Rock and roll: an introduction
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Belmont, Calif. [u.a.]
Thomson Schirmer
2008
|
| Ausgabe: | 2. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Recorded musical examples are available via a separately published CD set and online services. -- Includes index. |
| Beschreibung: | XX, 491 S. Ill. 24 cm |
| ISBN: | 9780534642952 0534642950 |
Internformat
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| 100 | 1 | |a Campbell, Michael |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Rock and roll |b an introduction |c Michael Campbell with James Brody |
| 250 | |a 2. ed. | ||
| 264 | 1 | |a Belmont, Calif. [u.a.] |b Thomson Schirmer |c 2008 | |
| 300 | |a XX, 491 S. |b Ill. |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Recorded musical examples are available via a separately published CD set and online services. -- Includes index. | ||
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| 650 | 4 | |a Rock music |x History and criticism | |
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Datensatz im Suchindex
| _version_ | 1804137192677703680 |
|---|---|
| adam_text | Contents.
Intro
·
Roc
Is Music/Roc^ as Music
·
X V11
P.ART.1 ...RQCKIS.-.l.
Chapter
1
It s Only Rock and Roll
· 2
Rock Is
· 2
Form in Rock: The Anatomy of a Rock Song
· 3
Verse/Chorus Form
· 5
The Rhythms of Rock
· 5
Beat, Rhythm, and Tempo
· 6
Rock Beat and Rock Style
· 7
Syncopation: It Has a Good Beat,
and You Can Dance to It
· 8
The Instrumentation of Rock
· 9
The Rhythm Section
· 9
Voices and Instruments Together
· 13
Rock s Approach to Sound
· 13
Melody in Rock Music
· 13
Riffs and Hooks
· 14
From Riff to Melody
· 15
Key Elements of Rock Style
· 15
Rock Style and Rock Attitude
· 16
Terms to Remember
· 17
Applying Chapter Concepts
· 17
PART.
.2...
BEFORE.ROCK;.ROOTS. AND.ANTECEDENTS,.
EVOLUTION AND REVOLUTION
-19
iv
Chapter
2
Before Rock: An Evolutionary Perspective
· 21
EUROPEAN AND AFRICAN MUSICAL TRADITIONS
IN THE NEW WORLD
· 21
CONTENTS
Ж
Folk Music from the British Isles
· 22
Barbara Allen
· 22
Old Joe Clark
· 22
Music of the Urban Middle and Upper Classes
♦ 23
The African Influence
· 25
Santería
· 2 5
From Senegal to Mississippi
«26
Reconstructing a Heritage: African Retentions in
Contemporary Rhythm and Blues
· 26
European Versus African Musical Traditions
· 28
THE EVOLUTION OF POPULAR MUSIC, FROM MINSTRELSY
TO MODERN POPULAR SONG
· 29
Minstrelsy, the First Synthesis
· 29
A New Century-and New Sounds
· 31
Ragtime and Its Impact
· 31
Early Commercial Blues Styles
«33
Jazz
· 34
A Modern Era in Popular Music
· 35
Taking Stock
· 3 7
Terms to Remember
38
Applying Chapter Concepts
· 3 8
Chapter
3
Before Rock: A Revolutionary Perspective
· 40
THE ROOTS OF ROCK
· 40
The Sounds of the Blues,
1929-1945 · 40
Country Blues
· 41
Hokum
· 42
Boogie-Woogie
· 43
Swing and Jump Bands
· 44
Swing
· 44
Jump Bands
· 46
Black Gospel Music
· 47
Male Quartets
· 4 9
Female Soloists
· 49
Gospel Harmony
· 5 0
Country and Folk Music
· 50
Country Music
· 51
Country Music s First Stars
· 51
CONTENTS
Honky Tonk·
52
Folk Music
· 54
Afro-Cuban Music
· 55
Mambo
·56
The Roots of Rock Versus Mainstream Pop
· 58
THE POP MUSIC ESTABLISHMENT
· 5 8
American Values in the Fifties
«59
Mainstream Popular Music
»59
; Terms to Remember
«62
Applying Chapter Concepts
· 62
PA
R
X
.3...
BECO.
MING. ROCK;. THE.
ROCKÉRA,
........
