and Literature
1
8
2.
The Shadow on the Screen: Virginia
Woolf
and the Cinema
99
3.
'A new form of true beauty': Aesthetics and Early Film
Criticism
179
4.
'The cinema mind': Film Criticism and Film Culture in
1920s
Britain
234
5.
The Moment of Close Up 3i9
6.
Coda: The Coming of Sound
404
Abbreviations Used in Notes and Bibliography
438
Notes
440
Bibliography
520
Index
545
Thclcnth Mme explores
writings on cinema in the first decades of the twentieth-century,
[.aura Marcus examine« the impact of cinema on early twentieth-centurv lilerarv and,
more broadly, aesthetic and cultural consciousness, by bringing together the study of the
terms and strategies ofearlv writings about film with
literarv
engagement with cinema
in the same period. She gives
a nov
understanding of the ways in which early writers
about film
—
reviewers, critics, theorists
—
developed aesthetic categories to define and
accommodate what was called 'the seventh art' or 'the tenth muse' and found discursive
strategies adequate to the representation of the new art and technology
oí
cinema,
with its unprecedented powers of movement.
In examining the writings of earlv film critics and commentators in tandem with those of
more specifically literary figures, including
H.G.Wells andYïrginiaWoolf,
and in bringing
literary texts into this field, Laura Marcus provides a new account of relationships between
cinema and literature. Intertwining two major strands of research
—
the exploration,
oí
earlv him criticism and theorv and cinema's presence in literary texts
—
The Tenth Muse
shows how issues central to an understanding of cinema (including questions of time,
repetition, movement, vision, sound and silence) are threaded through both kinds of
writing, and the
w
avs
in which discursive and fictional writings overlapped.
The movement that defined cinema was also perceived as a more fragile and unstable
ephemeralitv that inhered at every
клеї,
Írom
the Meeting nature of the projected images to
the vagaries of cinematic exhibition. It was the anxiety over the transience of the medium
and its exhibition which, from the
н)лоѕ
onwards, led to the establishment
oí
such institu¬
tional spaces for cinema as the London-based Him
Societ
v, the new film journals, and, in
the
19
30s, the first film archives. The 'lent
h
Mttse explores the continuities between these
sites of cinematic culture and the conceptual,
literarv
and philosophical understandings
of the filmic medium.
L'Ufi'
^Ltfc
/u:»
is Regius Professor of Rhetoric and
línglish
Literature at the
Univcrsttvof lidinburgh. |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Marcus, Laura 1956-2021 |
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author_facet | Marcus, Laura 1956-2021 |
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dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
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discipline | Allgemeines |
discipline_str_mv | Allgemeines |
edition | 1. publ. |
era | Geschichte 1900-1930 gnd |
era_facet | Geschichte 1900-1930 |
format | Book |
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spelling | Marcus, Laura 1956-2021 Verfasser (DE-588)14295697X aut The tenth muse writing about cinema in the modernist period Laura Marcus 1. publ. Oxford [u.a.] Oxford Univ. Press 2007 XV, 562 S. Ill. txt rdacontent n rdamedia nc rdacarrier "The Tenth Muse explores writings on the cinema in the first decades of the twentieth century. Laura Marcus examines the impact of cinema on early twentieth-century literary and, more broadly, aesthetic and cultural consciousness, by bringing together the study of the terms and strategies of early writings about film with literary engagement with cinema in the same period. She gives a new understanding of the ways in which early writers about film - reviewers, critics, theorists - developed aesthetic categories to define and accommodate what was called 'the seventh art' or 'the tenth muse' and found discursive strategies adequate to the representation of the new art and technology of cinema, with its unprecedented powers of movement."--BOOK JACKET. Geschichte 1900-1930 gnd rswk-swf Film criticism Motion pictures and literature Modernism (Literature) Literatur (DE-588)4035964-5 gnd rswk-swf Filmästhetik (DE-588)4140881-0 gnd rswk-swf Filmkritik (DE-588)4154367-1 gnd rswk-swf Filmkritik (DE-588)4154367-1 s Geschichte 1900-1930 z DE-604 Filmästhetik (DE-588)4140881-0 s Literatur (DE-588)4035964-5 s Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016265769&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016265769&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Marcus, Laura 1956-2021 The tenth muse writing about cinema in the modernist period Film criticism Motion pictures and literature Modernism (Literature) Literatur (DE-588)4035964-5 gnd Filmästhetik (DE-588)4140881-0 gnd Filmkritik (DE-588)4154367-1 gnd |
subject_GND | (DE-588)4035964-5 (DE-588)4140881-0 (DE-588)4154367-1 |
title | The tenth muse writing about cinema in the modernist period |
title_auth | The tenth muse writing about cinema in the modernist period |
title_exact_search | The tenth muse writing about cinema in the modernist period |
title_exact_search_txtP | The tenth muse writing about cinema in the modernist period |
title_full | The tenth muse writing about cinema in the modernist period Laura Marcus |
title_fullStr | The tenth muse writing about cinema in the modernist period Laura Marcus |
title_full_unstemmed | The tenth muse writing about cinema in the modernist period Laura Marcus |
title_short | The tenth muse |
title_sort | the tenth muse writing about cinema in the modernist period |
title_sub | writing about cinema in the modernist period |
topic | Film criticism Motion pictures and literature Modernism (Literature) Literatur (DE-588)4035964-5 gnd Filmästhetik (DE-588)4140881-0 gnd Filmkritik (DE-588)4154367-1 gnd |
topic_facet | Film criticism Motion pictures and literature Modernism (Literature) Literatur Filmästhetik Filmkritik |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016265769&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016265769&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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