The songs became the stories: the music in African-American fiction, 1970 - 2005
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Lang
2007
|
| Schriftenreihe: | African-American literature and culture
14 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturverz. S. 205 - 214 |
| Beschreibung: | XVI, 257 S. |
| ISBN: | 9780820488509 082048850X |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Preface:
The Opener : The Tradition of Representing Music
in African-American Literature
......................................ix
Acknowledgments
........................................................................................xvii
Part I: What Good Is A Liturgy Without A Text?
Chapter One. Synthesizing the HooDoo of VooDoo :
The Music as [Dis]embodied Hero in
Ishmael Reed s Mumbo Jumbo
......................................3
Chapter Two. Sing a Little Somethin for Me :
The Music as History Lesson in
Toni
Morrison s Song of Solomon
.................................17
Part II: Beautiful and Colored and Alive, AH at the Same Time
Chapter Three. A Way of Life : Coming-of-Age through
Music in
Al
Young s Snakes
&
Ntozake Shange s Betsey Brown
...................................33
Chapter Four. I Wanna Do It Again : Rejuvenation
through Music in Walter Mosley s
RL s Dream
& Bebe Moore
Campbell s
Singing in the Comeback Choir
....................................53
Part III: It Launches Our Vision By Way of Our Ears
Chapter Five. My Feeling Ways : The Blues Woman
as Representative Figure in Gayl Jones s
Corregidora,
Toni Cade
Bambara
s
Witchbird
&
Alice Walker s
The Color Purple
...........................................................77
VIU
Chapter Six. Every Tune Does Tell a Story : Jazz
as Creative Model in Xam
Cartier s
Muse-Echo Blues
&
Nathaniel Mackey s
Bedouin Hornbook, Djbot Baghostus
s
Run
&
Atet A.D
............................................................99
Part IV: Where Out of Your Life Did It Come From?
Chapter Seven. They Want What You Got But They
Don t Want You : Black Music
&
White
America in
Toni
Morrison s Jazz
&
Alice Walker s Nineteen Fifty-five
..........................127
Chapter Eight. The Goddamnedest World-Beatingest
American : The Blues Hero in Albert Murray s
Train Whistle Guitar, The Spyglass Tree,
The Seven League Boots,
&
The Magic Keys
.............143
Chapter Nine. Everybody Joining In Now. All The Voices. :
Music, Communal Language, and Identity
in John Edgar Wideman s
The Homewood Trilogy
...............................................159
Coda: As Necessary, As Natural As A Heartbeat
.....................................185
Notes
............................................................................................................193
Sources Consulted
........................................................................................205
Annotated Discography
...............................................................................215
Index
............................................................................................................253
|
| adam_txt |
Contents
Preface:
"The Opener": The Tradition of Representing Music
in African-American Literature
.ix
Acknowledgments
.xvii
Part I: "What Good Is A Liturgy Without A Text?"
Chapter One. "Synthesizing the HooDoo of VooDoo":
The Music as [Dis]embodied Hero in
Ishmael Reed's Mumbo Jumbo
.3
Chapter Two. "Sing a Little Somethin for Me":
The Music as History Lesson in
Toni
Morrison's Song of Solomon
.17
Part II: "Beautiful and Colored and Alive, AH at the Same Time"
Chapter Three. "A Way of Life": Coming-of-Age through
Music in
Al
Young's Snakes
&
Ntozake Shange's Betsey Brown
.33
Chapter Four. "I Wanna Do It Again": Rejuvenation
through Music in Walter Mosley's
RL's Dream
& Bebe Moore
Campbell's
Singing in the Comeback Choir
.53
Part III: "It Launches Our Vision By Way of Our Ears"
Chapter Five. "My Feeling Ways": The Blues Woman
as Representative Figure in Gayl Jones's
Corregidora,
Toni Cade
Bambara
's
"Witchbird"
&
Alice Walker's
The Color Purple
.77
VIU
Chapter Six. "Every Tune Does Tell a Story": Jazz
as Creative Model in Xam
Cartier's
Muse-Echo Blues
&
Nathaniel Mackey's
Bedouin Hornbook, Djbot Baghostus
s
Run
&
Atet A.D
.99
Part IV: "Where Out of Your Life Did It Come From?"