1951-1964 . 65
Chapter
4
Rhythm and Blues,
1951-1959 · 67
The Emergence of Rhythm and Blues
· 6 7
Black Social and Economic Issues in the Fifties
· 68
The Media Revolution
· 69
Crossover Appeal
· 70
The Range of Rhythm and Blues
· 72
Heavy Rhythms: Big-Beat Rhythm and Blues
· 72
The Rhythms of Up-Tempo Rhythm and Blues
· 72
The Sound of Up-Tempo Fifties R&B: Hard Shuffles
and Honking Saxophones
· 73
The Sound of Up-Tempo Fifties R&B:
Backbeats,
Blues, and Sex
· 75
Rhythm and Blues, Rock and Roll, and the Beat
· 77
Blues in the Fifties
· 78
Electrifying the Blues
· 78
The Sound of Electric Blues
· 79
Electric Blues Legacy to Rock
· 8 0
The Latin Tinge
· 81
New Orleans and Latin Influence
· 81
The Bo Diddley Beat
· 83
Latin Music and R&B
· 84
Gospel and Rhythm and Blues: Doo-Wop
· 85
Doo-Wop and Black Singing Groups
· 86
Cover Versions and Commercial Success
· 8 7
CONTENTS
m
The Sound of Up-Tempo Doo-Wop
· 88
The Sound of Slow Doo-Wop
· 89
The Coasters and Music Production in the Fifties
Gospel-Influenced Solo Singing
· 92
Sam Cooke
· 93
Ray Charles
· 95
Rhythm and Blues and Rock and Roll
· 9 7
Terms to Remember
· 9 8
Applying Chapter Concepts
«98
90
Chapter
5
Rock and Roll
«100
The Beginnings of Rock and Roll
»100
Alan Freed
«101
Rockabilly
101
Bill Haley and Rockabilly
«102
Elvis, Sam Phillips, and Rockabilly
«103
Rockabilly and Rock and Roll
«105
Elvis Presley: The First Rock-and-Roll Star
«105
The King of Rock and Roll?
»106
Chuck Berry: The Architect of Rock and Roll
»109
Maybellene, His First Hit
· 109
Rock Rhythm and Rock Style
«112
Berry and His Audience
· 113
Little Richard and Jerry Lee Lewis
«114
Little Richard
«115
Jerry Lee Lewis
·118
The Everly Brothers and Buddy Holly
«119
The Everly Brothers
«119
Buddy Holly
121
The Birth, Death, and Resurrection of Rock and Roll
«124
Rock and Roll s Hall of Fame Acts
«125
The Death and Resurrection of Rock and Roll
«125
Rock and Roll: A New Attitude
«126
Terms to Remember
«128
Applying Chapter Concepts
«128
Chapter
6
On the Roads to Rock: From Girl Groups and Garage Bands
to Folk and Surf Music
· 129
Pop, Rock, and Rhythm and Blues in the Early Sixties
«129
О
CONTENTS
Pop Versus Rock and Rhythm and Blues
«129
The Integration of Popular Music
«130
Twisting the Night Away
«130
The Twist ·
131
Girl Groups, Young Songwriters, and Celebrity
Producers
«133
Gender and Race
· 13 4
Songs and Production
«135
Style and Commerce
· 137
The Songs
»137
Redefining Song: The Recording as the Document
· 141
From Folk to Rock
«143
Restoring the Past
«143
Social Commentary: The Legacy of Woody
Guthrie
«144
Bob Dylan and the Folk Revival
· 144
From Rockabilly to Rock: The Music of Roy Orbison
«146
Oh, Pretty Woman
«147
Garages and Cars and Surf and Sun
«149
Rock and Recordings: A New Mode of Musical
Transmission
«150
Multitrack Recording
«151
A Garage-Band Triumph: Louie Louie
«152
Surf Music·
153
Coming Together: From Rock and Roll to Rock and Soul
«156
Common Musical Features of Early Sixties
Music
· 156
Terms to Remember
· 15 7
Applying Chapter Concepts
· 157
Ρ
A RT.4
..
ROCK:. THE. .R.Q CK ERA,.
1.9
64.r1.97
7. ...159......
Chapter
7
Bob Dylan and the Beatles: Making Rock Matter
· 162
Dylan Goes Electric
»163
From Folk to Rock·
163
Dylan Rocks
«164
The Beatles·
168
The Music of the Beatles
«169
The Beatles: Impact and Influence
«177
CONTENTS
Rock
That Matters·
179
Terms to Remember·
179
Applying Chapter Concepts
· 179
Chapter
8
Black Music in the Sixties: Motown and Soul
· 180
Motown
«181
The Motown Formula
«182
The Motown Sound
«182
Motown and Black Pop
«186
Soul
»187
Black and White Music in the Sixties
«187
Soul Power·
187
Soul Music·
188
Southern Soul Music
· 188
Aretha Franklin
«192
James Brown
»195
The Impact of Black Music of the Sixties
«197
Terms to Remember
«198
Applying Chapter Concepts
«198
Chapter
9
Rock·
199
From Blues to Rock
· 199
Deep Blues and Rock
«200
Hard Rock in the Mid-Sixties
«201
The Kinks·
201
The Rolling Stones
«203
Power Trios: Rock as a Soloist s Music
«205
Blues Guitar and Rock
«205
Eric Clapton and Cream
«205
