Graphic design: a new history
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
King
2007
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references (p. 431-439) and index |
| Beschreibung: | 464 S. zahlr. Ill. 30 cm |
| ISBN: | 1856695123 1856695115 |
Internformat
MARC
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| 245 | 1 | 0 | |a Graphic design |b a new history |c Stephen J. Eskilson |
| 264 | 1 | |a London |b King |c 2007 | |
| 300 | |a 464 S. |b zahlr. Ill. |c 30 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references (p. 431-439) and index | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Graphic arts / History | |
| 650 | 7 | |a Grafische vormgeving |2 gtt | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Commercial art |x History | |
| 650 | 4 | |a Graphic arts |x History | |
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Datensatz im Suchindex
| _version_ | 1805075288075272192 |
|---|---|
| adam_text |
Contents
Preface
10
Introduction:
The Origins
of Typography and Graphic Design
12
From Gutenberg to Bodoni
15
The Nineteenth Century, an Expanding Field
24
Photography
25
The Advent of Graphic Design
29
1
Art
Nouveau
I: A New
Style for a New Culture
30
The Arts and Crafts Movement
33
William Morris's Kelmscott Press
35
French Art
Nouveau
35
Jules
Cherét
36
Japanese Prints
40
Leonetto Cappiello
41
Alphonse
Mucha
43
Sensuality and Symbolism
43
Absinthe, the Green Fairy
44
Théophile Steinlen
44
Henri
de
Toulouse-Lautrec
46
The United States
49
Harper's and Japanese Prints
52
The Portrayal of Young Women
53
William Bradley
54
Typesetting and Competition
57
Advertising Agencies
58
England
58
English Art
Nouveau
58
Arthur Liberty and Liberty's
62
Aubrey Beardsley
62
The Beggarstaff Brothers
68
2
Art
Nouveau
II: Scotland, Austria,
and Germany
70
The Four
72
The Glasgow School of Art, Celtic Revival
72
Early Poster Design
74
Celtic Manuscripts and The Four IS
Charles Rennie Mackintosh
75
Vienna Secession
77
Gustav
Klimt
78
The Secession Building
78
Poster and Journal Design
80
Wiener Werkstätte 82
Werkstätte
Style
83
Austrian Expressionism:
Oskar Kokoschka,
Egon Schiele 88
Germany
93
Pan and
Jugend
Magazines
93
Blackletter
94
Simplicissimus Magazine
96
Hermann Obrist
96
Henry van
de Velde
98
Peter
Behrens 100
Behrens
and AEG
101
3 Sachplakat,
The First World War,
and
Dada 106
Sachplakat in
Germany
108
Lucian
Bernhard
and the
Priester
Breakthrough
108
The
Sachplakat
Phenomenon 111
Ludwig Hohlwein 113
Posters and Typography
113
The First World War
116
Wartime Propaganda
116
Emasculating Messages
120
Canadian War Posters
123
The United States
125
War Posters and James Montgomery
Flagg 125
Uncle Sam, an American Icon
125
Howard Chandler Christy
127
France
129
The Central Powers
130
Realism versus Abstraction
131
Dada 133
Tristan
Tzara
135
Dada in
Paris
137
Dada
in Berlin
139
Kurt Schwitters and
Merz 141
4
Modern Art, Modern
Graphic Design
144
Montparnasse
147
Cubism
147
Guillaume Apollinaire's Calligrammes
148
Robert and Sonia Terk Delaunay
149
The London
Underground
150
Frank Pick
151
Edward McKnight Kauffer
152
Signage and Visual
Identity
156
Futurism
158
"Words in Freedom"
158
Lacerba
160
Vorticism
163
Book Design and Typography in Britain
167
Purism
168
The Machine Aesthetic
168
The New Spirit
169
Art
Deco in
France and Britain
170
Poster Art:
Cassandre
and Carlu
172
The
Normandie
173
Art
Deco in
Asia
174
Typography
177
Bookbinding
178
Art
Deco
and Colonialism
179
The
1931
International Colonial Exposition
181
5
Revolutions in Design
184
De Stijl
187
Seeking Universal Harmony
187
Typography and Journal Design
188
De Stijl
Redesigned
189
De Stijl
Architecture
190
De Stijl Poster Design
192
De Stijl and Dada
193
Revolution in Russia
196
The Russian Revolution and
the Bolshevik Poster
