Pro Tools for musicians and songwriters:
A guide to using the digital audio workstation, Pro Tools, provides a variety of exercises covering such topics as loops, working with playlists, using plug-ins, MIDI, arranging a song, and mixing.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berkeley, CA
Peachpit
2006
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | A guide to using the digital audio workstation, Pro Tools, provides a variety of exercises covering such topics as loops, working with playlists, using plug-ins, MIDI, arranging a song, and mixing. |
| Beschreibung: | "For Pro Tools LE7 and M-powered 7"--Cover. - Includes index |
| Beschreibung: | XVIII, 526 S. Ill. 28 cm |
| ISBN: | 9780321337030 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV022820744 | ||
| 003 | DE-604 | ||
| 005 | 20071119 | ||
| 007 | t | ||
| 008 | 070925s2006 a||| |||| 00||| eng d | ||
| 020 | |a 9780321337030 |9 978-0-3213-3703-0 | ||
| 035 | |a (OCoLC)67540061 | ||
| 035 | |a (DE-599)BVBBV022820744 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 050 | 0 | |a ML74.4.P76 | |
| 082 | 0 | |a 781.3/4536 |2 22 | |
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Fant-Saez, Gina |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Pro Tools for musicians and songwriters |c Gina Fant-Saez |
| 264 | 1 | |a Berkeley, CA |b Peachpit |c 2006 | |
| 300 | |a XVIII, 526 S. |b Ill. |c 28 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a "For Pro Tools LE7 and M-powered 7"--Cover. - Includes index | ||
| 520 | 3 | |a A guide to using the digital audio workstation, Pro Tools, provides a variety of exercises covering such topics as loops, working with playlists, using plug-ins, MIDI, arranging a song, and mixing. | |
| 630 | 0 | 4 | |a Pro Tools |
| 650 | 4 | |a Pro Tools | |
| 650 | 4 | |a Digital audio editors | |
| 650 | 4 | |a Digital audio editors | |
| 650 | 0 | 7 | |a Pro Tools 7 |0 (DE-588)7541939-7 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Pro Tools 7 |0 (DE-588)7541939-7 |D s |
| 689 | 0 | |5 DE-604 | |
| 856 | 4 | 2 | |m Digitalisierung BSBMuenchen |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016026102&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-016026102 | ||
Datensatz im Suchindex
| _version_ | 1804137098007019520 |
|---|---|
| adam_text | ШШіШ
мвошвпви
ín
I m Going to Assume
...........................................xiii
And You re Going to Need
......................................xiii
Why This Book?
..............................................xvi
Working in Bars and Beats
.....................................xvi
Why Did I Write This Book?
....................................xviii
ijmmsnsm
2
The First Step
.................................................3
EXERCISE
1 :
Start a New Session
...................................3
Fasten Your Seatbelts
...........................................9
EXERCISE
2:
Create Your First Track
.................................9
EXERCISE
3:
Add Your First Plug-in
.................................12
EXERCISE
4:
Change the Click Sound and Volume
.....................14
EXERCISE
5:
Change the Tempo
...................................17
EXERCISE
6:
Get to Know the Ruler Timeline
..........................18
Wrap Up
....................................................19
L
ііШІґш}
ní
іш&Шшшш Ш
The Upside of Downloading
....................................21
EXERCISE
1 :
Download Loops
....................................21
EXERCISE
2:
Import Loops into Pro Tools
............................24
EXERCISE
3:
Resize and Move Tracks
................................26
EXERCISE
4:
Mute, Solo, Pan, and Volume
...........................29
CONTENTS
EXERCISE
5:
Repeat
Audio
Loops
..................................31
Intro to Recording
............................................ 34
EXERCISE
6:
Prepare to Record.
...................................35
EXERCISE
7:
Record Your Track.
...................................40
EXERCISE
8:
Punch In and Punch Out Manually
.......................44
EXERCISE
9:
Automated Punch-In and Punch-Out
......................45
Wrap Up.
