Sounds: a philosophical theory
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2007
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Ausgabe: | 1. publ. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | XI, 193 S. Ill., graph. Darst. |
ISBN: | 9780199215928 |
Internformat
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650 | 4 | |a Auditory Perception | |
650 | 4 | |a Auditory perception |x Philosophy | |
650 | 4 | |a Sound | |
650 | 4 | |a Sounds |x Philosophy | |
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Datensatz im Suchindex
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adam_text | CONTENTS LIST CIF FIGURES XLI I. SONIC REALISM LI. THE TYRANNY OF THE
VISUAL 1.2. SOUNDS AND VISUOCENTRISM 4 1.3 TOWARD SOMC REALISM 8 2.
WHAT IS ASOUND? 13 2.1. WHAT KIND OF THING 1S ASOUND? 13 2.2. SOUNDS AS
PROPERTIES 15 23 SOUNDS AS WAVES 24 3 THE LOCATIONS OF SOUNDS 29 31.
WHERE ARE SOUNDS? 29 3.2. LOCATIONAL HEARING 31 33 LOCATED SOUNDS 32
34 COMING FROM 34 35 SOUNDS WITHOUT LOCATIONS? 37 3.6. LOCATEDNESS
AND THE METAPHYSICS OF SOUNDS 42 37 THE DURATIONS OFSOUNDS 43 4 THE
ARGUMENT FROM VACUUMS 47 41. SOUNDS IN VACUUMS? 47 4.2. THE ARGUMENT
FROM VACUUMS 49 43 THE MEDIUM AS A NECESSARY CONDITION 52 44
1NVOLVING THE MEDIUM 55 5 SOUNDS AS EVENTS 57 51. SOUNDS ARE EVENTS 57
5.2. DISTURBINGS 59 X CONTENTS 53 INDIVIDUATING SOUNDS 61 54 TWO
OBJECTIONS 64 55 SOUNDS, WAVES, AND EXPERIENCE 69 6. AUDIBLE QUALITIES
72 6.I. PERIODICITY AND PITCH 76 6.2. PITCH AND THE EVENT THEORY
OFSOUNDS 83 63 LOUDNESS 86 64 TIMBRE 88 7 SOUND-RELATED PHENOMENA
91 7I. EXPLAINING SOUND-RELATED PHENOMENA 91 7.2. TRANSMISSION 93 73
DESTRUCTIVE AND CONSTRUCTIVE INTERTERENCE IOO 74 THE DOPPLER EFFECT
I03 8. THE ARGUMENT [ROM ECHOES 110 8.I. DO ECHOES SHOW THAT SOUNDS ARE
NOT EVENTS? III 8.2. SOUNDS DO NOT TRAVEL II2 83 REENCOUNTERING SOUNDS
II7 84 TRICK REENCOUNTERS 124 9 ECHOES 126 9I. THE PROBLEM OFECHOES
126 9.2. THE SOLUTION 127 93 ARE ECHOES DISTINCT SOUNDS? 131 94 ARE
ECHOES IMAGES? 135 95 IS THE ILLUSION TOLERABLE? 137 10. HEARING
RECORDED SOUNDS 141 IO.I. THE PUZZLE OFRECORDED SOUNDS 141 10.2. SPATIAI
PERSPECTIVE IN PERCEPTION 144 IO3 PERSPECTIVE IN AUDITION 147 IO4 DO
KIND DIFFERENCES MATTER? 149 IO.5. PERSPECTIVE AND PERCEIVING IO.6.
HEARING AND SEEING THE PAST IO.7. HEARING MUSICAL PERFORMANCES I I.
CROSS-MODAL ILLUSIONS I!.!. A PUZZLE ABOUT AUDITION CONTENTS XI 152 158
160 166 11.2. THE COMPOSITE SNAPSHOT CONCEPTION OFPERCEPTUAL EXPERIENCE
169 11.3. CROSS-MODAL ILLUSIONS 172 11.4. EXPLAINING CROSS-MODAL
ILLUSIONS 174 REFERENCES INDEX 181 189
|
adam_txt |
CONTENTS LIST CIF FIGURES XLI I. SONIC REALISM LI. THE TYRANNY OF THE
VISUAL 1.2. SOUNDS AND VISUOCENTRISM 4 1.3 TOWARD SOMC REALISM 8 2.
WHAT IS ASOUND? 13 2.1. WHAT KIND OF THING 1S ASOUND? 13 2.2. SOUNDS AS
PROPERTIES 15 23 SOUNDS AS WAVES 24 3 THE LOCATIONS OF SOUNDS 29 31.