Jimi Hendrix·
207
The Perfection of Rock Rhythm
«210
Heavy Metal in the Seventies
«212
Sounds and Influences
«212
Black Sabbath
· 213
Sound and Space, Chords and Power in
Heavy Metal
«215
Deep Purple
»217
Heavy Metal and Early Seventies Rock
»218
θ
e
M
CONTENTS
The Liberation
of Rock and Roll
· 219
The Who
· 219
Led Zeppelin
«221
The Essence of Rock
«224
Assimilating Deep Blues
«224
The Maturation of Rock Rhythm
«225
A Timeless Music
«225
Terms to Remember
«226
Applying Chapter Concepts
«226
Chapter
10
San Francisco and the Diversity of Rock
· 227
The Counterculture
»227
Hippies
«229
Acid Rock·
230
Jefferson Airplane
«231
Down to Earth:
Janis Joplin
and the
;
Blues
«233
Toward an American Rock Sound
«236
Creedence Clearwater Revival
»236
The Grateful Dead·
238
Santana
and Latin Rock
«240
Carlos
Santana·
241
Funk and Fun; Sly and the Family Stone
«242
The Bass as a Percussion Instrument
«245
Bridging Soul and Funk
· 246
Diversity, a Rock-Era Innovation
«246
Terms to Remember
«248
Applying Chapter Concepts
«248
Chapter
11
Rock as Art
· 2 4 9
Rock and Art
· 249
Classical Music: Music as Art
· 249
Rock as an Art Music
«250
The Classics and Popular Music Before Rock
«251
Rock s Dark Side·
252
The Doors: Rock, Sex, and Death
«253
The Velvet Underground: Rock and Drugs
«255
CONTENTS
Rock
as Serious Satire: Frank Zappa and the
Mothers of Invention
«258
Rock Opera: The Who
«260
Glam
Rock: Rock as Spectacle
»261
Art as Artifice
»262
David Bowie·
263
Rock, Art, and Technology
«264
The Tools of Electronic Music
«265
Pink Floyd
«266
Rock as Art and Art Rock
«266
From Dance Floor to Concert Hall
«267
Yes·
268
Rock as Art Redux
«269
The Impact of Rock as Art
· 270
Terms to Remember
· 271
Applying Chapter Concepts
271
Chapter
12
The Singer-Songwriters: Rock, Melody, and Meaning
· 272
The Singer-Songwriters
· 272
Meaning and Melody
· 273
From Ballads to Blue: The Deep Roots of the
Singer-Songwriters
«273
Recapitulating the Sixties
»274
Elevating the Feminine
«274
Carole King
«275
Joni Mitchell
«277
They ve Got Friends: The Intimate World of the
Singer-Songwriters
«280
James Taylor: A Friend Among Friends
«280
Words, Melodies, and Sounds
«282
Pumping Irony: Randy Newman
«282
Plumbing Psyches: Paul Simon
«284
Singer-Songwriters and Rock
«286
Neil Young
«286
A New Kind of Popular Song
«288
Terms to Remember
· 2 8 8
Applying Chapter Concepts
«288
Chapter
13
Black Popular Music in the Early Seventies
· 290
Black Music: Change, Context, and Culture
«290
Iti
Φ
CONTENTS
Black Issues, Black Voices
«290
Accentuating the Positive: Rhythm, Mood,
and Message
«291
Reclaiming a Legacy: The Collective Memory
of the African Diaspora
«291
The Range of Black Music
«293
Motown in the Early Seventies: New Acts,
New Attitudes
«293
The Jackson
5 · 293
Beyond Motown: The Music of Marvin
Gaye
«295
Beyond Motown: The Music of Stevie
Wonder·
297
The Philadelphia Sound
—
and Beyond
«300
Black Films, Black Music
«302
Soul in the Seventies
«303
Al
Green
«303
Crossroads: The Blues in Black and White
«305
The Continuing Evolution of Black Music
«306
Terms to Remember
«307
Applying Chapter Concepts
· 307
Chapter
14
Mainstream Rock in the Seventies
«308
The Business of Rock
«309
Media and Money
«309
Portable Tapes: Cassettes and Eight-Track
Tapes
«310
Rock: The New Mainstream
«310
Mainstream Rock: Inclusiveness, Exuberance,
Expansiveness
«311
Elton John: The Expansion of Mainstream
Rock
«312
Queen: The Champions of Camp?
«314
From Country to City
«317
The Eagles and the Rise of Country Rock
»317
Fleetwood Mac: Old Troubles for New Women
«319
Jazzing Up the Rock Mainstream
«321
Chicago: A Rock Band with
Horns (and Jazz Chops)
«321
Steely Dan: The Pursuit of Studio Perfection
«323
The Jazz Renaissance of the Seventies
«325
CONTENTS
The Future of Rock and Roil
«325
Bruce Springsteen and the Rebirth of Important Rock
«326
Aerosmith: Bridging Rock s Generation Gap
«329
The Diversity of Mainstream Rock
«331
Terms to Remember
»332
Applying Chapter Concepts
«332
PART.
.5...
BEY.
OND.
ROCK ¡THE. ROCK
ER
A,.
1.9.7.7.-.
r
33.3..
