A globolo gems: late Etrusco-Italic scarab intaglios
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Göteborg
Dept. of Classical Archaeology and Ancient History, Univ.
2005
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Göteborg, Univ. Diss., 2005 |
Beschreibung: | 246 S., 16 Bl. Ill. |
Internformat
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245 | 1 | 0 | |a A globolo gems |b late Etrusco-Italic scarab intaglios |c Ulf Hansson |
246 | 1 | 3 | |a Globolo gems |
264 | 1 | |a Göteborg |b Dept. of Classical Archaeology and Ancient History, Univ. |c 2005 | |
300 | |a 246 S., 16 Bl. |b Ill. | ||
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Datensatz im Suchindex
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adam_text | CONTENTS
CONTENTS
....................................................................................................................................................................................1
ACKNOWLEDGEMENTS
..........................................................................................................................................................
S
ABBREVIATIONS
........................................................................................................................................................................7
REFERENCES
..............................................................................................................................................................................8
I. PROLEGOMENA
______.......................................................................................................................................................23
1.
PREVIOUS SCHOLARSHIP: AN OUTLINE
...................................................................................................................23
1.1.
The period
1900
to
1968...............................................................................................................................................24
1.2.
The period
1968
to the present
.....................................................................................................................................25
2.
AIMS, METHOD AND STRUCTURE
..............................................................................................................................30
2.1.
Aims and method
..........................................................................................................................................................30
2.2.
Structure
........................................................................................................................................................................31
3.
SOME PRELIMINARY NOTES ON THE PROBLEM OF COPIES AND FAKES
.......................................................31
П.
THE HISTORY OF ENGRAVED GEMS IN PRE-ROMAN ITALY: AN OUTLINE
................................................35
1.
FORERUNNERS
..................................................................................................................................................................35
2.
ETRUSCAN
..........................................................................................................................................................................35
2.1.
Scarabs (c.
540-100
ВСЕ)
..............................................................................................................................................35
2.1.1.
The earliest engraved gems: Archaic (c.
540/530-480
ВСЕ)
..............................................................................................36
2.1.2.
Early Classical (c.
480-430
все)
...............................................................................................................................................37
2.1.3.
Late Classical
(с.
430-320
ВСЕ)
.................................................................................................................................................38
2.1.5.
Late Etruscan (Late Classical to Hellenistic,
с
320-100
ВСЕ).................................................................................................
38
2.1.5.
Hybrid works. Transitional scarabs and style extensions
.........................................................................................................39
2.2. Ringstones
(c.
350-150
ВСЕ)
........................................................................................................................................40
3.
ETRUSCO-ITALIC, ITALIC
..............................................................................................................................................40
3.1.
Scarabs (mid^th century onwards)
.............................................................................................................................40
3.2. Ringstones (3rd
century onwards)
...............................................................................................................................41
4.
A GLOBOLO SCARAB GEMS
...........................................................................................................................................42
Ш.
A GLOLOBO GEMS: ARCHAEOLOGICAL CONTEXT AND CHRONOLOGY
....................................................43
1.
THE ARCHAEOLOGY OF ENGRAVED GEMS IN CENTRAL ITALY
..........·............................................................43
2.
FIND LOCATIONS AND PROBABLE PROVENANCES
..............................................................................................44
2.1.
North
..............................................................................................................................................................................44
2.1.1.
Northern Italy
.............................................................................................................................................................................44
2.1.2.
Northern and inland
Etruria
.......................................................................................................................................................45
2.2.
Central
........................................................................................,..................................................................................48
2.2.1.
South
Etruria, Faliscan
and Latin territories
.............................................................................................................................48
2.3.
South Italy and Islands
.................................................................................................................................................50
2.3.1.
Campania
....................................................................................................................................................................................50
2.3.2.
Puglia
(ancient Apulia and Calabria)
........................................................................................................................................52
2.3.3.
