Music for a mixed taste: style, genre, and meaning in Telemann's instrumental works
Georg Philipp Telemann gave us one of the richest legacies of instrumental music from the eighteenth century. Though considered a definitive contribution to the genre during his lifetime, his concertos, sonatas, and suites were then virtually ignored for nearly two centuries following his death. Yet...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Oxford Univ. Press
2008
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Georg Philipp Telemann gave us one of the richest legacies of instrumental music from the eighteenth century. Though considered a definitive contribution to the genre during his lifetime, his concertos, sonatas, and suites were then virtually ignored for nearly two centuries following his death. Yet these works are now among the most popular in the baroque repertory. In Music for a Mixed Taste , Steven Zohn considers Telemann's music from stylistic, generic, and cultural perspectives. He investigates the composer's cosmopolitan "mixed taste"--a blending of the French, Italian, English, and Polish national styles-and his imaginative expansion of this concept to embrace mixtures of the old (late baroque) and new (galant ) styles. Telemann had an equally remarkable penchant for generic amalgamation, exemplified by his pioneering role in developing hybrid types such as the sonata in concerto style ("Sonate auf Concertenart") and overture-suite with solo instrument ("Concert en ouverture"). Zohn examines the extramusical meanings of Telemann's "characteristic" overture-suites, which bear descriptive texts associating them with literature, medicine, politics, religion, and the natural world, and which acted as vehicles for the composer's keen sense of musical humor. Zohn then explores Telemann's unprecedented self-publishing enterprise at Hamburg, and sheds light on the previously unrecognized borrowing by J.S. Bach from a Telemann concerto. Music for a Mixed Taste further reveals how Telemann's style polonaise generates musical and social meanings through the timeless oppositions of Orient-Occident, urban-rural, and serious-comic. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XXXIV, 686 S. Notenbeisp. |
| ISBN: | 9780195169775 |
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Datensatz im Suchindex
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| adam_text | MUSIC FOR A MIXED TASTE / ZOHN, STEVEN DAVID : 2007 TABLE OF
CONTENTS / INHALTSVERZEICHNIS THE OVERTURE-SUITES. ACQUIRING A MIXED
TASTE : TELEMANN AS GRAND PARTISAN DE LA MUSIQUE FRANCAISE ;
TELEMANN S MIMETIC ART : THE CHARACTERISTIC OVERTURE-SUITES THE
CONCERTOS. NIEMALS RECHT VON HERZEN GEGANGEN ? : TELEMANN S CONCERTOS ;
BACH S DEBT REPAID WITH INTEREST : A CASE STUDY OF TRANSFORMATIVE
IMITATION THE SONATAS. SOMETHING FOR EVERYONE S TASTE : TELEMANN S
SONATAS TO 1725 ; TELEMANN AND THE SONATE AUF CONCERTENART THE HAMBURG
PUBLICATIONS. TELEMANN IN THE MARKETPLACE : THE COMPOSER AS
SELF-PUBLISHER ; TELEMANN FUER KENNER UND LIEBHABER : THE MUSIC OF THE
HAMBURG PUBLICATIONS ; TELEMANN S POLISH STYLE AND THE TRUE BARBARIC
BEAUTY OF THE MUSICAL OTHER. DIESES SCHRIFTSTUECK WURDE MASCHINELL
ERZEUGT.
|
| adam_txt |
MUSIC FOR A MIXED TASTE / ZOHN, STEVEN DAVID : 2007 TABLE OF
CONTENTS / INHALTSVERZEICHNIS THE OVERTURE-SUITES. ACQUIRING A MIXED
TASTE : TELEMANN AS "GRAND PARTISAN DE LA MUSIQUE FRANCAISE" ;
TELEMANN'S MIMETIC ART : THE CHARACTERISTIC OVERTURE-SUITES THE
CONCERTOS. "NIEMALS RECHT VON HERZEN GEGANGEN"? : TELEMANN'S CONCERTOS ;
BACH'S DEBT REPAID WITH INTEREST : A CASE STUDY OF TRANSFORMATIVE
IMITATION THE SONATAS. "SOMETHING FOR EVERYONE'S TASTE" : TELEMANN'S
SONATAS TO 1725 ; TELEMANN AND THE SONATE AUF CONCERTENART THE HAMBURG
PUBLICATIONS. TELEMANN IN THE MARKETPLACE : THE COMPOSER AS
SELF-PUBLISHER ; TELEMANN FUER KENNER UND LIEBHABER : THE MUSIC OF THE
HAMBURG PUBLICATIONS ; TELEMANN'S POLISH STYLE AND THE "TRUE BARBARIC
BEAUTY" OF THE MUSICAL OTHER. DIESES SCHRIFTSTUECK WURDE MASCHINELL
ERZEUGT. |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Zohn, Steven David |
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| author_sort | Zohn, Steven David |
| author_variant | s d z sd sdz |
| building | Verbundindex |
| bvnumber | BV023029867 |
| callnumber-first | M - Music |
| callnumber-label | ML410 |
| callnumber-raw | ML410.T26 |
| callnumber-search | ML410.T26 |
| callnumber-sort | ML 3410 T26 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LP 42216 LP 42218 |
| ctrlnum | (OCoLC)85862249 (DE-599)BVBBV023029867 |