...................................................48
so
EXERCISE
1:
Import Audio a New Way
..............................51
EXERCISE
2:
Use the
Zoomer.................... .................55
EXERCISE
3:
Use the Grabber in Grid Mode
...........................60
EXERCISE
4:
Create a Snare Track and a Hi-Hat Track
...................66
EXERCISE
5:
Use the Trimmer With Slip Mode and Spot Mode
.........____73
EXERCISE
6:
Change Timebase
....................................80
EXERCISE
7:
Use the TCE Trimmer
____..............................84
EXERCISE
8:
Use Shuffle Mode
.. . .................................88
Wrap Up..
____..............................................94
4:
MUMS
ñ
MåMIRS
98
EXERCISE
1:
Use
Save Copy In
...........____.....................97
Working with Playlists
.....____....................,...........100
EXERCISE
2:
Record
with
Playlists
.................................101
EXERCISE
3:
Record Four Playlists
............... ...................105
EXERCISE
4:
Create
a Composite
with
Playlists
.......................109
Markers and Memory
Locations
................................114
EXERCISE
5:
Create and Use Markers and
Memory Locations
.............114
The Secret
to Doubling.......................................
118
EXERCISE
6:
Try Out Doubling
...................................118
Wrap Up.
..................................................123
VÍ
PRO TOOLS FOR MUSICIANS AND SONGWRITERS
5:
llSlfiS PlliS
-ШЅ
Ћ
Two Types of Plug-Ins
................... ..................... 125
The Anatomy of an EQ
........................................ 126
EXERCISE
1 :
Add a 1-Band EQ
....................................127
EXERCISE
2:
Repair the Snare
....................................132
EXERCISE
3:
Add More EQ.
... /................................. 135
EXERCISE
4:
Copy, Mute, and Move Plug-ins
.......... . .■:·...........142
Wrap Up
..................................___.. .___......144
s:
insms
s
snästs
m
EXERCISE
1 :
Use a Reverb as an Insert (the Wrong Way)
;................ 147
EXERCISE
2:
Use Reverb on a Bus (the Right Way).
....................153
EXERCISE
3:
Remove Inserts and Sends
............................. 158
EXERCISE
4:
Name Your Busses
..................................160
EXERCISE
5:
Use a Delay
........................................164
EXERCISE
6:
Use Solo Safe
........ ..............................170
Compression
...............................................172
EXERCISE
7:
Tackle the Compression Plug-in
.........................173
Wrap Up
................................................... 179
EXERCISE
1:
Download and Install SampIeTank Free
................... 181
EXERCISE
2:
Download SampIeTank Sounds
................____..... 187
What Is SampIeTank?
.........................................190
About Virtual Instruments
................................____... 191
EXERCISE
3:
Testing MIDI,
1 2 3...................................191
EXERCISE
4:
Authorize SampIeTank
................................194
EXERCISE
5:
SampIeTank and Instrument Tracks
......................197
EXERCISE
6:
Record Multiple MIDI Tracks
...........................202
CONTENTS
VÜ
EXERCISE
7:
Record a
Bass
Une
..................................209
Wrap Up...................................................
215
8:
MOM
UN
ШВІ
2W
EXERCISE
1:
Set Up a Keyboard Track..............................
217
EXERCISE
2:
Change
the Song Start Time and Create a Count-Off
.........219
EXERCISE
3:
Adjust Real-Time Properties
............................222
EXERCISE
4:
Edit MIDI Properties Manually
..........................226
EXERCISE
5:
Work with Region Groups and Transposing
................231
EXERCISE
6:
Work with Mix and Edit Groups
____....................235
EXERCISE
7:
Use Mirror MIDI Editing
..............................240
EXERCISE
8:
Create a Shaker Track with the Pencil Tool
.................243
EXERCISE
9:
Use Step Recording.