Chapter
15
Reggae, Funk, and Disco: Views from the Outside
· 337
Reggae
«338
From Ska to Reggae: The Evolution
of Rock-Era Jamaican Music
»339
Jimmy Cliff and Reggae as Protest Music
«341
Topical Tropical Music: Reggae and Music
with a Message
»341
Bob Marley
· 342
Reggae as an International Music
«344
Funk
· 345
George Clinton and Funk
»346
Earth, Wind
&
Fire: A Black Music Synthesis
«348
Disco
«349
Donna Summer: The Queen of Disco
· 351
The Village People: Disco out of the Closet
«352
Dance Fads and the Influence of Disco
«354
Disco and Twentieth-Century Dance Fads
«354
Moving Beyond Rock
«355
Terms to Remember
«356
Applying Chapter Concepts
«356
Chapter
16
Punk and Its Aftermath
«357
The Punk Movement
»358
The Roots of Punk
«358
The Power of Punk
«360
Saturated Rock Rhythm
«360
The
Ramones
· 361
The Sex Pistols
· 363
New Wave
«365
φ
φ
CONTENTS
The Talking Heads
· 366
Elvis
Costello
·368
Punk: Devolution and Evolution
»369
New Wave Humor
«369
The Clash
«370
The Reverberations of Punk
«372
Terms to Remember
· 373
Applying Chapter Concepts
«373
Chapter
17
Electronica
and Rap
· 374
The Digital Revolution
· 374
The New Digital Technologies
»375
Electronica
· 378
The Antecedents of
Electronica
«3 78
Music for Dancing, Places to Dance
»379
Hearing
Electronica
«380
Electronica
and Dance Music
«381
Electronica
as Popular Music: Moby
«382
Rap·
384
Forerunners of Rap
«384
Rap and African American Culture
«385
Grandmaster Flash: Messages and Techniques
«386
Public Enemy: Rap as a Political Music
«389
Mainstreaming
Rap: The Case of Gangsta Rap
«391
Beyond Rock·
395
The New Rhythmic Foundation of Popular Music
«395
Rap and the Percussionization of Popular Music
»396
Deconstructing Popular Song
«396
Terms to Remember
»39 7
Applying Chapter Concepts
«397
Chapter
18
The New Sound of Pop in the Eighties
«399
MTV and Music Videos
· 399
MTV·
400
Music Videos
«401
The Impact of Music Videos
«401
The Transformation of Pop
«401
Michael Jackson and Madonna: Redefining
Pop in the Eighties
«402
CONTENTS
Michael Jackson · 4 0 2
Madonna «404
Post-Punk/Post-Disco
Fusions:
The Music of Prince
· 407
Prince
· 40 7
The Maturation of Black Pop
· 410
Musical Features of the New Black Pop
«411
Tina Turner
·412
Luther Vandross
«412
The Persistence of Love
«414
The Divas
«415
The Emergence of the Divas
«415
Christina
Aguilera:
What a Girl Wants
«417
Beyond Rock: The Legacy of Motown
«419
Terms to Remember
«421
Applying Chapter Concepts
«421
Chapter
19
Renewing Rock: Rock Since
1980 · 422
The Relevance of Rock
· 422
A New Pop Rock:
Mainstreaming
Reggae and Punk
«424
Reggatta
de
Blanc: The Police
»424
Punk-Inspired Pop
«426
Significant Rock·
428
Springsteen in the Eighties
«429
112*430
Significant-Sounding Rock·
433
Extreme Virtuosity: Heavy Metal After
1980 «434
The Revival of Heavy Metal
«434
Metallica·
436
Renewing Rock and Roll
«439
Neo-Traditional Trends of the Eighties
«439
The Dave Matthews Band
«439
Reinvigorating Rock·
441
Terms to Remember-
442
Applying Chapter Concepts
«442
Chapter
20
Alternatives
«443
The Alternative Movement
«443
The Alternative Ecosystem
«444
Alternative, a Neo-Traditional Trend
«445
ftî, CONTENTS
The Transformation
of the Recording Industry
· 446
Music and the Personal Computer
«446
The Internet
»446
Consolidation of the Majors and the
Rise of Indies
«447
From Punk to Alternative
· 448
Early Alternative
«448
Beyond Punk: Infusions of Funk and Metal
«450
Women s Voices
«451
Alienation
«454
Generation X
· 4 5 4
Grunge
«454
Industrial Rock·
456
The New Art Rock of the Nineties
«458
Alienation and Fragmentation
»461
The Persistence of Punk
»461
Enhancing Punk
«462
Pop Punk
·464
Alternatives
«465
Terms to Remember
«466
Applying Chapter Concepts
«466
Outro
Koc in the Twenty-First Century:
issues and Opportunities
«467
Index
. 472
|
| adam_txt |
Contents.
Intro
·
Roc\
Is Music/Roc^ as Music
·
X V11
P.ART.1 .RQCKIS.-.l.
Chapter
1
It's Only Rock and Roll
· 2
Rock Is
· 2
Form in Rock: The Anatomy of a Rock Song
· 3
Verse/Chorus Form
· 5
The Rhythms of Rock
· 5
Beat, Rhythm, and Tempo
· 6
Rock Beat and Rock Style
· 7
Syncopation: "It Has a Good Beat,
and You Can Dance to It"
· 8
The Instrumentation of Rock
· 9
The Rhythm Section
· 9
Voices and Instruments Together
· 13
Rock's Approach to Sound
· 13
Melody in Rock Music
· 13
Riffs and Hooks
· 14
From Riff to Melody
· 15
Key Elements of Rock Style
· 15
Rock Style and Rock Attitude
· 16
Terms to Remember
· 17
Applying Chapter Concepts
· 17
PART.
