Politics and the American television comedy: a critical survey from I love Lucy through South Park
"This work examines the unique and ever-changing relationship between politics and comedy through an analysis of several popular American TV programs"--Provided by publisher
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Jefferson, NC [u.a.]
McFarland
2008
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "This work examines the unique and ever-changing relationship between politics and comedy through an analysis of several popular American TV programs"--Provided by publisher |
| Beschreibung: | Includes bibliographical references (p. 249-253) and index |
| Beschreibung: | IX, 265 S. Ill. |
| ISBN: | 9780786432356 0786432357 |
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| adam_text | Table
of
Contents
Acknowledgments
vi
Preface
1
Introduction: Subverting the Medium
3
PART One. Is
Avant-Garde
Television Comedy Possible?
1.
American Comedy and the European
Avant-Garde
9
Dada
and Distraction: The Origins of
Avant-Garde
Comedy
9
Nightmare Farces : Surrealism and Silent Film Comedy
13
The Other Marxism:
Artaud
and the Marx Brothers
19
Waiting for Buster: Theater of the Absurd and American Film
Comedy
22
2.
The Culture Industry and American Television Comedy
29
Camera, Cinema, Revolution: Benjamin,
Artaud,
and
Adorno
29
Adorno:
The Culture Industry and Television
31
The Dual-Character of Comedy and Drama in Early American
Television
34
From Comedy-Variety to Situation-Comedy
36
Clash of the Titans:
Lucy Ricardo
versus Ralph
Kramden
42
PART TWO. Deconstructing Television:
American Television Comedy,
1951-1966
3.
The Humor of Anomaly: Ernie
Kovács
49
Ernie in Kovacsland
49
The Cockeyed World:
Kovács
and Benjamin
52
Surrealism and Sight-Gags
56
The Intimate Vacuum
58
Poetry in Motion: Music, Montage, and Sound to Sight
62
viii Table of
Contents
Fanfare
for the
Modern
Man:
Eugene, The
Ernie
Kovács
Show
(ABC, 1961) 65
4.
Say
Dada :
The Soupy Sales Show
78
A Brief History of Children s Television
/8
Soupy Sales: The WNEW Years
84
When Worlds Collide: On-Screen and Off-Screen Space
88
PART THREE. From Bumpkins to Bigots:
American Television Comedy,
1962—1971
5.
The Idiocy of Rural Life: Green Acres
99
Barnyard Comedy
99
Class Struggle: The Beverly Hillbillies
101
Absurdist America: Green Acres
103
The Life of the (Capital L) Law: Oliver Wendell Douglas
108
Contradiction and Overdetermination: The Hooterville Order
112
6.
Archie Bunker for President! The Crisis of American
Television Comedy in the Counterculture Era
117
Monkee Business
117
The March on CBS: The Smothers Brothers Comedy Hour
120
Culture Industry Counterculture: Rowan and Martins Laugh-In
125
The Great CBS Purge and the Rise of the Political Sitcom: All in
the Family
133
PART FOUR. Anti-Television:
American Television Comedy,
1975-1983
7.
Game Shows of Cruelty: Chuck
Barris
and The Gong Show
141
Disasters Waiting to Happen: The Dating Game and
The Newlywed Game
141
Two Minutes of Fame: The Gong Show
144
The Process of Elimination
149
The King of Schlock
150
8. Situationist
Comedy: Andy Kaufman
156
That s Entertainment: The World of Andy Kaufman
156
I Don t Know if You re Laughing with Me or Laughing at Me :
Saturday Night Live,
1975 158
Maybe I Went Too Far : Pushing the Boundaries of Television
161
7
Was Just Teasing in Fun : Taking on the Talk Show
171
Table of
Contents ix
Andy
Kaufman Is Not Funny Anymore! : Revenge of the
Culture Industry
177
Requiem for a Comedian: The Andy Kaufman Show,
Soundstage (PBS,
1983) 181
A Sum of Spectacles : The Legacy of Andy Kaufman
190
PART FIVE. Is
Avant-Garde
Television
Comedy Still Possible?
9.
Damage Control: Comedy-Variety and Situation-Comedy
After
1974 195
Now Ready for Prime-Time Players: Saturday Night Live
195
Happy Days Are Here Again
198
10.
Fair and Balanced Satire: Against The Simpsons
200
A Franchise Is Born
200
Simpsons, Meet the Simpsons...