Chapter Seven. "They Want What You Got But They
Don't Want You": Black Music
&
White
America in
Toni
Morrison's Jazz
&
Alice Walker's "Nineteen Fifty-five"
.127
Chapter Eight. "The Goddamnedest World-Beatingest
American": The Blues Hero in Albert Murray's
Train Whistle Guitar, The Spyglass Tree,
The Seven League Boots,
&
The Magic Keys
.143
Chapter Nine. "Everybody Joining In Now. All The Voices.":
Music, Communal Language, and Identity
in John Edgar Wideman's
The Homewood Trilogy
.159
Coda: "As Necessary, As Natural As A Heartbeat"
.185
Notes
.193
Sources Consulted
.205
Annotated Discography
.215
Index
.253 |
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| spelling | Cataliotti, Robert H. 1955- Verfasser (DE-588)133322920 aut The songs became the stories the music in African-American fiction, 1970 - 2005 Robert H. Cataliotti New York [u.a.] Lang 2007 XVI, 257 S. txt rdacontent n rdamedia nc rdacarrier African-American literature and culture 14 Literaturverz. S. 205 - 214 Geschichte 1970-2005 gnd rswk-swf Musique dans la littérature Noirs américains - Chants et musique - Histoire et critique Noirs américains - Identité ethnique Noirs américains - Vie intellectuelle Noirs américains dans la littérature Roman américain - Auteurs noirs américains - Histoire et critique Schwarze. USA African Americans in literature African Americans Songs and music History and criticism African Americans Intellectual life African Americans Race identity American fiction African American authors History and criticism Music in literature Musik Motiv (DE-588)4114652-9 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Literatur (DE-588)4035964-5 s Musik Motiv (DE-588)4114652-9 s Schwarze (DE-588)4116433-7 s Geschichte 1970-2005 z DE-604 African-American literature and culture 14 (DE-604)BV014327792 14 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016093622&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Cataliotti, Robert H. 1955- The songs became the stories the music in African-American fiction, 1970 - 2005 African-American literature and culture Musique dans la littérature Noirs américains - Chants et musique - Histoire et critique Noirs américains - Identité ethnique Noirs américains - Vie intellectuelle Noirs américains dans la littérature Roman américain - Auteurs noirs américains - Histoire et critique Schwarze. USA African Americans in literature African Americans Songs and music History and criticism African Americans Intellectual life African Americans Race identity American fiction African American authors History and criticism Music in literature Musik Motiv (DE-588)4114652-9 gnd Literatur (DE-588)4035964-5 gnd Schwarze (DE-588)4116433-7 gnd |
| subject_GND | (DE-588)4114652-9 (DE-588)4035964-5 (DE-588)4116433-7 (DE-588)4078704-7 |
| title | The songs became the stories the music in African-American fiction, 1970 - 2005 |
| title_auth | The songs became the stories the music in African-American fiction, 1970 - 2005 |
| title_exact_search | The songs became the stories the music in African-American fiction, 1970 - 2005 |
| title_exact_search_txtP | The songs became the stories the music in African-American fiction, 1970 - 2005 |
| title_full | The songs became the stories the music in African-American fiction, 1970 - 2005 Robert H. Cataliotti |
| title_fullStr | The songs became the stories the music in African-American fiction, 1970 - 2005 Robert H. Cataliotti |
| title_full_unstemmed | The songs became the stories the music in African-American fiction, 1970 - 2005 Robert H. Cataliotti |
| title_short | The songs became the stories |
| title_sort | the songs became the stories the music in african american fiction 1970 2005 |
| title_sub | the music in African-American fiction, 1970 - 2005 |
| topic | Musique dans la littérature Noirs américains - Chants et musique - Histoire et critique Noirs américains - Identité ethnique Noirs américains - Vie intellectuelle Noirs américains dans la littérature Roman américain - Auteurs noirs américains - Histoire et critique Schwarze. USA African Americans in literature African Americans Songs and music History and criticism African Americans Intellectual life African Americans Race identity American fiction African American authors History and criticism Music in literature Musik Motiv (DE-588)4114652-9 gnd Literatur (DE-588)4035964-5 gnd Schwarze (DE-588)4116433-7 gnd |
| topic_facet | Musique dans la littérature Noirs américains - Chants et musique - Histoire et critique Noirs américains - Identité ethnique Noirs américains - Vie intellectuelle Noirs américains dans la littérature Roman américain - Auteurs noirs américains - Histoire et critique Schwarze. USA African Americans in literature African Americans Songs and music History and criticism African Americans Intellectual life African Americans Race identity American fiction African American authors History and criticism Music in literature Musik Motiv Literatur Schwarze USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016093622&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV014327792 |
| work_keys_str_mv | AT cataliottiroberth thesongsbecamethestoriesthemusicinafricanamericanfiction19702005 |