Sound and music in film and visual media: an overview
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY [u.a.]
Continuum
2009
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XII, 877 S. Ill., graph. Darst., Notenbeisp. |
| ISBN: | 9780826458247 0826458246 |
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| adam_text | Contents
Acknowledgements
........................................xiii
Introduction
................................................1
Sound in Film and Visual Media
Graeme Harper
TECHNOLOGIES
1.
Sound Technology
......................................... 15
Sounds Reel: Tracking the Cultural History of
Film Sound Technology
Mike Alley
ne
2.
The Soundtrack
.............................................42
Music in the Evolving Soundtrack
David Neumeyer and James Buhler
3.
The Transition to Sound
.....................................58
A Critical Introduction
Marina Burke
4.
Silence
.....................................................87
Film Sound and the Poetics of Silence
Des O Rawe
viu
Contents
5. TheClickTrack...........................................
ЮО
The Business of Time: Metronomes, Movie Scores
and Mickey Mousing
Thomas F. Cohen
6.
The Synthesizer
.......................................... 114
The Electronic Musical Instrument in Film Song and Sound
Nicholas Laudadio
7.
Video Game Music
...................................... 129
High Scores: Making Sense of Music and Video Games
Simon Wood
SOUNDSCAPES
8.
Sound Effects
............................................ 151
Strategies for Sound Effects in Film
Barbara Flueckiger
9.
Leitmotif
............................................... 180
Persuasive Musical Narration
Stan Link
10.
The Western
............................................ 194
Affective Sound Communities
Felicity J.
Colman
11.
Comedy
................................................208
They Go Boom! Some Reflections on Sound in Film Comedy
Laurie
N.
Ede
12.
Horror
..................................................219
Music of the Night: Horrors Soundtracks
Peter Hutchings
13.
Science Fiction
..........................................231
How High the Moon?: Science Fiction and Popular Music
Dave Allen
14.
The Film Musical
........................................250
Showcasing Musical Performance
Corey K. Creekmur
Contents
¡x
15.
Television Musicals
......................................261
Unifying the Audience: An Overview of Television Musicals
Sandy Thorburn
16.
Rockumentary
..........................................284
Reel to Real: Cinema
Vérité, Rock
Authenticity and
the Rock Documentary
Robert Strachan and Marion Leonard
CULTURE
17.
Sound in Indian Cinema
.................................303
Beyond the Song Sequence: Theorizing
Sound in Indian Cinema
Neepa Majumdar
18.
African American Film Sound
.............................325
Scoring Blackness
Ruth Doughty
19.
Sound in Italian Cinema
.................................340
But the Bells are the Voice of God: Diegetic Music
in Post-War Italian Cinema
Aidan O Donnell
20.
Sound in French Cinema
................................. 352
To Cut or Let Live: The Soundtrack According
to
Jean-Luc Godard
Laurent Jullier
21.
Hong Kong Cinema
.....................................363
Sound and Music in Hong King Cinema
Gary Needham
22.
Women in Hollywood Cinema
............................375
Women Through Music in Golden Age Hollywood Cinema
Alexander Binns
23.
Television Talent Shows
.................................. 388
Thank You, Voters : Approaching the Audience for Music
and Television in the Reality-Pop Phenomenon
Su
Holmes
x
Contents
24. MTV..................................406
Contemporary Music Video Culture in Television and
Film Drama: Narrative, Performance and (Post)Modernity
Christopher
Pullen
PEOPLE
25.
Voice
..................................425
A Semiotics of the Voice
Theo
van
Leeuwen
26.
Hitchcock and Herrmann
......................437
Music, Sexual Violence and Cultural Change in
Vertigo, Mamie and Psycho
Jochen Eisentraut
27.
Murch and Burtt
...........................452
Walter Murch and Ben Burtt: The Sound Designer as Composer
Stephen
Keane
28.
JohnWilUams
.............................463
The Film Music of John Williams
Dana Anderson
29.
Randy Newman
............................472
Randy Newman: Shaping a Complicated Musical Landscape
A. Mary Murphy
30.
Brian
Eno
...............................480
Brian
Eno:
Discreet Vision
Jonathon Dale
31.
Philip Glass
..............................493
Cultural Recycling, Performance and Immediacy in
Philip Glass s Film Music for Godfrey Reggio s Qatsi Trilogy
Bruno
Lessard
32.
John Barry
...............................505
007
and Counting: An Assessment of John Barry s
Soundtrack Work on the Eon/James Bond Series
from
1962
to
1969
Van Norris
Contents
x¡
33. Danny
Elfman
.............................524
Danny
Elfman:
Funny Circus Mirrors
Neil Lerner
INDUSTRY
34.
