The Cambridge companion to Monteverdi:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2007
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Cambridge companions to music
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XXI, 358 S. Ill., Notenbeisp. |
| ISBN: | 9780521875257 9780521697989 0521875250 |
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| 245 | 1 | 0 | |a The Cambridge companion to Monteverdi |c ed. by John Whenham and Richard Wistreich |
| 246 | 1 | 3 | |a Monteverdi |
| 250 | |a 1. publ. | ||
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Datensatz im Suchindex
| _version_ | 1804137249753792512 |
|---|---|
| adam_text | Contents
List of illustrations page
ix
Notes on contributors
xi
Preface
xiii
Chronology
John Whenham
xv
1
Approaching Monteverdi: his cultures and ours
Anthony Pryer
1
2
Musical sources
Tim Carter
20
3
A model musical education: Monteverdi s early works
Geoffrey Chew
31
intermedio i:
Ecco mormorar l onde
(1590)
Geoffrey Chew
45
4
Monteverdi at Mantua,
1590-1612
Roger Bowers
53
5
Spaces for music in late Renaissance Mantua
Paola Besutti
76
6
The Mantuan madrigals and
Scherzi musicali
Massimo
Ossi
95
intermedio
и:
Ahi, come a un vago sol cortese giro
(1605)
Massimo Ossi 111
7
Orfeo
(1607)
Joachim Steinheuer 119
8
The Mantuan
sacred music
Jeffrey Kurtzman
141
intermedio
ш:
Laetatus sum
(1610)
Jeffrey Kurtzman
155
9
Music in Monteverdi s Venice
Iain Fenlon
163
10
The Venetian secular music
Tim Carter
179
[vii]
viii Contents
intermedio
iv:
Lamento della ninfa
(1638)
Tim
Carter
195
11
The Venetian sacred music
John
Whenham
199
intermedio
v:
Magnificat SV281
(1641)
John Whenham
219
12
Monteverdi s
late
operas
Ellen Rosand
227
intermedio vi:
fl
ritorno d Olisse
(1640),
Act V,
scene
10
Ellen Rosand
243
13
Monteverdi studies and new musicologies
Suzanne G. Cusick
249
14
Monteverdi in performance
Richard Wistreich
261
Notes
280
Bibliography
299
Selected discography
Compiled by Richard Wistreich
310
The works of Monteverdi: catalogue and index
Compiled by John Whenham
314
Index of titles and first lines
339
Index of names and subjects
349
Illustrations
Fig.
Lia Portrait
of Monteverdi, after Bernardo
Strozzi
(Innsbruck, Tiroler Landesmuseum Ferdinandeum).
page
5
Fig. 1.1b Detail
of music in
Fig. 1.1a. 6
Fig. 1.1c Detail
from Vienna manuscript of
Л
ritorno
d Ulisse in patria (A-Wn MS
18763,
folio
115
recto).
Austrian
National Library.
6
Fig. 4.1
Gabriele Bertazzolo, Pianta prospettiva di Mantova
(1628),
showing location
179,
S.
Croce in Corte
(Mantua,
Biblioteca Comunale Teresiana).
54
Fig. 4.2 Detail
from
Francesco Borgani,
St
Francis
intercedes
for the cessation of an epidemic ,
с
1615,
showing, immediately
above the saint s hand, the tower and spire of S.
Croce in
Corte,
Mantua (Mantua,
Museo di
Palazzo
Ducale).
55
Fig. 5.1
Mantua, Palazzo
Ducale:
the Hall of Mirrors at the time
of its rediscovery
(Foto Giovetti,
1998,
reproduced by permission
of the
Ministero
per
і
beni e le attività culturali,
Italy).
78
Fig. 5.2
Mantua,
Palazzo Ducale: Virtual
reconstruction of the
Hall
of Mirrors (by kind permission of Roberto Soggia)
. 79
Fig.
5.3
Bernardino Facciotto, Plan of the Hall of Mirrors
(Turin,
Archivio di Stato).
80
Fig. 5.4
Jacopo Tintoretto,
Le nove muse in aera (The
Royal
Collection
©2007
Her Majesty Queen Elizabeth II)
. 81
Fig.
