Poetry and the romantic musical aesthetic:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2008
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XVI, 216 S. Notenbeisp. |
| ISBN: | 9780521887618 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
List of
Musical
Examples page
vii
Acknowledgments
ix
Preface: The Sound and the Spirit
xi
ι
Self-Consciousness and Music in the Late Enlightenment
ι
Kant, Self-Consciousness, and Aesthetics
5
Fichte,
Schiller, Schelling,
and the
Systemprogramm
Fragment: The
Origins of Romantic Self-Consciousness
14
Mozart and the Transformation of Enlightenment Musical Aesthetics
24
The Beginning of Romantic Musical Self-Consciousness
30
2 Hölderlin s Deutscher Gesang
ana the Music
of Poetic Self-Consciousness
33
Unheil und
Seyn : Existence in Poetry
35
Wechsel der Töne :
The Music of Poetic Language
40
Divine Self-Positing:
Dichterberuf
and the First Letter to
BöhlendorrT 43
Brod
und Wein,
Patmos, and
Wie wenn am Feiertage :
The Divine
Origin of
Deutscher Gisang 49
3 Hegels
Aesthetic Theory: Self-Consciousness
and Musical Material
68
Hegel s Aesthetic Lectures: Origin and Context
70
Hegelian Self-Consciousness and Art
71
Music and the Hegelian Forms of Art
76
Music and Subjectivity
84
The Problem of Absolute Music
* 87
Poetry and Music
90
4
Nature, Music, and die Imagination in Wordsworth s Poetry
97
Song and Articulate Meaning: The Solitary Reaper
107
Natural Music in The Prelude
112
Text, Voice, and Imagination: The Dream of the Arab
115
Natural Sound and Childhood Death: The Boy of Winander
m
vi
Contents
Textual
Silence:
The Blind Begjar
126
Conclusion: On the Power of Sound and The Prelude
130
5
Beethoven and Musical Self-Consciousness
136
Beethoven s Intellectual Life
140
The Heroic Style
(1803-12) 143
The Late Style
(1813-27) 148
Opus
130/133,
String Quartet No.
13
in
B b:
First Movement
154
String Quartet No.
13:
Middle Movements
165
String Quartet No.
13: Große Fuge
and Finale
169
Reception of the Late Quartets
172
Conclusion: The Meaning of a Quartet
174
6
The Persistence of Sound
176
Notes
179
Bibliography
205
Index
213
James
H.
Donelan
describes how two poets, a
philosopher, and a composer
- Hölderlin,
Wordsworth, Hegel, and Beethoven
-
developed an
idea of self-consciousness based on music at the turn
of the nineteenth century. This idea became an endur¬
ing cultural belief: the understanding of music as an
ideal representation of the autonomous creative mind.
Against a background of political and cultural
upheaval, these four major figures
-
all born in
1770
-
developed this idea in both metaphorical and actu¬
al musical structures, thereby establishing both the
theory and the practice of asserting self-identity in
music. Beethoven still carries the image of the heroic
composer today; this book describes how this image
originated in both his music and in how others
responded to him. Bringing together the fields of phi¬
losophy, musicology, and literary criticism, Donelan
shows how this development emerged from the com¬
plex changes in European cultural life taking place
between
1795
and
1831.
|
| adam_txt |
Contents
List of
Musical
Examples page
vii
Acknowledgments
ix
Preface: The Sound and the Spirit
xi
ι
Self-Consciousness and Music in the Late Enlightenment
ι
Kant, Self-Consciousness, and Aesthetics
5
Fichte,
Schiller, Schelling,
and the
Systemprogramm
Fragment: The
Origins of Romantic Self-Consciousness
14
Mozart and the Transformation of Enlightenment Musical Aesthetics
24
The Beginning of Romantic Musical Self-Consciousness
30
2 Hölderlin's Deutscher Gesang
ana the Music
of Poetic Self-Consciousness
33
"Unheil und
Seyn": Existence in Poetry
35
"Wechsel der Töne":
The Music of Poetic Language
40
Divine Self-Positing:
"Dichterberuf"
and the First Letter to
BöhlendorrT 43
"Brod
und Wein,"
"Patmos," and
"Wie wenn am Feiertage":
The Divine
Origin of
Deutscher Gisang 49
3 Hegels
Aesthetic Theory: Self-Consciousness
and Musical Material
68
Hegel's Aesthetic Lectures: Origin and Context
70
Hegelian Self-Consciousness and Art
71
Music and the Hegelian Forms of Art
76
Music and Subjectivity
84
The Problem of Absolute Music
* 87
Poetry and Music
90
4
Nature, Music, and die Imagination in Wordsworth's Poetry
97
Song and Articulate Meaning: "The Solitary Reaper"
107
Natural Music in The Prelude
112
Text, Voice, and Imagination: "The Dream of the Arab"
115
Natural Sound and Childhood Death: "The Boy of Winander"
m
vi
Contents
Textual
Silence:
"The Blind Begjar"
126
Conclusion: "On the Power of Sound" and The Prelude
130
5
Beethoven and Musical Self-Consciousness
136
Beethoven's Intellectual Life
140
The Heroic Style
(1803-12) 143
The Late Style
(1813-27) 148
Opus
130/133,
String Quartet No.
