Inspiration and technique: ancient to modern views on beauty and art
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Lang
2007
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | The present book springs from a seminar which took place at the ESSE-6 Conference (Strasbourg, 30 August - 3 September 2002) |
| Beschreibung: | 359 S. |
| ISBN: | 9783039103140 |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS FOREWORD MICHELE STANCO INTRODUCTION. AESTHETIC FORMS: ANCIENT
AND MODEM PART 1: INSPIRATION AND TECHNIQUE. CONTINUITIES AND
DISCONTINUITIES BETWEEN ANCIENTS AND MODERNS 9 11 MICHAEL J.
EDWARDS RHETORIC AND TECHNIQUE IN THE ATTIC ORATORS AND ARISTOTLE S
TECHNE RHETORIKE 35 MICHELE STANCO MADNESS AND TECHNIQUE .
PSYCHOLOGICAL THEORIES OF BEAUTY AND TEXTUAL THEORIES OF ART 49 GLYN P.
NORTON IMPROVISATION AND INSPIRATION IN QUINTILIAN. THE EXTEMPORALIZING
OF TECHNIQUE IN THE INSTITUTIO ORATORIA 83 PART 11:IMAGINATION AND
TEXTUALITY. FROM THE LATE MIDDLE AGES TO THE RENAISSANCE ALESSANDRA
PETRINA CREATIVE YMAGYNACIOUN AND CANON CONSTRAINTS IN THE FIFTEENTH
CENTURY. JAMES LAND CHARLES D OR1EANS PATRICIA KENNAN THE IDEAL VERSUS
THE TEXT IN SIDNEY S DELENCE 01 POESY 107 127 JOHNROE REFINED EROS IN
SIDNEY S ASTROPHIL & STELLA AND CHAPMAN S OVIDS BANQUET OFSENCE ANGELA
LOCATELLI LARGER THAN SCIENCE? BACON S IDEA OFPOETRY IN THE ADVANCEMENT
OF LEARNING PART III: NEOCLASSICAL RULES AND ROMANTIC VISIONS 143 157 C.
MARIA LAUDANDO THE DOUBLE NATURE OF ART IN EIGHTEENTH-CENTURY ENGLAND.
POPE, ADDISON, HOGARTH 173 EDWARDNYE RATIONALIST AND SENSATIONIST
AESTHETICS IN EIGHTEENTH-CENTURY FRANCE 193 CLAUDIA CORTI VISIONARY
AESTHETICS AND OPIATE TEXTS IN BRITISH ROMANTICISM 217 PART IV:
VICTORIAN INSPIRATIONS ADRIAN GRAFE HOPKINS S ONE RAPTURE AND ITS
INSCRIPTION IN TIME AND ETEMITY PART V: AESTHETIC JUDGEMENT AND ARTISTIC
MATTER IN THE TWENTIETH CENTURY. CRITICAL HISTORY INTO CRITICAL THEORY
PETER ROBINSON WITTGENSTEIN S AESTHETICS AND REVISION 241 261 PET ER
CONRADI IRIS MURDOCH S THE BLACK PRINCE. DANCING THE DANCE OF CREATION
277 BRIAN G. CARAHER GENRE THEORY. A SOCIOLINGUISTIC APPROACH TO THE
AESTHETICS OFLITERARY FORM 293 IVAN GASKELL AFTER ART, BEYOND BEAUTY 311
CONTRIBUTORS 335 INDEX OF TOPICS 341 INDEX OFNAMES 349
|
| adam_txt |
CONTENTS FOREWORD MICHELE STANCO INTRODUCTION. AESTHETIC FORMS: ANCIENT
AND MODEM PART 1: INSPIRATION AND TECHNIQUE. CONTINUITIES AND
DISCONTINUITIES BETWEEN 'ANCIENTS' AND 'MODERNS ' 9 11 MICHAEL J.
EDWARDS RHETORIC AND TECHNIQUE IN THE ATTIC ORATORS AND ARISTOTLE'S
TECHNE RHETORIKE 35 MICHELE STANCO 'MADNESS' AND 'TECHNIQUE'.
PSYCHOLOGICAL THEORIES OF BEAUTY AND TEXTUAL THEORIES OF ART 49 GLYN P.
