The feminism and visual culture reader:
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | English |
Veröffentlicht: |
London [u.a.]
Routledge
2007
|
Ausgabe: | [Nachdr.] |
Schriftenreihe: | In sight: visual culture
|
Schlagworte: | |
Online-Zugang: | Klappentext Inhaltsverzeichnis |
Beschreibung: | XXIX, 560 S. Ill. |
ISBN: | 0415267056 0415267064 9780415267052 9780415267069 |
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Datensatz im Suchindex
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---|---|
adam_text | Contents
List of figures
xi
Notes on contributors
xiii
Acknowledgments
xxv
Permissions
xxvi
Amelia Jones
INTRODUCTION: CONCEIVING THE INTERSECTION OF FEMINISM
AND VISUAL CULTURE
1
PART ONE
Provocations
Amelia Jones
INTRODUCTION TO PART ONE
9
1
Rosemary
Betterton
FEMINIST VIEWING: VIEWING FEMINISM
11
2
Jennifer Doyle
FEAR AND LOATHING IN NEW YORK: AN IMPOLITE ANECDOTE
ABOUT THE INTERFACE OF HOMOPHOBIA AND MISOGYNY
15
3
Lisa Bloom
CREATING TRANSNATIONAL WOMEN S ART NETWORKS
18
4
Judith Wilson
ONE WAY OR ANOTHER: BLACK FEMINIST VISUAL THEORY
22
5
Faith Wilding
NEXT BODIES
26
6
Me i
ling Cheng
THE UNBEARABLE LIGHTNESS OF SIGHT
29
1.
PART TWO
Representation
Amelia Jones
INTRODUCTION TO PART TWO
33
7
John
Berger
FROM WAYS OF SEEING
37
8
Judy Chicago and Miriam Schapiro
FEMALE IMAGERY
40
9
Laura Mulvey
VISUAL PLEASURE AND NARRATIVE CINEMA
44
10
Judith Barry and Sandy Flitterman-Lewis
TEXTUAL STRATEGIES: THE POLITICS OF ART-MAKING
53
11
Mary Ann Doane
FILM AND THE MASQUERADE: THEORIZING THE FEMALE SPECTATOR
60
12
Mary Kelly
DESIRING IMAGES/IMAGING DESIRE
72
13
Griselda
Pollock
SCREENING THE SEVENTIES: SEXUALITY AND REPRESENTATION
IN FEMINIST PRACTICE
-
A BRECHTIAM PERSPECTIVE
76
14
bell hooks
THE OPPOSITIONAL GAZE: BLACK FEMALE SPECTATORS
94
15
Peggy Phelan
BROKEN SYMMETRIES: MEMORY, SIGHT, LOVE
105
PART THREE
Difference
Amelia Jones
INTRODUCTION TO PART THREE
115
16
Luce Irigaray
ANY THEORY OF THE SUBJECT HAS ALWAYS BEEN APPROPRIATED
BY THE MASCULINE
119
17
Harmony Hammond
LESBIAN ARTISTS
18
Monique
Wittig
THE STRAIGHT MIND
19
Sander L.
Gilman
BLACK BODIES, WHITE BODIES: TOWARD AN ICONOGRAPHY OF
FEMALE SEXUALITY IN LATE
Ν Ι Ν Ε Τ Ε Ε Ν Τ Η
-С
Ε Ν Τ
U R
Υ
ART,
MEDICINE, ANO
LITERATURE
20
Trinh
T. Minh-ha
DIFFERENCE: A
SPECIAL
THIRD
WORLD
WOMEN ISSUE
21
Lorraine O Grady
OLYMPIA S MAID: RECLAIMING BLACK FEMALE SUBJECTIVITY
22
Sandy Stone
A POSTTRANSSEXUAL MANIFESTO
23
Ann Eden Gibson
COLOR AND DIFFERENCE IN ABSTRACT PAINTING: THE ULTIMATE
CASE OF MONOCHROME
24
Coco Fusco
THE OTHER HISTORY OF I
N
TE
RC
U
LT
U R
AL
PERFORMANCE
25
José Esteban Muñoz
THE WHITE TO BE ANGRY : VAGINAL
CREME DAVIS S
TERRORIST DRAG
PART FOUR
Disciplines/Strategies
Amelia Jones
INTRODUCTION TO PART FOUR
26
Linda IMochlin
WHY HAVE THERE BEEN NO GREAT WOMEN ARTISTS?