WHERE ARE SOUNDS? 29 3.2. LOCATIONAL HEARING 31 33 LOCATED SOUNDS 32
34 'COMING FROM' 34 35 SOUNDS WITHOUT LOCATIONS? 37 3.6. LOCATEDNESS
AND THE METAPHYSICS OF SOUNDS 42 37 THE DURATIONS OFSOUNDS 43 4 THE
ARGUMENT FROM VACUUMS 47 41. SOUNDS IN VACUUMS? 47 4.2. THE ARGUMENT
FROM VACUUMS 49 43 THE MEDIUM AS A NECESSARY CONDITION 52 44
1NVOLVING THE MEDIUM 55 5 SOUNDS AS EVENTS 57 51. SOUNDS ARE EVENTS 57
5.2. DISTURBINGS 59 X CONTENTS 53 INDIVIDUATING SOUNDS 61 54 TWO
OBJECTIONS 64 55 SOUNDS, WAVES, AND EXPERIENCE 69 6. AUDIBLE QUALITIES
72 6.I. PERIODICITY AND PITCH 76 6.2. PITCH AND THE EVENT THEORY
OFSOUNDS 83 63 LOUDNESS 86 64 TIMBRE 88 7 SOUND-RELATED PHENOMENA
91 7I. EXPLAINING SOUND-RELATED PHENOMENA 91 7.2. TRANSMISSION 93 73
DESTRUCTIVE AND CONSTRUCTIVE INTERTERENCE IOO 74 THE DOPPLER EFFECT
I03 8. THE ARGUMENT [ROM ECHOES 110 8.I. DO ECHOES SHOW THAT SOUNDS ARE
NOT EVENTS? III 8.2. SOUNDS DO NOT TRAVEL II2 83 REENCOUNTERING SOUNDS
II7 84 TRICK REENCOUNTERS 124 9 ECHOES 126 9I. THE PROBLEM OFECHOES
126 9.2. THE SOLUTION 127 93 ARE ECHOES DISTINCT SOUNDS? 131 94 ARE
ECHOES IMAGES? 135 95 IS THE ILLUSION TOLERABLE? 137 10. HEARING
RECORDED SOUNDS 141 IO.I. THE PUZZLE OFRECORDED SOUNDS 141 10.2. SPATIAI
PERSPECTIVE IN PERCEPTION 144 IO3 PERSPECTIVE IN AUDITION 147 IO4 DO
KIND DIFFERENCES MATTER? 149 IO.5. PERSPECTIVE AND PERCEIVING IO.6.
HEARING AND SEEING THE PAST IO.7. HEARING MUSICAL PERFORMANCES I I.
CROSS-MODAL ILLUSIONS I!.!. A PUZZLE ABOUT AUDITION CONTENTS XI 152 158
160 166 11.2. THE COMPOSITE SNAPSHOT CONCEPTION OFPERCEPTUAL EXPERIENCE
169 11.3. CROSS-MODAL ILLUSIONS 172 11.4. EXPLAINING CROSS-MODAL
ILLUSIONS 174 REFERENCES INDEX 181 189 |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | O'Callaghan, Casey |
author_GND | (DE-588)140405887 |
author_facet | O'Callaghan, Casey |
author_role | aut |
author_sort | O'Callaghan, Casey |
author_variant | c o co |
building | Verbundindex |
bvnumber | BV022871187 |
callnumber-first | B - Philosophy, Psychology, Religion |
callnumber-label | BF251 |
callnumber-raw | BF251 QC225.15 |
callnumber-search | BF251 QC225.15 |
callnumber-sort | BF 3251 |
callnumber-subject | BF - Psychology |
classification_rvk | CC 4400 CP 2500 |
ctrlnum | (OCoLC)183144352 (DE-599)BVBBV022871187 |
dewey-full | 121.34 |
dewey-hundreds | 100 - Philosophy & psychology |
dewey-ones | 121 - Epistemology (Theory of knowledge) |
dewey-raw | 121.34 |
dewey-search | 121.34 |
dewey-sort | 3121.34 |
dewey-tens | 120 - Epistemology, causation, humankind |
discipline | Psychologie Philosophie |
discipline_str_mv | Psychologie Philosophie |
edition | 1. publ. |
format | Book |
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id | DE-604.BV022871187 |
illustrated | Illustrated |
index_date | 2024-07-02T18:47:17Z |
indexdate | 2024-07-09T21:07:24Z |
institution | BVB |
isbn | 9780199215928 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016076281 |
oclc_num | 183144352 |
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owner_facet | DE-29 DE-12 DE-20 DE-11 DE-188 |
physical | XI, 193 S. Ill., graph. Darst. |
publishDate | 2007 |
publishDateSearch | 2007 |
publishDateSort | 2007 |
publisher | Oxford Univ. Press |
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spelling | O'Callaghan, Casey Verfasser (DE-588)140405887 aut Sounds a philosophical theory Casey O'Callaghan 1. publ. Oxford [u.a.] Oxford Univ. Press 2007 XI, 193 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Geluid gtt Waarneming gtt Philosophie Auditory Perception Auditory perception Philosophy Sound Sounds Philosophy Geräusch (DE-588)4129296-0 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Wahrnehmung (DE-588)4064317-7 gnd rswk-swf Geräusch (DE-588)4129296-0 s Philosophie (DE-588)4045791-6 s Wahrnehmung (DE-588)4064317-7 s DE-604 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016076281&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | O'Callaghan, Casey Sounds a philosophical theory Geluid gtt Waarneming gtt Philosophie Auditory Perception Auditory perception Philosophy Sound Sounds Philosophy Geräusch (DE-588)4129296-0 gnd Philosophie (DE-588)4045791-6 gnd Wahrnehmung (DE-588)4064317-7 gnd |
subject_GND | (DE-588)4129296-0 (DE-588)4045791-6 (DE-588)4064317-7 |
title | Sounds a philosophical theory |
title_auth | Sounds a philosophical theory |
title_exact_search | Sounds a philosophical theory |
title_exact_search_txtP | Sounds a philosophical theory |
title_full | Sounds a philosophical theory Casey O'Callaghan |
title_fullStr | Sounds a philosophical theory Casey O'Callaghan |
title_full_unstemmed | Sounds a philosophical theory Casey O'Callaghan |
title_short | Sounds |
title_sort | sounds a philosophical theory |
title_sub | a philosophical theory |
topic | Geluid gtt Waarneming gtt Philosophie Auditory Perception Auditory perception Philosophy Sound Sounds Philosophy Geräusch (DE-588)4129296-0 gnd Philosophie (DE-588)4045791-6 gnd Wahrnehmung (DE-588)4064317-7 gnd |
topic_facet | Geluid Waarneming Philosophie Auditory Perception Auditory perception Philosophy Sound Sounds Philosophy Geräusch Wahrnehmung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016076281&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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