13
in
B b:
First Movement
154
String Quartet No.
13:
Middle Movements
165
String Quartet No.
13: Große Fuge
and Finale
169
Reception of the Late Quartets
172
Conclusion: The Meaning of a Quartet
174
6
The Persistence of Sound
176
Notes
179
Bibliography
205
Index
213
James
H.
Donelan
describes how two poets, a
philosopher, and a composer
- Hölderlin,
Wordsworth, Hegel, and Beethoven
-
developed an
idea of self-consciousness based on music at the turn
of the nineteenth century. This idea became an endur¬
ing cultural belief: the understanding of music as an
ideal representation of the autonomous creative mind.
Against a background of political and cultural
upheaval, these four major figures
-
all born in
1770
-
developed this idea in both metaphorical and actu¬
al musical structures, thereby establishing both the
theory and the practice of asserting self-identity in
music. Beethoven still carries the image of the heroic
composer today; this book describes how this image
originated in both his music and in how others
responded to him. Bringing together the fields of phi¬
losophy, musicology, and literary criticism, Donelan
shows how this development emerged from the com¬
plex changes in European cultural life taking place
between
1795
and
1831. |
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| edition | 1. publ. |
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| illustrated | Illustrated |
| index_date | 2024-07-02T19:06:25Z |
| indexdate | 2024-07-09T21:08:44Z |
| institution | BVB |
| isbn | 9780521887618 |
| language | English |
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| publishDateSort | 2008 |
| publisher | Cambridge Univ. Press |
| record_format | marc |
| spelling | Donelan, James H. Verfasser aut Poetry and the romantic musical aesthetic James H. Donelan 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2008 XVI, 216 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte 1790-1830 gnd rswk-swf Geschichte 1780-1830 gnd rswk-swf Musik Music Philosophy and aesthetics Poetry Romanticism Musikphilosophie (DE-588)4123809-6 gnd rswk-swf Musik Motiv (DE-588)4114652-9 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Musikästhetik (DE-588)4040808-5 gnd rswk-swf Romantik (DE-588)4050491-8 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musikphilosophie (DE-588)4123809-6 s Musikästhetik (DE-588)4040808-5 s Geschichte 1780-1830 z DE-604 Musik Motiv (DE-588)4114652-9 s Literatur (DE-588)4035964-5 s Musik (DE-588)4040802-4 s Romantik (DE-588)4050491-8 s Geschichte 1790-1830 z Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016169633&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016169633&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Donelan, James H. Poetry and the romantic musical aesthetic Musik Music Philosophy and aesthetics Poetry Romanticism Musikphilosophie (DE-588)4123809-6 gnd Musik Motiv (DE-588)4114652-9 gnd Literatur (DE-588)4035964-5 gnd Musikästhetik (DE-588)4040808-5 gnd Romantik (DE-588)4050491-8 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4123809-6 (DE-588)4114652-9 (DE-588)4035964-5 (DE-588)4040808-5 (DE-588)4050491-8 (DE-588)4040802-4 |
| title | Poetry and the romantic musical aesthetic |
| title_auth | Poetry and the romantic musical aesthetic |
| title_exact_search | Poetry and the romantic musical aesthetic |
| title_exact_search_txtP | Poetry and the romantic musical aesthetic |
| title_full | Poetry and the romantic musical aesthetic James H. Donelan |
| title_fullStr | Poetry and the romantic musical aesthetic James H. Donelan |
| title_full_unstemmed | Poetry and the romantic musical aesthetic James H. Donelan |
| title_short | Poetry and the romantic musical aesthetic |
| title_sort | poetry and the romantic musical aesthetic |
| topic | Musik Music Philosophy and aesthetics Poetry Romanticism Musikphilosophie (DE-588)4123809-6 gnd Musik Motiv (DE-588)4114652-9 gnd Literatur (DE-588)4035964-5 gnd Musikästhetik (DE-588)4040808-5 gnd Romantik (DE-588)4050491-8 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Musik Music Philosophy and aesthetics Poetry Romanticism Musikphilosophie Musik Motiv Literatur Musikästhetik Romantik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016169633&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016169633&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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