Subversion: the definitive history of underground cinema
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Wallflower Press
2007
|
| Ausgabe: | 1. publ. in Great Britain |
| Schlagworte: | |
| Online-Zugang: | Klappentext |
| Beschreibung: | Includes bibliographical references (p. 209-250) and index |
| Beschreibung: | X, 259 S. Ill. 24 cm |
| ISBN: | 9781905674220 9781905674213 |
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Datensatz im Suchindex
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| adam_text | Subversion
is the first complete history of underground cinema, tracing the hidden
life of subterranean filmmaking from its pre-history in
bohemian
cabaret, through
the early cinematic avant-gardes of the
1920s,
to the worldwide blossoming of
microcinema
festivals in the
1990s.
Part cultural history, part radical polemic,
Subversion provides historic background and social context to such influential
yet rarely discussed scenes such as the London Film-makers Co-operative of
the
1960s,
the New York Cinema of Transgression of the
1980s
and the New
London Undergound of the
1990s,
plus original research into the world of amateur
ciné
culture from the
1930s
onwards. Contextualising these movements within a
broader historical and theoretical background of experimental media, and locating
underground cinema as a popular and radical subculture distinct from both
mainstream cinema and institutionalised avant-garde film, Subversion is set to
become an essential text for scholars of moving-image history and culture as well
as independent and guerrilla filmmakers working in opposition to the mainstream.
Underground film is a messy business and few writers have attempted histories;
those who have tend to toe the line and respect the classic avant-garde at the
expense of the loud, exciting, vivid, unruly and sexy underground. Enter Duncan
Reekie who has produced a gleefully anarchic and rightly biased schizo-history that
examines not just the filmmakers but crucially also considers the dissemination of
the work and the responses of audiences galvanised by a cinema that embraces
everything from radical structuralism to mysticism, revolutionary politics to pop
culture, and from auteurism to collectivism. An established filmmaker and part of
the legendary Exploding Cinema collective, Reekie is not afraid to demand that
underground film is seen as the revolutionary form it always was.
-
JACK SARGEANT, AUTHOR OF DEATHTRIPPING AND NAKED LENS
A must for makers, critics and lovers of underground film
...
a book written with
in-depth knowledge of filmmaking, film criticism and exhibition practices in this
vital but unconventional realm of moviemaking. This authoritative volume takes a
broad-ranging but accessible approach to the celluloid underground that combines
consideration of its trash and transgressive, pulp and political, comic and counter-
cultural influences, as well as profiling all the key movements from documentary,
free cinema, structural film, digital practices and beyond.
-
XAVIER
MENDIK, DIRECTOR OF THE CULT FILM ARCHIVE, BRUNEL UNIVERSITY
|
| adam_txt |
Subversion
is the first complete history of underground cinema, tracing the hidden
life of subterranean filmmaking from its pre-history in
bohemian
cabaret, through
the early cinematic avant-gardes of the
1920s,
to the worldwide blossoming of
microcinema
festivals in the
1990s.
Part cultural history, part radical polemic,
Subversion provides historic background and social context to such influential
yet rarely discussed scenes such as the London Film-makers' Co-operative of
the
1960s,
the New York Cinema of Transgression of the
1980s
and the New
London Undergound of the
1990s,
plus original research into the world of amateur
ciné
culture from the
1930s
onwards. Contextualising these movements within a
broader historical and theoretical background of experimental media, and locating
underground cinema as a popular and radical subculture distinct from both
mainstream cinema and institutionalised avant-garde film, Subversion is set to
become an essential text for scholars of moving-image history and culture as well
as independent and guerrilla filmmakers working in opposition to the mainstream.
'Underground film is a messy business and few writers have attempted histories;
those who have tend to toe the line and respect the classic avant-garde at the
expense of the loud, exciting, vivid, unruly and sexy underground. Enter Duncan
Reekie who has produced a gleefully anarchic and rightly biased schizo-history that
examines not just the filmmakers but crucially also considers the dissemination of
the work and the responses of audiences galvanised by a cinema that embraces
everything from radical structuralism to mysticism, revolutionary politics to pop
culture, and from auteurism to collectivism. An established filmmaker and part of
the legendary Exploding Cinema collective, Reekie is not afraid to demand that
underground film is seen as the revolutionary form it always was.'
-
JACK SARGEANT, AUTHOR OF DEATHTRIPPING AND NAKED LENS
'A must for makers, critics and lovers of underground film
.
a book written with
in-depth knowledge of filmmaking, film criticism and exhibition practices in this
vital but unconventional realm of moviemaking. This authoritative volume takes a
broad-ranging but accessible approach to the celluloid underground that combines
consideration of its trash and transgressive, pulp and political, comic and counter-
cultural influences, as well as profiling all the key movements from documentary,
free cinema, structural film, digital practices and beyond.'
-
XAVIER
MENDIK, DIRECTOR OF THE CULT FILM ARCHIVE, BRUNEL UNIVERSITY |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Reekie, Duncan |
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| author_variant | d r dr |
| building | Verbundindex |
| bvnumber | BV023046965 |
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| callnumber-label | PN1995 |
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| dewey-hundreds | 700 - The arts |
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| dewey-search | 791.43611 |
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| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| edition | 1. publ. in Great Britain |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| spellingShingle | Reekie, Duncan Subversion the definitive history of underground cinema Experimental films / History Independent filmmakers / History Geschichte Avant-garde (Aesthetics) Experimental films History Independent filmmakers History Unabhängiger Film (DE-588)4485045-1 gnd Untergrundfilm (DE-588)4186984-9 gnd |
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| title | Subversion the definitive history of underground cinema |
| title_auth | Subversion the definitive history of underground cinema |
| title_exact_search | Subversion the definitive history of underground cinema |
| title_exact_search_txtP | Subversion the definitive history of underground cinema |
| title_full | Subversion the definitive history of underground cinema Duncan Reekie |
| title_fullStr | Subversion the definitive history of underground cinema Duncan Reekie |
| title_full_unstemmed | Subversion the definitive history of underground cinema Duncan Reekie |
| title_short | Subversion |
| title_sort | subversion the definitive history of underground cinema |
| title_sub | the definitive history of underground cinema |
| topic | Experimental films / History Independent filmmakers / History Geschichte Avant-garde (Aesthetics) Experimental films History Independent filmmakers History Unabhängiger Film (DE-588)4485045-1 gnd Untergrundfilm (DE-588)4186984-9 gnd |
| topic_facet | Experimental films / History Independent filmmakers / History Geschichte Avant-garde (Aesthetics) Experimental films History Independent filmmakers History Unabhängiger Film Untergrundfilm London USA Großbritannien |
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