The invention of "folk music" and "art music": emerging categories from Ossian to Wagner
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Cambridge [u.a.]
Cambridge Univ. Press
2007
|
| Edition: | 1. publ. |
| Series: | New perspectives in music history and criticism
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | XII, 287 S. Notenbeisp. |
| ISBN: | 9780521863032 |
Staff View
MARC
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Record in the Search Index
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| adam_text | CONTENTS
List of music examples page
χ
Acknowledgements
xi
Introduction
1
The special roles of Scotland and Germany
10
Function to origin: national identity and national
genius emerge,
с
1700-1780 14
High-middle-low as function: genre and style into
the eighteenth century
15
The quest for origins begins
20
Scotland s profile comes forward on the international
stage: the Scotch songs and tunes
27
David Rizzio versus James I: myths for their
respective times
33
From pastoral to picturesque: nature, art, and genre
in the later eighteenth century
40
Nature as genre: the pastoral and the Scottish
before
1760 42
Nature versus civilization:
universalism
and
progress
49
Nature as the Other: the anthropologizing of music
57
Nature and the folk : the ancient and Oriental
come to Europe through Scotland
60
Nature in music: Jean-Jacques Rousseau
66
Nature and the picturesque: the noble savage
in the Highland landscape
73
Genius versus art in the creative process: national
and cultivated music as categories,
1760-1800 80
The minstrels and bards of old
81
James Beattie and a new myth of origin:
national music and the people
87
Revolution: Beattie s influence
94
vu
Contents
National versus
cultivated music as
predecessors to folk and art music
98
Herder
102
The invention of folk modality,
1775-1840
111
Before Burney
115
An ancient and Oriental modality
120
Today Scotland, tomorrow the world
128
Credibility and dignity: folk-modal study comes
of age
138
The insider as outsider
144
The legacy: folk modality since
1850 147
Folk and tradition : authenticity as musical
idiom from the late eighteenth century onward
153
Establishing tradition as part of oral culture
155
Theories of origin and theories of transmission
in dissonance
159
From fixed texts to variant sets : the conception
of modern folk works
162
Tradition as social reaction: musical implications
of the folk ideology
167
Authenticity as idiom
172
Werktreue
and tradition: printed forms of the
national music work
180
A final myth of origin for traditional music:
the benefits of obscurity
186
Organic art music and individual original genius:
aestheticizing the folk collective
191
Herder and German idealism: conceiving a
new organic, synthetic art
197
Creative issues in aestheticizing the folk
203
A tale of two receptions, Part
1:
the problem of
originality
209
A tale of two receptions, Part
2:
composing
as the folk
219
Local nation and universal folk: the legacy of
geography in musical categories
225
Ubiquitous categories: the geographical spread
of folk and art music
228
Universalism
as idiom: from national music
to national art music
235
Between center and periphery: northern music
239
Some approaches to national music from
the German center
245
vin
Contents
Folk and art musics in the modern Western world
256
A final ripple: folk music and art music
encounter popular music
256
Our current terminology
260
Implications for viewing the eighteenth century
and before
262
Implications for viewing the nineteenth century
266
Implications for viewing the twentieth century,
and for thinking about music in today s world
271
Index
278
IX
|
| adam_txt |
CONTENTS
List of music examples page
χ
Acknowledgements
xi
Introduction
1
The special roles of Scotland and Germany
10
Function to origin: national identity and national
genius emerge,
с
1700-1780 14
High-middle-low as function: genre and style into
the eighteenth century
15
The quest for origins begins
20
Scotland's profile comes forward on the international
stage: the "Scotch" songs and tunes
27
David Rizzio versus James I: myths for their
respective times
33
From pastoral to picturesque: nature, art, and genre
in the later eighteenth century
40
Nature as genre: the pastoral and the Scottish
before
1760 42
Nature versus civilization:
universalism
and
progress
49
Nature as the Other: the anthropologizing of music
57
Nature and "the folk": the "ancient and Oriental"
come to Europe through Scotland
60
Nature in music: Jean-Jacques Rousseau
66
Nature and the picturesque: the noble savage
in the Highland landscape
73
Genius versus art in the creative process: "national"
and "cultivated" music as categories,
1760-1800 80
The minstrels and bards of old
81
James Beattie and a new myth of origin:
"national music" and the "people"
87
Revolution: Beattie's influence
94
vu
Contents
"National" versus
"cultivated" music as
predecessors to "folk" and "art" music
98
Herder
102
The invention of folk modality,
1775-1840
111
Before Burney
115
An ancient and Oriental modality
120
Today Scotland, tomorrow the world
128
Credibility and dignity: folk-modal study comes
of age
138
The insider as outsider
144
The legacy: folk modality since
1850 147
"Folk" and "tradition": authenticity as musical
idiom from the late eighteenth century onward
153
Establishing tradition as part of oral culture
155