.................................249
EXERCISE
10:
Record in MIDI Merge Mode
...........................253
Wrap Up
...................................................255
9:
шттшй
å
ѕанв
žes
EXERCISE
1:
Create the Song s Markers
.............................257
EXERCISE
2:
Create a Song Arrangement
...........................263
EXERCISE
3:
HideTracks and Use Groups
...........................271
EXERCISE
4:
Finish Arranging the Song
.............................276
Wrap Up
...................................................285
W: UPS
Ö
IMS 28S
EXERCISE
1 :
Prepare a New Session
...............................288
EXERCISE
2:
Change the Meter and Find the Tempo
...................292
EXERCISE
3:
Change the Tempo
..................................295
EXERCISE
4:
Import and Fix More Loops
............................298
EXERCISE
5:
Create Region Groups and Assign Colors
..................305
EXERCISE
6:
Use Shuffle Mode
...................................310
VIH
PRO TOOLS FOR MUSICIANS AND SONGWRITERS
EXERCISE
7:
Create
Markers in Playback
............................315
EXERCISE
8:
Use Loop Recording
.................................318
EXERCISE
9:
Create a Composite with Looped Recording
...............322
EXERCISE
10:
Crossfades, Fades, and Editing Tips
.....................326
EXERCISE
11 :
Punch In with QuickPunch
...........................330
EXERCISE
12:
Using REX Files
.....................................333
EXERCISE
13:
Create Groups Within Groups
.........................336
EXERCISE
14:
Save Copy In
.................____................341
EXERCISE
15:
Delete Unused Audio
...............................344
Wrap Up
...................................................345
it.
атомни
s
міх ж
EXERCISE
1 :
Download
and Install the Waves Plug-Ins
..................348
EXERCISE
2:
Increase Your Hardware Buffer Size
......................351
EXERCISE
3:
Set Up Your Effects
..................................352
EXERCISE
4:
Print a MIDI Track to Audio
............................355
EXERCISE
5:
Shift the EP Audio Track
..............................361
EXERCISE
6:
Using the SuperTap Delay and Bussing Effects
..............368
EXERCISE
7:
Intro to Automation
.................................379
EXERCISE
8:
Use Timeline Insertion Follows Playback
...................385
EXERCISE
9:
Automate Plug-Ins
..................................388
EXERCISE
10:
Use AudioSuite Plug-Ins
..............................394
EXERCISE
11 :
Automate a Send
..................................397
EXERCISE
12:
Tidy Up Your Tracks
................................401
EXERCISE
13:
Create a Master Fader,
..............................408
EXERCISE
14:
Use Mix Bus Compression
............................409
EXERCISE
15:
Bounce to Disk
....................................412
EXERCISE
16:
Burn a CD
.......................................415
Wrap Up
...................................................419
CONTENTS
ІХ
mwmnmmm m
Recording Back into Pro Tools vs. Bouncing to Disk
.................421
EXERCISE
1 :
Record Back into Pro Tools
............................422
EXERCISE
2:
Punch In on a Mix
..................................425
EXERCISE
3:
Consolidate Files
....................................428
EXERCISE
4:
Export Regions as Files
...............................432
EXERCISE
5:
Create an Instrumental Mix
............................435
EXERCISE
6:
Clear Unused Audio
.................................440
EXERCISE
7:
Back Up Your Session
................................441
EXERCISE
8:
Create a Folder for the Mixes
..........................446
EXERCISE
9:
Create MP3 Files in Pro Tools
..........................451
EXERCISE
10:
Create CDs and MP3 Files with ¡Tunes
...................457
EXERCISE
11:
Create a Stem Session
...............................466
EXERCISE
12:
Import Tracks from a Pro Tools Session
..................481
Compressing Your Session Folder
...............................486
Mac Users
..................................................487
Windows Users
..............................................488
All Together Now
.............................................488
A Little Spring Cleaning
.......................................489
Congratulations...
:..........................................489
Google It First!
..............................................491
The Pro Tools Help Menu
......................................491
The Digidesign Website Support Options
.........................492
Online Digital Audio Forums
...................................494
The DAW-Mac List
...........................................494
Gearslutz.com
..............................................494
PRO TOOLS FOR MUSICIANS AND SONGWRITERS
ProToolsUsers.org
...........................................495
Harmony-Central.com........................................495
Obedia.com
................................................496
Clone Your Hard Drive
....................................------496
Creating Disc Images
.........................................497
Create a Disc Image with Toast (Mac)
............................497
Create a Disc Image with Disk Utility (Mac)
.......................499
Disc Images for Windows Users
.................................500
B:
INUMI
тШОМїМ
5Û2
What Is eSession.com?
........................................ 503
Chat Applications.
