Verfügbarkeit: Modernism :: THWS Bibkatalog

Modernism: the lure of heresy ; from Baudelaire to Beckett and beyond

Historian Gay explores the modernist rebellion that, beginning in the 1840s, transformed art, literature, music, and film with its assault on traditional forms. Beginning his epic study with Baudelaire, whose lurid poetry scandalized French stalwarts, Gay traces the revolutionary path of modernism f...

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Bibliographische Detailangaben
1. Verfasser:	Gay, Peter 1923-2015 (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	New York [u.a.] Norton 2008
Ausgabe:	1. ed.
Schlagworte:	Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1880-1960 Geschichte Cultuurgeschiedenis Modernisme (cultuur) Kulturgeschichte Modernism (Art) Arts, Modern > 19th century Arts, Modern > 20th century Moderne Künste Kultur Literatur
Online-Zugang:	Inhaltsverzeichnis Klappentext
Zusammenfassung:	Historian Gay explores the modernist rebellion that, beginning in the 1840s, transformed art, literature, music, and film with its assault on traditional forms. Beginning his epic study with Baudelaire, whose lurid poetry scandalized French stalwarts, Gay traces the revolutionary path of modernism from its Parisian origins to its emergence as the dominant cultural movement in world capitals such as Berlin and New York. This book presents a pageant of heretics that includes (among others) Oscar Wilde, Pablo Picasso, and D. W. Griffith; James Joyce, Virginia Woolf, and T. S. Eliot; Walter Gropius, Arnold Schoenberg, and (of course!) Andy Warhol. Finally, Gay examines the hostility of totalitarian regimes to modernist freedom and the role of Pop Art in sounding the death knell of a movement that dominated Western culture for 120 years.--From publisher description.
Beschreibung:	Includes bibliographical references and index
Beschreibung:	XXII, 610 S. Ill.
ISBN:	9780393052053

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Datensatz im Suchindex

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adam_text	CONTENTS List of Illustrations xiii Preface xix R CLIMflTE FOR MODERNISM / Make it New! j Misreading Modernism ι ο An Array of Prerequisites ij Part One: FOUNDERS 1. PROFESSIONAL OUTSIDERS 33 The Heroism of Modern Life 33 Art for Artists Sake Si 2. IRRECOIUCILABLES HMD IMPRESHRIOS G9 1900 6д A New Way of Seeing j 2 Middlemen as Pedagogues Sy Part Two: CLASSICS 3. PRINTING HMD SCULPTURE — THE MHDIUESS OF THE UNEXPECTED /o.j Self-Absorption: Expressivt Inwardness 108 Self-Absorption: The Germans 221 CONTENTS Mystical Modernism 129 Anarchists and Authoritarians ¡42 Picasso: The One-Man Band i5i L.H.O.O.Q. 160 Anti-Mimesis 168 ł. PROSE HIÚD POETRy— INTERMITTENCES OF THE НЕЯНТ ,81 The New Fiction 181 Defying Mr. Bennett iSff Four Modern Masters 194 Kafka 214 The Poet of Poets 219 5. MUSIC AND DANCE — THE LIBERATION OF SOUND 231 Overtures 231 Modernists: Pacesetters 234 Modernists: Arnold Schoenberg 244 Modernists: Igor Stravinsky 256 Lesser Titans 263 The Balanchine Era 269 6. ARCHITECTURE HMD DESIGN — ЛЛДСНІ NERy. R NEW FACTOR IN HUMRN AFFAIRS 28, There s nothing more important than architecture 281 A house is a machine for living in 230 Good proportions and practical simplicity 312 Hitler is my best friend 319 Beauty waiting for us 323 f. DRAMA AND MOVIES — THE HUMAN ELEMENT 33S Merd re/ 33 j An Autobiographer and Others 343 The New Man 3S1 The Only All-Modern Art 3S8 CONTENTS : χι Part Three: ENDINGS 8. ECCENTRICS HIUD GORBORIfllUS 39s Anti-Modern Modernists: After Strange Gods зду Anti-Modern Modernists: A Local Genius 401 Anti-Modern Modernists: A Nordic Psychologist 40g Barbarians: Hitler s Germany 41y Barbarians: Stalin s Soviet Unton 426 Barbarians: Mussolini s Italy 433 9. LIFE flFTER DEPTH? 