Dis-figuring Sam Shepard:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bruxelles [u.a.]
PIE Lang
2007
|
| Schriftenreihe: | Dramaturgies
21 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 276 S. Ill. |
| ISBN: | 9789052013527 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804137219952214016 |
|---|---|
| adam_text | Table
of
Contents
Preface
&
Acknowledgements
............................................................11
Introduction
Portrait of the Artist as an Explorer
.......................................................17
Chapter
1
Memories of the Sea in Illinois
..............................................................45
Chapter
2
Epistemologies of Loss
..........................................................................59
Chapter
3
Through the Windows of Perception
.....................................................69
Chapter
4
When I Read the Book
..........................................................................91
Chapter
5
The Needs and Risks of Revisionism)
...............................................107
Chapter
6
Reciprocity and Transformational Generation
....................................127
Chapter
7
Published and Unpublished Wars
........................................................161
Chapter
8
Diverting the Integrated Spectacle
......................................................171
Chapter
9
European Textures
...............................................................................197
Chapter
10
Inflections of Nostalgia
.......................................................................217
Epilogue
Bring the Family
..................................................................................231
Works Cited
.......................................................................................241
Index
...................................................................................................261
This illustrated
volume covers the
career of Sam Shepard,
the provocative Amer¬
ican playwright, script¬
writer, actor, and director,
through an introductory survey fol¬
lowed by in-depth analyses of repre¬
sentative selections from the one-acts
(Action, States of Shock), experimental
collaborations with Joseph Chaikin
(Savage/Love), and by now classic family
plays {Buried Child, A Lie of the Mind).
It ranges from Shepard s unpublished
adaptation of Marlowe s Doctor Faustus
through the textual variants and
political context of Operation Side¬
winder to Robert Altman s movie version
of Fool for Love, besides offering brief
comparisons with fellow dramatists
(Albee and Beckett) and visual artists
(Edward Weston,
Marsden
Hartley).
Several performance analyses supple¬
ment the textual criticism and provide
a sample of European directorial
approaches. Together, these takes offer
a composite picture of an artist whose
output over the past forty years has
turned him into a figurehead of
twentieth century drama, studied and
produced all over the world with a keen
eye for his idiosyncratic and critical view
of what it means to be American.
Johan Callens
teaches at the
Vrije Universiteit Brussel. He is
the author of From
Middleton
and Rowley s Changeling to
Sam Shepard s Bodyguard : A
Contemporary Appropriation
of a Renaissance Drama
(1997)
and editor of Sam Shepard:
Between the Margin and the
Centre
(1998, 2
vols.).
For the
Dramaturgies Series published
by RLE. Peter Lang, he also
edited the critical anthology
The Wooster Group and Its
Traditions
(2004).
|
| adam_txt |
Table
of
Contents
Preface
&
Acknowledgements
.11
Introduction
Portrait of the Artist as an Explorer
.17
Chapter
1
Memories of the Sea in Illinois
.45
Chapter
2
Epistemologies of Loss
.59
Chapter
3
Through the Windows of Perception
.69
Chapter
4
When I Read the Book
.91
Chapter
5
The Needs and Risks of Revisionism)
.107
Chapter
6
Reciprocity and Transformational Generation
.127
Chapter
7
Published and Unpublished Wars
.161
Chapter
8
Diverting the Integrated Spectacle
.171
Chapter
9
European Textures
.197
Chapter
10
Inflections of Nostalgia
.217
Epilogue
Bring the Family
.231
Works Cited
.241
Index
.261
This illustrated
volume covers the
career of Sam Shepard,
the provocative Amer¬
ican playwright, script¬
writer, actor, and director,
through an introductory survey fol¬
lowed by in-depth analyses of repre¬
sentative selections from the one-acts
(Action, States of Shock), experimental
collaborations with Joseph Chaikin
(Savage/Love), and by now classic family
plays {Buried Child, A Lie of the Mind).
It ranges from Shepard's unpublished
adaptation of Marlowe's Doctor Faustus
through the textual variants and
political context of Operation Side¬
winder to Robert Altman's movie version
of Fool for Love, besides offering brief
comparisons with fellow dramatists
(Albee and Beckett) and visual artists
(Edward Weston,
Marsden
Hartley).
Several performance analyses supple¬
ment the textual criticism and provide
a sample of European directorial
approaches. Together, these takes offer
a composite picture of an artist whose
output over the past forty years has
turned him into a figurehead of
twentieth century drama, studied and
produced all over the world with a keen
eye for his idiosyncratic and critical view
of what it means to be American.
Johan Callens
teaches at the
Vrije Universiteit Brussel. He is
the author of From
Middleton
and Rowley's "Changeling" to
Sam Shepard's "Bodyguard": A
Contemporary Appropriation
of a Renaissance Drama
(1997)
and editor of Sam Shepard:
Between the Margin and the
Centre
(1998, 2
vols.).
For the
Dramaturgies Series published
by RLE. Peter Lang, he also
edited the critical anthology
The Wooster Group and Its
Traditions
(2004). |
| any_adam_object | 1 |
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| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
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| id | DE-604.BV022969105 |
| illustrated | Illustrated |
| index_date | 2024-07-02T19:07:50Z |
| indexdate | 2024-07-09T21:08:49Z |
| institution | BVB |
| isbn | 9789052013527 |
| language | English |
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| series | Dramaturgies |
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| spelling | Callens, Johan Verfasser aut Dis-figuring Sam Shepard Johan Callens Bruxelles [u.a.] PIE Lang 2007 276 S. Ill. txt rdacontent n rdamedia nc rdacarrier Dramaturgies 21 Shepard, Sam <1943-> Criticism and interpretation Shepard, Sam <1943-> Dramatic production Shepard, Sam 1943-2017 (DE-588)118812025 gnd rswk-swf Shepard, Sam 1943-2017 (DE-588)118812025 p DE-604 Dramaturgies 21 (DE-604)BV013810083 21 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016173382&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016173382&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Callens, Johan Dis-figuring Sam Shepard Dramaturgies Shepard, Sam <1943-> Criticism and interpretation Shepard, Sam <1943-> Dramatic production Shepard, Sam 1943-2017 (DE-588)118812025 gnd |
| subject_GND | (DE-588)118812025 |
| title | Dis-figuring Sam Shepard |
| title_auth | Dis-figuring Sam Shepard |
| title_exact_search | Dis-figuring Sam Shepard |
| title_exact_search_txtP | Dis-figuring Sam Shepard |
| title_full | Dis-figuring Sam Shepard Johan Callens |
| title_fullStr | Dis-figuring Sam Shepard Johan Callens |
| title_full_unstemmed | Dis-figuring Sam Shepard Johan Callens |
| title_short | Dis-figuring Sam Shepard |
| title_sort | dis figuring sam shepard |
| topic | Shepard, Sam <1943-> Criticism and interpretation Shepard, Sam <1943-> Dramatic production Shepard, Sam 1943-2017 (DE-588)118812025 gnd |
| topic_facet | Shepard, Sam <1943-> Criticism and interpretation Shepard, Sam <1943-> Dramatic production Shepard, Sam 1943-2017 |
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