5.5
Mantua, Palazzo
Ducale:
One of the small frescos in the
Hall of Mirrors
(Foto
Giovetti, reproduced by permission
of the
Ministero
per
і
beni e le attività culturali,
Italy).
82
Fig. 5.6
Mantua,
Palazzo Ducale: The Hall
of Mirrors today with,
on the left, the mass of building work still not demolished
(Foto
Querei,
2006,
reproduced by permission of the
Ministero
per
і
beni e le attività culturali,
Italy).
84
Fig. 5.7a
Ludovico Checchi,
Plan of the ducal palace, Mantua,
1743,
showing the position of its theatres: No.
159
Teatro grande;
No.
105
Teatro
piccolo (Bologna,
Archivio di Stato).
87
Fig. 5.7b Detail
from Fig.
5.7a. 87
Fig. 5.8
Mantua, Plan of Palatine Basilica of S. Barbara (by kind
permission of Giovanni Mori, architect in charge of restoration)
. 91
Fig.
5.9
Mantua, Palatine Basilica
Palatina
of
S.
Barbara on
the eve of its re-opening, July
2006
(photograph
by
Paola Besutti
by permission of the Diocese
of Mantua (prot.
1679/07)). 92
χ
Illustraúons
Fig. 9.1
Upper hall of the
Scuola di S. Rocco,
Venice
(Scuola di
S.
Rocco,
Venice).
164
Fig. 9.2
Matteo
Pagan, Procession in the Piazza San Marco
(detail) (Venice,
Museo Civico Correr).
168
Fig. 9.3
Giacomo Franco, The doge
arrives at S. Giorgio
Maggiore
to hear Vespers on Christmas Day
(Museo Civico
Correr,
Venice).
169
Fig. 9.4
S. Maria
della Salute
(photograph by John Whenham)
171
Fig.
9.5
Giacomo
Franco, Procession in the Piazza S. Marco
(Museo Civico Correr,
Venice).
172
Fig. 9.6
Giacomo Franco,
Gondolas in Summer
(Museo Civico Correr,
Venice).
177
Fig. 11.1
S.
Marco,
the Bigonzo, Iconostasis,
Pergola
and North
Organ
Loft (Conway Library,
Courtauld Institute, London).
211
Fig. 11.2
SS. Giovanni e Paolo,
Venice (photograph by
John Whenham)
. 216
[xi]
Contributors
Paola Besutti
is Associate Professor in the Department of Communication Sciences
at the University of Teramo and a member of the PhD Program on Musical
Heritage at the University of
Lecce.
Since
2003
she has been editor of the
Rivista
italiana di musicologia.
Her publications as author and editor include many
articles on music and musical practice in late-Renaissance Mantua, among
them
La corte musicale ài Ferdinando
Carlo
Gonzaga
ultimo
duca di
Mantova
(1989),
Claudio
Monteverdi:
Studi e prospettive
(1998)
and Quante erano le messe
mantovane? Nuovi elementi e qualche precisazione su Paìestrina e il repertorio
musicale per S. Barbara
(2006).
Roger Bowers is Emeritus Reader in Medieval and Renaissance Music in the
University of Cambridge. He has published articles on the history of Choral
Institutions and of Musical Notation, and on English political, ecclesiastical and
social history; one aspect of his work is represented by the articles coUected in
English Church Polyphony: Singers and Sources from the 14th Century to the 17th
(1999).
Tim Carter was born in Sydney, Australia, in
1954
and studied at the Universities of
Durham and Birmingham in the United Kingdom. Formerly at Royal Holloway
and Bedford New College, University of London, he is now David G.
Frey
Distinguished Professor of Music at the University of North Carolina at Chapel
Hill. He is the author and editor of numerous books on music in late Renaissance
and early Baroque Italy, including Monteverdi s Musical Theatre
(2002)
and
The Cambridge History of Seventeenth-Century Music
(2005),
and also of the
Cambridge Opera Handbook on Mozart s
Le nozze di
Figaro
(1987)
and
Oklahoma! The Making of an American Musical
(2007).
Geoffrey Chew is Emeritus Professor of Music at Royal Holloway, University of
London. His publications, as author, co-author and editor, have concerned a
variety of fields, including Renaissance music, the music of eighteenth-century
Austria and twentieth-century Czech music, and include the New Grove article on
Monteverdi s works.