Basilicata
(ancient
Lucania)
......................................................................................................................................................53
2.3.4.
Calabria (ancient
Brutüum)
and Sicily
.....................................................................................................................................53
2.3.5.
Southern Italy (non-specific)
.....................................................................................................................................................54
2.3.6.
Sardinia
.......................................................................................................................................................................................54
2.3.7.
Corsica
........................................................................................................................................................................................54
2.4.
Other, Mediterranean and Black Sea sites
...................................................................................................................54
2.4.1.
Southern France
.........................................................................................................................................................................54
1
2.4.2.
Spain
...........................................................................................................................................................................................55
2.4.3.
Croatia
(Dalmaţia)
......................................................................................................................................................................55
2.4.4.
Cyprus
.........................................................................................................................................................................................55
2.4.5.
Greece
.........................................................................................................................................................................................55
2.4.6.
Asia Minor
..................................................................................................................................................................................56
2.4.7.
Palestine
......................................................................................................................................................................................56
2.4.8.
Northern Africa
..........................................................................................................................................................................56
2.4.9.
Northern Black Sea coast (Crimea)
...........................................................................................................................................56
2.5.
Other archaeological evidence
.....................................................................................................................................57
2.5.1.
Clay imprints
..............................................................................................................................................................................57
3.
FIND CONTEXTS AND PROVENANCES: DISCUSSION
............................................................................................62
^CHRONOLOGY
..................................................................................................................................................................66
IV. MATERIALS AND ENGRAVING TECHNIQUES
........................................................................................................69
1.
MATERIALS
........................................................................................................................................................................69
1.1.
Discolouration; internal and surface damage to the stones
.........................................................................................69
1.2.
Artificial colour manipulation
......................................................................................................................................70
1.3.
Beryls
............................................................................................................................................................................71
1.4.
Chalcedonies
.................................................................................................................................................................71
1.5.
Jasper
.............................................................................................................................................................................73
1.6.
Other materials
..............................................................................................................................................................73
2.
TECHNIQUE
........................................................................................................................................................................74
V.
GEMSTONE
TYPOLOGY AND SETTING
......................................................................................................................79
1.
SCARAB TYPOLOGY
........................................................................................................................................................79
1.1.
Beetle side
.....................................................................................................................................................................79
1.2.
Intaglio/device side
.......................................................................................................................................................82
1.3.
Flat a globolo ringstones
..............................................................................................................................................84
1.4.
Inscriptions
....................................................................................................................................................................84
2.
MOUNTS
..............................................................................................................................................................................85
VT. THE ICONOGRAPHY OF GEM DEVICES
....................................................................................................................87
1.
FORMAL STRUCTURE
.....................................................................................................................................................87
1.1.
Human and/or mythic figure representations
..............................................................................................................88
1.2.
Human and/or mythic figures with animals
.................................................................................................................90
1.3.
Animal and monster representations
............................................................................................................................92
1.4.
Other
..............................................................................................................................................................................95
2.
MYTHOLOGICAL AND GENERIC SUBJECT-MATTER
.............................................................................................95
2.1.
Problems relating to the identification of subject-matter
............................................................................................95
2.2.
Deities
...........................................................................................................................................................................97
2.3. Herakles........................................................................................................................................................................98
2.4.
Other mythic figures
.....................................................................................................................................................99
2.5.
Figures from the Dionysiac sphere
............................................................................................................................102
2.6.
Generic scenes and figures
.........................................................................................................................................102
3.
THE REPRESENTATION OF PHYSICAL SETTINGS, AGE AND GENDER: SOME NOTES
...............................104
4.
PROBLEMS OF ORIGINALITY AND DEPENDENCE
................................................................................................105
4.1.
Thematic dependence on the Etruscan scarab sequence
...........................................................................................105
4.2.
Thematic affinities and differences with regard to the Etruscan ringstones
.............................................................107
4.3.
Interaction with other artistic media
..........................................................................................................................109
4.4.
