Roger Blin: collaborations and methodologies
Roger Blin's career in the Arts was woven inextricably into the fabric of the Twentieth-Century French Avant-Garde. First appearing in the films of Abel Gance, Marcel Carné and Jean Cocteau, his acting career led him to a close friendship and association with Antonin Artaud, for whom he perform...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Oxford ; Bern ; Berlin ; Bruxelles ; Frankfurt am Main ; New York ; Wien
Lang
2007
|
Schriftenreihe: | Stage and screen studies
6 |
Schlagworte: | |
Zusammenfassung: | Roger Blin's career in the Arts was woven inextricably into the fabric of the Twentieth-Century French Avant-Garde. First appearing in the films of Abel Gance, Marcel Carné and Jean Cocteau, his acting career led him to a close friendship and association with Antonin Artaud, for whom he performed the function of assistant director. He championed Samuel Beckett's En attendant Godot, otherwise rejected unanimously by the French theatrical establishment, was Jean Genet's director of choice and was long associated with artists and practitioners as diverse as Arthur Adamov, Jean-Louis Barrault and Jacques Prévert. Marxist in outlook, Blin also sought to apply rigorous humanist principles to his art and delighted in the opportunities he enjoyed to disrupt and upturn the attitudes and complacencies of certain of his audiences. This book surveys all aspects of Blin's artistic output to consider and clarify his motivations, his ambitions and his aesthetic preferences. In doing so, the author hopes to offer perspectives on the methodologies that Blin employed and define the influence his work and his legacy has exerted on the French and World stage. |
Beschreibung: | Literaturverz. S. 253 - 264 |
Beschreibung: | 274 S. 23 cm |
ISBN: | 9783039105021 3039105027 9780820475080 |
Internformat
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500 | |a Literaturverz. S. 253 - 264 | ||
520 | 3 | |a Roger Blin's career in the Arts was woven inextricably into the fabric of the Twentieth-Century French Avant-Garde. First appearing in the films of Abel Gance, Marcel Carné and Jean Cocteau, his acting career led him to a close friendship and association with Antonin Artaud, for whom he performed the function of assistant director. He championed Samuel Beckett's En attendant Godot, otherwise rejected unanimously by the French theatrical establishment, was Jean Genet's director of choice and was long associated with artists and practitioners as diverse as Arthur Adamov, Jean-Louis Barrault and Jacques Prévert. Marxist in outlook, Blin also sought to apply rigorous humanist principles to his art and delighted in the opportunities he enjoyed to disrupt and upturn the attitudes and complacencies of certain of his audiences. This book surveys all aspects of Blin's artistic output to consider and clarify his motivations, his ambitions and his aesthetic preferences. In doing so, the author hopes to offer perspectives on the methodologies that Blin employed and define the influence his work and his legacy has exerted on the French and World stage. | |
600 | 1 | 4 | |a Blin, Roger <1907-> |x Criticism and interpretation |
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Taylor-Batty, Mark |
author_facet | Taylor-Batty, Mark |
author_role | aut |
author_sort | Taylor-Batty, Mark |
author_variant | m t b mtb |
building | Verbundindex |
bvnumber | BV023010106 |
callnumber-first | P - Language and Literature |
callnumber-label | PN2638 |
callnumber-raw | PN2638.B56 |
callnumber-search | PN2638.B56 |
callnumber-sort | PN 42638 B56 |
callnumber-subject | PN - General Literature |
classification_rvk | IH 2035 |
ctrlnum | (OCoLC)166213978 (DE-599)DNB98340240X |
dewey-full | 792.0233 792.092 |
dewey-hundreds | 700 - The arts |
dewey-ones | 792 - Stage presentations |
dewey-raw | 792.0233 792.092 |
dewey-search | 792.0233 792.092 |
dewey-sort | 3792.0233 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines Romanistik |
discipline_str_mv | Allgemeines Romanistik |
format | Book |
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id | DE-604.BV023010106 |
illustrated | Not Illustrated |
index_date | 2024-07-02T19:09:03Z |
indexdate | 2024-07-09T21:08:53Z |
institution | BVB |
isbn | 9783039105021 3039105027 9780820475080 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016214330 |
oclc_num | 166213978 |
open_access_boolean | |
owner | DE-12 DE-188 |
owner_facet | DE-12 DE-188 |
physical | 274 S. 23 cm |
publishDate | 2007 |
publishDateSearch | 2007 |
publishDateSort | 2007 |
publisher | Lang |
record_format | marc |
series | Stage and screen studies |
series2 | Stage and screen studies |
spelling | Taylor-Batty, Mark Verfasser aut Roger Blin collaborations and methodologies Mark Batty Oxford ; Bern ; Berlin ; Bruxelles ; Frankfurt am Main ; New York ; Wien Lang 2007 274 S. 23 cm txt rdacontent n rdamedia nc rdacarrier Stage and screen studies 6 Literaturverz. S. 253 - 264 Roger Blin's career in the Arts was woven inextricably into the fabric of the Twentieth-Century French Avant-Garde. First appearing in the films of Abel Gance, Marcel Carné and Jean Cocteau, his acting career led him to a close friendship and association with Antonin Artaud, for whom he performed the function of assistant director. He championed Samuel Beckett's En attendant Godot, otherwise rejected unanimously by the French theatrical establishment, was Jean Genet's director of choice and was long associated with artists and practitioners as diverse as Arthur Adamov, Jean-Louis Barrault and Jacques Prévert. Marxist in outlook, Blin also sought to apply rigorous humanist principles to his art and delighted in the opportunities he enjoyed to disrupt and upturn the attitudes and complacencies of certain of his audiences. This book surveys all aspects of Blin's artistic output to consider and clarify his motivations, his ambitions and his aesthetic preferences. In doing so, the author hopes to offer perspectives on the methodologies that Blin employed and define the influence his work and his legacy has exerted on the French and World stage. Blin, Roger <1907-> Criticism and interpretation Blin, Roger 1907-1984 (DE-588)119079003 gnd rswk-swf Blin, Roger 1907-1984 (DE-588)119079003 p DE-604 Stage and screen studies 6 (DE-604)BV017049434 6 |
spellingShingle | Taylor-Batty, Mark Roger Blin collaborations and methodologies Stage and screen studies Blin, Roger <1907-> Criticism and interpretation Blin, Roger 1907-1984 (DE-588)119079003 gnd |
subject_GND | (DE-588)119079003 |
title | Roger Blin collaborations and methodologies |
title_auth | Roger Blin collaborations and methodologies |
title_exact_search | Roger Blin collaborations and methodologies |
title_exact_search_txtP | Roger Blin collaborations and methodologies |
title_full | Roger Blin collaborations and methodologies Mark Batty |
title_fullStr | Roger Blin collaborations and methodologies Mark Batty |
title_full_unstemmed | Roger Blin collaborations and methodologies Mark Batty |
title_short | Roger Blin |
title_sort | roger blin collaborations and methodologies |
title_sub | collaborations and methodologies |
topic | Blin, Roger <1907-> Criticism and interpretation Blin, Roger 1907-1984 (DE-588)119079003 gnd |
topic_facet | Blin, Roger <1907-> Criticism and interpretation Blin, Roger 1907-1984 |
volume_link | (DE-604)BV017049434 |
work_keys_str_mv | AT taylorbattymark rogerblincollaborationsandmethodologies |