Somebody scream!: rap music's rise to prominence in the aftershock of black power
From the Publisher: "A strong and timely book for the new day in hip-hop. Don't miss it!"-Cornel West. For many African Americans of a certain demographic the sixties and seventies were the golden age of political movements. The Civil Rights movement segued into the Black Power moveme...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Faber and Faber
2008
|
| Ausgabe: | 1. ed. |
| Schlagworte: | |
| Online-Zugang: | Contributor biographical information Publisher description Inhaltsverzeichnis |
| Zusammenfassung: | From the Publisher: "A strong and timely book for the new day in hip-hop. Don't miss it!"-Cornel West. For many African Americans of a certain demographic the sixties and seventies were the golden age of political movements. The Civil Rights movement segued into the Black Power movement which begat the Black Arts movement. Fast forward to 1979 and the release of Sugarhill Gang's "Rapper's Delight." With the onset of the Reagan years, we begin to see the unraveling of many of the advances fought for in the previous decades. Much of this occurred in the absence of credible, long-term leadership in the black community. Young blacks disillusioned with politics and feeling society no longer cared or looked out for their concerns started rapping with each other about their plight, becoming their own leaders on the battlefield of culture and birthing Hip-Hop in the process. In Somebody Scream, Marcus Reeves explores hip-hop music and its politics. Looking at ten artists that have impacted rap-from Run-DMC (Black Pop in a B-Boy Stance) to Eminem (Vanilla Nice)-and puts their music and celebrity in a larger socio-political context. In doing so, he tells the story of hip hop's rise from New York-based musical form to commercial music revolution to unifying expression for a post-black power generation. |
| Beschreibung: | Includes bibliographical references |
| Beschreibung: | XII, 320 S. |
| ISBN: | 9780571211401 0571211402 9780865479975 0865479976 |
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Datensatz im Suchindex
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|---|---|
| adam_text | SOMEBODY SCREAM! / REEVES, MARCUS : 2008 TABLE OF CONTENTS /
INHALTSVERZEICHNIS GENERATION MIXED THE NEW AFRO-URBAN MOVEMENT BLACK
POP IN A B-BOY STANCE STUMBLING THROUGH BLACK POWER REVISITED : PUBLIC
ENEMY NIGGAS SELLING ATTITUDE : N.W.A R-E-S-P-E-C-T IN PC LAND :
SALT-N-PEPPA GANGSTER CHIC : DR. DRE AND SNOOP DOGG THE MYTH OF THUG
POWER : TUPAC SHAKUR GHETTO FAB RISING : THE NOTORIOUS B.I.G. AND SEAN
PUFFY COMBS THE ICE AGE : JAY-Z DOG EAT DOG : DMX VANILLA NICE :
EMINEM KEEP ON : TO THE BREAK OF DAWN . DIESES SCHRIFTSTUECK WURDE
MASCHINELL ERZEUGT.
|
| adam_txt |
SOMEBODY SCREAM! / REEVES, MARCUS : 2008 TABLE OF CONTENTS /
INHALTSVERZEICHNIS GENERATION MIXED THE NEW AFRO-URBAN MOVEMENT BLACK
POP IN A B-BOY STANCE STUMBLING THROUGH BLACK POWER REVISITED : PUBLIC
ENEMY NIGGAS SELLING ATTITUDE : N.W.A R-E-S-P-E-C-T IN PC LAND :
SALT-N-PEPPA GANGSTER CHIC : DR. DRE AND SNOOP DOGG THE MYTH OF THUG
POWER : TUPAC SHAKUR GHETTO FAB RISING : THE NOTORIOUS B.I.G. AND SEAN
"PUFFY" COMBS THE ICE AGE : JAY-Z DOG EAT DOG : DMX VANILLA NICE :
EMINEM KEEP ON : TO THE BREAK OF DAWN . DIESES SCHRIFTSTUECK WURDE
MASCHINELL ERZEUGT. |
| any_adam_object | 1 |
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| building | Verbundindex |
| bvnumber | BV023056528 |
| callnumber-first | M - Music |
| callnumber-label | ML3531 |
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| callnumber-sort | ML 43531 |
| callnumber-subject | ML - Literature on Music |
| ctrlnum | (OCoLC)166378240 (DE-599)BVBBV023056528 |
| dewey-full | 782.42164909 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.42164909 |
| dewey-search | 782.42164909 |
| dewey-sort | 3782.42164909 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | 1. ed. |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| illustrated | Not Illustrated |
| index_date | 2024-07-02T19:26:56Z |
| indexdate | 2024-07-09T21:09:58Z |
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| isbn | 9780571211401 0571211402 9780865479975 0865479976 |
| language | English |
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| spelling | Reeves, Marcus Verfasser aut Somebody scream! rap music's rise to prominence in the aftershock of black power Marcus Reeves 1. ed. New York Faber and Faber 2008 XII, 320 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references From the Publisher: "A strong and timely book for the new day in hip-hop. Don't miss it!"-Cornel West. For many African Americans of a certain demographic the sixties and seventies were the golden age of political movements. The Civil Rights movement segued into the Black Power movement which begat the Black Arts movement. Fast forward to 1979 and the release of Sugarhill Gang's "Rapper's Delight." With the onset of the Reagan years, we begin to see the unraveling of many of the advances fought for in the previous decades. Much of this occurred in the absence of credible, long-term leadership in the black community. Young blacks disillusioned with politics and feeling society no longer cared or looked out for their concerns started rapping with each other about their plight, becoming their own leaders on the battlefield of culture and birthing Hip-Hop in the process. In Somebody Scream, Marcus Reeves explores hip-hop music and its politics. Looking at ten artists that have impacted rap-from Run-DMC (Black Pop in a B-Boy Stance) to Eminem (Vanilla Nice)-and puts their music and celebrity in a larger socio-political context. In doing so, he tells the story of hip hop's rise from New York-based musical form to commercial music revolution to unifying expression for a post-black power generation. Geschichte gnd rswk-swf Rap (Music) History and criticism Rap (DE-588)4303518-8 gnd rswk-swf Rap (DE-588)4303518-8 s Geschichte z DE-604 http://www.loc.gov/catdir/enhancements/fy0743/2007036129-b.html Contributor biographical information http://www.loc.gov/catdir/enhancements/fy0743/2007036129-d.html Publisher description LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016259809&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Reeves, Marcus Somebody scream! rap music's rise to prominence in the aftershock of black power Rap (Music) History and criticism Rap (DE-588)4303518-8 gnd |
| subject_GND | (DE-588)4303518-8 |
| title | Somebody scream! rap music's rise to prominence in the aftershock of black power |
| title_auth | Somebody scream! rap music's rise to prominence in the aftershock of black power |
| title_exact_search | Somebody scream! rap music's rise to prominence in the aftershock of black power |
| title_exact_search_txtP | Somebody scream! rap music's rise to prominence in the aftershock of black power |
| title_full | Somebody scream! rap music's rise to prominence in the aftershock of black power Marcus Reeves |
| title_fullStr | Somebody scream! rap music's rise to prominence in the aftershock of black power Marcus Reeves |
| title_full_unstemmed | Somebody scream! rap music's rise to prominence in the aftershock of black power Marcus Reeves |
| title_short | Somebody scream! |
| title_sort | somebody scream rap music s rise to prominence in the aftershock of black power |
| title_sub | rap music's rise to prominence in the aftershock of black power |
| topic | Rap (Music) History and criticism Rap (DE-588)4303518-8 gnd |
| topic_facet | Rap (Music) History and criticism Rap |
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