The cinema of David Lynch: American dreams, nightmare visions
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Wallflower Press
2005
|
| Ausgabe: | 1. publ., reprinted |
| Schriftenreihe: | Directors' cuts
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Filmography S. 182-186 |
| Beschreibung: | VIII, 207 S. Ill. |
| ISBN: | 190336485X 1903364868 |
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Datensatz im Suchindex
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| adam_text | CONTENTS
Acknowledgements
vi
Notes
on contributors
vii
Introduction:
American
Dreams, Nightmare Visions
Erica Sheen
&
Annette Davison
1
1
The Essential Evil in/of Eraserhead (or, Lynch to the Contrary)
5
Steven Jay Schneider
2
David Lynch and the Mug Shot: Facework in The Elephant Man
19
and The Straight Story
Joe Kember
3
Going into strange worlds: David Lynch, Dune and New Hollywood
35
Erica Sheen
4
Mysteries of Love: hynch s Blue
Velvet/Ïreud s
Wolf-Man
48
Sam Ishii-Gonzales
5
Blue Velvet Underground: David Lynch s Post-Punk Poetics
61
Nicholas Rombes
6
Laura and Twin Peak: Postmodern Parody and the Musical Reconstruction of
77
the Absent
Femme Fatale
John Richardson
7
Twin Peaks, Weak Language and the Resurrection of Affect
93
Sheli Ayers
8
In Dreams... : Gender, Sexuality and Violence in the Cinema of David Lynch
107
Jana
Evans Braziel
9
Up in Flames : Love, Control and Collaboration in the Soundtrack to
119
Wild at Heart
Annette Davison
10
Weird or Loopy? Specular Spaces, Feedback and Artifice in Lost Highways
136
Aesthetics of Sensation
GregHainge
11
Beyond Boundaries: David Lynch s Lost Highway
151
Annejerslev
12
All I Need is the Girl : The Life and Death of Creativity in Mulholhnd Drive
165
Martha P. Nochimson
Filmography
182
Bibliography Ig7
Index
200
David Lynch
is an anomaly.
A pioneer
of the American
indie aesthetic, he also works in Hollywood and for network
TV. He has created some of the most disturbing images in
contemporary cinema, and produced startlingly innovative
work in sound. If the consistency of his vision suggests he
might be approached as an
auteur,
the difficulty of defining mat
vision raises questions about such a description. The essays in
this collection push towards a full account of the cultural and
technological contexts within which his work has developed
across the
1980s
and
1990s,
and of his intense engagement
with the creative and working practices of die industry. They
offer an up-to-date range of dieoretically divergent readings
that demonstrate die difficulty of locating stable interpretative
positions for Lynch s work and the pleasure of finding new
ways of thinking about it. Films discussed include Eraserhead,
The Elephant Man, Blue Velvet, Wild at Heart, The Straight
Story and his most recent award-winner,
MuíhoUanä
Drive.
|
| adam_txt |
CONTENTS
Acknowledgements
vi
Notes
on contributors
vii
Introduction:
American
Dreams, Nightmare Visions
Erica Sheen
&
Annette Davison
1
1
The Essential Evil in/of Eraserhead (or, Lynch to the Contrary)
5
Steven Jay Schneider
2
David Lynch and the Mug Shot: Facework in The Elephant Man
19
and The Straight Story
Joe Kember
3
Going into strange worlds: David Lynch, Dune and New Hollywood
35
Erica Sheen
4
Mysteries of Love: hynch's Blue
Velvet/Ïreud's
Wolf-Man
48
Sam Ishii-Gonzales
5
Blue Velvet Underground: David Lynch's Post-Punk Poetics
61
Nicholas Rombes
6
Laura and Twin Peak: Postmodern Parody and the Musical Reconstruction of
77
the Absent
Femme Fatale
John Richardson
7
Twin Peaks, Weak Language and the Resurrection of Affect
93
Sheli Ayers
8
'In Dreams.': Gender, Sexuality and Violence in the Cinema of David Lynch
107
Jana
Evans Braziel
9
'Up in Flames': Love, Control and Collaboration in the Soundtrack to
119
Wild at Heart
Annette Davison
10
Weird or Loopy? Specular Spaces, Feedback and Artifice in Lost Highways
136
Aesthetics of Sensation
GregHainge
11
Beyond Boundaries: David Lynch's Lost Highway
151
Annejerslev
12
'All I Need is the Girl': The Life and Death of Creativity in Mulholhnd Drive
165
Martha P. Nochimson
Filmography
182
Bibliography Ig7
Index
200
David Lynch
is an anomaly.
