Introduction to film:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Basingstoke [u.a.]
Palgrave Macmillan
2006
|
| Ausgabe: | 1. publ., [Nachdr.] |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XVI, 336 S. Ill., graph. Darst. |
| ISBN: | 1403916276 9781403916273 |
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| 245 | 1 | 0 | |a Introduction to film |c Nick Lacey |
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| 250 | |a 1. publ., [Nachdr.] | ||
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| 300 | |a XVI, 336 S. |b Ill., graph. Darst. | ||
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Datensatz im Suchindex
| _version_ | 1804137261193756672 |
|---|---|
| adam_text | Contents
List of figures
X
List of film sUlls
xi
List of tables
xiii
Acknowledgements
xiv
Preface
XV
Introduction
1
Chapter
1
Film
language
5
I.I
Introduction
5
1.2
Introduction to
mise en
scène
5
1.3
Production design: sets, props and costumes
7
1.4
Lighting
10
1.5
Performance
12
1.6
Sound (and music)
16
1.7
Framing: position; depth of field; aspect ratio;
height and angle (but not movement)
22
1.8
Camera movement
28
1.9
Editing
31
1.10
Film stars as texts
41
Chapter
2
Film
genre and narrative
46
2.1
Introduction
46
2.2
Defining genre
46
2.3
The repertoire of elements
48
2.4
Generic evolution
53
2.5
Approaches to genre
57
2.6
Twelve uses of genre
59
2.7
Genre and audiences
76
2.8
Introduction to narrative
77
2.9
Todorov and
Propp
78
2.10
Story and plot
84
2.11
Roland Barthes narrative codes
88
2.12
Other approaches
90
2.13
Postmodern narratives
93
Chapter
3
Chapter
4
Chapter
5
Film
as industry
99
3.1
Introduction
99
3.2
The beginning of cinema
99
3.3
Hollywood
-
the formation of the major studios
100
3.4
Hollywood and censorship
104
3.5
Hollywood
-
the coming of sound
106
3.6
Hollywood decline: the Paramount decrees
and the baby boom
108
3.7
New Hollywood? The early
1
970s
109
3.8
Package Hollywood
III
3.9
Hollywood: conglomeration to media corporation
113
3.10
The importance of Jaws
116
3.11
Hollywood and the high concept
119
3.12
The independent sector in North America
123
3.13
The arthouse sector
125
3.14
Selling cinema
129
3.15
Genre and industry
131
3.16
How new is contemporary Hollywood?
135
3.17
Stars
136
3.18
The publicity circus
139
3.19
The DVD revolution
142
3.20
Film festivals
143
3.2!
Conclusion: the shadow of Hollywood
144
Film
and theory
147
4.1
Introduction
147
4.2
Film and realism
147
4.3
The
auteur
theory
155
4.4
Structuralism and auteurism
156
4.5
Screen theory
-
ideology
161
4.6
Screen theory
-
psychoanalysis
174
4.7
Screen theory
—
feminist analysis
177
4.8
Spectatorship
180
4.9
Third cinema and post-colonialism
189
4.10
Postmodernism and poststructuralism
197
4.11
Audience pleasures
203
Film
and history
208
5.1
Introduction
208
5.2
German Expressionism
209
5.3
Avant-garde
214
5.4
Soviet cinema in the
1
920s
219
5.5
The British documentary movement
222
Chapter
6
Chapter
7
5.6
Italian neo-realism
223
5.7
The French NewWave
(nouvelle
vague)
227
5.8
The British NewWave
(1959-63)
and
the Swinging Sixties
231
5.9
Other
1
960s new waves
237
5.10
May
68
240
5.11
New German cinema
242
5.12
Chinese cinema: fifth and sixth generation
245
5.13
Iranian cinema
248
5.14
Denmark s
Dogme
250
Appendices:
253
A5.I
Australia and New Zealand
—
the role of the aboriginal
253
A5.2
The Balkans
-
civil strife
255
A5.3
Canada
-
engulfed by America?