441 Clearing the. Slate 442 An Age of Ingenuity 460 Success 4У9 Signs of Life 48y CGDA: flIUD СЕНПУ ДТ BILBflO Soi Notes 5 г г Bibliographical Essay 53 , Acknowledgments 565 Credits 569 Index 5j3 In this highly original, long-awaited study, Peter Gay explores the modernist movement from its beginnings down to our day, with the novels of Gabriel Garcia Marquez and Frank Gehry s splendid Guggenheim Museum in Bilbao, Spain. Modernism, originating in the middle of the nineteenth century, was a profoundly subversive and delightfully dis¬ respectful revolution against conventional tastes in painting and fiction, poetry and drama, music and dance, architecture, design, and film. Gay explores them all with portraits of the artists who piled heresy upon heresy, transgressing rules that had governed traditional art and culture for centuries. Like most great rebellions, modernism was not born with one sudden stroke, like Athena emerging fully formed from the brow of Zeus, but traversed distinct, fascinating histories before it came to be regarded as a dominant cultural revolution. The opening part of this study, which examines the pioneering role of such modernist founders as Charles Baudelaire and Gustave Flaubert, ends roughly with the close of the nineteenth century and the amusing but tragic career of Oscar Wilde, the prophet of art for art s sake. The second and central section of Modernism examines the most effective characters in a great drama: the assault on academic art (witness Edvard Munch, Vasili Kandinsky, Piet Mondrian, and, naturally, Pablo Picasso, a one-man band among modernists, who launched styles, modified styles, lampooned styles with unquenchable originality until his final years }; the scandalous attack on Victorian fiction (James Joyce, Marcel Proust, and Virginia Woolf, who cracked her whip on her prose and made the most feral brute cringe at her orders ); the rejection of traditionalist music and poetry (Igor Stravinsky and Arnold Schoenberg, and T. S. Eliot); the move away from timid hisloricist architecture (this is the age of Bauhaus and that great and immodest American, Frank Lloyd [OflTinUEl 0П I1CI FLIP) [ШЇІЛШ FROm FSOÍIT FLBP) Wright); to say nothing of the most modern of arts, the movies, with due attention paid to Charlie Chaplin and Orson Welles, that notorious bad boy of American film. As modernism grew to lucrative maturity during the first half of the twentieth century. Gay shows in the third section that there was more to this rebellion than its transgressive achievements. Here we find a cluster of what he calls anti- modern modernists, who, like Eliot, despised the culture in which they were forced to live. In chronicling the decline of high modernism, he also examines the hideous repression of modernist ideas in the Communist, Fascist, and Nazi regimes, which — among other consequences — transported the home of modernism from Paris to New York, and finally analyzes the role of Pop Art in sounding an early death knell of a movement that had dominated Western culture for more than a century. With its elegant prose and sovereign ability to integrate the history of art and literature with the Western society it changed forever, Modernism informs our present like no other recent work of cultural history. Lavishly illustrated, it is a superlative achievement by one of our greatest historians. is the author of more than twenty- five books, including the National Book Award winner The Enlightenment, Weimar Culture, and the widely translated Freud: A Life for Our Time. A Sterling Professor Emeritus at Yale University, Peter Gay lives in New York.
adam_txt	CONTENTS List of Illustrations xiii Preface xix R CLIMflTE FOR MODERNISM / "Make it New!" j Misreading Modernism ι ο An Array of Prerequisites ij Part One: FOUNDERS 1. PROFESSIONAL OUTSIDERS 33 The Heroism of Modern Life 33 Art for Artists' Sake Si 2. IRRECOIUCILABLES HMD IMPRESHRIOS G9 1900 6д A New Way of Seeing j 2 Middlemen as Pedagogues Sy Part Two: CLASSICS 3. PRINTING HMD SCULPTURE — THE MHDIUESS OF THE UNEXPECTED /o.j Self-Absorption: Expressivt Inwardness 108 Self-Absorption: The Germans 221 CONTENTS Mystical Modernism 129 Anarchists and Authoritarians ¡42 Picasso: The One-Man Band i5i L.H.O.O.Q. 160 Anti-Mimesis 168 ł. PROSE HIÚD POETRy— INTERMITTENCES OF THE НЕЯНТ ,81 The New Fiction 181 Defying Mr. Bennett iSff Four Modern Masters 194 Kafka 214 The Poet of Poets 219 5. MUSIC AND DANCE — THE LIBERATION OF SOUND 231 Overtures 231 Modernists: Pacesetters 234 Modernists: Arnold Schoenberg 244 Modernists: Igor Stravinsky 256 Lesser Titans 263 The Balanchine Era 269 6. ARCHITECTURE HMD DESIGN — ЛЛДСНІ NERy. R NEW FACTOR IN HUMRN AFFAIRS 28, 'There's nothing more important than architecture" 281 "A house is a machine for living in" 230 "Good proportions and practical simplicity" 312 "Hitler is my best friend" 319 "Beauty waiting for us" 323 f. DRAMA AND MOVIES — THE HUMAN ELEMENT 33S "Merd re/" 33 j An Autobiographer and Others 343 The New Man 3S1 The Only All-Modern Art 3S8 CONTENTS : χι Part Three: ENDINGS 8. ECCENTRICS HIUD GORBORIfllUS 39s Anti-Modern Modernists: After Strange Gods зду Anti-Modern Modernists: A Local Genius 401 Anti-Modern Modernists: A Nordic Psychologist 40g Barbarians: Hitler's Germany 41y Barbarians: Stalin's Soviet Unton 426 Barbarians: Mussolini's Italy 433 9. LIFE flFTER DEPTH? 