.2.
BEFORE.ROCK;.ROOTS. AND.ANTECEDENTS,.
EVOLUTION AND REVOLUTION
-19
iv
Chapter
2
Before Rock: An Evolutionary Perspective
· 21
EUROPEAN AND AFRICAN MUSICAL TRADITIONS
IN THE NEW WORLD
· 21
CONTENTS
Ж
Folk Music from the British Isles
· 22
"Barbara Allen"
· 22
"Old Joe Clark"
· 22
Music of the Urban Middle and Upper Classes
♦ 23
The African Influence
· 25
Santería
· 2 5
From Senegal to Mississippi
«26
Reconstructing a Heritage: African Retentions in
Contemporary Rhythm and Blues
· 26
European Versus African Musical Traditions
· 28
THE EVOLUTION OF POPULAR MUSIC, FROM MINSTRELSY
TO MODERN POPULAR SONG
· 29
Minstrelsy, the First Synthesis
· 29
A New Century-and New Sounds
· 31
Ragtime and Its Impact
· 31
Early Commercial Blues Styles
«33
Jazz
· 34
A Modern Era in Popular Music
· 35
Taking Stock
· 3 7
Terms to Remember'
38
Applying Chapter Concepts
· 3 8
Chapter
3
Before Rock: A Revolutionary Perspective
· 40
THE ROOTS OF ROCK
· 40
The Sounds of the Blues,
1929-1945 · 40
Country Blues
· 41
Hokum
· 42
Boogie-Woogie
· 43
Swing and Jump Bands
· 44
Swing
· 44
Jump Bands
· 46
Black Gospel Music
· 47
Male Quartets
· 4 9
Female Soloists
· 49
Gospel Harmony
· 5 0
Country and Folk Music
· 50
Country Music
· 51
Country Music's First Stars
· 51
CONTENTS
Honky Tonk·
52
Folk Music
· 54
Afro-Cuban Music
· 55
Mambo
·56
The Roots of Rock Versus Mainstream Pop
· 58
THE POP MUSIC ESTABLISHMENT
· 5 8
American Values in the Fifties
«59
Mainstream Popular Music
»59
; Terms to Remember
«62
Applying Chapter Concepts
· 62
PA
R
X
.3.
BECO.
MING. ROCK;. THE.
ROCKÉRA,
.
1951-1964 . 65
Chapter
4
Rhythm and Blues,
1951-1959 · 67
The Emergence of Rhythm and Blues
· 6 7
Black Social and Economic Issues in the Fifties
· 68
The Media Revolution
· 69
Crossover Appeal
· 70
The Range of Rhythm and Blues
· 72
Heavy Rhythms: Big-Beat Rhythm and Blues
· 72
The Rhythms of Up-Tempo Rhythm and Blues
· 72
The Sound of Up-Tempo Fifties R&B: Hard Shuffles
and Honking Saxophones
· 73
The Sound of Up-Tempo Fifties R&B:
Backbeats,
Blues, and Sex
· 75
Rhythm and Blues, Rock and Roll, and the Beat
· 77
Blues in the Fifties
· 78
Electrifying the Blues
· 78
The Sound of Electric Blues
· 79
Electric Blues' Legacy to Rock
· 8 0
The Latin Tinge
· 81
New Orleans and Latin Influence
· 81
The Bo Diddley Beat
· 83
Latin Music and R&B
· 84
Gospel and Rhythm and Blues: Doo-Wop
· 85
Doo-Wop and Black Singing Groups
· 86
Cover Versions and Commercial Success
· 8 7
CONTENTS
m
The Sound of Up-Tempo Doo-Wop
· 88
The Sound of Slow Doo-Wop
· 89
The Coasters and Music Production in the Fifties
Gospel-Influenced Solo Singing
· 92
Sam Cooke
· 93
Ray Charles
· 95
Rhythm and Blues and Rock and Roll
· 9 7
Terms to Remember
· 9 8
Applying Chapter Concepts
«98
90
Chapter
5
Rock and Roll
«100
The Beginnings of Rock and Roll
»100
Alan Freed
«101
Rockabilly
101
Bill Haley and Rockabilly
«102
Elvis, Sam Phillips, and Rockabilly
«103
Rockabilly and Rock and Roll
«105
Elvis Presley: The First Rock-and-Roll Star
«105
The King of Rock and Roll?