256
A5.4
Hong Kong
-
(not) a national cinema?
258
A5.5
Mexican Cinema
—
renaissance on
America s doorstep
259
Film
and representation
263
6.1
Introduction
263
6.2
Representation and types
263
6.3
African-Americans and Hollywood
266
6.4
National cinema
272
6.5
British cinema
274
6.6
State-of-the-nation films
293
Film
and technology
295
7.1
Introduction
295
7.2
Precursors
295
7.3
Projecting frames
296
7.4
Aspect ratio
297
7.5
Lenses and
filmstock
299
7.6
Sound and colour
300
7.7
Animation
301
7.8
Special effects
302
7.9
Digital distribution
305
7.10
Conclusion
306
Bibliography
Film index
Subject index
308
329
332
More people are watching films than ever before. The advent of DVD
has meant movies can be seen in the home with excellent picture and
sound quality, as well as additional footage. Introduction to Film is a
concise guide to the study of film for all film students, offering an
engaging overview of the issues and perspectives that contribute to a
full understanding of the medium.
The book addresses all the important areas encountered by students
studying film, ranging from a history of Hollywood, British and World
cinema to an analysis of the key theories of different genres and
narratives. Introduction to Film also draws on a fund of diverse examples
that offer a mixture of the familiar, classic and more unusual aspects
of film. Finally, it investigates how film represents both people and
nations, and how it is influenced by constantly evolving technology.
With its original narrative line and student-centred philosophy, this
book is devised to enrich students appreciation of cinema and equip
them with the vocabulary and skills to succeed in film studies. If you
have more than a passing interest in film, Introduction to Film will
enhance your pleasure in movies and guide you to treasures you have
not yet seen.
|
| adam_txt |
Contents
List of figures
X
List of film sUlls
xi
List of tables
xiii
Acknowledgements
xiv
Preface
XV
Introduction
1
Chapter
1
Film
language
5
I.I
Introduction
5
1.2
Introduction to
mise en
scène
5
1.3
Production design: sets, props and costumes
7
1.4
Lighting
10
1.5
Performance
12
1.6
Sound (and music)
16
1.7
Framing: position; depth of field; aspect ratio;
height and angle (but not movement)
22
1.8
Camera movement
28
1.9
Editing
31
1.10
Film stars as texts
41
Chapter
2
Film
genre and narrative
46
2.1
Introduction
46
2.2
Defining genre
46
2.3
The repertoire of elements
48
2.4
Generic evolution
53
2.5
Approaches to genre
57
2.6
Twelve uses of genre
59
2.7
Genre and audiences
76
2.8
Introduction to narrative
77
2.9
Todorov and
Propp
78
2.10
Story and plot
84
2.11
Roland Barthes' narrative codes
88
2.12
Other approaches
90
2.13
Postmodern narratives
93
Chapter
3
Chapter
4
Chapter
5
Film
as industry
99
3.1
Introduction
99
3.2
The beginning of cinema
99
3.3
Hollywood
-
the formation of the major studios
100
3.4
Hollywood and censorship
104
3.5
Hollywood
-
the coming of sound
106
3.6
Hollywood decline: the Paramount decrees
and the baby boom
108
3.7
New Hollywood? The early
1
970s
109
3.8
Package Hollywood
III
3.9
Hollywood: conglomeration to media corporation
113
3.10
The importance of Jaws
116
3.11
Hollywood and the high concept
119
3.12
The independent sector in North America
123
3.13
The arthouse sector
125
3.14
Selling cinema
129
3.15
Genre and industry
131
3.16
How new is contemporary Hollywood?
135
3.17
Stars
136
3.18
The publicity circus
139
3.19
The DVD revolution
142
3.20
Film festivals
143
3.2!
