Scottish and Irish romanticism:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2008
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | IX, 292 S. 24 cm |
| ISBN: | 9780199232796 |
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| 650 | 4 | |a English literature |y 19th century |x History and criticism | |
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| 650 | 4 | |a Romanticism |z Scotland | |
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Datensatz im Suchindex
| _version_ | 1804137296903012352 |
|---|---|
| adam_text | Contents
1.
The Lake Isle of Romanticism: The Challenge to Literary History
1
2.
Allan Ramsay and the Decolonization of Genre
32
3.
Romance, the Aeolian Harp, and the Theft of History
59
4.
Strumming and Being Hanged: The Irish Bard and History
Regained
92
5.
Robert Fergusson and his Scottish and Irish Contemporaries
120
6.
Robert Burns
144
7.
Maria Edgeworth: Language, Culture, and the Irish Sphere
166
8.
Scott and the European Nationalities Question
187
9.
Hogg, Maturin, and the Gothic National Tale
211
10.
Fratriotism: Sisters, Brothers, Empire, and its Limits in the Scottish
and Irish Imagination,
с
1746-1837 235
Bibliography
-59
Index
287
Scottish and Irish Romanticism is the first single-author book to address the
main non-English Romanticisms of the British Isles. Murray Pittock begins
by questioning the terms of his chosen title as he searches for a definition of
Romanticism and for the meaning of national literature . He proposes certain
determining triggers for the recognition of the presence of a national literature,
and also deals with two major problems which are holding back the develop¬
ment of a new and broader understanding of British Isles Romanticisms: the
survival of outdated assumptions in ostensibly more modern paradigms, and a
lack of understanding of the full range of dialogues and relationships across the
literatures of these islands. The theorists whose works chiefly inform the book
are Bakhtin,
Fanon
and
Habermas,
although they do not define its arguments,
and an alertness to the ways in which other literary theories inform each other is
present throughout the book.
Pittock examines in turn the historiography, prejudices, and assumptions of
Romantic criticism to date, and how our imexamined prejudices still stand in
the way of our understanding of individual traditions and the dialogues between
them. He then considers Allan Ramsay s role in song-collecting, hybridizing high
cultural genres with broadside forms, creating in synthetic Scots a language
really used by men , and promoting a domestic public sphere. Chapters
3
and
4
discuss the Scottish and Irish public spheres in the later eighteenth century,
together with the struggle for control over national pasts, and the development
of the cults of Romance, the Picturesque and Sentiment: Macpherson, Thom¬
son, Owenson and Moore are among the writers discussed. Chapter
5
explores
the work of Robert Fergusson and his contemporaries in both Scotland and
Ireland, examining questions of literary
hybridity
across not only national but
also linguistic borders, while Chapter
6
provides a brief literary history of Burns
descent into critical neglect combined with a revaluation of his poetry in the light
of the general argument of the book. Chapter
7
analyzes the complexities of the
linguistic and cultural politics of the national tale in Ireland through the work of
Maria Edgeworth, while the following chapter considers of Scott in relation to
the national tale, Enlightenment historiography, and the European nationalities
question. Chapter
9
looks at the importance of the Gothic in Scottish and Irish
Romanticism, particularly in the work of James Hogg and Charles Maturin,
while Chapter
10,
Fratriotisnť,
explores a new concept in the manner in
which Scottish and Irish literary, political and military figures of the period
related to Empire.
Murray Pittock is Bradley Professor of English Literature at the University of
Glasgow and a Fellow of the Royal Society of Edinburgh.
Jacket illustration: Portraits of Barry and Burke in the Characters of Ulysses and his
Companion fleeing from the cave of Polyphemus
(1776).
Crawford Municipal Art
Gallen ,
Cork.
|
| adam_txt |
Contents
1.
The Lake Isle of Romanticism: The Challenge to Literary History
1
2.
Allan Ramsay and the Decolonization of Genre
32
3.
Romance, the Aeolian Harp, and the Theft of History
59
4.
Strumming and Being Hanged: The Irish Bard and History
Regained
92
5.
Robert Fergusson and his Scottish and Irish Contemporaries
120
6.
Robert Burns
144
7.
Maria Edgeworth: Language, Culture, and the Irish Sphere
166
8.
Scott and the European Nationalities Question
187
9.
Hogg, Maturin, and the Gothic National Tale
211
10.
Fratriotism: Sisters, Brothers, Empire, and its Limits in the Scottish
and Irish Imagination,
с
1746-1837 235
Bibliography
-59
Index
287
Scottish and Irish Romanticism is the first single-author book to address the
main non-English Romanticisms of the British Isles. Murray Pittock begins
by questioning the terms of his chosen title as he searches for a definition of
Romanticism and for the meaning of 'national literature'. He proposes certain
determining 'triggers' for the recognition of the presence of a national literature,
and also deals with two major problems which are holding back the develop¬
ment of a new and broader understanding of British Isles Romanticisms: the
survival of outdated assumptions in ostensibly more modern paradigms, and a
lack of understanding of the full range of dialogues and relationships across the
literatures of these islands. The theorists whose works chiefly inform the book
are Bakhtin,
Fanon
and
Habermas,
although they do not define its arguments,
and an alertness to the ways in which other literary theories inform each other is
present throughout the book.