»106
Chuck Berry: The Architect of Rock and Roll
»109
"Maybellene," His First Hit
· 109
Rock Rhythm and Rock Style
«112
Berry and His Audience
· 113
Little Richard and Jerry Lee Lewis
«114
Little Richard
«115
Jerry Lee Lewis
·118
The Everly Brothers and Buddy Holly
«119
The Everly Brothers
«119
Buddy Holly
121
The Birth, Death, and Resurrection of Rock and Roll
«124
Rock and Roll's Hall of Fame Acts
«125
The Death and Resurrection of Rock and Roll
«125
Rock and Roll: A New Attitude
«126
Terms to Remember
«128
Applying Chapter Concepts
«128
Chapter
6
On the Roads to Rock: From Girl Groups and Garage Bands
to Folk and Surf Music
· 129
Pop, Rock, and Rhythm and Blues in the Early Sixties
«129
О
CONTENTS
Pop Versus Rock and Rhythm and Blues
«129
The Integration of Popular Music
«130
Twisting the Night Away
«130
"The Twist"·
131
Girl Groups, Young Songwriters, and Celebrity
Producers
«133
Gender and Race
· 13 4
Songs and Production
«135
Style and Commerce
· 137
The Songs
»137
Redefining Song: The Recording as the Document
· 141
From Folk to Rock
«143
Restoring the Past
«143
Social Commentary: The Legacy of Woody
Guthrie
«144
Bob Dylan and the Folk Revival
· 144
From Rockabilly to Rock: The Music of Roy Orbison
«146
"Oh, Pretty Woman"
«147
Garages and Cars and Surf and Sun
«149
Rock and Recordings: A New Mode of Musical
Transmission
«150
Multitrack Recording
«151
A Garage-Band Triumph: "Louie Louie"
«152
Surf Music·
153
Coming Together: From Rock and Roll to Rock and Soul
«156
Common Musical Features of Early Sixties
Music
· 156
Terms to Remember
· 15 7
Applying Chapter Concepts
· 157
Ρ
A RT.4
.
ROCK:. THE. .R.Q CK ERA,.
1.9
64.r1.97
7. .159.
Chapter
7
Bob Dylan and the Beatles: Making Rock Matter
· 162
Dylan Goes Electric
»163
From Folk to Rock·
163
Dylan Rocks
«164
The Beatles·
168
The Music of the Beatles
«169
The Beatles: Impact and Influence
«177
CONTENTS
Rock
That Matters·
179
Terms to Remember·
179
Applying Chapter Concepts
· 179
Chapter
8
Black Music in the Sixties: Motown and Soul
· 180
Motown
«181
The Motown Formula
«182
The Motown Sound
«182
Motown and Black Pop
«186
Soul
»187
Black and White Music in the Sixties
«187
Soul Power·
187
Soul Music·
188
Southern Soul Music
· 188
Aretha Franklin
«192
James Brown
»195
The Impact of Black Music of the Sixties
«197
Terms to Remember
«198
Applying Chapter Concepts
«198
Chapter
9
Rock·
199
From Blues to Rock
· 199
Deep Blues and Rock
«200
Hard Rock in the Mid-Sixties
«201
The Kinks·
201
The Rolling Stones
«203
Power Trios: Rock as a Soloist's Music
«205
Blues Guitar and Rock
«205
Eric Clapton and Cream
«205
Jimi Hendrix·
207
The Perfection of Rock Rhythm
«210
Heavy Metal in the Seventies
«212
Sounds and Influences
«212
Black Sabbath
· 213
Sound and Space, Chords and Power in
Heavy Metal
«215
Deep Purple
»217
Heavy Metal and Early Seventies Rock
»218
θ
e
M
CONTENTS
The Liberation
of Rock and Roll
· 219
The Who
· 219
Led Zeppelin
«221
The Essence of Rock
«224
Assimilating Deep Blues
«224
The Maturation of Rock Rhythm
«225
A Timeless Music
«225
Terms to Remember
«226
Applying Chapter Concepts
«226
Chapter
10
San Francisco and the Diversity of Rock
· 227
The Counterculture
»227
Hippies
«229
Acid Rock·
230
Jefferson Airplane
«231
Down to Earth:
Janis Joplin
and the
;
Blues
«233
Toward an American Rock Sound
«236
Creedence Clearwater Revival
»236
The Grateful Dead·
238
Santana
and Latin Rock
«240
Carlos
Santana·
241
Funk and Fun; Sly and the Family Stone
«242
The Bass as a Percussion Instrument
«245
Bridging Soul and Funk
· 246
Diversity, a Rock-Era Innovation
«246
Terms to Remember
«248
Applying Chapter Concepts
«248
Chapter
11
Rock as Art
· 2 4 9
Rock and Art
· 249
Classical Music: Music as Art
· 249
Rock as an Art Music
«250
The Classics and Popular Music Before Rock
«251
Rock's Dark Side·
252
The Doors: Rock, Sex, and Death
«253
The Velvet Underground: Rock and Drugs
«255
CONTENTS
Rock
as Serious Satire: Frank Zappa and the
Mothers of Invention
«258
Rock Opera: The Who
«260
Glam
Rock: Rock as Spectacle
»261
Art as Artifice
»262
David Bowie·
263
Rock, Art, and Technology
«264
The Tools of Electronic Music
«265
Pink Floyd
«266
Rock as Art and Art Rock
«266
From Dance Floor to Concert Hall
«267
Yes·
268
Rock as Art Redux
«269
The Impact of Rock as Art
· 270
Terms to Remember
· 271
Applying Chapter Concepts
'271