...........................................504
Using Chat Apps to Collaborate
................................504
Using Audio Chat Applications Within Pro Tools
....................506
Using ¡Disk
.................................................507
FTP Servers
.................................................508
Setting Up Your Own FTP Server
................................509
DigiDelivery
................................................510
Ш
5Í1
CONTENTS
ХІ
|
| adam_txt |
ШШіШ
мвошвпви
ín
I'm Going to Assume
.xiii
And You're Going to Need
.xiii
Why This Book?
.xvi
Working in Bars and Beats
.xvi
Why Did I Write This Book?
.xviii
ijmmsnsm
2
The First Step
.3
EXERCISE
1 :
Start a New Session
.3
Fasten Your Seatbelts
.9
EXERCISE
2:
Create Your First Track
.9
EXERCISE
3:
Add Your First Plug-in
.12
EXERCISE
4:
Change the Click Sound and Volume
.14
EXERCISE
5:
Change the Tempo
.17
EXERCISE
6:
Get to Know the Ruler Timeline
.18
Wrap Up
.19
L
ііШІґш}
ní
іш&Шшшш Ш
The Upside of Downloading
.21
EXERCISE
1 :
Download Loops
.21
EXERCISE
2:
Import Loops into Pro Tools
.24
EXERCISE
3:
Resize and Move Tracks
.26
EXERCISE
4:
Mute, Solo, Pan, and Volume
.29
CONTENTS
EXERCISE
5:
Repeat
Audio
Loops
.31
Intro to Recording
. 34
EXERCISE
6:
Prepare to Record.
.35
EXERCISE
7:
Record Your Track.
.40
EXERCISE
8:
Punch In and Punch Out Manually
.44
EXERCISE
9:
Automated Punch-In and Punch-Out
.45
Wrap Up.
.48
so
EXERCISE
1:
Import Audio a New Way
.51
EXERCISE
2:
Use the
Zoomer.".55
EXERCISE
3:
Use the Grabber in Grid Mode
.60
EXERCISE
4:
Create a Snare Track and a Hi-Hat Track
.66
EXERCISE
5:
Use the Trimmer With Slip Mode and Spot Mode
._73
EXERCISE
6:
Change Timebase
.80
EXERCISE
7:
Use the TCE Trimmer
_.84
EXERCISE
8:
Use Shuffle Mode
. . .88
Wrap Up.
_.94
4:
MUMS
ñ
MåMIRS
98
EXERCISE
1:
Use
Save Copy In
._.97
Working with Playlists
._.,.100
EXERCISE
2:
Record
with
Playlists
.101
EXERCISE
3:
Record Four Playlists
. '.105
EXERCISE
4:
Create
a Composite
with
Playlists
.109
Markers and Memory
Locations
.114
EXERCISE
5:
Create and Use Markers and
Memory Locations
.114
The Secret
to Doubling.
118
EXERCISE
6:
Try Out Doubling
.118
Wrap Up.
.123
VÍ
PRO TOOLS FOR MUSICIANS AND SONGWRITERS
5:
llSlfiS PlliS
-ШЅ
\Ћ
Two Types of Plug-Ins
. . 125
The Anatomy of an EQ
. 126
EXERCISE
1 :
Add a 1-Band EQ
.127
EXERCISE
2:
Repair the Snare
.132
EXERCISE
3:
Add More EQ.
. /. 135
EXERCISE
4:
Copy, Mute, and Move Plug-ins
. .'.■:·.142
Wrap Up
._. ._.144
s:
insms
s
snästs
m
EXERCISE
1 :
Use a Reverb as an Insert (the Wrong Way)
;. 147
EXERCISE
2:
Use Reverb on a Bus (the Right Way).
.153
EXERCISE
3:
Remove Inserts and Sends
.'158
EXERCISE
4:
Name Your Busses
.160
EXERCISE
5:
Use a Delay
.164
EXERCISE
6:
Use Solo Safe
.".170
Compression
.172
EXERCISE
7:
Tackle the Compression Plug-in
.173
Wrap Up
. 179
EXERCISE
1:
Download and Install SampIeTank Free
. 181
EXERCISE
2:
Download SampIeTank Sounds
._. 187
What Is SampIeTank?
.190
About Virtual Instruments
._. 191
EXERCISE
3:
Testing MIDI,
1 2 3.191
EXERCISE
4:
Authorize SampIeTank
.194
EXERCISE
5:
SampIeTank and Instrument Tracks
.197
EXERCISE
6:
Record Multiple MIDI Tracks
.202
CONTENTS
VÜ
EXERCISE
7:
Record a
Bass
Une
.209
Wrap Up.