Conclusion: the shadow of Hollywood
144
Film
and theory
147
4.1
Introduction
147
4.2
Film and realism
147
4.3
The
auteur
theory
155
4.4
Structuralism and auteurism
156
4.5
Screen theory
-
ideology
161
4.6
Screen theory
-
psychoanalysis
174
4.7
Screen theory
—
feminist analysis
177
4.8
Spectatorship
180
4.9
Third cinema and post-colonialism
189
4.10
Postmodernism and poststructuralism
197
4.11
Audience pleasures
203
Film
and history
208
5.1
Introduction
208
5.2
German Expressionism
209
5.3
Avant-garde
214
5.4
Soviet cinema in the
1
920s
219
5.5
The British documentary movement
222
Chapter
6
Chapter
7
5.6
Italian neo-realism
223
5.7
The French NewWave
(nouvelle
vague)
227
5.8
The British NewWave
(1959-63)
and
the 'Swinging Sixties'
231
5.9
Other
1
960s new waves
237
5.10
May
'68
240
5.11
New German cinema
242
5.12
Chinese cinema: fifth and sixth generation
245
5.13
Iranian cinema
248
5.14
Denmark's
Dogme
250
Appendices:
253
A5.I
Australia and New Zealand
—
the role of the aboriginal
253
A5.2
The Balkans
-
civil strife
255
A5.3
Canada
-
engulfed by America?
256
A5.4
Hong Kong
-
(not) a national cinema?
258
A5.5
Mexican Cinema
—
renaissance on
America's doorstep
259
Film
and representation
263
6.1
Introduction
263
6.2
Representation and types
263
6.3
African-Americans and Hollywood
266
6.4
National cinema
272
6.5
British cinema
274
6.6
State-of-the-nation films
293
Film
and technology
295
7.1
Introduction
295
7.2
Precursors
295
7.3
Projecting frames
296
7.4
Aspect ratio
297
7.5
Lenses and
filmstock
299
7.6
Sound and colour
300
7.7
Animation
301
7.8
Special effects
302
7.9
Digital distribution
305
7.10
Conclusion
306
Bibliography
Film index
Subject index
308
329
332
More people are watching films than ever before. The advent of DVD
has meant movies can be seen in the home with excellent picture and
sound quality, as well as additional footage. Introduction to Film is a
concise guide to the study of film for all film students, offering an
engaging overview of the issues and perspectives that contribute to a
full understanding of the medium.
The book addresses all the important areas encountered by students
studying film, ranging from a history of Hollywood, British and World
cinema to an analysis of the key theories of different genres and
narratives. Introduction to Film also draws on a fund of diverse examples
that offer a mixture of the familiar, classic and more unusual aspects
of film. Finally, it investigates how film represents both people and
nations, and how it is influenced by constantly evolving technology.
With its original narrative line and student-centred philosophy, this
book is devised to enrich students' appreciation of cinema and equip
them with the vocabulary and skills to succeed in film studies. If you
have more than a passing interest in film, Introduction to Film will
enhance your pleasure in movies and guide you to treasures you have
not yet seen. |
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| index_date | 2024-07-02T19:18:28Z |
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| spelling | Lacey, Nick Verfasser aut Introduction to film Nick Lacey Film 1. publ., [Nachdr.] Basingstoke [u.a.] Palgrave Macmillan 2006 XVI, 336 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Film (DE-588)4017102-4 gnd rswk-swf 1\p (DE-588)4151278-9 Einführung gnd-content Film (DE-588)4017102-4 s DE-604 Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016238650&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016238650&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Lacey, Nick Introduction to film Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4151278-9 |
| title | Introduction to film |
| title_alt | Film |
| title_auth | Introduction to film |
| title_exact_search | Introduction to film |
| title_exact_search_txtP | Introduction to film |
| title_full | Introduction to film Nick Lacey |
| title_fullStr | Introduction to film Nick Lacey |
| title_full_unstemmed | Introduction to film Nick Lacey |
| title_short | Introduction to film |
| title_sort | introduction to film |
| topic | Film (DE-588)4017102-4 gnd |
| topic_facet | Film Einführung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016238650&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016238650&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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