Chapter
12
The Singer-Songwriters: Rock, Melody, and Meaning
· 272
The Singer-Songwriters
· 272
Meaning and Melody
· 273
From Ballads to Blue: The Deep Roots of the
Singer-Songwriters
«273
Recapitulating the Sixties
»274
Elevating the Feminine
«274
Carole King
«275
Joni Mitchell
«277
They've Got Friends: The Intimate World of the
Singer-Songwriters
«280
James Taylor: A Friend Among Friends
«280
Words, Melodies, and Sounds
«282
Pumping Irony: Randy Newman
«282
Plumbing Psyches: Paul Simon
«284
Singer-Songwriters and Rock
«286
Neil Young
«286
A New Kind of Popular Song
«288
Terms to Remember
· 2 8 8
Applying Chapter Concepts
«288
Chapter
13
Black Popular Music in the Early Seventies
· 290
Black Music: Change, Context, and Culture
«290
Iti
Φ
CONTENTS
Black Issues, Black Voices
«290
Accentuating the Positive: Rhythm, Mood,
and Message
«291
Reclaiming a Legacy: The Collective Memory
of the African Diaspora
«291
The Range of Black Music
«293
Motown in the Early Seventies: New Acts,
New Attitudes
«293
The Jackson
5 · 293
Beyond Motown: The Music of Marvin
Gaye
«295
Beyond Motown: The Music of Stevie
Wonder·
297
The Philadelphia Sound
—
and Beyond
«300
Black Films, Black Music
«302
Soul in the Seventies
«303
\
Al
Green
«303
Crossroads: The Blues in Black and White
«305
The Continuing Evolution of Black Music
«306
Terms to Remember
«307
Applying Chapter Concepts
· 307
Chapter
14
Mainstream Rock in the Seventies
«308
The Business of Rock
«309
Media and Money
«309
Portable Tapes: Cassettes and Eight-Track
Tapes
«310
Rock: The New Mainstream
«310
Mainstream Rock: Inclusiveness, Exuberance,
Expansiveness
«311
Elton John: The Expansion of Mainstream
Rock
«312
Queen: The Champions of Camp?
«314
From Country to City
«317
The Eagles and the Rise of Country Rock
»317
Fleetwood Mac: Old Troubles for New Women
«319
Jazzing Up the Rock Mainstream
«321
Chicago: A Rock Band with
Horns (and Jazz Chops)
«321
Steely Dan: The Pursuit of Studio Perfection
«323
The Jazz Renaissance of the Seventies
«325
CONTENTS
The Future of Rock and Roil
«325
Bruce Springsteen and the Rebirth of Important Rock
«326
Aerosmith: Bridging Rock's Generation Gap
«329
The Diversity of Mainstream Rock
«331
Terms to Remember
»332
Applying Chapter Concepts
«332
PART.
.5.
BEY.
OND.
ROCK ¡THE. ROCK
ER
A,.
1.9.7.7.-.
r
33.3.
Chapter
15
Reggae, Funk, and Disco: Views from the Outside
· 337
Reggae
«338
From Ska to Reggae: The Evolution
of Rock-Era Jamaican Music
»339
Jimmy Cliff and Reggae as Protest Music
«341
Topical Tropical Music: Reggae and Music
with a Message
»341
Bob Marley
· 342
Reggae as an International Music
«344
Funk
· 345
George Clinton and Funk
»346
Earth, Wind
&
Fire: A Black Music Synthesis
«348
Disco
«349
Donna Summer: The Queen of Disco
· 351
The Village People: Disco out of the Closet
«352
Dance Fads and the Influence of Disco
«354
Disco and Twentieth-Century Dance Fads
«354
Moving Beyond Rock
«355
Terms to Remember
«356
Applying Chapter Concepts
«356
Chapter
16
Punk and Its Aftermath
«357
The Punk Movement
»358
The Roots of Punk
«358
The Power of Punk
«360
Saturated Rock Rhythm
«360
The
Ramones
· 361
The Sex Pistols
· 363
New Wave
«365
φ
φ
CONTENTS
The Talking Heads
· 366
Elvis
Costello
·368
Punk: Devolution and Evolution
»369
New Wave Humor
«369
The Clash
«370
The Reverberations of Punk
«372
Terms to Remember
· 373
Applying Chapter Concepts
«373
Chapter
17
Electronica
and Rap
· 374
The Digital Revolution
· 374
The New Digital Technologies
»375
Electronica
· 378
The Antecedents of
Electronica
«3 78
Music for Dancing, Places to Dance
»379
Hearing
Electronica
«380
Electronica
and Dance Music
«381
Electronica
as Popular Music: Moby
«382
Rap·
384
Forerunners of Rap
«384
Rap and African American Culture
«385
Grandmaster Flash: Messages and Techniques
«386
Public Enemy: Rap as a Political Music
«389
Mainstreaming
Rap: The Case of Gangsta Rap
«391
Beyond Rock·
395
The New Rhythmic Foundation of Popular Music
«395
Rap and the "Percussionization" of Popular Music
»396
Deconstructing Popular Song
«396
Terms to Remember
»39 7
Applying Chapter Concepts
«397
Chapter
18
The New Sound of Pop in the Eighties
«399
MTV and Music Videos
· 399
MTV·
400
Music Videos
«401
The Impact of Music Videos
«401
The Transformation of Pop
«401
Michael Jackson and Madonna: Redefining
Pop in the Eighties
«402
CONTENTS