196
Alexander Apsit, Boris Zvorykin, Dmitri Moor
198
Russian Suprematism and Constructivism
199
Kasimir Malevich,
Vladimir Tatlin
201
A New Utopia
201
Constructivism and Alexander Rodchenko
204
Alexander Rodchenko, Vladimir Mayakovsky
205
Photomontage and Film
206
Photomontage
206
Filmic Vision
209
Gustav Klutsis 210
Constructivists under Stalin
210
Film Posters: the
Stenbergs
212
El Lissitzky
215
El Lissitzky in Germany
215
6 The Bauhaus
and
the New Typography
222
Dada
and Russian Constructivism
224
German Expressionism
226
Expressionist Film
226
Metropolis
227
The
Arbeitsrat für Kunst 228
Weimar
Bauhaus 229
Expressionism at the
Bauhaus 229
Constructivism and the
Bauhaus 232
László Moholy-Nagy
232
Women at the
Bauhaus
2Ъ2
The
1923
Exhibition
233
Political Problems
236
Dessau Bauhaus 237
New Buildings
237
Herbert Bayer
238
"Typophoto"
240
Depoliticization at the
Bauhaus 241
Typography at the
Bauhaus 242
Paul
Renner
and
Futura
244
The New Typography
245
Die
Neue Typographie 247
Ring
Neue Werbegestalter 249
7
American
Art Deco
and the Second World War
252
The American Magazine
256
Fortune
257
Mehemed Agha and Vanity Fair
258
Condé
Nast,
Vogue, and Fashion Photography
259
Cipe Pineles
260
Alexey Brodovitch
262
PM Magazine
263
Government Patrons
265
The Great Depression
265
FAP Posters
265
Lester
Beali
268
The Museum of Modern Art
270
The International Style
270
The "Machine Art" Exhibition
272
The "Cubism and Abstract Art" Exhibition
275
The
"Bauhaus 1919-1928"
Exhibition
276
Pulp Magazines
276
Germany in the
1930s 278
The Nazis and the Mass Media
278
"Degenerate Art"
283
Typography under the Nazis
285
John Heartfield's Photomontages
287
The Second World War
287
Germany
288
Britain
289
Russia and France
291
The United States
295
Norman Rockwell
296
8
The Triumph of the
International Style
298
"Swiss Style"
302
Jan Tschichold
302
The Predominance of
Akzidenz Grotesk 302
Josef
Müller-Brockmann 303
New Typefaces
307
Journal and Advertising Design
308
Basel Type
311
Neue Grafik 311
England and the International Style
312
Stanley Morison
312
Jan Tschichold at Penguin
314
Herbert Spencer
314
American Innovators
315
Saul Bass
317
Corporate Identity in Germany and America
320
Design at
Ulm 320
Container Corporation of America
322
Paul Rand
323
Paul Rand and IBM
325
Bauhaus
Masters at American Universities
328
The Golden Age of Logos
328
The International Style in Corporate
Architecture
330
The Tilted
E
333
9
Postmodernism, the Return
of Expression
334
Psychedelic Posters
338
British Psychedelics
339
Magazine and Album Design
340
Early Postmodernism
343
Push Pin Studio
343
Album, Poster, and Magazine Design
347
Postmodern Typography
349
Robert
Venturi
and Learning from Las Vegas
351
Mature Postmodernism
352
Wolfgang
Weingart 352
Dan Friedman and April Greiman
355
Early Desktop Publishing
355
Cranbrook Academy of Art
356
The Postmodern Book and Richard Eckersley
ÒS7
The Netherlands and Britain
358
Tibor
Kalman
361
Postmodern Architecture
363
Postmodern Typography
364
Emigre Graphics
364
Digital Typefaces and
Zuzana Licko
365
Postmodernism of Resistance
369
10
Contemporary Graphic Design
372
Eclectic Experiments
374
"Grunge" Designs
374
Depoliticized Design
375
Art Chantry
375
Historicism and Appropriation
377
Fuel
381
Elliott Earls
381
Stefan
Sagmeister 382
MTV
385
The Comic Book Aesthetic
386
ChipKidd
387
Work for Hire
387
Illustration in a Digital Age
388
Graffiti
388
The Technology Aesthetic
389
Digital Idealism
389
Wired Magazine
389
Techno Type
391
Web Design
1.0:
Beginnings
392
Web
2.0:
Interactivity
393
Viral Advertising
396
Advertising Transformed
397
Motion Graphics
397
Contemporary Typography
405
Arial
for Everyone
405
Typography Transformed
407
Jonathan Hoefler
408
The End of Type
408
Global Graphics?
