Film theory: an introduction
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Malden, Mass. [u.a.]
Blackwell
2007
|
| Ausgabe: | [Nachdr.] |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | X, 381 S. |
| ISBN: | 9780631206545 9780631206538 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Preface viii
Introduction
1
The Antecedents of Film Theory
10
Film and Film Theory: The Beginnings
18
Early Silent Film Theory
22
The Essence of Cinema
33
The Soviet Montage-Theorists
37
Russian Formalism and the Bakhtin School
47
The Historical
Avant-Gardes
55
The Debate after Sound
58
The Frankfurt School
64
The Phenomenology of Realism
72
The Cult of the
Auteur
83
The Americanization of
Auteur
Theory
89
Third World Film and Theory
92
The Advent of Structuralism
102
Contents
The Question of Film Language 1°7
Cinematic Specificity Revisited
119
Interrogating Authorship and Genre
123
1968
and the Leftist Turn
130
The Classic Realist Text
14°
The Presence of
Brecht I45
The Politics of
Reflexivity
151
The Search for Alternative Aesthetics
153
From Linguistics to Psychoanalysis
158
The Feminist Intervention
169
The Poststracturalist Mutation
179
Textual Analysis
185
Interpretation and its Discontents
192
From Text to Intertext
201
The Amplification of Sound
212
The Rise of Cultural Studies
223
The Birth of the Spectator
229
Cognitive and Analytic Theory
235
Semiotics Revisited
248
Just in Time: The Impact of Deleuze
256
The Coming Out of Queer Theory
262
Multiculturalism, Race, and Representation
267
Third Cinema Revisited
281
Film and the
Postcolonial
292
vi
Contents
The Poetics and Politics of Postmodernism
298
The Social Valence of Mass-Culture
308
Post-Cinema: Digital Theory and the New Media
314
The Pluralization of Film Theory
327
Notes
331
Select Bibliography
341
Index
369
|
| adam_txt |
Contents
Preface viii
Introduction
1
The Antecedents of Film Theory
10
Film and Film Theory: The Beginnings
18
Early Silent Film Theory
22
The Essence of Cinema
33
The Soviet Montage-Theorists
37
Russian Formalism and the Bakhtin School
47
The Historical
Avant-Gardes
55
The Debate after Sound
58
The Frankfurt School
64
The Phenomenology of Realism
72
The Cult of the
Auteur
83
The Americanization of
Auteur
Theory
89
Third World Film and Theory
92
The Advent of Structuralism
102
Contents
The Question of Film Language 1°7
Cinematic Specificity Revisited
119
Interrogating Authorship and Genre
123
1968
and the Leftist Turn
130
The Classic Realist Text
14°
The Presence of
Brecht I45
The Politics of
Reflexivity
151
The Search for Alternative Aesthetics
153
From Linguistics to Psychoanalysis
158
The Feminist Intervention
169
The Poststracturalist Mutation
179
Textual Analysis
185
Interpretation and its Discontents
192
From Text to Intertext
201
The Amplification of Sound
212
The Rise of Cultural Studies
223
The Birth of the Spectator
229
Cognitive and Analytic Theory
235
Semiotics Revisited
248
Just in Time: The Impact of Deleuze
256
The Coming Out of Queer Theory
262
Multiculturalism, Race, and Representation
267
Third Cinema Revisited
281
Film and the
Postcolonial
292
vi
Contents
The Poetics and Politics of Postmodernism
298
The Social Valence of Mass-Culture
308
Post-Cinema: Digital Theory and the New Media
314
The Pluralization of Film Theory
327
Notes
331
Select Bibliography
341
Index
369 |
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