Performing patriotism: national identity in the colonial and revolutionary American theater
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Philadelphia
Univ. of Pennsylvania Press
2007
|
| Schriftenreihe: | Early American studies
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 230 S. |
| ISBN: | 9780812240245 |
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Datensatz im Suchindex
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| adam_text | Contents
Prologue
1
1. Theater, Nation, and State in
Early
America 10
2.
Cato
and Company:
A Genealogy of
Performance
ЗО
3.
Free-Born Peoples: The Politics of Professional Theater
in Early America
66
4.
A School for Patriots: Colonial College Theater
105
5.
Bellicose Letters: Propaganda Plays of the Revolution
138
Epilogue: Post-Revolutionary Patriotism and the
American Theater
166
Notes
179
Index
219
Acknowledgments
229
During the eighteenth century. North
American colonists began to display an
increasing appetite for professional and ama¬
teur theatrical performances and a familiarity
with the British dramatic canon ranging from
the tragedies of Shakespeare. Addison, and
Rowe to the comedies of Farquhar, Steele. and
Gay. This interest sparked demand for both the
latest hits of the London stage and a body of
plays centered on patriotic
łand
often partisan)
British themes. As relations between the crown
and the colonies soured, the texts of these
plays evolved into a common frame of refer¬
ence for political arguments over colonial poli¬
cy. Making the transition to print, these argu¬
ments deployed dramatic texts and theatrical
metaphors for
polìtica!
advantage. Eventually,
with the production of American propaganda
plays during the Revolution, colonists began to
develop a patriotic drama of their own. albeit
one that still stressed the British character of
American patriotism.
Performing Patriotism examines the role of the¬
atrical performance and printed drama in the
development of early American political culture.
Building on the eighteenth-century common¬
place that the theater could be a school for
public virtue, Jason Shaffer illustrates the con¬
nections between the popularity of theatrical
performances in colonial British North America
and the British and American national identities
that colonial and Revolutionary Americans
espoused. The result is a wide-ranging survey of
eighteenth-century American theater history
and print culture.
Jason Shaffer is Associate Professor of English
at the United States Naval Academy.
Early American Studies
Published in partnership with the McNeil Center
for Early American Studies
Daniel K.
Richter
and Kathleen M. Brown,
Series Editors
|
| adam_txt |
Contents
Prologue
1
1. Theater, Nation, and State in
Early
America 10
2.
Cato
and Company:
A Genealogy of
Performance
ЗО
3.
Free-Born Peoples: The Politics of Professional Theater
in Early America
66
4.
A School for Patriots: Colonial College Theater
105
5.
Bellicose Letters: Propaganda Plays of the Revolution
138
Epilogue: Post-Revolutionary Patriotism and the
American Theater
166
Notes
179
Index
219
Acknowledgments
229
During the eighteenth century. North
American colonists began to display an
increasing appetite for professional and ama¬
teur theatrical performances and a familiarity
with the British dramatic canon ranging from
the tragedies of Shakespeare. Addison, and
Rowe to the comedies of Farquhar, Steele. and
Gay. This interest sparked demand for both the
latest hits of the London stage and a body of
plays centered on patriotic
łand
often partisan)
British themes. As relations between the crown
and the colonies soured, the texts of these
plays evolved into a common frame of refer¬
ence for political arguments over colonial poli¬
cy. Making the transition to print, these argu¬
ments deployed dramatic texts and theatrical
metaphors for
polìtica!
advantage. Eventually,
with the production of American propaganda
plays during the Revolution, colonists began to
develop a patriotic drama of their own. albeit
one that still stressed the "British" character of
American patriotism.
Performing Patriotism examines the role of the¬
atrical performance and printed drama in the
development of early American political culture.
Building on the eighteenth-century common¬
place that the theater could be a school for
public virtue, Jason Shaffer illustrates the con¬
nections between the popularity of theatrical
performances in colonial British North America
and the British and American national identities
that colonial and Revolutionary Americans
espoused. The result is a wide-ranging survey of
eighteenth-century American theater history
and print culture.
Jason Shaffer is Associate Professor of English
at the United States Naval Academy.
Early American Studies
Published in partnership with the McNeil Center
for Early American Studies
Daniel K.
Richter
and Kathleen M. Brown,
Series Editors |
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| spellingShingle | Shaffer, Jason Performing patriotism national identity in the colonial and revolutionary American theater Geschichte American drama 18th century History and criticism National characteristics, American, in literature Nationalism and literature United States History 18th century Patriotism in literature Theater and society United States History 18th century Theater United States History 18th century Nationalbewusstsein (DE-588)4041282-9 gnd Drama (DE-588)4012899-4 gnd Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4041282-9 (DE-588)4012899-4 (DE-588)4059702-7 (DE-588)4078704-7 |
| title | Performing patriotism national identity in the colonial and revolutionary American theater |
| title_auth | Performing patriotism national identity in the colonial and revolutionary American theater |
| title_exact_search | Performing patriotism national identity in the colonial and revolutionary American theater |
| title_exact_search_txtP | Performing patriotism national identity in the colonial and revolutionary American theater |
| title_full | Performing patriotism national identity in the colonial and revolutionary American theater Jason Shaffer |
| title_fullStr | Performing patriotism national identity in the colonial and revolutionary American theater Jason Shaffer |
| title_full_unstemmed | Performing patriotism national identity in the colonial and revolutionary American theater Jason Shaffer |
| title_short | Performing patriotism |
| title_sort | performing patriotism national identity in the colonial and revolutionary american theater |
| title_sub | national identity in the colonial and revolutionary American theater |
| topic | Geschichte American drama 18th century History and criticism National characteristics, American, in literature Nationalism and literature United States History 18th century Patriotism in literature Theater and society United States History 18th century Theater United States History 18th century Nationalbewusstsein (DE-588)4041282-9 gnd Drama (DE-588)4012899-4 gnd Theater (DE-588)4059702-7 gnd |
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