Suzanne G. Cusick is Associate Professor of Music at New York University and was
the first Frederick Burkhardt Residential Fellow at the Villa I
Tatti,
the Harvard
University Center for Italian Renaissance Studies
(2001-2002).
She has published
extensively on gender and sexuality in relation to music, and has recently
completed a monograph on the seventeenth-century Florentine singer-teacher-
composer Francesca Caccini.
Iain Fenlon is Senior Tutor and Fellow of King s College and Professor of Historical
Musicology at the University of Cambridge. He is the founding editor of Early
Music History
(1981—)
and his many books and articles on Italian music and
culture in the Reniassance include Music and Patronage in Sateenth-Century
Mantua
(1980, 1982)
and Music and Culture in Late Renaissance Italy
(2000).
|
| adam_txt |
Contents
List of illustrations page
ix
Notes on contributors
xi
Preface
xiii
Chronology
John Whenham
xv
1
Approaching Monteverdi: his cultures and ours
Anthony Pryer
1
2
Musical sources
Tim Carter
20
3
A model musical education: Monteverdi's early works
Geoffrey Chew
31
intermedio i:
'Ecco mormorar l'onde'
(1590)
Geoffrey Chew
45
4
Monteverdi at Mantua,
1590-1612
Roger Bowers
53
5
Spaces for music in late Renaissance Mantua
Paola Besutti
76
6
The Mantuan madrigals and
Scherzi musicali
Massimo
Ossi
95
intermedio
и:
'Ahi, come a un vago sol cortese giro'
(1605)
Massimo Ossi 111
7
Orfeo
(1607)
Joachim Steinheuer 119
8
The Mantuan
sacred music
Jeffrey Kurtzman
141
intermedio
ш:
'Laetatus sum'
(1610)
Jeffrey Kurtzman
155
9
Music in Monteverdi's Venice
Iain Fenlon
163
10
The Venetian secular music
Tim Carter
179
[vii]
viii Contents
intermedio
iv:
Lamento della ninfa
(1638)
Tim
Carter
195
11
The Venetian sacred music
John
Whenham
199
intermedio
v:
Magnificat SV281
(1641)
John Whenham
219
12
Monteverdi's
late
operas
Ellen Rosand
227
intermedio vi:
fl
ritorno d'Olisse
(1640),
Act V,
scene
10
Ellen Rosand
243
13
Monteverdi studies and 'new' musicologies
Suzanne G. Cusick
249
14
Monteverdi in performance
Richard Wistreich
261
Notes
280
Bibliography
299
Selected discography
Compiled by Richard Wistreich
310
The works of Monteverdi: catalogue and index
Compiled by John Whenham
314
Index of titles and first lines
339
Index of names and subjects
349
Illustrations
Fig.
Lia Portrait
of Monteverdi, after Bernardo
Strozzi
(Innsbruck, Tiroler Landesmuseum Ferdinandeum).
page
5
Fig. 1.1b Detail
of music in
Fig. 1.1a. 6
Fig. 1.1c Detail
from Vienna manuscript of
Л
ritorno
d'Ulisse in patria (A-Wn MS
18763,
folio
115
recto).
Austrian
National Library.
6
Fig. 4.1
Gabriele Bertazzolo, Pianta prospettiva di Mantova
(1628),
showing location
179,
S.
Croce in Corte
(Mantua,
Biblioteca Comunale Teresiana).
54
Fig. 4.2 Detail
from
Francesco Borgani,
'St
Francis
intercedes
for the cessation of an epidemic',
с
1615,
showing, immediately
above the saint's hand, the tower and spire of S.
Croce in
Corte,
Mantua (Mantua,
Museo di
Palazzo
Ducale).
55
Fig. 5.1
Mantua, Palazzo
Ducale:
the Hall of Mirrors at the time
of its rediscovery
(Foto Giovetti,
1998,
reproduced by permission
of the
Ministero
per
і
beni e le attività culturali,
Italy).
78
Fig. 5.2
Mantua,
Palazzo Ducale: Virtual
reconstruction of the
Hall
of Mirrors (by kind permission of Roberto Soggia)
. 79
Fig.
5.3
Bernardino Facciotto, Plan of the Hall of Mirrors
(Turin,
Archivio di Stato).