27
Camera
Obscura
Collective
FEMINISM AND FILM: CRITICAL APPROACHES
28
Adrian Piper
THE TRIPLE NEGATION OF COLORED WOMEN ARTISTS
29 Mira
Schor
PATRILINEAGE 249
30
Hélène
Cixous
BATHSHEBA OR THE INTERIOR BIBLE
256
31
Irit
Rogoff
GOSSIP AS TESTIMONY: A POSTMODERN SIGNATURE
268
32
Patricia Morton
THE SOCIAL AND THE POETIC: FEMINIST PRACTICES IN
ARCHITECTURE,
1970-2000 277
PART FIVE
Mass Culture/Media Interventions
Amelia Jones
INTRODUCTION TO PART FIVE
283
33
Pratibha
Pärmar
HATEFUL CONTRARIES: MEDIA IMAGES OF ASIAN WOMEN
287
34
Tania
M
o d I e s
k i
THE SEARCH FOR TOMORROW IN TODAY S SOAP OPERAS
294
35
Suzanne Lacy and Leslie Labowitz
FEMINIST MEDIA STRATEGIES FOR POLITICAL PERFORMANCE
302
36
Amei ia
Jones
FEMINISM, INCORPORATED: READING
POSTFEMINISM
IN AN
ANTI-FEMINIST
AG E
314
37
Lynn
Spigel
THE SUBURBAN HOME COMPANION: TELEVISION AND THE
NEIGHBORHOOD IDEAL IN POSTWAR AMERICA
329
38
Ann duCille
BLACK BARBIE AND THE DEEP PLAY OF DIFFERENCE
337
39
The Guerrilla Girls
INTRODUCTION AND CONCLUSION TO THE GUERRILLA GIRLS
BEDSIDE COMPANION TO THE HISTORY OF WESTERN ART
349
40
Kathleen
Zane
REFLECTIONS ON A YELLOW EYE: ASIAN I( EYE/)CONS AND
COSM
ETIC
SURGERY
354
41 Judith Mayne
FEAR OF FALLING
364
PART SIX
Body
Amelia Jones
INTRODUCTION TO PART SIX
369
42
Mary Douglas
EXTERNAL BOUNDARIES
373
43
Klaus Theweleit
STREAMS/ALL THAT FLOWS and WOMAN: TERRITORY OF DESIRE
375
44
Andrea Dworkin
PORNOGRAPHY
387
45
Julia
Kristeva
APPROACHING ABJECTION
389
46
Judith Butler
PERFORMATIVE ACTS AND GENDER CONSTITUTION: AN ESSAY IN
PHENOMENOLOGY AND FEMINIST THEORY
392
47
Sue-Ellen Case
TOWARD A BUTCH-FEMME AESTHETIC
402
48
Janet Wolff
REINSTATING CORPOREALITY: FEMINISM AND BODY POLITICS
414
49
Deborah Fausch
THE KNOWLEDGE OF THE BODY AND THE PRESENCE OF HISTORY:
TOWARD A FEMINIST ARCHITECTURE
426
50
Susan Leigh Foster
THE BALLERINA S PHALLIC
POINTE 434
51
Susan
Bordo
NEVER JUST PICTURES
454
52
Moira Gatens
EPILOGUE TO IMAGINARY BODIES: ETHICS, POWER AND CORPOREALITY Abb
PART SEVEN
Technology
Amelia Jones
INTRODUCTION TO PART SEVEN
471
53
Donna Haraway
A CYBORG MANIFESTO: SCIENCE, TECHNOLOGY, AND
SOCIALIST-FEMINISM IN THE LATE TWENTIETH CENTURY
475
54 N.
Katherine Hayles
VIRTUAL BODIES AND FLICKERING SIGNIFIERS
497
55
Elizabeth
Grosz
BODIES-CITIES
507
56
Christine Ross
TO TOUCH THE OTHER: A STORY OF
C O R
PO-EL
ЕСТ
RO
N 1С
SURFACES
514
57
María Fernández
POSTCOLONIAL
MEDIA
THEORY
520
58
Sadie Plant
FEMINISATIONS:
REFLECTIONS ON WOMEN AND VIRTUAL REALITY
528
59
VNS Matrix
CYBERFEMINIST
MANIFESTO
530
60
Rosi Braidotti
CYBERFEMINISM WITH A DIFFERENCE
531
61
Jennifer Gonzalez
THE APPENDED SUBJECT: RACE AND IDENTITY AS DIGITAL
ASSEMBLAGE
534
62
Sharon Lehner
MY WOMB, THE MOSH PIT
545
Index
551
Feminism
is one
oř
the most important perspectives from which visual culture
has been theorized and historicized over the past thirty years. Challenging the
notion of feminism as a unified discourse, The Feminism and Visual Culture
Reader assembles a wide array of writings that address art, film, architecture,
popular culture, new media, and other visual fields, from a feminist
perspective.