Michael Jackson · 4 0 2
Madonna «404
Post-Punk/Post-Disco
Fusions:
The Music of Prince
· 407
Prince
· 40 7
The Maturation of Black Pop
· 410
Musical Features of the New Black Pop
«411
Tina Turner
·412
Luther Vandross
«412
The Persistence of Love
«414
The Divas
«415
The Emergence of the Divas
«415
Christina
Aguilera:
"What a Girl Wants"
«417
Beyond Rock: The Legacy of Motown
«419
Terms to Remember
«421
Applying Chapter Concepts
«421
Chapter
19
Renewing Rock: Rock Since
1980 · 422
The Relevance of Rock
· 422
A New Pop Rock:
Mainstreaming
Reggae and Punk
«424
Reggatta
de
Blanc: The Police
»424
Punk-Inspired Pop
«426
Significant Rock·
428
Springsteen in the Eighties
«429
112*430
Significant-Sounding Rock·
433
Extreme Virtuosity: Heavy Metal After
1980 «434
The Revival of Heavy Metal
«434
Metallica·
436
Renewing Rock and Roll
«439
Neo-Traditional Trends of the Eighties
«439
The Dave Matthews Band
«439
Reinvigorating Rock·
441
Terms to Remember-
442
Applying Chapter Concepts
«442
Chapter
20
Alternatives
«443
The Alternative Movement
«443
The Alternative Ecosystem
«444
Alternative, a Neo-Traditional Trend
«445
ftî, CONTENTS
The Transformation
of the Recording Industry
· 446
Music and the Personal Computer
«446
The Internet
»446
Consolidation of the Majors and the
Rise of Indies
«447
From Punk to Alternative
· 448
Early Alternative
«448
Beyond Punk: Infusions of Funk and Metal
«450
Women's Voices
«451
Alienation
«454
Generation X
· 4 5 4
Grunge
«454
Industrial Rock·
456
The New Art Rock of the Nineties
«458
Alienation and Fragmentation
»461
The Persistence of Punk
»461
Enhancing Punk
«462
Pop Punk
·464
Alternatives
«465
Terms to Remember
«466
Applying Chapter Concepts
«466
Outro
Koc\in the Twenty-First Century:
issues and Opportunities
«467
Index
. 472 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Campbell, Michael Brody, James |
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| dewey-full | 781.66 |
| dewey-hundreds | 700 - The arts |
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| dewey-sort | 3781.66 |
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| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | 2. ed. |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| illustrated | Illustrated |
| index_date | 2024-07-02T19:01:47Z |
| indexdate | 2024-07-09T21:08:23Z |
| institution | BVB |
| isbn | 9780534642952 0534642950 |
| language | English |
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| spelling | Campbell, Michael Verfasser aut Rock and roll an introduction Michael Campbell with James Brody 2. ed. Belmont, Calif. [u.a.] Thomson Schirmer 2008 XX, 491 S. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier Recorded musical examples are available via a separately published CD set and online services. -- Includes index. Geschichte gnd rswk-swf Rock music History and criticism Rockmusik (DE-588)4115774-6 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Rockmusik (DE-588)4115774-6 s Geschichte z DE-604 Geschichte (DE-588)4020517-4 s 1\p DE-604 Brody, James Verfasser aut Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016154366&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Campbell, Michael Brody, James Rock and roll an introduction Rock music History and criticism Rockmusik (DE-588)4115774-6 gnd Geschichte (DE-588)4020517-4 gnd |
| subject_GND | (DE-588)4115774-6 (DE-588)4020517-4 |
| title | Rock and roll an introduction |
| title_auth | Rock and roll an introduction |
| title_exact_search | Rock and roll an introduction |
| title_exact_search_txtP | Rock and roll an introduction |
| title_full | Rock and roll an introduction Michael Campbell with James Brody |
| title_fullStr | Rock and roll an introduction Michael Campbell with James Brody |
| title_full_unstemmed | Rock and roll an introduction Michael Campbell with James Brody |
| title_short | Rock and roll |
| title_sort | rock and roll an introduction |
| title_sub | an introduction |
| topic | Rock music History and criticism Rockmusik (DE-588)4115774-6 gnd Geschichte (DE-588)4020517-4 gnd |
| topic_facet | Rock music History and criticism Rockmusik Geschichte |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016154366&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT campbellmichael rockandrollanintroduction AT brodyjames rockandrollanintroduction |