New imagery: motifs exclusive to the a globolo group
.....................................................................................:......111
Vu.
PRODUCERS: ON WORKSHOPS AND CRAFTSMEN
...........................................................................................115
1.
THE EARLIEST WORKSHOPS IN
ETRURIA
..............................................................................................................116
2.
WORKSHOPS AND ENGRAVERS IN THE4TH CENTURY
.....................................................................................116
3.
STANDARDISATTON AND SERIAL PRODUCTION
..................................................................................................118
5.DISTRIBUnONANDTRADE
........................................................................................................................................
П9
VUL
USERS: ON FUNCTION AND CULTURAL SIGNIFICANCE
...............................................................................123
1.
INTRODUCTION
..............................................................................................................................................................123
2.
THE FUNCTIONS OF
AGLOBÓLO
GEMS
...................................................................................................................124
2.1.
Introduction
.................................................................................................................................................................124
2.2.
Practical function: sealing practise
............................................................................................................................125
2.3.
Other functions: symbolic
..........................................................................................................................................127
2.3.1.
Personal jewellery
...................................................................................................................................................................127
2.3.2.
Protective and curative properties
..........................................................................................................................................127
3.
INTRINSIC MEANING: THE IMAGERY OF THE
A GLOBULO
DEVICES
.............................................................128
3.1.
Introduction
.................................................................................................................................................................128
3.2.
Imagery in context: thematic structure and meaning
................................................................................................129
3.2.1.
Subject-matter linked to auto-representation
.........................................................................................................................130
3.2.2.
Subject-matter not linked to auto-representation
...................................................................................................................135
3.2.3.
Animal and monster representations
......................................................................................................................................136
3.2.4.
Mythic genealogy, exemplum and analogy
............................................................................................................................137
ГХ.
SUMMARY AND CONCLUSIONS
.................................................................................................................................141
APPENDIX
1.
PROVENANCED A GLOBOLO SCARABS
................................................................................................147
A. NORTHERN AND INLAND
ETRURIA
........................................................................................................................147
B.
SOUTHERN
ETRURIA....................................................................................................................................................
148
C.FALISCANAREA
............................................................................................................................................................149
D.
LATIUM..
........................................................;.................................................................................................................149
E. SOUTHERN
ITALY AND ISLANDS
.............................................................................................................................150
F.
OTHER
...............................................................................................................................................................................151
APPENDIX
2.
MYTHIC FIGURES IN THE A GLOBOLO MATERIAL. FREQUENCY
............................................153
APPENDIX S.ICONOGRAPHICAL INDICES
...................................................................................................................155
A. STRUCTURAL
.................................................................................................................................................................155
B. MYTHOLOGICAL
...........................................................................................................................................................157
С
ETRUSCAN SCARABS AND
RINGSTONES...............................................................................................................160
APPENDIX
4.
COLLECTIONS WITH A GLOBOLO GEMS
..........................................................................................163
LEGEND
.................................................................................................................................................................................163
A NOTE ON AUTOPSY
.......................................................................................................................................................163
A. PUBLIC COLLECTIONS, EXCAVATIONS
................................................................................................................164
B. PRIVATE AND CORPORATE COLLECTIONS
...........................................................................................................207
С
AUCTION
..........................................................................................................................................................................209
D. WHEREABOUTS UNKNOWN
.......................................................................................................................................209
CONCORDANCE
.....................................................................................................................................................................213
ZAZOFF
1968 -
THIS WORK
..............................................................................................................................................213
THIS WORK-ZAZOFF
1968..............................................................................................................................................216
KRAUSKOPF 1995 -
THIS WORK
......................................................................................................................................222
ТШЅ
WORK
- KRAUSKOPF 1995......................................................................................................................................225
THIS WORK
-ПМС
.............................................................................................................................................................228
LIST OF ILLUSTRATIONS
...................................................................................................................................................231
TEXT FIGURES
.....................................................................................................................................................................231
TABLES
..................................................................................................................................................................................232
MAPS
......................................................................................................................................................................................232
PLATES
..................................................................................................................................................................................232
INDICES
.....................................................................................................................................................................................243
INDEX OF PERSONAL NAMES
.........................................................................................................................................243
INDEX OF GEOGRAPHICAL NAMES
..............................................................................................................................244
PLATES
......................................................................................................................................................................................247
|
adam_txt |
CONTENTS
CONTENTS
.1
ACKNOWLEDGEMENTS
.