201
Biting the FOX That Feeds It?
204
Parody, Pastiche, Politics
206
11.
Comedy Is Not Pretty: In Praise of South Park
212
A Sore Sight for Eyes
212
Friendly Faces Everywhere.
.. 215
Democracy Happens
219
Notes
225
Bibliography
249
Index
255
This work examines the unique and ever-changing
relationship between politics and comedy
through an analysis of several popular American
television programs. Focusing on close readings of the
work of Ernie
Kovács,
Soupy Sales, and Andy
Kaufman, as well as Green Acres and The Gong Show,
the author provides a unique glimpse at the often
subversive nature of avant-garde television comedy.
The crisis in American television during the political
unrest of the late
1960s
is also studied, as represented
by individual analyses of The Monkees, The Smothers
Brothers Comedy Hour, Rowan and Martin s Laugh-
In, and All in the Family. The author also focuses on
more contemporary American television, drawing a
comparative analysis between the referential
postmodernism of The Simpsons and the
confrontational absurdity of South Park.
Writer and independent scholar
DOTLE
GREENE
is also the author of The Mexican Cinema of Darkness
(2007)
and Mexploitation Cinema
(2005).
He lives in
Minneapolis, Minnesota.
|
| adam_txt |
Table
of
Contents
Acknowledgments
vi
Preface
1
Introduction: Subverting the Medium
3
PART One. Is
Avant-Garde
Television Comedy Possible?
1.
American Comedy and the European
Avant-Garde
9
Dada
and Distraction: The Origins of
Avant-Garde
Comedy
9
"Nightmare Farces": Surrealism and Silent Film Comedy
13
The Other Marxism:
Artaud
and the Marx Brothers
19
Waiting for Buster: Theater of'the Absurd and American Film
Comedy
22
2.
The Culture Industry and American Television Comedy
29
Camera, Cinema, Revolution: Benjamin,
Artaud,
and
Adorno
29
Adorno:
The Culture Industry and Television
31
The Dual-Character of Comedy and Drama in Early American
Television
34
From "Comedy-Variety" to "Situation-Comedy"
36
Clash of the Titans:
Lucy Ricardo
versus Ralph
Kramden
42
PART TWO. Deconstructing Television:
American Television Comedy,
1951-1966
3.
The Humor of Anomaly: Ernie
Kovács
49
Ernie in Kovacsland
49
The Cockeyed World:
Kovács
and Benjamin
52
Surrealism and Sight-Gags
56
"The Intimate Vacuum"
58
Poetry in Motion: Music, Montage, and "Sound to Sight"
62
viii Table of
Contents
Fanfare
for the
Modern
Man:
"Eugene," The
Ernie
Kovács
Show
(ABC, 1961) 65
4.
Say
"Dada":
The Soupy Sales Show
78
A Brief History of Children's Television
/8
Soupy Sales: The WNEW Years
84
When Worlds Collide: On-Screen and Off-Screen Space
88
PART THREE. From Bumpkins to Bigots:
American Television Comedy,
1962—1971
5.
The Idiocy of Rural Life: Green Acres
99
Barnyard Comedy
99
Class Struggle: The Beverly Hillbillies
101
Absurdist America: Green Acres
103
The Life of the (Capital L) Law: Oliver Wendell Douglas
108
Contradiction and Overdetermination: The Hooterville Order
112
6.
Archie Bunker for President! The Crisis of American
Television Comedy in the Counterculture Era
117
Monkee Business
117
The March on CBS: The Smothers Brothers Comedy Hour
120
Culture Industry Counterculture: Rowan and Martins Laugh-In
125
The Great CBS Purge and the Rise of the Political Sitcom: All in
the Family
133
PART FOUR. Anti-Television:
American Television Comedy,
1975-1983
7.
Game Shows of Cruelty: Chuck
Barris
and The Gong Show
141
Disasters Waiting to Happen: The Dating Game and
The Newlywed Game
141
Two Minutes of Fame: The Gong Show
144
The Process of Elimination
149
"The King of Schlock"
150
8. Situationist
Comedy: Andy Kaufman
156
That's Entertainment: The World of Andy Kaufman
156
"I Don't Know if You're Laughing with Me or Laughing at Me":
Saturday Night Live,
1975 158
"Maybe I Went Too Far": Pushing the Boundaries of Television
161
7
Was Just Teasing in Fun": Taking on the Talk Show
171
Table of
Contents ix
"Andy
Kaufman Is Not Funny Anymore!": Revenge of the
Culture Industry
177
Requiem for a Comedian: "The Andy Kaufman Show,
"
Soundstage (PBS,
1983) 181
"A Sum of Spectacles": The Legacy of Andy Kaufman
190
PART FIVE. Is
Avant-Garde
Television
Comedy Still Possible?