,
The Feminism and Visual Culture Reader combines classic texts with six newly
commissioned pieces, all by leading feminist critics, historians, theorists,
artists, and activists. Articles
are
grouped into thematic sections, each of which
is introduced by the editor. Providing a framework within which to
understand the shifts in feminist thinking in visual studies, as well as an
overview of major feminist theories of the visual, this reader also explores how
issues of race, class, nationality, and sexuality enter into debates about
feminism in the field of the visual.
|
adam_txt |
Contents
List of figures
xi
Notes on contributors
xiii
Acknowledgments
xxv
Permissions
xxvi
Amelia Jones
INTRODUCTION: CONCEIVING THE INTERSECTION OF FEMINISM
AND VISUAL CULTURE
1
PART ONE
Provocations
Amelia Jones
INTRODUCTION TO PART ONE
9
1
Rosemary
Betterton
FEMINIST VIEWING: VIEWING FEMINISM
11
2
Jennifer Doyle
FEAR AND LOATHING IN NEW YORK: AN IMPOLITE ANECDOTE
ABOUT THE INTERFACE OF HOMOPHOBIA AND MISOGYNY
15
3
Lisa Bloom
CREATING TRANSNATIONAL WOMEN'S ART NETWORKS
18
4
Judith Wilson
ONE WAY OR ANOTHER: BLACK FEMINIST VISUAL THEORY
22
5
Faith Wilding
NEXT BODIES
26
6
Me i
ling Cheng
THE UNBEARABLE LIGHTNESS OF SIGHT
29
1.
PART TWO
Representation
Amelia Jones
INTRODUCTION TO PART TWO
33
7
John
Berger
FROM WAYS OF SEEING
37
8
Judy Chicago and Miriam Schapiro
FEMALE IMAGERY
40
9
Laura Mulvey
VISUAL PLEASURE AND NARRATIVE CINEMA
44
10
Judith Barry and Sandy Flitterman-Lewis
TEXTUAL STRATEGIES: THE POLITICS OF ART-MAKING
53
11
Mary Ann Doane
FILM AND THE MASQUERADE: THEORIZING THE FEMALE SPECTATOR
60
12
Mary Kelly
DESIRING IMAGES/IMAGING DESIRE
72
13
Griselda
Pollock
SCREENING THE SEVENTIES: SEXUALITY AND REPRESENTATION
IN FEMINIST PRACTICE
-
A BRECHTIAM PERSPECTIVE
76
14
bell hooks
THE OPPOSITIONAL GAZE: BLACK FEMALE SPECTATORS
94
15
Peggy Phelan
BROKEN SYMMETRIES: MEMORY, SIGHT, LOVE
105
PART THREE
Difference
Amelia Jones
INTRODUCTION TO PART THREE
115
16
Luce Irigaray
ANY THEORY OF THE "SUBJECT" HAS ALWAYS BEEN APPROPRIATED
BY THE "MASCULINE"
119
17
Harmony Hammond
LESBIAN ARTISTS
18
Monique
Wittig
THE STRAIGHT MIND
19
Sander L.
Gilman
BLACK BODIES, WHITE BODIES: TOWARD AN ICONOGRAPHY OF
FEMALE SEXUALITY IN LATE
Ν Ι Ν Ε Τ Ε Ε Ν Τ Η
-С
Ε Ν Τ
U R
Υ
ART,
MEDICINE, ANO
LITERATURE
20
Trinh
T. Minh-ha
DIFFERENCE: "A
SPECIAL
THIRD
WORLD
WOMEN ISSUE"
21
Lorraine O'Grady
OLYMPIA'S MAID: RECLAIMING BLACK FEMALE SUBJECTIVITY
22
Sandy Stone
A POSTTRANSSEXUAL MANIFESTO
23
Ann Eden Gibson
COLOR AND DIFFERENCE IN ABSTRACT PAINTING: THE ULTIMATE
CASE OF MONOCHROME
24
Coco Fusco
THE OTHER HISTORY OF I
N
TE
RC
U
LT
U R
AL
PERFORMANCE
25
José Esteban Muñoz
"THE WHITE TO BE ANGRY": VAGINAL
CREME DAVIS'S
TERRORIST DRAG
PART FOUR
Disciplines/Strategies
Amelia Jones
INTRODUCTION TO PART FOUR
26
Linda IMochlin
WHY HAVE THERE BEEN NO GREAT WOMEN ARTISTS?