BBC
...................................533
The BBC: A Public Service Sound?
Heather Sutherland
35.
Sound Design
.............................555
Sound Design in New Hollywood Cinema
William Whittington
36.
Émigré
Film Composers
.......................569
Émigré
Film Composers and Hollywood s
Golden Age
(1933-1955)
Jonathan Hiam
37.
Avant-Garde
Film
..........................574
Sound, Music and
Avant-Garde
Film Culture
Before
1939
Jamie Sexton
38.
Art Animation
............................588
Music in Art Animation
Maureen Furniss
39.
Disney
.................................602
Steamboat Willie and the Seven Dwarves: The Disney
Blueprint for Sound and Music in Animated Films
Robert C. Sickels
40.
TVNewsMusic
............................612
Television News Music in North America
James Deaville
41.
Advertising Music
..........................617
Strategies of Imbuement in Television Advertising
Music
Ronald Rodman
xü
Contents
APPROACHES
42.
Musematic Analysis
.........................635
Film Music, Anti-depressants and Anguish Management
Philip
Tagg
43.
The Sound of Fear
..........................657
Psychoanalysis and Affection in Film Music
Marcela
Aritelo
44.
Minimalist Music
...........................671
Parallel Symmetries? The Relationship Between
Minimalist Music and Multimedia Forms
Pwyll ap
Sión
and Tristian Evans
45.
Scoring East of Eden
.........................692
The Division of the One : Leonard
Rosenman
and
the Score for East of Eden
Gregg
Redner
46.
Film Musicology
...........................725
The Development of Film Musicology: An Overview
Alexander Binns
47.
Metamusic
...............................739
Metamusic in the Age of Metamediation
Holly Tessler
Notes on the Contributors
.......................755
Bibliography.
..............................767
Filmography.
..............................819
Musicography
..............................837
Broadcast Bibliography
.........................849
Index
..................................853
From the Introduction:
Sound was an ancient discovery and is an equally venerable invention. Simply put, the recognition of the
sense and sensation of sound is both a natural and a human-centred story.
. .
We process and produce
sound in relation to our human understanding of its importance in our world. Nothing could be more
obvious, of course, especially when you compare the way humans consider and use sound compared with other
considerations and uses in the natural environment. We are, decidedly, active end users of this tool -for
communication, interpretation, investigation, access, articulation and presentation.
Sound and Music in Film and Visual Media: An Overview is a comprehensive work defining and
encapsulating concepts, issues and applications in and around the use of sound in film and the
cinema, media/broadcast and new media. Over thirty full-length essays bring together original
research by many of the world s top scholars in this emerging field. Complete with an extensive
bibliography, Sound and Music in Film and Visual Media provides the most comprehensive and
wide-ranging consideration of this subject yet produced.
Graeme Harper is Director of the National Institute for Excellence in the Creative Industries, and
Professor, at Bangor University, UK. Co-editor of the journal Studies in European Cinema, and associate
editor of the Creative Industries Journal, he is also a fiction writer, editing New Writing and publishing,
most recently, The Creative Writing Guidebook (Continuum,
2008)
and Camera Phone (Parlor,
2009)
Ruth Doughty is a Senior Lecturer in Film Studies at Portsmouth University; her research interests
include music and race. She is currently co-authoring a book on film theory and critical perspectives.
Jochen Eisentraut
has worked extensively as a media composer. His academic research explores the
boundaries of cultural theory, ethnomusicology and psychology. He is also a documentary maker.
|
| adam_txt |
Contents
Acknowledgements
.xiii
Introduction
.1
Sound in Film and Visual Media
Graeme Harper
TECHNOLOGIES
1.
Sound Technology
. 15
Sounds Reel: Tracking the Cultural History of
Film Sound Technology
Mike Alley
ne
2.
The Soundtrack
.42
Music in the Evolving Soundtrack
David Neumeyer and James Buhler
3.
The Transition to Sound
.58
A Critical Introduction
Marina Burke
4.
Silence
.87
Film Sound and the Poetics of Silence
Des O'Rawe
viu
Contents
5. TheClickTrack.
ЮО
The Business of Time: Metronomes, Movie Scores
and Mickey Mousing
Thomas F. Cohen
6.
The Synthesizer
. 114
The Electronic Musical Instrument in Film Song and Sound
Nicholas Laudadio
7.
Video Game Music
. 129
High Scores: Making Sense of Music and Video Games
Simon Wood
SOUNDSCAPES
8.
Sound Effects
. 151
Strategies for Sound Effects in Film
Barbara Flueckiger
9.