NORTON IMPROVISATION AND INSPIRATION IN QUINTILIAN. THE EXTEMPORALIZING
OF TECHNIQUE IN THE INSTITUTIO ORATORIA 83 PART 11:IMAGINATION AND
TEXTUALITY. FROM THE LATE MIDDLE AGES TO THE RENAISSANCE ALESSANDRA
PETRINA CREATIVE YMAGYNACIOUN AND CANON CONSTRAINTS IN THE FIFTEENTH
CENTURY. JAMES LAND CHARLES D'OR1EANS PATRICIA KENNAN THE IDEAL VERSUS
THE TEXT IN SIDNEY'S DELENCE 01 POESY 107 127 JOHNROE REFINED EROS IN
SIDNEY'S ASTROPHIL & STELLA AND CHAPMAN'S OVIDS BANQUET OFSENCE ANGELA
LOCATELLI LARGER THAN SCIENCE? BACON'S IDEA OFPOETRY IN THE ADVANCEMENT
OF LEARNING PART III: NEOCLASSICAL RULES AND ROMANTIC VISIONS 143 157 C.
MARIA LAUDANDO THE DOUBLE NATURE OF ART IN EIGHTEENTH-CENTURY ENGLAND.
POPE, ADDISON, HOGARTH 173 EDWARDNYE RATIONALIST AND SENSATIONIST
AESTHETICS IN EIGHTEENTH-CENTURY FRANCE 193 CLAUDIA CORTI VISIONARY
AESTHETICS AND OPIATE TEXTS IN BRITISH ROMANTICISM 217 PART IV:
VICTORIAN INSPIRATIONS ADRIAN GRAFE HOPKINS'S 'ONE RAPTURE' AND ITS
INSCRIPTION IN TIME AND ETEMITY PART V: AESTHETIC JUDGEMENT AND ARTISTIC
MATTER IN THE TWENTIETH CENTURY. CRITICAL HISTORY INTO CRITICAL THEORY
PETER ROBINSON WITTGENSTEIN'S AESTHETICS AND REVISION 241 261 PET ER
CONRADI IRIS MURDOCH'S THE BLACK PRINCE. DANCING THE DANCE OF CREATION
277 BRIAN G. CARAHER GENRE THEORY. A SOCIOLINGUISTIC APPROACH TO THE
AESTHETICS OFLITERARY FORM 293 IVAN GASKELL AFTER ART, BEYOND BEAUTY 311
CONTRIBUTORS 335 INDEX OF TOPICS 341 INDEX OFNAMES 349 |
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| dewey-full | 801.93 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
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| dewey-search | 801.93 |
| dewey-sort | 3801.93 |
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| discipline_str_mv | Philosophie Literaturwissenschaft |
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| spelling | Inspiration and technique ancient to modern views on beauty and art John Roe and Michel Stanco (eds.) Oxford [u.a.] Lang 2007 359 S. txt rdacontent n rdamedia nc rdacarrier The present book springs from a seminar which took place at the ESSE-6 Conference (Strasbourg, 30 August - 3 September 2002) Literatur Ästhetik European literature History and criticism Literature Aesthetics Ästhetik (DE-588)4000626-8 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)1071861417 Konferenzschrift gnd-content Ästhetik (DE-588)4000626-8 s DE-604 Roe, John Sonstige oth Stanco, Michele Sonstige (DE-588)134202058 oth V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016251913&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Inspiration and technique ancient to modern views on beauty and art |
| title_auth | Inspiration and technique ancient to modern views on beauty and art |
| title_exact_search | Inspiration and technique ancient to modern views on beauty and art |
| title_exact_search_txtP | Inspiration and technique ancient to modern views on beauty and art |
| title_full | Inspiration and technique ancient to modern views on beauty and art John Roe and Michel Stanco (eds.) |
| title_fullStr | Inspiration and technique ancient to modern views on beauty and art John Roe and Michel Stanco (eds.) |
| title_full_unstemmed | Inspiration and technique ancient to modern views on beauty and art John Roe and Michel Stanco (eds.) |
| title_short | Inspiration and technique |
| title_sort | inspiration and technique ancient to modern views on beauty and art |
| title_sub | ancient to modern views on beauty and art |
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