27
Camera
Obscura
Collective
FEMINISM AND FILM: CRITICAL APPROACHES
28
Adrian Piper
THE TRIPLE NEGATION OF COLORED WOMEN ARTISTS
29 Mira
Schor
PATRILINEAGE 249
30
Hélène
Cixous
BATHSHEBA OR THE INTERIOR BIBLE
256
31
Irit
Rogoff
GOSSIP AS TESTIMONY: A POSTMODERN SIGNATURE
268
32
Patricia Morton
THE SOCIAL AND THE POETIC: FEMINIST PRACTICES IN
ARCHITECTURE,
1970-2000 277
PART FIVE
Mass Culture/Media Interventions
Amelia Jones
INTRODUCTION TO PART FIVE
283
33
Pratibha
Pärmar
HATEFUL CONTRARIES: MEDIA IMAGES OF ASIAN WOMEN
287
34
Tania
M
o d I e s
k i
THE SEARCH FOR TOMORROW IN TODAY'S SOAP OPERAS
294
35
Suzanne Lacy and Leslie Labowitz
FEMINIST MEDIA STRATEGIES FOR POLITICAL PERFORMANCE
302
36
Amei ia
Jones
FEMINISM, INCORPORATED: READING
"POSTFEMINISM"
IN AN
ANTI-FEMINIST
AG E
314
37
Lynn
Spigel
THE SUBURBAN HOME COMPANION: TELEVISION AND THE
NEIGHBORHOOD IDEAL IN POSTWAR AMERICA
329
38
Ann duCille
BLACK BARBIE AND THE DEEP PLAY OF DIFFERENCE
337
39
The Guerrilla Girls
INTRODUCTION AND CONCLUSION TO THE GUERRILLA GIRLS'
BEDSIDE COMPANION TO THE HISTORY OF WESTERN ART
349
40
Kathleen
Zane
REFLECTIONS ON A YELLOW EYE: ASIAN I(\EYE/)CONS AND
COSM
ETIC
SURGERY
354
41 Judith Mayne
FEAR OF FALLING
364
PART SIX
Body
Amelia Jones
INTRODUCTION TO PART SIX
369
42
Mary Douglas
EXTERNAL BOUNDARIES
373
43
Klaus Theweleit
STREAMS/ALL THAT FLOWS and WOMAN: TERRITORY OF DESIRE
375
44
Andrea Dworkin
PORNOGRAPHY
387
45
Julia
Kristeva
APPROACHING ABJECTION
389
46
Judith Butler
PERFORMATIVE ACTS AND GENDER CONSTITUTION: AN ESSAY IN
PHENOMENOLOGY AND FEMINIST THEORY
392
47
Sue-Ellen Case
TOWARD A BUTCH-FEMME AESTHETIC
402
48
Janet Wolff
REINSTATING CORPOREALITY: FEMINISM AND BODY POLITICS
414
49
Deborah Fausch
THE KNOWLEDGE OF THE BODY AND THE PRESENCE OF HISTORY:
TOWARD A FEMINIST ARCHITECTURE
426
50
Susan Leigh Foster
THE BALLERINA'S PHALLIC
POINTE 434
51
Susan
Bordo
NEVER JUST PICTURES
454
52
Moira Gatens
EPILOGUE TO IMAGINARY BODIES: ETHICS, POWER AND CORPOREALITY Abb
PART SEVEN
Technology
Amelia Jones
INTRODUCTION TO PART SEVEN
471
53
Donna Haraway
A CYBORG MANIFESTO: SCIENCE, TECHNOLOGY, AND
SOCIALIST-FEMINISM IN THE LATE TWENTIETH CENTURY
475
54 N.
Katherine Hayles
VIRTUAL BODIES AND FLICKERING SIGNIFIERS
497
55
Elizabeth
Grosz
BODIES-CITIES
507
56
Christine Ross
TO TOUCH THE OTHER: A STORY OF
C O R
PO-EL
ЕСТ
RO
N 1С
SURFACES
514
57
María Fernández
POSTCOLONIAL
MEDIA
THEORY
520
58
Sadie Plant
FEMINISATIONS:
REFLECTIONS ON WOMEN AND VIRTUAL REALITY
528
59
VNS Matrix
CYBERFEMINIST
MANIFESTO
530
60
Rosi Braidotti
CYBERFEMINISM WITH A DIFFERENCE
531
61
Jennifer Gonzalez
THE APPENDED SUBJECT: RACE AND IDENTITY AS DIGITAL
ASSEMBLAGE
534
62
Sharon Lehner
MY WOMB, THE MOSH PIT
545
Index
551
Feminism
is one
oř
the most important perspectives from which visual culture
has been theorized and historicized over the past thirty years. Challenging the
notion of feminism as a unified discourse, The Feminism and Visual Culture
Reader assembles a wide array of writings that address art, film, architecture,
popular culture, new media, and other visual fields, from a feminist
perspective.
