Death 24 x a second: stillness and the moving image
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Reaktion books
2007
|
| Ausgabe: | 1. publ., repr. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 216 S. Ill. |
| ISBN: | 1861892632 9781861892638 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV023047424 | ||
| 003 | DE-604 | ||
| 005 | 20080505 | ||
| 007 | t | ||
| 008 | 071212s2007 a||| |||| 00||| eng d | ||
| 020 | |a 1861892632 |9 1-86189-263-2 | ||
| 020 | |a 9781861892638 |9 978-1-86189-263-8 | ||
| 035 | |a (OCoLC)470964777 | ||
| 035 | |a (DE-599)BVBBV023047424 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-19 | ||
| 082 | 1 | |a 791.430 1 |2 22 | |
| 084 | |a EC 2410 |0 (DE-625)20485: |2 rvk | ||
| 100 | 1 | |a Mulvey, Laura |d 1941- |e Verfasser |0 (DE-588)123736633 |4 aut | |
| 245 | 1 | 0 | |a Death 24 x a second |b stillness and the moving image |c Laura Mulvey |
| 246 | 1 | 3 | |a Death twenty-four x a second |
| 250 | |a 1. publ., repr. | ||
| 264 | 1 | |a London |b Reaktion books |c 2007 | |
| 300 | |a 216 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 650 | 7 | |a Cinéma - Théorie |2 ram | |
| 650 | 7 | |a Quiétude |2 ram | |
| 650 | 0 | 7 | |a Philosophie |0 (DE-588)4045791-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Drehbuch |0 (DE-588)4127976-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Tod |g Motiv |0 (DE-588)4117229-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Filmtechnik |0 (DE-588)4017144-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Drehbuch |0 (DE-588)4127976-1 |D s |
| 689 | 0 | 1 | |a Tod |g Motiv |0 (DE-588)4117229-2 |D s |
| 689 | 0 | 2 | |a Filmtechnik |0 (DE-588)4017144-9 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 1 | 1 | |a Philosophie |0 (DE-588)4045791-6 |D s |
| 689 | 1 | |8 1\p |5 DE-604 | |
| 856 | 4 | 2 | |m Digitalisierung UB Regensburg |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016250860&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung UB Regensburg |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016250860&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Klappentext |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-016250860 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
Datensatz im Suchindex
| _version_ | 1804137278811930624 |
|---|---|
| adam_text | Contents
rreíací
1
Passing Time
7
17
2
Uncertainty:
Natural Magic and the Art of Deception
33
3
The Index and the Uncanny:
Life and Death in the Photograph
54
4
The Death Drive: Narrative Movement Stilled
67
5
Alfred Hitchcock s Psycho
(i960)
85
6
Roberto Rossellini s
Journey to Italy
/
Viaggio in
Italia
(1953)
104
7
Abbas Kiarostami:
Cinema of Uncertainty, Cinema of Delay
123
8
Delaying Cinema
144
9
The Possessive Spectator
l6l
10
The Pensive Spectator
181
References
197
Biblioj
çraphy
207
Acknowledgeinen ts
211
Index
212
Death 24x a Second
...
...
is both a reflection on the rapport between death and the ¡mage, in its
transformations across a century and more of cinema, and a theoretical
interrogation of the impact of the digital on cinema. Reading it will form
the ultimate in master classes for film students at all levels.
Stephen Barber, Kingston University London, author of
Projected Cities: Cinema and Urban Space
(2002)
...
is
а
profound meditation on time and cinema. Laura Mulvey has never
written more beautifully as she meditates on the transformations of
audiovisual technology to arrive at a deeper understanding both of cinema
itself and of some of its most enduring classics!
Colin MacCabe, Pittsburgh and Exeter universities, author of
Godard:
A Portrait of the Artist at Seventy
(2003)
...
is more than a collection of brilliant essays on some of the key films
of our time, it is a fundamental rethinking of the nature of a medium that
seems to have still more secrets to tell us as it fades into history. I consider
this one of the most important works contributed to our field.
Tom Gunning, University of Chicago, author of The Firms of Fritz Lang
(2000)
Laura Mulvey addresses some of die crucial questions of film theory, spectatorship
and narrative. New media technologies, such as video and dvd. have transformed
die way we experience film. These technologies give viewers the means to control
bodi
image and story, so diat films produced to be seen collectively and followed in
a linear fashion may be found to contain unexpected, even unintended, pleasures.