80
Fig. 5.4
Jacopo Tintoretto,
Le nove muse in aera (The
Royal
Collection
©2007
Her Majesty Queen Elizabeth II)
. 81
Fig.
5.5
Mantua, Palazzo
Ducale:
One of the small frescos in the
Hall of Mirrors
(Foto
Giovetti, reproduced by permission
of the
Ministero
per
і
beni e le attività culturali,
Italy).
82
Fig. 5.6
Mantua,
Palazzo Ducale: The Hall
of Mirrors today with,
on the left, the mass of building work still not demolished
(Foto
Querei,
2006,
reproduced by permission of the
Ministero
per
і
beni e le attività culturali,
Italy).
84
Fig. 5.7a
Ludovico Checchi,
Plan of the ducal palace, Mantua,
1743,
showing the position of its theatres: No.
159
Teatro grande;
No.
105
Teatro
piccolo (Bologna,
Archivio di Stato).
87
Fig. 5.7b Detail
from Fig.
5.7a. 87
Fig. 5.8
Mantua, Plan of Palatine Basilica of S. Barbara (by kind
permission of Giovanni Mori, architect in charge of restoration)
. 91
Fig.
5.9
Mantua, Palatine Basilica
Palatina
of
S.
Barbara on
the eve of its re-opening, July
2006
(photograph
by
Paola Besutti
by permission of the Diocese
of Mantua (prot.
1679/07)). 92
χ
Illustraúons
Fig. 9.1
Upper hall of the
Scuola di S. Rocco,
Venice
(Scuola di
S.
Rocco,
Venice).
164
Fig. 9.2
Matteo
Pagan, Procession in the Piazza San Marco
(detail) (Venice,
Museo Civico Correr).
168
Fig. 9.3
Giacomo Franco, The doge
arrives at S. Giorgio
Maggiore
to hear Vespers on Christmas Day
(Museo Civico
Correr,
Venice).
169
Fig. 9.4
S. Maria
della Salute
(photograph by John Whenham)
171
Fig.
9.5
Giacomo
Franco, Procession in the Piazza S. Marco
(Museo Civico Correr,
Venice).
172
Fig. 9.6
Giacomo Franco,
Gondolas in Summer
(Museo Civico Correr,
Venice).
177
Fig. 11.1
S.
Marco,
the Bigonzo, Iconostasis,
Pergola
and North
Organ
Loft (Conway Library,
Courtauld Institute, London).
211
Fig. 11.2
SS. Giovanni e Paolo,
Venice (photograph by
John Whenham)
. 216
[xi]
Contributors
Paola Besutti
is Associate Professor in the Department of Communication Sciences
at the University of Teramo and a member of the PhD Program on Musical
Heritage at the University of
Lecce.
Since
2003
she has been editor of the
Rivista
italiana di musicologia.
Her publications as author and editor include many
articles on music and musical practice in late-Renaissance Mantua, among
them
La corte musicale ài Ferdinando
Carlo
Gonzaga
ultimo
duca di
Mantova
(1989),
Claudio
Monteverdi:
Studi e prospettive
(1998)
and Quante erano le messe
mantovane? Nuovi elementi e qualche precisazione su Paìestrina e il repertorio
musicale per S. Barbara
(2006).
Roger Bowers is Emeritus Reader in Medieval and Renaissance Music in the
University of Cambridge. He has published articles on the history of Choral
Institutions and of Musical Notation, and on English political, ecclesiastical and
social history; one aspect of his work is represented by the articles coUected in
English Church Polyphony: Singers and Sources from the 14th Century to the 17th
(1999).
Tim Carter was born in Sydney, Australia, in
1954
and studied at the Universities of
Durham and Birmingham in the United Kingdom. Formerly at Royal Holloway
and Bedford New College, University of London, he is now David G.
Frey
Distinguished Professor of Music at the University of North Carolina at Chapel
Hill. He is the author and editor of numerous books on music in late Renaissance
and early Baroque Italy, including Monteverdi's Musical Theatre
(2002)
and
The Cambridge History of Seventeenth-Century Music
(2005),
and also of the
Cambridge Opera Handbook on Mozart's
Le nozze di
Figaro
(1987)
and
'Oklahoma!' The Making of an American Musical
(2007).