441 Clearing the. Slate 442 An Age of Ingenuity 460 Success 4У9 Signs of Life 48y CGDA: flIUD СЕНПУ ДТ BILBflO Soi Notes 5 г г Bibliographical Essay 53 , Acknowledgments 565 Credits 569 Index 5j3 In this highly original, long-awaited study, Peter Gay explores the modernist movement from its beginnings down to our day, with the novels of Gabriel Garcia Marquez and Frank Gehry's splendid Guggenheim Museum in Bilbao, Spain. Modernism, originating in the middle of the nineteenth century, was a profoundly subversive and delightfully dis¬ respectful revolution against conventional tastes in painting and fiction, poetry and drama, music and dance, architecture, design, and film. Gay explores them all with portraits of the artists who "piled heresy upon heresy," transgressing rules that had governed traditional art and culture for centuries. Like most great rebellions, modernism was not born with one sudden stroke, like Athena emerging fully formed from the brow of Zeus, but traversed distinct, fascinating histories before it came to be regarded as a dominant cultural revolution. The opening part of this study, which examines the pioneering role of such modernist founders as Charles Baudelaire and Gustave Flaubert, ends roughly with the close of the nineteenth century and the amusing but tragic career of Oscar Wilde, the prophet of art for art's sake. The second and central section of Modernism examines the most effective characters in a great drama: the assault on academic art (witness Edvard Munch, Vasili Kandinsky, Piet Mondrian, and, naturally, Pablo Picasso, "a one-man band among modernists, who launched styles, modified styles, lampooned styles with unquenchable originality until his final years"}; the scandalous attack on Victorian fiction (James Joyce, Marcel Proust, and Virginia Woolf, who "cracked her whip on her prose and made the most feral brute cringe at her orders"); the rejection of traditionalist music and poetry (Igor Stravinsky and Arnold Schoenberg, and T. S. Eliot); the move away from timid hisloricist architecture (this is the age of Bauhaus and that great and immodest American, Frank Lloyd [OflTinUEl 0П I1CI FLIP) [ШЇІЛШ FROm FSOÍIT FLBP) Wright); to say nothing of the most modern of arts, the movies, with due attention paid to Charlie Chaplin and Orson Welles, that notorious bad boy of American film. As modernism grew to lucrative maturity during the first half of the twentieth century. Gay shows in the third section that there was more to this rebellion than its transgressive achievements. Here we find a cluster of what he calls "anti- modern modernists," who, like Eliot, despised the culture in which they were forced to live. In chronicling the decline of high modernism, he also examines the hideous repression of modernist ideas in the Communist, Fascist, and Nazi regimes, which — among other consequences — transported the home of modernism from Paris to New York, and finally analyzes the role of Pop Art in sounding an early death knell of a movement that had dominated Western culture for more than a century. With its elegant prose and sovereign ability to integrate the history of art and literature with the Western society it changed forever, Modernism informs our present like no other recent work of cultural history. Lavishly illustrated, it is a superlative achievement by one of our greatest historians. is the author of more than twenty- five books, including the National Book Award winner The Enlightenment, Weimar Culture, and the widely translated Freud: A Life for Our Time. A Sterling Professor Emeritus at Yale University, Peter Gay lives in New York.