410
Design It Yourself
415
The "Citizen Designer"
417
Jonathan
Barnbrook
420
Conclusion
421
Glossary
422
Bibliography
431
Index
440
Picture Credits
464 |
| adam_txt |
Contents
Preface
10
Introduction:
The Origins
of Typography and Graphic Design
12
From Gutenberg to Bodoni
15
The Nineteenth Century, an Expanding Field
24
Photography
25
The Advent of Graphic Design
29
1
Art
Nouveau
I: A New
Style for a New Culture
30
The Arts and Crafts Movement
33
William Morris's Kelmscott Press
35
French Art
Nouveau
35
Jules
Cherét
36
Japanese Prints
40
Leonetto Cappiello
41
Alphonse
Mucha
43
Sensuality and Symbolism
43
Absinthe, the Green Fairy
44
Théophile Steinlen
44
Henri
de
Toulouse-Lautrec
46
The United States
49
Harper's and Japanese Prints
52
The Portrayal of Young Women
53
William Bradley
54
Typesetting and Competition
57
Advertising Agencies
58
England
58
English Art
Nouveau
58
Arthur Liberty and Liberty's
62
Aubrey Beardsley
62
The Beggarstaff Brothers
68
2
Art
Nouveau
II: Scotland, Austria,
and Germany
70
The Four
72
The Glasgow School of Art, Celtic Revival
72
Early Poster Design
74
Celtic Manuscripts and The Four IS
Charles Rennie Mackintosh
75
Vienna Secession
77
Gustav
Klimt
78
The Secession Building
78
Poster and Journal Design
80
Wiener Werkstätte 82
Werkstätte
Style
83
Austrian Expressionism:
Oskar Kokoschka,
Egon Schiele 88
Germany
93
Pan and
Jugend
Magazines
93
Blackletter
94
Simplicissimus Magazine
96
Hermann Obrist
96
Henry van
de Velde
98
Peter
Behrens 100
Behrens
and AEG
101
3 Sachplakat,
The First World War,
and
Dada 106
Sachplakat in
Germany
108
Lucian
Bernhard
and the
Priester
Breakthrough
108
The
Sachplakat
Phenomenon 111
Ludwig Hohlwein 113
Posters and Typography
113
The First World War
116
Wartime Propaganda
116
Emasculating Messages
120
Canadian War Posters
123
The United States
125
War Posters and James Montgomery
Flagg 125
Uncle Sam, an American Icon
125
Howard Chandler Christy
127
France
129
The Central Powers
130
Realism versus Abstraction
131
Dada 133
Tristan
Tzara
135
Dada in
Paris
137
Dada
in Berlin
139
Kurt Schwitters and
Merz 141
4
Modern Art, Modern
Graphic Design
144
Montparnasse
147
Cubism
147
Guillaume Apollinaire's Calligrammes
148
Robert and Sonia Terk Delaunay
149
The London
Underground
150
Frank Pick
151
Edward McKnight Kauffer
152
Signage and Visual
Identity
156
Futurism
158
"Words in Freedom"
158
Lacerba
160
Vorticism
163
Book Design and Typography in Britain
167
Purism
168
The Machine Aesthetic
168
The New Spirit
169
Art
Deco in
France and Britain
170
Poster Art:
Cassandre
and Carlu
172
The
Normandie
173
Art
Deco in
Asia
174
Typography
177
Bookbinding
178
Art
Deco
and Colonialism
179
The
1931
International Colonial Exposition
181
5
Revolutions in Design
184
De Stijl
187
Seeking Universal Harmony
187
Typography and Journal Design
188
De Stijl
Redesigned
189
De Stijl
Architecture
190
De Stijl Poster Design
192
De Stijl and Dada
193
Revolution in Russia
196
The Russian Revolution and
the Bolshevik Poster
196
Alexander Apsit, Boris Zvorykin, Dmitri Moor
198
Russian Suprematism and Constructivism
199
Kasimir Malevich,
Vladimir Tatlin
201
A New Utopia
201
Constructivism and Alexander Rodchenko
204
Alexander Rodchenko, Vladimir Mayakovsky
205
Photomontage and Film
206
Photomontage
206
Filmic Vision
209
Gustav Klutsis 210
Constructivists under Stalin
210
Film Posters: the
Stenbergs
212