Theories of origin and theories of transmission
in dissonance
159
From fixed texts to variant "sets": the conception
of modern folk "works"
162
Tradition as social reaction: musical implications
of the "folk" ideology
167
Authenticity as idiom
172
Werktreue
and tradition: printed forms of the
national music "work"
180
A final myth of origin for traditional music:
the benefits of obscurity
186
Organic "art music" and individual original genius:
aestheticizing the folk collective
191
Herder and German idealism: conceiving a
new organic, synthetic "art"
197
Creative issues in aestheticizing the folk
203
A tale of two receptions, Part
1:
the problem of
originality
209
A tale of two receptions, Part
2:
composing
"as the folk"
219
Local nation and universal folk: the legacy of
geography in musical categories
225
Ubiquitous categories: the geographical spread
of folk and art music
228
Universalism
as idiom: from "national music"
to "national art music"
235
Between center and periphery: "northern" music
239
Some approaches to "national music" from
the German center
245
vin
Contents
Folk and art musics in the modern Western world
256
A final ripple: folk music and art music
encounter popular music
256
Our current terminology
260
Implications for viewing the eighteenth century
and before
262
Implications for viewing the nineteenth century
266
Implications for viewing the twentieth century,
and for thinking about music in today's world
271
Index
278
IX |
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| spelling | Gelbart, Matthew Verfasser aut The invention of "folk music" and "art music" emerging categories from Ossian to Wagner Matthew Gelbart 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2007 XII, 287 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier New perspectives in music history and criticism Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1700-1900 gnd rswk-swf Musique - Europe - 18e siècle - Histoire et critique Musique - Europe - 19e siècle - Histoire et critique Musique - Historiographie Musique folklorique - Histoire et critique Musik Folk music History and criticism Music Historiography Music Europe 18th century History and criticism Music Europe 19th century History and criticism Kunstmusik (DE-588)4385558-1 gnd rswk-swf Volksmusik (DE-588)4063854-6 gnd rswk-swf Musikästhetik (DE-588)4040808-5 gnd rswk-swf Europa Europa (DE-588)4015701-5 gnd rswk-swf Europa (DE-588)4015701-5 g Musikästhetik (DE-588)4040808-5 s Geschichte 1700-1900 z DE-604 Volksmusik (DE-588)4063854-6 s Kunstmusik (DE-588)4385558-1 s 1\p DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016152720&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Gelbart, Matthew The invention of "folk music" and "art music" emerging categories from Ossian to Wagner Musique - Europe - 18e siècle - Histoire et critique Musique - Europe - 19e siècle - Histoire et critique Musique - Historiographie Musique folklorique - Histoire et critique Musik Folk music History and criticism Music Historiography Music Europe 18th century History and criticism Music Europe 19th century History and criticism Kunstmusik (DE-588)4385558-1 gnd Volksmusik (DE-588)4063854-6 gnd Musikästhetik (DE-588)4040808-5 gnd |
| subject_GND | (DE-588)4385558-1 (DE-588)4063854-6 (DE-588)4040808-5 (DE-588)4015701-5 |
| title | The invention of "folk music" and "art music" emerging categories from Ossian to Wagner |
| title_auth | The invention of "folk music" and "art music" emerging categories from Ossian to Wagner |
| title_exact_search | The invention of "folk music" and "art music" emerging categories from Ossian to Wagner |
| title_exact_search_txtP | The invention of "folk music" and "art music" emerging categories from Ossian to Wagner |
| title_full | The invention of "folk music" and "art music" emerging categories from Ossian to Wagner Matthew Gelbart |
| title_fullStr | The invention of "folk music" and "art music" emerging categories from Ossian to Wagner Matthew Gelbart |
| title_full_unstemmed | The invention of "folk music" and "art music" emerging categories from Ossian to Wagner Matthew Gelbart |
| title_short | The invention of "folk music" and "art music" |
| title_sort | the invention of folk music and art music emerging categories from ossian to wagner |
| title_sub | emerging categories from Ossian to Wagner |
| topic | Musique - Europe - 18e siècle - Histoire et critique Musique - Europe - 19e siècle - Histoire et critique Musique - Historiographie Musique folklorique - Histoire et critique Musik Folk music History and criticism Music Historiography Music Europe 18th century History and criticism Music Europe 19th century History and criticism Kunstmusik (DE-588)4385558-1 gnd Volksmusik (DE-588)4063854-6 gnd Musikästhetik (DE-588)4040808-5 gnd |
| topic_facet | Musique - Europe - 18e siècle - Histoire et critique Musique - Europe - 19e siècle - Histoire et critique Musique - Historiographie Musique folklorique - Histoire et critique Musik Folk music History and criticism Music Historiography Music Europe 18th century History and criticism Music Europe 19th century History and criticism Kunstmusik Volksmusik Musikästhetik Europa |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016152720&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT gelbartmatthew theinventionoffolkmusicandartmusicemergingcategoriesfromossiantowagner |