,
The Feminism and Visual Culture Reader combines classic texts with six newly
commissioned pieces, all by leading feminist critics, historians, theorists,
artists, and activists. Articles
are
grouped into thematic sections, each of which
is introduced by the editor. Providing a framework within which to
understand the shifts in feminist thinking in visual studies, as well as an
overview of major feminist theories of the visual, this reader also explores how
issues of race, class, nationality, and sexuality enter into debates about
feminism in the field of the visual. |
any_adam_object | 1 |
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discipline_str_mv | Allgemeines Literaturwissenschaft |
edition | [Nachdr.] |
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genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
genre_facet | Aufsatzsammlung |
id | DE-604.BV022880524 |
illustrated | Illustrated |
index_date | 2024-07-02T18:50:20Z |
indexdate | 2024-07-09T21:07:37Z |
institution | BVB |
isbn | 0415267056 0415267064 9780415267052 9780415267069 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016085506 |
oclc_num | 633047495 |
open_access_boolean | |
owner | DE-739 |
owner_facet | DE-739 |
physical | XXIX, 560 S. Ill. |
publishDate | 2007 |
publishDateSearch | 2007 |
publishDateSort | 2007 |
publisher | Routledge |
record_format | marc |
series2 | In sight: visual culture |
spelling | The feminism and visual culture reader ed. by Amelia Jones [Nachdr.] London [u.a.] Routledge 2007 XXIX, 560 S. Ill. txt rdacontent n rdamedia nc rdacarrier In sight: visual culture Kultur (DE-588)4125698-0 gnd rswk-swf Feminismus (DE-588)4222126-2 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Visuelle Wahrnehmung (DE-588)4078921-4 gnd rswk-swf Visuelle Kommunikation (DE-588)4131112-7 gnd rswk-swf Kunstwissenschaft (DE-588)4120632-0 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Feminismus (DE-588)4222126-2 s Visuelle Wahrnehmung (DE-588)4078921-4 s Kultur (DE-588)4125698-0 s DE-604 Visuelle Kommunikation (DE-588)4131112-7 s 1\p DE-604 Kunstwissenschaft (DE-588)4120632-0 s 2\p DE-604 Ästhetik (DE-588)4000626-8 s 3\p DE-604 Jones, Amelia 1961- Sonstige (DE-588)122492838 oth Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016085506&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016085506&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | The feminism and visual culture reader Kultur (DE-588)4125698-0 gnd Feminismus (DE-588)4222126-2 gnd Ästhetik (DE-588)4000626-8 gnd Visuelle Wahrnehmung (DE-588)4078921-4 gnd Visuelle Kommunikation (DE-588)4131112-7 gnd Kunstwissenschaft (DE-588)4120632-0 gnd |
subject_GND | (DE-588)4125698-0 (DE-588)4222126-2 (DE-588)4000626-8 (DE-588)4078921-4 (DE-588)4131112-7 (DE-588)4120632-0 (DE-588)4143413-4 |
title | The feminism and visual culture reader |
title_auth | The feminism and visual culture reader |
title_exact_search | The feminism and visual culture reader |
title_exact_search_txtP | The feminism and visual culture reader |
title_full | The feminism and visual culture reader ed. by Amelia Jones |
title_fullStr | The feminism and visual culture reader ed. by Amelia Jones |
title_full_unstemmed | The feminism and visual culture reader ed. by Amelia Jones |
title_short | The feminism and visual culture reader |
title_sort | the feminism and visual culture reader |
topic | Kultur (DE-588)4125698-0 gnd Feminismus (DE-588)4222126-2 gnd Ästhetik (DE-588)4000626-8 gnd Visuelle Wahrnehmung (DE-588)4078921-4 gnd Visuelle Kommunikation (DE-588)4131112-7 gnd Kunstwissenschaft (DE-588)4120632-0 gnd |
topic_facet | Kultur Feminismus Ästhetik Visuelle Wahrnehmung Visuelle Kommunikation Kunstwissenschaft Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016085506&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016085506&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT jonesamelia thefeminismandvisualculturereader |