215
8:
MOM
UN
ШВІ
2W
EXERCISE
1:
Set Up a Keyboard Track.
217
EXERCISE
2:
Change
the Song Start Time and Create a Count-Off
.219
EXERCISE
3:
Adjust Real-Time Properties
.222
EXERCISE
4:
Edit MIDI Properties Manually
.226
EXERCISE
5:
Work with Region Groups and Transposing
.231
EXERCISE
6:
Work with Mix and Edit Groups
_.235
EXERCISE
7:
Use Mirror MIDI Editing
.240
EXERCISE
8:
Create a Shaker Track with the Pencil Tool
.243
EXERCISE
9:
Use Step Recording.
.249
EXERCISE
10:
Record in MIDI Merge Mode
.253
Wrap Up
.255
9:
шттшй
å
ѕанв
žes
EXERCISE
1:
Create the Song's Markers
.257
EXERCISE
2:
Create a Song Arrangement
.263
EXERCISE
3:
HideTracks and Use Groups
.271
EXERCISE
4:
Finish Arranging the Song
.276
Wrap Up
.285
W: UPS
Ö
IMS 28S
EXERCISE
1 :
Prepare a New Session
.288
EXERCISE
2:
Change the Meter and Find the Tempo
.292
EXERCISE
3:
Change the Tempo
.295
EXERCISE
4:
Import and Fix More Loops
.298
EXERCISE
5:
Create Region Groups and Assign Colors
.305
EXERCISE
6:
Use Shuffle Mode
.310
VIH
PRO TOOLS FOR MUSICIANS AND SONGWRITERS
EXERCISE
7:
Create
Markers in Playback
.315
EXERCISE
8:
Use Loop Recording
.318
EXERCISE
9:
Create a Composite with Looped Recording
.322
EXERCISE
10:
Crossfades, Fades, and Editing Tips
.326
EXERCISE
11 :
Punch In with QuickPunch
.330
EXERCISE
12:
Using REX Files
.333
EXERCISE
13:
Create Groups Within Groups
.336
EXERCISE
14:
Save Copy In
._.341
EXERCISE
15:
Delete Unused Audio
.344
Wrap Up
.345
it.
атомни
s
міх ж
EXERCISE
1 :
Download
and Install the Waves Plug-Ins
.348
EXERCISE
2:
Increase Your Hardware Buffer Size
.351
EXERCISE
3:
Set Up Your Effects
.352
EXERCISE
4:
Print a MIDI Track to Audio
.355
EXERCISE
5:
Shift the EP Audio Track
.361
EXERCISE
6:
Using the SuperTap Delay and Bussing Effects
.368
EXERCISE
7:
Intro to Automation
.379
EXERCISE
8:
Use Timeline Insertion Follows Playback
.385
EXERCISE
9:
Automate Plug-Ins
.388
EXERCISE
10:
Use AudioSuite Plug-Ins
.394
EXERCISE
11 :
Automate a Send
.397
EXERCISE
12:
Tidy Up Your Tracks
.401
EXERCISE
13:
Create a Master Fader,
.408
EXERCISE
14:
Use Mix Bus Compression
.409
EXERCISE
15:
Bounce to Disk
.412
EXERCISE
16:
Burn a CD
.415
Wrap Up
.419
CONTENTS
ІХ
mwmnmmm m
Recording Back into Pro Tools vs. Bouncing to Disk
.421
EXERCISE
1 :
Record Back into Pro Tools
.422
EXERCISE
2:
Punch In on a Mix
.425
EXERCISE
3:
Consolidate Files
.428
EXERCISE
4:
Export Regions as Files
.432
EXERCISE
5:
Create an Instrumental Mix
.435
EXERCISE
6:
Clear Unused Audio
.440
EXERCISE
7:
Back Up Your Session
.441
EXERCISE
8:
Create a Folder for the Mixes
.446
EXERCISE
9:
Create MP3 Files in Pro Tools
.451
EXERCISE
10:
Create CDs and MP3 Files with ¡Tunes
.457
EXERCISE
11:
Create a Stem Session
.466
EXERCISE
12:
Import Tracks from a Pro Tools Session
.481
Compressing Your Session Folder
.486
Mac Users
.487
Windows Users
.488
All Together Now
.488
A Little Spring Cleaning
.489
Congratulations.
