The Beatles' Abbey Road medley: extended forms in popular music
In September 1969, the Beatles released their final recorded work, Abbey Road, using a variety of progressive musical ideas that expressed the group's approach to multi-track recording and offering songs that constituted a highpoint in the Beatles' musical corpus. Of particular interest is...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lanham, Md. [u.a.]
Scarecrow Press
2008
|
| Schlagworte: | |
| Online-Zugang: | Table of contents only Inhaltsverzeichnis |
| Zusammenfassung: | In September 1969, the Beatles released their final recorded work, Abbey Road, using a variety of progressive musical ideas that expressed the group's approach to multi-track recording and offering songs that constituted a highpoint in the Beatles' musical corpus. Of particular interest is the concluding sequence of songs (tracks 8-17): seemingly unrelated fragments woven together into a musical form that has thus far defied attempts at categorization. The Beatles' Abbey Road Medley: Extended Forms in Popular Music offers an analysis of these fragments, commonly known as the Abbey Road Medley, in order to understand and explain the emergent musical form and to clarify the relationships between music recording and music composition. Thomas MacFarlane provides an overview of the Beatles--their history and their music--within the context of popular music and culture between 1962 and 1970, paying particular attention to the production of the album Abbey Road and the pivotal role of producer George Martin on the Abbey Road Medley. After explaining his method of analysis, MacFarlane applies it to the recording and transcription of the Abbey Road Medley, examining the implications of the work's structure and demonstrating how the Beatles expanded the parameters of the popular music form by incorporating recording technology directly into the compositional process. Drawing conclusions about musical form and practice in the recording process of the 1970s and beyond, MacFarlane also suggests other examples of rock music that were influenced by Abbey Road. An appendix transcribing the author's interview with the Beatles' de facto manager Peter Brown, a selected discography, a bibliography, and a selection of photos conclude the book, which will be of particular interest to musicians and Beatles fans alike. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | X, 199 S. Ill., Notenbeisp. |
| ISBN: | 9780810860193 0810860198 |
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| 520 | 3 | |a In September 1969, the Beatles released their final recorded work, Abbey Road, using a variety of progressive musical ideas that expressed the group's approach to multi-track recording and offering songs that constituted a highpoint in the Beatles' musical corpus. Of particular interest is the concluding sequence of songs (tracks 8-17): seemingly unrelated fragments woven together into a musical form that has thus far defied attempts at categorization. The Beatles' Abbey Road Medley: Extended Forms in Popular Music offers an analysis of these fragments, commonly known as the Abbey Road Medley, in order to understand and explain the emergent musical form and to clarify the relationships between music recording and music composition. Thomas MacFarlane provides an overview of the Beatles--their history and their music--within the context of popular music and culture between 1962 and 1970, paying particular attention to the production of the album Abbey Road and the pivotal role of producer George Martin on the Abbey Road Medley. After explaining his method of analysis, MacFarlane applies it to the recording and transcription of the Abbey Road Medley, examining the implications of the work's structure and demonstrating how the Beatles expanded the parameters of the popular music form by incorporating recording technology directly into the compositional process. Drawing conclusions about musical form and practice in the recording process of the 1970s and beyond, MacFarlane also suggests other examples of rock music that were influenced by Abbey Road. An appendix transcribing the author's interview with the Beatles' de facto manager Peter Brown, a selected discography, a bibliography, and a selection of photos conclude the book, which will be of particular interest to musicians and Beatles fans alike. | |
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Datensatz im Suchindex
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| adam_text | THE BEATLES ABBEY ROAD MEDLEY / MACFARLANE, THOMAS : 2005 TABLE
OF CONTENTS / INHALTSVERZEICHNIS A BEGINNING IT S BEEN A LONG, LONG,
LONG TIME METHODS AND TECHNIQUES OF ANALYSIS PRELUDE : BECAUSE MOVEMENT
I : YOU NEVER GIVE ME YOUR MONEY/OUT OF COLLEGE/ONE SWEET DREAM MOVEMENT
II : SUN KING/MEAN MR. MUSTARD/POLYTHENE PAM/SHE CAME IN THROUGH THE
BATHROOM WINDOW MOVEMENT III : GOLDEN SLUMBERS/CARRY THAT WEIGHT/THE END
POSTLUDE : HER MAJESTY AN IMPLICIT CHALLENGE. DIESES SCHRIFTSTUECK
WURDE MASCHINELL ERZEUGT.