S
ABBREVIATIONS
.7
REFERENCES
.8
I. PROLEGOMENA
_.23
1.
PREVIOUS SCHOLARSHIP: AN OUTLINE
.23
1.1.
The period
1900
to
1968.24
1.2.
The period
1968
to the present
.25
2.
AIMS, METHOD AND STRUCTURE
.30
2.1.
Aims and method
.30
2.2.
Structure
.31
3.
SOME PRELIMINARY NOTES ON THE PROBLEM OF COPIES AND FAKES
.31
П.
THE HISTORY OF ENGRAVED GEMS IN PRE-ROMAN ITALY: AN OUTLINE
.35
1.
FORERUNNERS
.35
2.
ETRUSCAN
.35
2.1.
Scarabs (c.
540-100
ВСЕ)
.35
2.1.1.
The earliest engraved gems: Archaic (c.
540/530-480
ВСЕ)
.36
2.1.2.
Early Classical (c.
480-430
все)
.37
2.1.3.
Late Classical
(с.
430-320
ВСЕ)
.38
2.1.5.
Late Etruscan (Late Classical to Hellenistic,
с
320-100
ВСЕ).
38
2.1.5.
Hybrid works. Transitional scarabs and style extensions
.39
2.2. Ringstones
(c.
350-150
ВСЕ)
.40
3.
ETRUSCO-ITALIC, ITALIC
.40
3.1.
Scarabs (mid^th century onwards)
.40
3.2. Ringstones (3rd
century onwards)
.41
4.
A GLOBOLO SCARAB GEMS
.42
Ш.
A GLOLOBO GEMS: ARCHAEOLOGICAL CONTEXT AND CHRONOLOGY
.43
1.
THE ARCHAEOLOGY OF ENGRAVED GEMS IN CENTRAL ITALY
.·.43
2.
FIND LOCATIONS AND PROBABLE PROVENANCES
.44
2.1.
North
.44
2.1.1.
Northern Italy
.44
2.1.2.
Northern and inland
Etruria
.45
2.2.
Central
.,.48
2.2.1.
South
Etruria, Faliscan
and Latin territories
.48
2.3.
South Italy and Islands
.50
2.3.1.
Campania
.50
2.3.2.
Puglia
(ancient Apulia and Calabria)
.52
2.3.3.
Basilicata
(ancient
Lucania)
.53
2.3.4.
Calabria (ancient
Brutüum)
and Sicily
.53
2.3.5.
Southern Italy (non-specific)
.54
2.3.6.
Sardinia
.54
2.3.7.
Corsica
.54
2.4.
Other, Mediterranean and Black Sea sites
.54
2.4.1.
Southern France
.54
1
2.4.2.
Spain
.55
2.4.3.
Croatia
(Dalmaţia)
.55
2.4.4.
Cyprus
.55
2.4.5.
Greece
.55
2.4.6.
Asia Minor
.56
2.4.7.
Palestine
.56
2.4.8.
Northern Africa
.56
2.4.9.
Northern Black Sea coast (Crimea)
.56
2.5.
Other archaeological evidence
.57
2.5.1.
Clay imprints
.57
3.
FIND CONTEXTS AND PROVENANCES: DISCUSSION
.62
^CHRONOLOGY
.66
IV. MATERIALS AND ENGRAVING TECHNIQUES
.69
1.
