What happens next: a history of American screenwriting
Screenwriters have always been Hollywood's stepchildren. Yet, popular impressions aside, screenwriters have been central to moviemaking since audiences got past the sheer novelty of seeing pictures that moved at all. Soon they wanted to know: What happens next? Veteran Oscar-winning screenwrite...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Harmony Books
2007
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Schlagworte: | |
Zusammenfassung: | Screenwriters have always been Hollywood's stepchildren. Yet, popular impressions aside, screenwriters have been central to moviemaking since audiences got past the sheer novelty of seeing pictures that moved at all. Soon they wanted to know: What happens next? Veteran Oscar-winning screenwriter Norman gives us the first comprehensive history of the men and women who have answered that question, from Anita Loos, the highest-paid screenwriter of her day, to Robert Towne, Quentin Tarantino, Charlie Kaufman, and other paradigm-busting talents reimagining movies for the new century. The whole rich story is here: the imposition of the Production Code in the early 1930s and the ingenious attempts to outwit the censors; the dark days of the blacklist that divided the screenwriting community; the rise of the writer-director in the early 1970s; and the scare of 2005 when new technologies seemed to dry up the audience for movies and forced the industry to reinvent itself yet again.--From publisher description. |
Beschreibung: | Includes bibliographical references (p. [511]-525) and index |
Beschreibung: | 553 S., [8] Bl. Ill. 25 cm |
ISBN: | 9780307383396 |
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520 | 3 | |a Screenwriters have always been Hollywood's stepchildren. Yet, popular impressions aside, screenwriters have been central to moviemaking since audiences got past the sheer novelty of seeing pictures that moved at all. Soon they wanted to know: What happens next? Veteran Oscar-winning screenwriter Norman gives us the first comprehensive history of the men and women who have answered that question, from Anita Loos, the highest-paid screenwriter of her day, to Robert Towne, Quentin Tarantino, Charlie Kaufman, and other paradigm-busting talents reimagining movies for the new century. The whole rich story is here: the imposition of the Production Code in the early 1930s and the ingenious attempts to outwit the censors; the dark days of the blacklist that divided the screenwriting community; the rise of the writer-director in the early 1970s; and the scare of 2005 when new technologies seemed to dry up the audience for movies and forced the industry to reinvent itself yet again.--From publisher description. | |
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author | Norman, Marc 1941- |
author_GND | (DE-588)122859677 |
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building | Verbundindex |
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callnumber-label | PN1996 |
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ctrlnum | (OCoLC)104861441 (DE-599)BVBBV022949335 |
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dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric 700 - The arts |
dewey-ones | 808 - Rhetoric & collections of literature 791 - Public performances |
dewey-raw | 808.23 791.43/70973 791.4370973 |
dewey-search | 808.23 791.43/70973 791.4370973 |
dewey-sort | 3808.23 |
dewey-tens | 800 - Literature (Belles-lettres) and rhetoric 790 - Recreational and performing arts |
discipline | Allgemeines Literaturwissenschaft |
discipline_str_mv | Allgemeines Literaturwissenschaft |
era | Geschichte 1904-2005 gnd |
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spelling | Norman, Marc 1941- Verfasser (DE-588)122859677 aut What happens next a history of American screenwriting Marc Norman New York Harmony Books 2007 553 S., [8] Bl. Ill. 25 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. [511]-525) and index Screenwriters have always been Hollywood's stepchildren. Yet, popular impressions aside, screenwriters have been central to moviemaking since audiences got past the sheer novelty of seeing pictures that moved at all. Soon they wanted to know: What happens next? Veteran Oscar-winning screenwriter Norman gives us the first comprehensive history of the men and women who have answered that question, from Anita Loos, the highest-paid screenwriter of her day, to Robert Towne, Quentin Tarantino, Charlie Kaufman, and other paradigm-busting talents reimagining movies for the new century. The whole rich story is here: the imposition of the Production Code in the early 1930s and the ingenious attempts to outwit the censors; the dark days of the blacklist that divided the screenwriting community; the rise of the writer-director in the early 1970s; and the scare of 2005 when new technologies seemed to dry up the audience for movies and forced the industry to reinvent itself yet again.--From publisher description. Geschichte 1904-2005 gnd rswk-swf Motion picture authorship / United States / History Motion pictures / United States / History Film Geschichte Motion picture authorship United States History Motion pictures United States History Drehbuchautorin (DE-588)4302523-7 gnd rswk-swf Drehbuchautor (DE-588)4294338-3 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Drehbuchautor (DE-588)4294338-3 s Geschichte 1904-2005 z DE-604 Drehbuchautorin (DE-588)4302523-7 s |
spellingShingle | Norman, Marc 1941- What happens next a history of American screenwriting Motion picture authorship / United States / History Motion pictures / United States / History Film Geschichte Motion picture authorship United States History Motion pictures United States History Drehbuchautorin (DE-588)4302523-7 gnd Drehbuchautor (DE-588)4294338-3 gnd |
subject_GND | (DE-588)4302523-7 (DE-588)4294338-3 (DE-588)4078704-7 |
title | What happens next a history of American screenwriting |
title_auth | What happens next a history of American screenwriting |
title_exact_search | What happens next a history of American screenwriting |
title_exact_search_txtP | What happens next a history of American screenwriting |
title_full | What happens next a history of American screenwriting Marc Norman |
title_fullStr | What happens next a history of American screenwriting Marc Norman |
title_full_unstemmed | What happens next a history of American screenwriting Marc Norman |
title_short | What happens next |
title_sort | what happens next a history of american screenwriting |
title_sub | a history of American screenwriting |
topic | Motion picture authorship / United States / History Motion pictures / United States / History Film Geschichte Motion picture authorship United States History Motion pictures United States History Drehbuchautorin (DE-588)4302523-7 gnd Drehbuchautor (DE-588)4294338-3 gnd |
topic_facet | Motion picture authorship / United States / History Motion pictures / United States / History Film Geschichte Motion picture authorship United States History Motion pictures United States History Drehbuchautorin Drehbuchautor USA |
work_keys_str_mv | AT normanmarc whathappensnextahistoryofamericanscreenwriting |