Leitmotif
. 180
Persuasive Musical Narration
Stan Link
10.
The Western
. 194
Affective Sound Communities
Felicity J.
Colman
11.
Comedy
.208
They Go Boom! Some Reflections on Sound in Film Comedy
Laurie
N.
Ede
12.
Horror
.219
Music of the Night: Horrors Soundtracks
Peter Hutchings
13.
Science Fiction
.231
How High the Moon?: Science Fiction and Popular Music
Dave Allen
14.
The Film Musical
.250
Showcasing Musical Performance
Corey K. Creekmur
Contents
¡x
15.
Television Musicals
.261
Unifying the Audience: An Overview of Television Musicals
Sandy Thorburn
16.
Rockumentary
.284
Reel to Real: Cinema
Vérité, Rock
Authenticity and
the Rock Documentary
Robert Strachan and Marion Leonard
CULTURE
17.
Sound in Indian Cinema
.303
Beyond the Song Sequence: Theorizing
Sound in Indian Cinema
Neepa Majumdar
18.
African American Film Sound
.325
Scoring Blackness
Ruth Doughty
19.
Sound in Italian Cinema
.340
But the Bells are the Voice of God: Diegetic Music
in Post-War Italian Cinema
Aidan O'Donnell
20.
Sound in French Cinema
. 352
To Cut or Let Live: The Soundtrack According
to
Jean-Luc Godard
Laurent Jullier
21.
Hong Kong Cinema
.363
Sound and Music in Hong King Cinema
Gary Needham
22.
Women in Hollywood Cinema
.375
Women Through Music in Golden Age Hollywood Cinema
Alexander Binns
23.
Television Talent Shows
. 388
'Thank You, Voters': Approaching the Audience for Music
and Television in the Reality-Pop Phenomenon
Su
Holmes
x
Contents
24. MTV.406
Contemporary Music Video Culture in Television and
Film Drama: Narrative, Performance and (Post)Modernity
Christopher
Pullen
PEOPLE
25.
Voice
.425
A Semiotics of the Voice
Theo
van
Leeuwen
26.
Hitchcock and Herrmann
.437
Music, Sexual Violence and Cultural Change in
Vertigo, Mamie and Psycho
Jochen Eisentraut
27.
Murch and Burtt
.452
Walter Murch and Ben Burtt: The Sound Designer as Composer
Stephen
Keane
28.
JohnWilUams
.463
The Film Music of John Williams
Dana Anderson
29.
Randy Newman
.472
Randy Newman: Shaping a Complicated Musical Landscape
A. Mary Murphy
30.
Brian
Eno
.480
Brian
Eno:
Discreet Vision
Jonathon Dale
31.
Philip Glass
.493
Cultural Recycling, Performance and Immediacy in
Philip Glass's Film Music for Godfrey Reggio's Qatsi Trilogy
Bruno
Lessard
32.
John Barry
.505
007
and Counting: An Assessment of John Barry's
Soundtrack Work on the Eon/James Bond Series
from
1962
to
1969
Van Norris
Contents
x¡
33. Danny
Elfman
.524
Danny
Elfman:
'Funny Circus Mirrors'
Neil Lerner
INDUSTRY
34.
BBC
.533
The BBC: A Public Service Sound?
Heather Sutherland
35.
Sound Design
.555
Sound Design in New Hollywood Cinema
William Whittington
36.
Émigré
Film Composers
.569
Émigré
Film Composers and Hollywood's
Golden Age
(1933-1955)
Jonathan Hiam
37.
Avant-Garde
Film
.574
Sound, Music and
Avant-Garde
Film Culture
Before
1939
Jamie Sexton
38.
Art Animation
.588
Music in Art Animation
Maureen Furniss
39.
Disney
.602
Steamboat Willie and the Seven Dwarves: The Disney
Blueprint for Sound and Music in Animated Films
Robert C. Sickels
40.
TVNewsMusic
.612
Television News Music in North America
James Deaville
41.
Advertising Music
.617
Strategies of Imbuement in Television Advertising
Music
Ronald Rodman
xü
Contents
APPROACHES
42.
Musematic Analysis
.635
Film Music, Anti-depressants and Anguish Management
Philip
Tagg
43.
The Sound of Fear
.657
Psychoanalysis and Affection in Film Music
Marcela
Aritelo
44.
Minimalist Music
.671
Parallel Symmetries? The Relationship Between
Minimalist Music and Multimedia Forms
Pwyll ap
Sión
and Tristian Evans
45.
Scoring East of Eden
.692
The Division of the 'One': Leonard
Rosenman
and
the Score for East of Eden
Gregg
Redner
46.