The tension between die still frame and die moving image coincides with the
cinemas
capacity to capture die appearance ofHfe and preserve it after deadi. Mulvey
proposes diat with die arrival of new technologies and new ways of experiencing
dre
cinematic image, film
s
liidden stillness comes to die fore. The individual frame, die
projected fihrfs best-kept secret, can now be revealed, by anyone, at die simple touch
of a button. As Mulvey argues, easy access to repetition, slow motion and die freeze-
frame may welt shift die spectators pleasure to a fetishistic
radier dian
a voyeuristic
investment in die cniemadc object. By exploring how new technologies can give life
to old cinema. Deaik 24x a Second offers an original re-evaluation of filnrs history.
łaołi
MCLVEY is Professor of Film and Media Studies at Birkbeek. University ofLondon.
and tbe
authör
of Visual and Other Pleasures
(1980.).
Gif ken
Kane (igga) and Fetishism
aai!
Gurimify
(щдб).
|
| adam_txt |
Contents
rreíací
1
Passing Time
7
17
2
Uncertainty:
Natural Magic and the Art of Deception
33
3
The Index and the Uncanny:
Life and Death in the Photograph
54
4
The Death Drive: Narrative Movement Stilled
67
5
Alfred Hitchcock's Psycho
(i960)
85
6
Roberto Rossellini's
Journey to Italy
/
Viaggio in
Italia
(1953)
104
7
Abbas Kiarostami:
Cinema of Uncertainty, Cinema of Delay
123
8
Delaying Cinema
144
9
The Possessive Spectator
l6l
10
The Pensive Spectator
181
References
197
Biblioj
çraphy
207
Acknowledgeinen ts
211
Index
212
'Death 24x a Second
.
.
is both a reflection on the rapport between death and the ¡mage, in its
transformations across a century and more of cinema, and a theoretical
interrogation of the impact of the digital on cinema. Reading it will form
the ultimate in master classes for film students at all levels.'
Stephen Barber, Kingston University London, author of
Projected Cities: Cinema and Urban Space
(2002)
.
is
а
profound meditation on time and cinema. Laura Mulvey has never
written more beautifully as she meditates on the transformations of
audiovisual technology to arrive at a deeper understanding both of cinema
itself and of some of its most enduring classics!
Colin MacCabe, Pittsburgh and Exeter universities, author of
Godard:
A Portrait of the Artist at Seventy
(2003)
.
is more than a collection of brilliant essays on some of the key films
of our time, it is a fundamental rethinking of the nature of a medium that
seems to have still more secrets to tell us as it fades into history. I consider
this one of the most important works contributed to our field.
Tom Gunning, University of Chicago, author of The Firms of Fritz Lang
(2000)
Laura Mulvey addresses some of die crucial questions of film theory, spectatorship
and narrative. New media technologies, such as video and dvd. have transformed
die way we experience film. These technologies give viewers the means to control
bodi
image and story, so diat films produced to be seen collectively and followed in
a linear fashion may be found to contain unexpected, even unintended, pleasures.
The tension between die still frame and die moving image coincides with the
cinemas
capacity to capture die appearance ofHfe and preserve it after deadi. Mulvey
proposes diat with die arrival of new technologies and new ways of experiencing
dre
cinematic image, film"
s
liidden stillness comes to die fore. The individual frame, die
projected fihrfs best-kept secret, can now be revealed, by anyone, at die simple touch
of a button. As Mulvey argues, easy access to repetition, slow motion and die freeze-
frame may welt shift die spectators pleasure to a fetishistic
radier dian
a voyeuristic
investment in die cniemadc object. By exploring how new technologies can give life
to 'old" cinema. Deaik 24x a Second offers an original re-evaluation of filnrs history.
łaołi
MCLVEY is Professor of Film and Media Studies at Birkbeek. University ofLondon.
and tbe
authör
of Visual and Other Pleasures
(1980.).
Gif ken
Kane (igga) and Fetishism
aai!
