The witch's flight: the cinematic, the black femme, and the image of common sense
Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anti-capitalist Black liberation movements based in the United States. Drawing on Gilles Deleuze's notion of "the cinematic"--not just as a phenomenon confined to moving-image m...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Durham, NC [u.a.]
Duke Univ. Press
2007
|
| Schriftenreihe: | Perverse modernities
|
| Schlagworte: | |
| Online-Zugang: | Table of contents only Inhaltsverzeichnis |
| Zusammenfassung: | Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anti-capitalist Black liberation movements based in the United States. Drawing on Gilles Deleuze's notion of "the cinematic"--not just as a phenomenon confined to moving-image media such as film and television but as a set of processes involved in the production and reproduction of social reality itself --Keeling describes how the cinematic structures racism, homophobia, and misogyny, and, in the process, denies viewers access to certain images and ways of knowing. She theorizes the Black femme as a figure who, even when not explicitly represented within hegemonic cinematic formulations of raced and gendered subjectivities, nonetheless haunts those representations, threatening to disrupt them by making alternative social arrangements visible. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XII, 209 S. Ill. |
| ISBN: | 9780822340133 9780822340256 |
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| 520 | 3 | |a Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anti-capitalist Black liberation movements based in the United States. Drawing on Gilles Deleuze's notion of "the cinematic"--not just as a phenomenon confined to moving-image media such as film and television but as a set of processes involved in the production and reproduction of social reality itself --Keeling describes how the cinematic structures racism, homophobia, and misogyny, and, in the process, denies viewers access to certain images and ways of knowing. She theorizes the Black femme as a figure who, even when not explicitly represented within hegemonic cinematic formulations of raced and gendered subjectivities, nonetheless haunts those representations, threatening to disrupt them by making alternative social arrangements visible. | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Titel: The witch s flight
Autor: Keeling, Kara
Jahr: 2007
Acknowledgments
Introduction
Another Litany for Survival
1 The Image of Common Sense
2 in the Interval
3 In Order to Move Forward
Common-Sense Black Nationalism
and Haile Gerima s Sankofa
4 Weil Just Have to Bet Buns and Be Men 68
The Cinematic Appearance of
Black Revolutionary Women COIItBlltS
5 ft Black Belt in Bar Stool
Blaxploitation, Surplus, and The L Word
27
45
95
6 umars Dp with That? She Don 1 Talk? ,x
Set It Offs Black Lesbian Butch-Femme
7 Reflections en the Black Fortune s Bole In the
(BelprodHCtion of Cinematic Reality i38
The Case of Eve s Bayou
Notes 159
Bibliography 195
Index 203
|
| adam_txt |
Titel: The witch's flight
Autor: Keeling, Kara
Jahr: 2007
Acknowledgments
Introduction
Another Litany for Survival
1 The Image of Common Sense
2 in the Interval
3 In Order to Move Forward"
Common-Sense Black Nationalism
and Haile Gerima's Sankofa
4 "Weil Just Have to Bet Buns and Be Men" 68
The Cinematic Appearance of
Black Revolutionary Women COIItBlltS
5 "ft Black Belt in Bar Stool"
Blaxploitation, Surplus, and The L Word
27
45
95
6 umars Dp with That? She Don 1 Talk?" ,x
Set It Offs Black Lesbian Butch-Femme
7 Reflections en the Black Fortune's Bole In the
(BelprodHCtion of Cinematic Reality i38
The Case of Eve's Bayou
Notes 159
Bibliography 195
Index 203 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
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| author_role | aut |
| author_sort | Keeling, Kara |
| author_variant | k k kk |
| building | Verbundindex |
| bvnumber | BV023053624 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.L48 |
| callnumber-search | PN1995.9.L48 |
| callnumber-sort | PN 41995.9 L48 |
| callnumber-subject | PN - General Literature |
| ctrlnum | (OCoLC)122526800 (DE-599)DNB 2007014053 |
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| dewey-ones | 791 - Public performances |
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| dewey-search | 791.43/6526643 |
| dewey-sort | 3791.43 76526643 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| spelling | Keeling, Kara Verfasser aut The witch's flight the cinematic, the black femme, and the image of common sense Kara Keeling Durham, NC [u.a.] Duke Univ. Press 2007 XII, 209 S. Ill. txt rdacontent n rdamedia nc rdacarrier Perverse modernities Includes bibliographical references and index Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anti-capitalist Black liberation movements based in the United States. Drawing on Gilles Deleuze's notion of "the cinematic"--not just as a phenomenon confined to moving-image media such as film and television but as a set of processes involved in the production and reproduction of social reality itself --Keeling describes how the cinematic structures racism, homophobia, and misogyny, and, in the process, denies viewers access to certain images and ways of knowing. She theorizes the Black femme as a figure who, even when not explicitly represented within hegemonic cinematic formulations of raced and gendered subjectivities, nonetheless haunts those representations, threatening to disrupt them by making alternative social arrangements visible. Geschichte gnd rswk-swf Lesbians in motion pictures Lesbianism in motion pictures African American women in motion pictures Lesbe Motiv (DE-588)4295831-3 gnd rswk-swf Weibliche Person of Color Motiv (DE-588)4403365-5 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Weibliche Person of Color Motiv (DE-588)4403365-5 s Geschichte z DE-604 Lesbe Motiv (DE-588)4295831-3 s http://www.loc.gov/catdir/toc/ecip0715/2007014053.html Table of contents only HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016256958&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | The witch's flight the cinematic, the black femme, and the image of common sense |
| title_auth | The witch's flight the cinematic, the black femme, and the image of common sense |
| title_exact_search | The witch's flight the cinematic, the black femme, and the image of common sense |
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| title_full | The witch's flight the cinematic, the black femme, and the image of common sense Kara Keeling |
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| title_full_unstemmed | The witch's flight the cinematic, the black femme, and the image of common sense Kara Keeling |
| title_short | The witch's flight |
| title_sort | the witch s flight the cinematic the black femme and the image of common sense |
| title_sub | the cinematic, the black femme, and the image of common sense |
| topic | Lesbians in motion pictures Lesbianism in motion pictures African American women in motion pictures Lesbe Motiv (DE-588)4295831-3 gnd Weibliche Person of Color Motiv (DE-588)4403365-5 gnd Film (DE-588)4017102-4 gnd |
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