Women's experimental cinema: critical frameworks
Women's Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying bio...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Durham [u.a.]
Duke University Press
2007
|
| Schlagworte: | |
| Online-Zugang: | Table of contents only Volltext Inhaltsverzeichnis |
| Zusammenfassung: | Women's Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | VIII, 421 S. Ill. |
| ISBN: | 9780822340232 9780822340447 |
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| 520 | 3 | |a Women's Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde. | |
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Datensatz im Suchindex
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Contents
D
ix Acknowledgments
1 robin blaetz • Introduction: Women's Experimental Cinema:
Critical Frameworks
20 Melissa ragona » Swing and Sway: Marie Menken's Filmic Events
45 PAUL ARTHUR* Different/Same/Both/Neither: The Polycentric
Cinema of Joyce Wieland
67 CHRIS holmlund * Excavating Visual Fields, Layering Auditory
Frames: Signature, Translation, Resonance, and Gunvor Nelson's
Films
89 NOEL CARROLL • Moving and Moving: From Minimalism to Lives
of Performers
103 m. m. serra and kathryn ramey • Eye /Body: The Cinematic
Paintings of Carolee Schneemann
127 ara OSTERWEIL • "Absently Enchanted": The Apocryphal, Ecstatic
Cinema of Barbara Rubin
152 Robert A. haller • Amy Greenfield: Film, Dynamic Movement,
and Transformation
167 chuck kleinhans • Barbara Hammer: Lyrics and History
188 MARIA pramaggiore • Chick Strand's Experimental Ethnography
211 robin blaetz « Amnesis Time: The Films ofMarjorie Keller
239 MARY ANN doane * In the Ruins of the Image:
The Work of Leslie Thornton
263 MAUREEN turim « Sounds, Intervals, and Startling Images in the
Films of Abigail Child
290 William C. wees • Peggy's Playhouse: Contesting the
Modernist Paradigm
312 janetcutler • SuFriedrich: Breaking the Rules
339 Kathleen MCHUGH • The Experimental "Dunyementary":
A Cinematic Signature Effect
360 Scott macdonald • Women's Experimental Cinema:
Some Pedagogical Challenges
383 Appendix: Film Distribution
385 Bibliography
401 Contributors
405 Index
Viii * CONTENTS |
| adam_txt |
Contents
D
ix Acknowledgments
1 robin blaetz • Introduction: Women's Experimental Cinema:
Critical Frameworks
20 Melissa ragona » Swing and Sway: Marie Menken's Filmic Events
45 PAUL ARTHUR* Different/Same/Both/Neither: The Polycentric
Cinema of Joyce Wieland
67 CHRIS holmlund * Excavating Visual Fields, Layering Auditory
Frames: Signature, Translation, Resonance, and Gunvor Nelson's
Films
89 NOEL CARROLL • Moving and Moving: From Minimalism to Lives
of Performers
103 m. m. serra and kathryn ramey • Eye /Body: The Cinematic
Paintings of Carolee Schneemann
127 ara OSTERWEIL • "Absently Enchanted": The Apocryphal, Ecstatic
Cinema of Barbara Rubin
152 Robert A. haller • Amy Greenfield: Film, Dynamic Movement,
and Transformation
167 chuck kleinhans • Barbara Hammer: Lyrics and History
188 MARIA pramaggiore • Chick Strand's Experimental Ethnography
211 robin blaetz « Amnesis Time: The Films ofMarjorie Keller
239 MARY ANN doane * In the Ruins of the Image:
The Work of Leslie Thornton
263 MAUREEN turim « Sounds, Intervals, and Startling Images in the
Films of Abigail Child
290 William C. wees • Peggy's Playhouse: Contesting the
Modernist Paradigm
312 janetcutler • SuFriedrich: Breaking the Rules
339 Kathleen MCHUGH • The Experimental "Dunyementary":
A Cinematic Signature Effect
360 Scott macdonald • Women's Experimental Cinema:
Some Pedagogical Challenges
383 Appendix: Film Distribution
385 Bibliography
401 Contributors
405 Index
Viii * CONTENTS |
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| spellingShingle | Women's experimental cinema critical frameworks Films expérimentaux - États-Unis - Histoire et critique Productrices et réalisatrices de cinéma - États-Unis Experimental films United States History and criticism Women motion picture producers and directors United States Experimentalfilm (DE-588)4153359-8 gnd Frauenfilm (DE-588)4125060-6 gnd |
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| title | Women's experimental cinema critical frameworks |
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| title_sub | critical frameworks |
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