Film Musicology
.725
The Development of Film Musicology: An Overview
Alexander Binns
47.
Metamusic
.739
Metamusic in the Age of Metamediation
Holly Tessler
Notes on the Contributors
.755
Bibliography.
.767
Filmography.
.819
Musicography
.837
Broadcast Bibliography
.849
Index
.853
From the Introduction:
Sound was an ancient discovery and is an equally venerable invention. Simply put, the recognition of the
sense and sensation of sound is both a natural and a human-centred story.
. .
We process and produce
sound in relation to our human understanding of its importance in our world. Nothing could be more
obvious, of course, especially when you compare the way humans consider and use sound compared with other
considerations and uses in the natural environment. We are, decidedly, active end users of this 'tool' -for
communication, interpretation, investigation, access, articulation and presentation.
Sound and Music in Film and Visual Media: An Overview is a comprehensive work defining and
encapsulating concepts, issues and applications in and around the use of sound in film and the
cinema, media/broadcast and new media. Over thirty full-length essays bring together original
research by many of the world's top scholars in this emerging field. Complete with an extensive
bibliography, Sound and Music in Film and Visual Media provides the most comprehensive and
wide-ranging consideration of this subject yet produced.
Graeme Harper is Director of the National Institute for Excellence in the Creative Industries, and
Professor, at Bangor University, UK. Co-editor of the journal Studies in European Cinema, and associate
editor of the Creative Industries Journal, he is also a fiction writer, editing New Writing and publishing,
most recently, The Creative Writing Guidebook (Continuum,
2008)
and Camera Phone (Parlor,
2009)
Ruth Doughty is a Senior Lecturer in Film Studies at Portsmouth University; her research interests
include music and race. She is currently co-authoring a book on film theory and critical perspectives.
Jochen Eisentraut
has worked extensively as a media composer. His academic research explores the
boundaries of cultural theory, ethnomusicology and psychology. He is also a documentary maker. |
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV022871863 |
| illustrated | Illustrated |
| index_date | 2024-07-02T18:47:31Z |
| indexdate | 2024-07-09T21:07:25Z |
| institution | BVB |
| isbn | 9780826458247 0826458246 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016076945 |
| oclc_num | 232921961 |
| open_access_boolean | |
| owner | DE-703 DE-12 DE-11 DE-M472 DE-19 DE-BY-UBM DE-Po75 |
| owner_facet | DE-703 DE-12 DE-11 DE-M472 DE-19 DE-BY-UBM DE-Po75 |
| physical | XII, 877 S. Ill., graph. Darst., Notenbeisp. |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Continuum |
| record_format | marc |
| spelling | Sound and music in film and visual media an overview ed. Graeme Harper ... New York, NY [u.a.] Continuum 2009 XII, 877 S. Ill., graph. Darst., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Motion picture music History and criticism Sound motion pictures Ton Akustik (DE-588)4185645-4 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Filmmusik (DE-588)4017129-2 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Film (DE-588)4017102-4 s Ton Akustik (DE-588)4185645-4 s DE-604 Filmmusik (DE-588)4017129-2 s Harper, Graeme 1959- (DE-588)1053048092 edt Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016076945&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016076945&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Sound and music in film and visual media an overview Motion picture music History and criticism Sound motion pictures Ton Akustik (DE-588)4185645-4 gnd Film (DE-588)4017102-4 gnd Filmmusik (DE-588)4017129-2 gnd |
| subject_GND | (DE-588)4185645-4 (DE-588)4017102-4 (DE-588)4017129-2 (DE-588)4143413-4 |
| title | Sound and music in film and visual media an overview |
| title_auth | Sound and music in film and visual media an overview |
| title_exact_search | Sound and music in film and visual media an overview |
| title_exact_search_txtP | Sound and music in film and visual media an overview |
| title_full | Sound and music in film and visual media an overview ed. Graeme Harper ... |
| title_fullStr | Sound and music in film and visual media an overview ed. Graeme Harper ... |
| title_full_unstemmed | Sound and music in film and visual media an overview ed. Graeme Harper ... |
| title_short | Sound and music in film and visual media |
| title_sort | sound and music in film and visual media an overview |
| title_sub | an overview |
| topic | Motion picture music History and criticism Sound motion pictures Ton Akustik (DE-588)4185645-4 gnd Film (DE-588)4017102-4 gnd Filmmusik (DE-588)4017129-2 gnd |
| topic_facet | Motion picture music History and criticism Sound motion pictures Ton Akustik Film Filmmusik Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016076945&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016076945&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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