| dewey-full | 784.092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 784 - Instruments & instrumental ensembles |
| dewey-raw | 784.092 |
| dewey-search | 784.092 |
| dewey-sort | 3784.092 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1700-1800 |
| era_facet | Geschichte 1700-1800 |
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| illustrated | Illustrated |
| index_date | 2024-07-02T19:16:31Z |
| indexdate | 2024-07-09T21:09:22Z |
| institution | BVB |
| isbn | 9780195169775 |
| language | English |
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| spelling | Zohn, Steven David Verfasser aut Music for a mixed taste style, genre, and meaning in Telemann's instrumental works Steven Zohn New York [u.a.] Oxford Univ. Press 2008 XXXIV, 686 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Georg Philipp Telemann gave us one of the richest legacies of instrumental music from the eighteenth century. Though considered a definitive contribution to the genre during his lifetime, his concertos, sonatas, and suites were then virtually ignored for nearly two centuries following his death. Yet these works are now among the most popular in the baroque repertory. In Music for a Mixed Taste , Steven Zohn considers Telemann's music from stylistic, generic, and cultural perspectives. He investigates the composer's cosmopolitan "mixed taste"--a blending of the French, Italian, English, and Polish national styles-and his imaginative expansion of this concept to embrace mixtures of the old (late baroque) and new (galant ) styles. Telemann had an equally remarkable penchant for generic amalgamation, exemplified by his pioneering role in developing hybrid types such as the sonata in concerto style ("Sonate auf Concertenart") and overture-suite with solo instrument ("Concert en ouverture"). Zohn examines the extramusical meanings of Telemann's "characteristic" overture-suites, which bear descriptive texts associating them with literature, medicine, politics, religion, and the natural world, and which acted as vehicles for the composer's keen sense of musical humor. Zohn then explores Telemann's unprecedented self-publishing enterprise at Hamburg, and sheds light on the previously unrecognized borrowing by J.S. Bach from a Telemann concerto. Music for a Mixed Taste further reveals how Telemann's style polonaise generates musical and social meanings through the timeless oppositions of Orient-Occident, urban-rural, and serious-comic. Telemann, Georg Philipp 1681-1767 Instrumental music Telemann, Georg Philipp <1681-1767> Instrumental music Telemann, Georg Philipp 1681-1767 (DE-588)11862119X gnd rswk-swf Geschichte 1700-1800 Instrumental music 18th century History and criticism Instrumentalmusik (DE-588)4129951-6 gnd rswk-swf Telemann, Georg Philipp 1681-1767 (DE-588)11862119X p Instrumentalmusik (DE-588)4129951-6 s DE-604 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016233769&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Zohn, Steven David Music for a mixed taste style, genre, and meaning in Telemann's instrumental works Telemann, Georg Philipp 1681-1767 Instrumental music Telemann, Georg Philipp <1681-1767> Instrumental music Telemann, Georg Philipp 1681-1767 (DE-588)11862119X gnd Instrumental music 18th century History and criticism Instrumentalmusik (DE-588)4129951-6 gnd |
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| title | Music for a mixed taste style, genre, and meaning in Telemann's instrumental works |
| title_auth | Music for a mixed taste style, genre, and meaning in Telemann's instrumental works |
| title_exact_search | Music for a mixed taste style, genre, and meaning in Telemann's instrumental works |
| title_exact_search_txtP | Music for a mixed taste style, genre, and meaning in Telemann's instrumental works |
| title_full | Music for a mixed taste style, genre, and meaning in Telemann's instrumental works Steven Zohn |
| title_fullStr | Music for a mixed taste style, genre, and meaning in Telemann's instrumental works Steven Zohn |
| title_full_unstemmed | Music for a mixed taste style, genre, and meaning in Telemann's instrumental works Steven Zohn |
| title_short | Music for a mixed taste |
| title_sort | music for a mixed taste style genre and meaning in telemann s instrumental works |
| title_sub | style, genre, and meaning in Telemann's instrumental works |
| topic | Telemann, Georg Philipp 1681-1767 Instrumental music Telemann, Georg Philipp <1681-1767> Instrumental music Telemann, Georg Philipp 1681-1767 (DE-588)11862119X gnd Instrumental music 18th century History and criticism Instrumentalmusik (DE-588)4129951-6 gnd |
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