MATERIALS
.69
1.1.
Discolouration; internal and surface damage to the stones
.69
1.2.
Artificial colour manipulation
.70
1.3.
Beryls
.71
1.4.
Chalcedonies
.71
1.5.
Jasper
.73
1.6.
Other materials
.73
2.
TECHNIQUE
.74
V.
GEMSTONE
TYPOLOGY AND SETTING
.79
1.
SCARAB TYPOLOGY
.79
1.1.
Beetle side
.79
1.2.
Intaglio/device side
.82
1.3.
Flat a globolo ringstones
.84
1.4.
Inscriptions
.84
2.
MOUNTS
.85
VT. THE ICONOGRAPHY OF GEM DEVICES
.87
1.
FORMAL STRUCTURE
.87
1.1.
Human and/or mythic figure representations
.88
1.2.
Human and/or mythic figures with animals
.90
1.3.
Animal and monster representations
.92
1.4.
Other
.95
2.
MYTHOLOGICAL AND GENERIC SUBJECT-MATTER
.95
2.1.
Problems relating to the identification of subject-matter
.95
2.2.
Deities
.97
2.3. Herakles.98
2.4.
Other mythic figures
.99
2.5.
Figures from the Dionysiac sphere
.102
2.6.
Generic scenes and figures
.102
3.
THE REPRESENTATION OF PHYSICAL SETTINGS, AGE AND GENDER: SOME NOTES
.104
4.
PROBLEMS OF ORIGINALITY AND DEPENDENCE
.105
4.1.
Thematic dependence on the Etruscan scarab sequence
.105
4.2.
Thematic affinities and differences with regard to the Etruscan ringstones
.107
4.3.
Interaction with other artistic media
.109
4.4.
New imagery: motifs exclusive to the a globolo group
.:.111
Vu.
PRODUCERS: ON WORKSHOPS AND CRAFTSMEN
.115
1.
THE EARLIEST WORKSHOPS IN
ETRURIA
.116
2.
WORKSHOPS AND ENGRAVERS IN THE4TH CENTURY
.116
3.
STANDARDISATTON AND SERIAL PRODUCTION
.118
5.DISTRIBUnONANDTRADE
.
П9
VUL
USERS: ON FUNCTION AND CULTURAL SIGNIFICANCE
.123
1.
INTRODUCTION
.123
2.
THE FUNCTIONS OF
AGLOBÓLO
GEMS
.124
2.1.
Introduction
.124
2.2.
Practical function: sealing practise
.125
2.3.
Other functions: symbolic
.127
2.3.1.
Personal jewellery
.127
2.3.2.
Protective and curative properties
.127
3.
INTRINSIC MEANING: THE IMAGERY OF THE
A GLOBULO
DEVICES
.128
3.1.
Introduction
.128
3.2.
Imagery in context: thematic structure and meaning
.129
3.2.1.
Subject-matter linked to auto-representation
.130
3.2.2.
Subject-matter not linked to auto-representation
.135
3.2.3.
Animal and monster representations
.136
3.2.4.
Mythic genealogy, exemplum and analogy
.137
ГХ.
SUMMARY AND CONCLUSIONS
.141
APPENDIX
1.
PROVENANCED A GLOBOLO SCARABS
.147
A. NORTHERN AND INLAND
ETRURIA
.147
B.
SOUTHERN
ETRURIA.
148
C.FALISCANAREA
.149
D.
LATIUM.
.;.149
E. SOUTHERN
ITALY AND ISLANDS
.150
F.
OTHER
.151
APPENDIX
2.
MYTHIC FIGURES IN THE A GLOBOLO MATERIAL. FREQUENCY
.153
APPENDIX S.ICONOGRAPHICAL INDICES
.155
A. STRUCTURAL
.155
B. MYTHOLOGICAL
.157
С
ETRUSCAN SCARABS AND
RINGSTONES.160
APPENDIX
4.