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id	DE-604.BV023024902
illustrated	Illustrated
index_date	2024-07-02T19:14:42Z
indexdate	2024-07-09T21:09:15Z
institution	BVB
isbn	9780393052053
language	English
lccn	2007025903
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-016228892
oclc_num	147986311
open_access_boolean
owner	DE-19 DE-BY-UBM DE-384 DE-703 DE-12 DE-355 DE-BY-UBR DE-525 DE-29
owner_facet	DE-19 DE-BY-UBM DE-384 DE-703 DE-12 DE-355 DE-BY-UBR DE-525 DE-29
physical	XXII, 610 S. Ill.
psigel	DHB_JDG_ISBN_1
publishDate	2008
publishDateSearch	2008
publishDateSort	2008
publisher	Norton
record_format	marc
spelling	Gay, Peter 1923-2015 Verfasser (DE-588)116472618 aut Modernism the lure of heresy ; from Baudelaire to Beckett and beyond Peter Gay 1. ed. New York [u.a.] Norton 2008 XXII, 610 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Historian Gay explores the modernist rebellion that, beginning in the 1840s, transformed art, literature, music, and film with its assault on traditional forms. Beginning his epic study with Baudelaire, whose lurid poetry scandalized French stalwarts, Gay traces the revolutionary path of modernism from its Parisian origins to its emergence as the dominant cultural movement in world capitals such as Berlin and New York. This book presents a pageant of heretics that includes (among others) Oscar Wilde, Pablo Picasso, and D. W. Griffith; James Joyce, Virginia Woolf, and T. S. Eliot; Walter Gropius, Arnold Schoenberg, and (of course!) Andy Warhol. Finally, Gay examines the hostility of totalitarian regimes to modernist freedom and the role of Pop Art in sounding the death knell of a movement that dominated Western culture for 120 years.--From publisher description. Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1880-1960 gnd rswk-swf Geschichte gnd rswk-swf Cultuurgeschiedenis gtt Modernisme (cultuur) gtt Kulturgeschichte Modernism (Art) Arts, Modern 19th century Arts, Modern 20th century Moderne (DE-588)4039827-4 gnd rswk-swf Künste (DE-588)4033422-3 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Künste (DE-588)4033422-3 s Moderne (DE-588)4039827-4 s Geschichte z DE-604 Kultur (DE-588)4125698-0 s Geschichte 1880-1960 z Literatur (DE-588)4035964-5 s Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016228892&sequence=000005&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016228892&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext
spellingShingle	Gay, Peter 1923-2015 Modernism the lure of heresy ; from Baudelaire to Beckett and beyond Cultuurgeschiedenis gtt Modernisme (cultuur) gtt Kulturgeschichte Modernism (Art) Arts, Modern 19th century Arts, Modern 20th century Moderne (DE-588)4039827-4 gnd Künste (DE-588)4033422-3 gnd Kultur (DE-588)4125698-0 gnd Literatur (DE-588)4035964-5 gnd
subject_GND	(DE-588)4039827-4 (DE-588)4033422-3 (DE-588)4125698-0 (DE-588)4035964-5
title	Modernism the lure of heresy ; from Baudelaire to Beckett and beyond
title_auth	Modernism the lure of heresy ; from Baudelaire to Beckett and beyond
title_exact_search	Modernism the lure of heresy ; from Baudelaire to Beckett and beyond
title_exact_search_txtP	Modernism the lure of heresy ; from Baudelaire to Beckett and beyond
title_full	Modernism the lure of heresy ; from Baudelaire to Beckett and beyond Peter Gay
title_fullStr	Modernism the lure of heresy ; from Baudelaire to Beckett and beyond Peter Gay
title_full_unstemmed	Modernism the lure of heresy ; from Baudelaire to Beckett and beyond Peter Gay
title_short	Modernism
title_sort	modernism the lure of heresy from baudelaire to beckett and beyond
title_sub	the lure of heresy ; from Baudelaire to Beckett and beyond
topic	Cultuurgeschiedenis gtt Modernisme (cultuur) gtt Kulturgeschichte Modernism (Art) Arts, Modern 19th century Arts, Modern 20th century Moderne (DE-588)4039827-4 gnd Künste (DE-588)4033422-3 gnd Kultur (DE-588)4125698-0 gnd Literatur (DE-588)4035964-5 gnd
topic_facet	Cultuurgeschiedenis Modernisme (cultuur) Kulturgeschichte Modernism (Art) Arts, Modern 19th century Arts, Modern 20th century Moderne Künste Kultur Literatur
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016228892&sequence=000005&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016228892&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT gaypeter modernismthelureofheresyfrombaudelairetobeckettandbeyond

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