A pioneer
of the American
'indie' aesthetic, he also works in Hollywood and for network
TV. He has created some of the most disturbing images in
contemporary cinema, and produced startlingly innovative
work in sound. If the consistency of his 'vision' suggests he
might be approached as an
auteur,
the difficulty of defining mat
vision raises questions about such a description. The essays in
this collection push towards a full account of the cultural and
technological contexts within which his work has developed
across the
1980s
and
1990s,
and of his intense engagement
with the creative and working practices of die industry. They
offer an up-to-date range of dieoretically divergent readings
that demonstrate die difficulty of locating stable interpretative
positions for Lynch's work and the pleasure of finding new
ways of thinking about it. Films discussed include Eraserhead,
The Elephant Man, Blue Velvet, Wild at Heart, The Straight
Story and his most recent award-winner,
MuíhoUanä
Drive. |
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| index_date | 2024-07-02T18:55:57Z |
| indexdate | 2024-07-09T21:08:00Z |
| institution | BVB |
| isbn | 190336485X 1903364868 |
| language | English |
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| physical | VIII, 207 S. Ill. |
| publishDate | 2005 |
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| series2 | Directors' cuts |
| spelling | The cinema of David Lynch American dreams, nightmare visions ed. by Erica Sheen ... 1. publ., reprinted London [u.a.] Wallflower Press 2005 VIII, 207 S. Ill. txt rdacontent n rdamedia nc rdacarrier Directors' cuts Filmography S. 182-186 Lynch, David <1946-> Criticism and interpretation Lynch, David 1946- (DE-588)119035316 gnd rswk-swf Film Motion pictures United States Film (DE-588)4017102-4 gnd rswk-swf USA Lynch, David 1946- (DE-588)119035316 p Film (DE-588)4017102-4 s DE-604 Sheen, Erica Sonstige oth Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016139550&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016139550&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | The cinema of David Lynch American dreams, nightmare visions Lynch, David <1946-> Criticism and interpretation Lynch, David 1946- (DE-588)119035316 gnd Film Motion pictures United States Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)119035316 (DE-588)4017102-4 |
| title | The cinema of David Lynch American dreams, nightmare visions |
| title_auth | The cinema of David Lynch American dreams, nightmare visions |
| title_exact_search | The cinema of David Lynch American dreams, nightmare visions |
| title_exact_search_txtP | The cinema of David Lynch American dreams, nightmare visions |
| title_full | The cinema of David Lynch American dreams, nightmare visions ed. by Erica Sheen ... |
| title_fullStr | The cinema of David Lynch American dreams, nightmare visions ed. by Erica Sheen ... |
| title_full_unstemmed | The cinema of David Lynch American dreams, nightmare visions ed. by Erica Sheen ... |
| title_short | The cinema of David Lynch |
| title_sort | the cinema of david lynch american dreams nightmare visions |
| title_sub | American dreams, nightmare visions |
| topic | Lynch, David <1946-> Criticism and interpretation Lynch, David 1946- (DE-588)119035316 gnd Film Motion pictures United States Film (DE-588)4017102-4 gnd |
| topic_facet | Lynch, David <1946-> Criticism and interpretation Lynch, David 1946- Film Motion pictures United States USA |
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