COLLECTIONS WITH A GLOBOLO GEMS
.163
LEGEND
.163
A NOTE ON AUTOPSY
.163
A. PUBLIC COLLECTIONS, EXCAVATIONS
.164
B. PRIVATE AND CORPORATE COLLECTIONS
.207
С
AUCTION
.209
D. WHEREABOUTS UNKNOWN
.209
CONCORDANCE
.213
ZAZOFF
1968 -
THIS WORK
.213
THIS WORK-ZAZOFF
1968.216
KRAUSKOPF 1995 -
THIS WORK
.222
ТШЅ
WORK
- KRAUSKOPF 1995.225
THIS WORK
-ПМС
.228
LIST OF ILLUSTRATIONS
.231
TEXT FIGURES
.231
TABLES
.232
MAPS
.232
PLATES
.232
INDICES
.243
INDEX OF PERSONAL NAMES
.243
INDEX OF GEOGRAPHICAL NAMES
.244
PLATES
.247 |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Hansson, Ulf |
author_facet | Hansson, Ulf |
author_role | aut |
author_sort | Hansson, Ulf |
author_variant | u h uh |
building | Verbundindex |
bvnumber | BV022785711 |
ctrlnum | (gbd)0888524 (OCoLC)219723448 (DE-599)BVBBV022785711 |
format | Book |
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genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
genre_facet | Hochschulschrift |
id | DE-604.BV022785711 |
illustrated | Illustrated |
index_date | 2024-07-02T18:37:58Z |
indexdate | 2024-07-09T21:06:07Z |
institution | BVB |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015991150 |
oclc_num | 219723448 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 246 S., 16 Bl. Ill. |
psigel | gbd_4_0709 |
publishDate | 2005 |
publishDateSearch | 2005 |
publishDateSort | 2005 |
publisher | Dept. of Classical Archaeology and Ancient History, Univ. |
record_format | marc |
spelling | Hansson, Ulf Verfasser aut A globolo gems late Etrusco-Italic scarab intaglios Ulf Hansson Globolo gems Göteborg Dept. of Classical Archaeology and Ancient History, Univ. 2005 246 S., 16 Bl. Ill. txt rdacontent n rdamedia nc rdacarrier Göteborg, Univ. Diss., 2005 Etrusker (DE-588)4015627-8 gnd rswk-swf Skarabäus (DE-588)4130003-8 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Etrusker (DE-588)4015627-8 s Skarabäus (DE-588)4130003-8 s DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015991150&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Hansson, Ulf A globolo gems late Etrusco-Italic scarab intaglios Etrusker (DE-588)4015627-8 gnd Skarabäus (DE-588)4130003-8 gnd |
subject_GND | (DE-588)4015627-8 (DE-588)4130003-8 (DE-588)4113937-9 |
title | A globolo gems late Etrusco-Italic scarab intaglios |
title_alt | Globolo gems |
title_auth | A globolo gems late Etrusco-Italic scarab intaglios |
title_exact_search | A globolo gems late Etrusco-Italic scarab intaglios |
title_exact_search_txtP | A globolo gems late Etrusco-Italic scarab intaglios |
title_full | A globolo gems late Etrusco-Italic scarab intaglios Ulf Hansson |
title_fullStr | A globolo gems late Etrusco-Italic scarab intaglios Ulf Hansson |
title_full_unstemmed | A globolo gems late Etrusco-Italic scarab intaglios Ulf Hansson |
title_short | A globolo gems |
title_sort | a globolo gems late etrusco italic scarab intaglios |
title_sub | late Etrusco-Italic scarab intaglios |
topic | Etrusker (DE-588)4015627-8 gnd Skarabäus (DE-588)4130003-8 gnd |
topic_facet | Etrusker Skarabäus Hochschulschrift |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015991150&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT hanssonulf aglobologemslateetruscoitalicscarabintaglios AT hanssonulf globologems |