|
| adam_txt |
THE BEATLES' ABBEY ROAD MEDLEY / MACFARLANE, THOMAS : 2005 TABLE
OF CONTENTS / INHALTSVERZEICHNIS A BEGINNING IT'S BEEN A LONG, LONG,
LONG TIME METHODS AND TECHNIQUES OF ANALYSIS PRELUDE : BECAUSE MOVEMENT
I : YOU NEVER GIVE ME YOUR MONEY/OUT OF COLLEGE/ONE SWEET DREAM MOVEMENT
II : SUN KING/MEAN MR. MUSTARD/POLYTHENE PAM/SHE CAME IN THROUGH THE
BATHROOM WINDOW MOVEMENT III : GOLDEN SLUMBERS/CARRY THAT WEIGHT/THE END
POSTLUDE : HER MAJESTY AN IMPLICIT CHALLENGE. DIESES SCHRIFTSTUECK
WURDE MASCHINELL ERZEUGT. |
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| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
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| index_date | 2024-07-02T18:52:40Z |
| indexdate | 2024-07-09T21:07:48Z |
| institution | BVB |
| isbn | 9780810860193 0810860198 |
| language | English |
| lccn | 2007024817 |
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| spelling | MacFarlane, Thomas 1960- Verfasser (DE-588)136245072 aut The Beatles' Abbey Road medley extended forms in popular music Thomas MacFarlane Lanham, Md. [u.a.] Scarecrow Press 2008 X, 199 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index In September 1969, the Beatles released their final recorded work, Abbey Road, using a variety of progressive musical ideas that expressed the group's approach to multi-track recording and offering songs that constituted a highpoint in the Beatles' musical corpus. Of particular interest is the concluding sequence of songs (tracks 8-17): seemingly unrelated fragments woven together into a musical form that has thus far defied attempts at categorization. The Beatles' Abbey Road Medley: Extended Forms in Popular Music offers an analysis of these fragments, commonly known as the Abbey Road Medley, in order to understand and explain the emergent musical form and to clarify the relationships between music recording and music composition. Thomas MacFarlane provides an overview of the Beatles--their history and their music--within the context of popular music and culture between 1962 and 1970, paying particular attention to the production of the album Abbey Road and the pivotal role of producer George Martin on the Abbey Road Medley. After explaining his method of analysis, MacFarlane applies it to the recording and transcription of the Abbey Road Medley, examining the implications of the work's structure and demonstrating how the Beatles expanded the parameters of the popular music form by incorporating recording technology directly into the compositional process. Drawing conclusions about musical form and practice in the recording process of the 1970s and beyond, MacFarlane also suggests other examples of rock music that were influenced by Abbey Road. An appendix transcribing the author's interview with the Beatles' de facto manager Peter Brown, a selected discography, a bibliography, and a selection of photos conclude the book, which will be of particular interest to musicians and Beatles fans alike. Beatles Abbey Road The Beatles Musikgruppe Abbey Road (DE-588)4512535-1 gnd rswk-swf Rock music 1961-1970 Analysis, appreciation The Beatles Musikgruppe Abbey Road (DE-588)4512535-1 u DE-604 http://www.loc.gov/catdir/toc/ecip0720/2007024817.html Table of contents only LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016093387&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | MacFarlane, Thomas 1960- The Beatles' Abbey Road medley extended forms in popular music Beatles Abbey Road The Beatles Musikgruppe Abbey Road (DE-588)4512535-1 gnd Rock music 1961-1970 Analysis, appreciation |
| subject_GND | (DE-588)4512535-1 |
| title | The Beatles' Abbey Road medley extended forms in popular music |
| title_auth | The Beatles' Abbey Road medley extended forms in popular music |
| title_exact_search | The Beatles' Abbey Road medley extended forms in popular music |
| title_exact_search_txtP | The Beatles' Abbey Road medley extended forms in popular music |
| title_full | The Beatles' Abbey Road medley extended forms in popular music Thomas MacFarlane |
| title_fullStr | The Beatles' Abbey Road medley extended forms in popular music Thomas MacFarlane |
| title_full_unstemmed | The Beatles' Abbey Road medley extended forms in popular music Thomas MacFarlane |
| title_short | The Beatles' Abbey Road medley |
| title_sort | the beatles abbey road medley extended forms in popular music |
| title_sub | extended forms in popular music |
| topic | Beatles Abbey Road The Beatles Musikgruppe Abbey Road (DE-588)4512535-1 gnd Rock music 1961-1970 Analysis, appreciation |
| topic_facet | Beatles Abbey Road The Beatles Musikgruppe Abbey Road Rock music 1961-1970 Analysis, appreciation |
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