:.489
Google It First!
.491
The Pro Tools Help Menu
.491
The Digidesign Website Support Options
.492
Online Digital Audio Forums
.494
The DAW-Mac List
.494
Gearslutz.com
.494
PRO TOOLS FOR MUSICIANS AND SONGWRITERS
ProToolsUsers.org
.495
Harmony-Central.com.495
Obedia.com
.496
Clone Your Hard Drive
.------496
Creating Disc Images
.497
Create a Disc Image with Toast (Mac)
.497
Create a Disc Image with Disk Utility (Mac)
.499
Disc Images for Windows Users
.500
B:
INUMI
тШОМїМ
5Û2
What Is eSession.com?
. 503
Chat Applications.
.504
Using Chat Apps to Collaborate
.504
Using Audio Chat Applications Within Pro Tools
.506
Using ¡Disk
.507
FTP Servers
.508
Setting Up Your Own FTP Server
.509
DigiDelivery
.510
Ш
5Í1
CONTENTS
ХІ |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Fant-Saez, Gina |
| author_facet | Fant-Saez, Gina |
| author_role | aut |
| author_sort | Fant-Saez, Gina |
| author_variant | g f s gfs |
| building | Verbundindex |
| bvnumber | BV022820744 |
| callnumber-first | M - Music |
| callnumber-label | ML74 |
| callnumber-raw | ML74.4.P76 |
| callnumber-search | ML74.4.P76 |
| callnumber-sort | ML 274.4 P76 |
| callnumber-subject | ML - Literature on Music |
| ctrlnum | (OCoLC)67540061 (DE-599)BVBBV022820744 |
| dewey-full | 781.3/4536 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.3/4536 |
| dewey-search | 781.3/4536 |
| dewey-sort | 3781.3 44536 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Book |
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| id | DE-604.BV022820744 |
| illustrated | Illustrated |
| index_date | 2024-07-02T18:39:52Z |
| indexdate | 2024-07-09T21:06:53Z |
| institution | BVB |
| isbn | 9780321337030 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016026102 |
| oclc_num | 67540061 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | XVIII, 526 S. Ill. 28 cm |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Peachpit |
| record_format | marc |
| spelling | Fant-Saez, Gina Verfasser aut Pro Tools for musicians and songwriters Gina Fant-Saez Berkeley, CA Peachpit 2006 XVIII, 526 S. Ill. 28 cm txt rdacontent n rdamedia nc rdacarrier "For Pro Tools LE7 and M-powered 7"--Cover. - Includes index A guide to using the digital audio workstation, Pro Tools, provides a variety of exercises covering such topics as loops, working with playlists, using plug-ins, MIDI, arranging a song, and mixing. Pro Tools Digital audio editors Pro Tools 7 (DE-588)7541939-7 gnd rswk-swf Pro Tools 7 (DE-588)7541939-7 s DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016026102&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Fant-Saez, Gina Pro Tools for musicians and songwriters Pro Tools Digital audio editors Pro Tools 7 (DE-588)7541939-7 gnd |
| subject_GND | (DE-588)7541939-7 |
| title | Pro Tools for musicians and songwriters |
| title_auth | Pro Tools for musicians and songwriters |
| title_exact_search | Pro Tools for musicians and songwriters |
| title_exact_search_txtP | Pro Tools for musicians and songwriters |
| title_full | Pro Tools for musicians and songwriters Gina Fant-Saez |
| title_fullStr | Pro Tools for musicians and songwriters Gina Fant-Saez |
| title_full_unstemmed | Pro Tools for musicians and songwriters Gina Fant-Saez |
| title_short | Pro Tools for musicians and songwriters |
| title_sort | pro tools for musicians and songwriters |
| topic | Pro Tools Digital audio editors Pro Tools 7 (DE-588)7541939-7 gnd |
| topic_facet | Pro Tools Digital audio editors Pro Tools 7 |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016026102&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT fantsaezgina protoolsformusiciansandsongwriters |