Geoffrey Chew is Emeritus Professor of Music at Royal Holloway, University of
London. His publications, as author, co-author and editor, have concerned a
variety of fields, including Renaissance music, the music of eighteenth-century
Austria and twentieth-century Czech music, and include the New Grove article on
Monteverdi's works.
Suzanne G. Cusick is Associate Professor of Music at New York University and was
the first Frederick Burkhardt Residential Fellow at the Villa I
Tatti,
the Harvard
University Center for Italian Renaissance Studies
(2001-2002).
She has published
extensively on gender and sexuality in relation to music, and has recently
completed a monograph on the seventeenth-century Florentine singer-teacher-
composer Francesca Caccini.
Iain Fenlon is Senior Tutor and Fellow of King's College and Professor of Historical
Musicology at the University of Cambridge. He is the founding editor of Early
Music History
(1981—)
and his many books and articles on Italian music and
culture in the Reniassance include Music and Patronage in Sateenth-Century
Mantua
(1980, 1982)
and Music and Culture in Late Renaissance Italy
(2000). |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author2 | Whenham, John |
| author2_role | edt |
| author2_variant | j w jw |
| author_facet | Whenham, John |
| building | Verbundindex |
| bvnumber | BV023027124 |
| classification_rvk | LP 40300 LP 40308 LP 40314 |
| ctrlnum | (OCoLC)239341588 (DE-599)BSZ274060442 |
| dewey-full | 780.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.92 |
| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | 1. publ. |
| format | Book |
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV023027124 |
| illustrated | Illustrated |
| index_date | 2024-07-02T19:15:30Z |
| indexdate | 2024-07-09T21:09:18Z |
| institution | BVB |
| isbn | 9780521875257 9780521697989 0521875250 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016231074 |
| oclc_num | 239341588 |
| open_access_boolean | |
| owner | DE-703 DE-29 DE-824 DE-12 DE-20 DE-355 DE-BY-UBR DE-19 DE-BY-UBM DE-11 DE-B170 DE-188 |
| owner_facet | DE-703 DE-29 DE-824 DE-12 DE-20 DE-355 DE-BY-UBR DE-19 DE-BY-UBM DE-11 DE-B170 DE-188 |
| physical | XXI, 358 S. Ill., Notenbeisp. |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Cambridge Univ. Press |
| record_format | marc |
| series2 | Cambridge companions to music |
| spelling | The Cambridge companion to Monteverdi ed. by John Whenham and Richard Wistreich Monteverdi 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2007 XXI, 358 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Cambridge companions to music Monteverdi, Claudio - [études diverses] rero Monteverdi / Claudio / 1567-1643 / Criticism and interpretation Monteverdi, Claudio 1567-1643 (DE-588)118583700 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Monteverdi, Claudio 1567-1643 (DE-588)118583700 p DE-604 Whenham, John edt Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016231074&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The Cambridge companion to Monteverdi Monteverdi, Claudio - [études diverses] rero Monteverdi / Claudio / 1567-1643 / Criticism and interpretation Monteverdi, Claudio 1567-1643 (DE-588)118583700 gnd |
| subject_GND | (DE-588)118583700 (DE-588)4143413-4 |
| title | The Cambridge companion to Monteverdi |
| title_alt | Monteverdi |
| title_auth | The Cambridge companion to Monteverdi |
| title_exact_search | The Cambridge companion to Monteverdi |
| title_exact_search_txtP | The Cambridge companion to Monteverdi |
| title_full | The Cambridge companion to Monteverdi ed. by John Whenham and Richard Wistreich |
| title_fullStr | The Cambridge companion to Monteverdi ed. by John Whenham and Richard Wistreich |
| title_full_unstemmed | The Cambridge companion to Monteverdi ed. by John Whenham and Richard Wistreich |
| title_short | The Cambridge companion to Monteverdi |
| title_sort | the cambridge companion to monteverdi |
| topic | Monteverdi, Claudio - [études diverses] rero Monteverdi / Claudio / 1567-1643 / Criticism and interpretation Monteverdi, Claudio 1567-1643 (DE-588)118583700 gnd |
| topic_facet | Monteverdi, Claudio - [études diverses] Monteverdi / Claudio / 1567-1643 / Criticism and interpretation Monteverdi, Claudio 1567-1643 Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016231074&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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