El Lissitzky
215
El Lissitzky in Germany
215
6 The Bauhaus
and
the New Typography
222
Dada
and Russian Constructivism
224
German Expressionism
226
Expressionist Film
226
Metropolis
227
The
Arbeitsrat für Kunst 228
Weimar
Bauhaus 229
Expressionism at the
Bauhaus 229
Constructivism and the
Bauhaus 232
László Moholy-Nagy
232
Women at the
Bauhaus
2Ъ2
The
1923
Exhibition
233
Political Problems
236
Dessau Bauhaus 237
New Buildings
237
Herbert Bayer
238
"Typophoto"
240
Depoliticization at the
Bauhaus 241
Typography at the
Bauhaus 242
Paul
Renner
and
Futura
244
The New Typography
245
Die
Neue Typographie 247
Ring
Neue Werbegestalter 249
7
American
Art Deco
and the Second World War
252
The American Magazine
256
Fortune
257
Mehemed Agha and Vanity Fair
258
Condé
Nast,
Vogue, and Fashion Photography
259
Cipe Pineles
260
Alexey Brodovitch
262
PM Magazine
263
Government Patrons
265
The Great Depression
265
FAP Posters
265
Lester
Beali
268
The Museum of Modern Art
270
The International Style
270
The "Machine Art" Exhibition
272
The "Cubism and Abstract Art" Exhibition
275
The
"Bauhaus 1919-1928"
Exhibition
276
Pulp Magazines
276
Germany in the
1930s 278
The Nazis and the Mass Media
278
"Degenerate Art"
283
Typography under the Nazis
285
John Heartfield's Photomontages
287
The Second World War
287
Germany
288
Britain
289
Russia and France
291
The United States
295
Norman Rockwell
296
8
The Triumph of the
International Style
298
"Swiss Style"
302
Jan Tschichold
302
The Predominance of
Akzidenz Grotesk 302
Josef
Müller-Brockmann 303
New Typefaces
307
Journal and Advertising Design
308
Basel Type
311
Neue Grafik 311
England and the International Style
312
Stanley Morison
312
Jan Tschichold at Penguin
314
Herbert Spencer
314
American Innovators
315
Saul Bass
317
Corporate Identity in Germany and America
320
Design at
Ulm 320
Container Corporation of America
322
Paul Rand
323
Paul Rand and IBM
325
Bauhaus
Masters at American Universities
328
The Golden Age of Logos
328
The International Style in Corporate
Architecture
330
The Tilted
E
333
9
Postmodernism, the Return
of Expression
334
Psychedelic Posters
338
British Psychedelics
339
Magazine and Album Design
340
Early Postmodernism
343
Push Pin Studio
343
Album, Poster, and Magazine Design
347
Postmodern Typography
349
Robert
Venturi
and Learning from Las Vegas
351
Mature Postmodernism
352
Wolfgang
Weingart 352
Dan Friedman and April Greiman
355
Early Desktop Publishing
355
Cranbrook Academy of Art
356
The Postmodern Book and Richard Eckersley
ÒS7
The Netherlands and Britain
358
Tibor
Kalman
361
Postmodern Architecture
363
Postmodern Typography
364
Emigre Graphics
364
Digital Typefaces and
Zuzana Licko
365
Postmodernism of Resistance
369
10
Contemporary Graphic Design
372
Eclectic Experiments
374
"Grunge" Designs
374
Depoliticized Design
375
Art Chantry
375
Historicism and Appropriation
377
Fuel
381
Elliott Earls
381
Stefan
Sagmeister 382
MTV
385
The Comic Book Aesthetic
386
ChipKidd
387
Work for Hire
387
Illustration in a Digital Age
388
Graffiti
388
The Technology Aesthetic
389
Digital Idealism
389
Wired Magazine
389
Techno Type
391
Web Design
1.0:
Beginnings
392
Web
2.0:
Interactivity
393
Viral Advertising
396
Advertising Transformed
397
Motion Graphics
397
Contemporary Typography
405
Arial
for Everyone
405
Typography Transformed
407
Jonathan Hoefler
408
The End of Type
408
Global Graphics?