9.
Damage Control: Comedy-Variety and Situation-Comedy
After
1974 195
Now Ready for Prime-Time Players: Saturday Night Live
195
Happy Days Are Here Again
198
10.
Fair and Balanced Satire: Against The Simpsons
200
A Franchise Is Born
200
Simpsons, Meet the Simpsons.
201
Biting the FOX That Feeds It?
204
Parody, Pastiche, Politics
206
11.
Comedy Is Not Pretty: In Praise of South Park
212
A Sore Sight for Eyes
212
"Friendly Faces Everywhere.
." 215
Democracy Happens
219
Notes
225
Bibliography
249
Index
255
This work examines the unique and ever-changing
relationship between politics and comedy
through an analysis of several popular American
television programs. Focusing on close readings of the
work of Ernie
Kovács,
Soupy Sales, and Andy
Kaufman, as well as Green Acres and The Gong Show,
the author provides a unique glimpse at the often
subversive nature of avant-garde television comedy.
The crisis in American television during the political
unrest of the late
1960s
is also studied, as represented
by individual analyses of The Monkees, The Smothers
Brothers Comedy Hour, Rowan and Martin's Laugh-
In, and All in the Family. The author also focuses on
more contemporary American television, drawing a
comparative analysis between the referential
postmodernism of The Simpsons and the
confrontational absurdity of South Park.
Writer and independent scholar
DOTLE
GREENE
is also the author of The Mexican Cinema of Darkness
(2007)
and Mexploitation Cinema
(2005).
He lives in
Minneapolis, Minnesota. |
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| spelling | Greene, Doyle 1962- Verfasser (DE-588)135566142 aut Politics and the American television comedy a critical survey from I love Lucy through South Park Doyle Greene Jefferson, NC [u.a.] McFarland 2008 IX, 265 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. 249-253) and index "This work examines the unique and ever-changing relationship between politics and comedy through an analysis of several popular American TV programs"--Provided by publisher Geschichte gnd rswk-swf Television comedies / United States / History and criticism Television and politics / United States Television and politics United States Television comedies United States History and criticism Politik (DE-588)4046514-7 gnd rswk-swf Fernsehkomödie (DE-588)4154063-3 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Fernsehkomödie (DE-588)4154063-3 s Politik (DE-588)4046514-7 s Geschichte z DE-604 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016213783&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016213783&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Greene, Doyle 1962- Politics and the American television comedy a critical survey from I love Lucy through South Park Television comedies / United States / History and criticism Television and politics / United States Television and politics United States Television comedies United States History and criticism Politik (DE-588)4046514-7 gnd Fernsehkomödie (DE-588)4154063-3 gnd |
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| title | Politics and the American television comedy a critical survey from I love Lucy through South Park |
| title_auth | Politics and the American television comedy a critical survey from I love Lucy through South Park |
| title_exact_search | Politics and the American television comedy a critical survey from I love Lucy through South Park |
| title_exact_search_txtP | Politics and the American television comedy a critical survey from I love Lucy through South Park |
| title_full | Politics and the American television comedy a critical survey from I love Lucy through South Park Doyle Greene |
| title_fullStr | Politics and the American television comedy a critical survey from I love Lucy through South Park Doyle Greene |
| title_full_unstemmed | Politics and the American television comedy a critical survey from I love Lucy through South Park Doyle Greene |
| title_short | Politics and the American television comedy |
| title_sort | politics and the american television comedy a critical survey from i love lucy through south park |
| title_sub | a critical survey from I love Lucy through South Park |
| topic | Television comedies / United States / History and criticism Television and politics / United States Television and politics United States Television comedies United States History and criticism Politik (DE-588)4046514-7 gnd Fernsehkomödie (DE-588)4154063-3 gnd |
| topic_facet | Television comedies / United States / History and criticism Television and politics / United States Television and politics United States Television comedies United States History and criticism Politik Fernsehkomödie USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016213783&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016213783&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT greenedoyle politicsandtheamericantelevisioncomedyacriticalsurveyfromilovelucythroughsouthpark |