Pittock examines in turn the historiography, prejudices, and assumptions of
Romantic criticism to date, and how our imexamined prejudices still stand in
the way of our understanding of individual traditions and the dialogues between
them. He then considers Allan Ramsay's role in song-collecting, hybridizing high
cultural genres with broadside forms, creating in synthetic Scots a 'language
really used by men', and promoting a domestic public sphere. Chapters
3
and
4
discuss the Scottish and Irish public spheres in the later eighteenth century,
together with the struggle for control over national pasts, and the development
of the cults of Romance, the Picturesque and Sentiment: Macpherson, Thom¬
son, Owenson and Moore are among the writers discussed. Chapter
5
explores
the work of Robert Fergusson and his contemporaries in both Scotland and
Ireland, examining questions of literary
hybridity
across not only national but
also linguistic borders, while Chapter
6
provides a brief literary history of Burns'
descent into critical neglect combined with a revaluation of his poetry in the light
of the general argument of the book. Chapter
7
analyzes the complexities of the
linguistic and cultural politics of the national tale in Ireland through the work of
Maria Edgeworth, while the following chapter considers of Scott in relation to
the national tale, Enlightenment historiography, and the European nationalities
question. Chapter
9
looks at the importance of the Gothic in Scottish and Irish
Romanticism, particularly in the work of James Hogg and Charles Maturin,
while Chapter
10,
'Fratriotisnť,
explores a new concept in the manner in
which Scottish and Irish literary, political and military figures of the period
related to Empire.
Murray Pittock is Bradley Professor of English Literature at the University of
Glasgow and a Fellow of the Royal Society of Edinburgh.
Jacket illustration: 'Portraits of Barry and Burke in the Characters of Ulysses and his
Companion fleeing from the cave of Polyphemus'
(1776).
Crawford Municipal Art
Gallen',
Cork. |
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| edition | 1. publ. |
| era | Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1789-1837 gnd |
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| indexdate | 2024-07-09T21:10:03Z |
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| publisher | Oxford Univ. Press |
| record_format | marc |
| spelling | Pittock, Murray 1962- Verfasser (DE-588)140764232 aut Scottish and Irish romanticism Murray Pittock 1. publ. Oxford [u.a.] Oxford Univ. Press 2008 IX, 292 S. 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1789-1837 gnd rswk-swf English literature Irish authors History and criticism English literature Scottish authors History and criticism English literature 18th century History and criticism English literature 19th century History and criticism Romanticism Ireland Romanticism Scotland Romantik (DE-588)4050491-8 gnd rswk-swf Nationalliteratur (DE-588)4171224-9 gnd rswk-swf Irland Schottland Schottland (DE-588)4053233-1 gnd rswk-swf Irland (DE-588)4027667-3 gnd rswk-swf Irland (DE-588)4027667-3 g Nationalliteratur (DE-588)4171224-9 s Geschichte 1789-1837 z DE-604 Schottland (DE-588)4053233-1 g Romantik (DE-588)4050491-8 s Erscheint auch als Online-Ausgabe 978-0-19-171640-9 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016263171&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016263171&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Pittock, Murray 1962- Scottish and Irish romanticism English literature Irish authors History and criticism English literature Scottish authors History and criticism English literature 18th century History and criticism English literature 19th century History and criticism Romanticism Ireland Romanticism Scotland Romantik (DE-588)4050491-8 gnd Nationalliteratur (DE-588)4171224-9 gnd |
| subject_GND | (DE-588)4050491-8 (DE-588)4171224-9 (DE-588)4053233-1 (DE-588)4027667-3 |
| title | Scottish and Irish romanticism |
| title_auth | Scottish and Irish romanticism |
| title_exact_search | Scottish and Irish romanticism |
| title_exact_search_txtP | Scottish and Irish romanticism |
| title_full | Scottish and Irish romanticism Murray Pittock |
| title_fullStr | Scottish and Irish romanticism Murray Pittock |
| title_full_unstemmed | Scottish and Irish romanticism Murray Pittock |
| title_short | Scottish and Irish romanticism |
| title_sort | scottish and irish romanticism |
| topic | English literature Irish authors History and criticism English literature Scottish authors History and criticism English literature 18th century History and criticism English literature 19th century History and criticism Romanticism Ireland Romanticism Scotland Romantik (DE-588)4050491-8 gnd Nationalliteratur (DE-588)4171224-9 gnd |
| topic_facet | English literature Irish authors History and criticism English literature Scottish authors History and criticism English literature 18th century History and criticism English literature 19th century History and criticism Romanticism Ireland Romanticism Scotland Romantik Nationalliteratur Irland Schottland |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016263171&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016263171&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT pittockmurray scottishandirishromanticism |