Gurimify
(щдб). |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Mulvey, Laura 1941- |
| author_GND | (DE-588)123736633 |
| author_facet | Mulvey, Laura 1941- |
| author_role | aut |
| author_sort | Mulvey, Laura 1941- |
| author_variant | l m lm |
| building | Verbundindex |
| bvnumber | BV023047424 |
| classification_rvk | EC 2410 |
| ctrlnum | (OCoLC)470964777 (DE-599)BVBBV023047424 |
| dewey-full | 791.4301 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430 1 |
| dewey-search | 791.430 1 |
| dewey-sort | 3791.430 11 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Literaturwissenschaft |
| discipline_str_mv | Allgemeines Literaturwissenschaft |
| edition | 1. publ., repr. |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02180nam a2200517 c 4500</leader><controlfield tag="001">BV023047424</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20080505 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">071212s2007 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1861892632</subfield><subfield code="9">1-86189-263-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781861892638</subfield><subfield code="9">978-1-86189-263-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)470964777</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV023047424</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-19</subfield></datafield><datafield tag="082" ind1="1" ind2=" "><subfield code="a">791.430 1</subfield><subfield code="2">22</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">EC 2410</subfield><subfield code="0">(DE-625)20485:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Mulvey, Laura</subfield><subfield code="d">1941-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)123736633</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Death 24 x a second</subfield><subfield code="b">stillness and the moving image</subfield><subfield code="c">Laura Mulvey</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Death twenty-four x a second</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1. publ., repr.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">Reaktion books</subfield><subfield code="c">2007</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">216 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Cinéma - Théorie</subfield><subfield code="2">ram</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Quiétude</subfield><subfield code="2">ram</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Philosophie</subfield><subfield code="0">(DE-588)4045791-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Drehbuch</subfield><subfield code="0">(DE-588)4127976-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Tod</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4117229-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmtechnik</subfield><subfield code="0">(DE-588)4017144-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Drehbuch</subfield><subfield code="0">(DE-588)4127976-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Tod</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4117229-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Filmtechnik</subfield><subfield code="0">(DE-588)4017144-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Philosophie</subfield><subfield code="0">(DE-588)4045791-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Regensburg</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016250860&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Regensburg</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016250860&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Klappentext</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-016250860</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield></record></collection> |
| id | DE-604.BV023047424 |
| illustrated | Illustrated |
| index_date | 2024-07-02T19:23:12Z |
| indexdate | 2024-07-09T21:09:46Z |
| institution | BVB |
| isbn | 1861892632 9781861892638 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016250860 |
| oclc_num | 470964777 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM |
| owner_facet | DE-19 DE-BY-UBM |
| physical | 216 S. Ill. |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Reaktion books |
| record_format | marc |
| spelling | Mulvey, Laura 1941- Verfasser (DE-588)123736633 aut Death 24 x a second stillness and the moving image Laura Mulvey Death twenty-four x a second 1. publ., repr. London Reaktion books 2007 216 S. Ill. txt rdacontent n rdamedia nc rdacarrier Cinéma - Théorie ram Quiétude ram Philosophie (DE-588)4045791-6 gnd rswk-swf Drehbuch (DE-588)4127976-1 gnd rswk-swf Tod Motiv (DE-588)4117229-2 gnd rswk-swf Filmtechnik (DE-588)4017144-9 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Drehbuch (DE-588)4127976-1 s Tod Motiv (DE-588)4117229-2 s Filmtechnik (DE-588)4017144-9 s DE-604 Film (DE-588)4017102-4 s Philosophie (DE-588)4045791-6 s 1\p DE-604 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016250860&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016250860&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Mulvey, Laura 1941- Death 24 x a second stillness and the moving image Cinéma - Théorie ram Quiétude ram Philosophie (DE-588)4045791-6 gnd Drehbuch (DE-588)4127976-1 gnd Tod Motiv (DE-588)4117229-2 gnd Filmtechnik (DE-588)4017144-9 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4045791-6 (DE-588)4127976-1 (DE-588)4117229-2 (DE-588)4017144-9 (DE-588)4017102-4 |
| title | Death 24 x a second stillness and the moving image |
| title_alt | Death twenty-four x a second |
| title_auth | Death 24 x a second stillness and the moving image |
| title_exact_search | Death 24 x a second stillness and the moving image |
| title_exact_search_txtP | Death 24 x a second stillness and the moving image |
| title_full | Death 24 x a second stillness and the moving image Laura Mulvey |
| title_fullStr | Death 24 x a second stillness and the moving image Laura Mulvey |
| title_full_unstemmed | Death 24 x a second stillness and the moving image Laura Mulvey |
| title_short | Death 24 x a second |
| title_sort | death 24 x a second stillness and the moving image |
| title_sub | stillness and the moving image |
| topic | Cinéma - Théorie ram Quiétude ram Philosophie (DE-588)4045791-6 gnd Drehbuch (DE-588)4127976-1 gnd Tod Motiv (DE-588)4117229-2 gnd Filmtechnik (DE-588)4017144-9 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Cinéma - Théorie Quiétude Philosophie Drehbuch Tod Motiv Filmtechnik Film |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016250860&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016250860&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT mulveylaura death24xasecondstillnessandthemovingimage AT mulveylaura deathtwentyfourxasecond |