410
Design It Yourself
415
The "Citizen Designer"
417
Jonathan
Barnbrook
420
Conclusion
421
Glossary
422
Bibliography
431
Index
440
Picture Credits
464 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Eskilson, Stephen 1964- |
| author_GND | (DE-588)136432867 |
| author_facet | Eskilson, Stephen 1964- |
| author_role | aut |
| author_sort | Eskilson, Stephen 1964- |
| author_variant | s e se |
| building | Verbundindex |
| bvnumber | BV023044886 |
| callnumber-first | N - Fine Arts |
| callnumber-label | NC998 |
| callnumber-raw | NC998 |
| callnumber-search | NC998 |
| callnumber-sort | NC 3998 |
| callnumber-subject | NC - Drawing, Design, Illustration |
| classification_rvk | AP 13400 AP 15040 |
| ctrlnum | (OCoLC)137313680 (DE-599)BVBBV023044886 |
| dewey-full | 760 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 760 - Printmaking & prints |
| dewey-raw | 760 |
| dewey-search | 760 |
| dewey-sort | 3760 |
| dewey-tens | 760 - Printmaking & prints |
| discipline | Kunstgeschichte Allgemeines |
| discipline_str_mv | Kunstgeschichte Allgemeines |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| id | DE-604.BV023044886 |
| illustrated | Illustrated |
| index_date | 2024-07-02T19:22:08Z |
| indexdate | 2024-07-20T05:39:01Z |
| institution | BVB |
| isbn | 1856695123 1856695115 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016248353 |
| oclc_num | 137313680 |
| open_access_boolean | |
| owner | DE-12 DE-384 DE-M493 DE-Aug4 DE-B496 DE-1046 |
| owner_facet | DE-12 DE-384 DE-M493 DE-Aug4 DE-B496 DE-1046 |
| physical | 464 S. zahlr. Ill. 30 cm |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | King |
| record_format | marc |
| spelling | Eskilson, Stephen 1964- Verfasser (DE-588)136432867 aut Graphic design a new history Stephen J. Eskilson London King 2007 464 S. zahlr. Ill. 30 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. 431-439) and index Geschichte gnd rswk-swf Graphic arts / History Grafische vormgeving gtt Geschichte Commercial art History Graphic arts History Grafikdesign (DE-588)4019558-2 gnd rswk-swf Grafikdesign (DE-588)4019558-2 s Geschichte z DE-604 Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016248353&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Eskilson, Stephen 1964- Graphic design a new history Graphic arts / History Grafische vormgeving gtt Geschichte Commercial art History Graphic arts History Grafikdesign (DE-588)4019558-2 gnd |
| subject_GND | (DE-588)4019558-2 |
| title | Graphic design a new history |
| title_auth | Graphic design a new history |
| title_exact_search | Graphic design a new history |
| title_exact_search_txtP | Graphic design a new history |
| title_full | Graphic design a new history Stephen J. Eskilson |
| title_fullStr | Graphic design a new history Stephen J. Eskilson |
| title_full_unstemmed | Graphic design a new history Stephen J. Eskilson |
| title_short | Graphic design |
| title_sort | graphic design a new history |
| title_sub | a new history |
| topic | Graphic arts / History Grafische vormgeving gtt Geschichte Commercial art History Graphic arts History Grafikdesign (DE-588)4019558-2 gnd |
| topic_facet | Graphic arts / History Grafische vormgeving Geschichte Commercial art History Graphic arts History Grafikdesign |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016248353&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT eskilsonstephen graphicdesignanewhistory |