The British at war: cinema, state and propaganda ; 1939 - 1945
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Tauris
2008
|
| Ausgabe: | Reprinted |
| Schriftenreihe: | Cinema and society series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XII, 308 S. Ill. |
| ISBN: | 9781860646270 |
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Datensatz im Suchindex
| _version_ | 1804137043375161344 |
|---|---|
| adam_text | Contents
General
Editor s Introduction
vi
List of Illustrations
viii
List of Abbreviations
xi
Acknowledgements
ix
Introduction
ι
Part I Organisations and Policies
ι
The
MOI
Films Division
13
2
A Policy for Film Propaganda
41
3
The
MOI
and Feature Film Propaganda
5 8
4
The
MOI
and Short Film Propaganda
86
5
The Crown Film Unit
114
6
The Service Film Units
138
Part II Subjects and Themes
7
The People s War
161
8
Officers and Men
179
9
Women and War
201
10
Friend and Foe
216
11
History and Heritage
232
Conclusion
249
Notes
25 5
Filmograpby
283
Bibliography
290
Film Index
298
General Index
301
The British at War is Hie first comprehensive
history of the role, nature and organisation
of film propaganda in Britain during the
Second World War. It presents a full picture
of a popular consensus being formed
between government and film industry over the representation of the British at
war on the cinema screen.
James Chapman shows how official film propaganda policy was more successful
than
ite
critics have alleged. He draws on a wide range of government and trade
sources to explore the relationship between the Ministry of Information and the
different sectors of the film industry, and discusses the role of the cinema as a
vehicle of propaganda set firmly within the politics and
cultore
of a nation at war.
Chapman identifies the themes and images presented to the British public by
analysing key propaganda films, including
4Ψ·
Parallel, The
Ufe
and Death of
Colonel Blimp, Fires Were Started, Millions like Us and Henry V. He explores the
competing demands of propaganda and entertainment value and discusses the
roles of both the commercial film industry and the various film units under
government control. He also corrects previous misunderstandings of the place
in official propaganda of short films and documentaries.
The British at War is an important, scholarly and well-written book, which
deserves to be given currency in debates about the cultural capital and controls
of the Second World War.
-
Sue Harper, Journal of Popular British Cinema
James Chapman is Professor of Film at the University of Leicester. His other books
include Licence to Thrill· A Cultural History of the James Bond Films
(1999,
new
revised edition
2007),
Past and Present- National Identity and the British
Historical Film
(2005)
and with Nicholas J. Cull, Projecting Empire: Imperialism
and Popular Cinema
(2009),
all published by l.B.Tauris,
|
| adam_txt |
Contents
General
Editor's Introduction
vi
List of Illustrations
viii
List of Abbreviations
xi
Acknowledgements
ix
Introduction
ι
Part I Organisations and Policies
ι
The
MOI
Films Division
13
2
A Policy for Film Propaganda
41
3
The
MOI
and Feature Film Propaganda
5 8
4
The
MOI
and Short Film Propaganda
86
5
The Crown Film Unit
114
6
The Service Film Units
138
Part II Subjects and Themes
7
The People's War
161
8
Officers and Men
179
9
Women and War
201
10
Friend and Foe
216
11
History and Heritage
232
Conclusion
249
Notes
25 5
Filmograpby
283
Bibliography
290
Film Index
298
General Index
301
The British at War is Hie first comprehensive
history of the role, nature and organisation
of film propaganda in Britain during the
Second World War. It presents a full picture
of a popular consensus being formed
between government and film industry over the representation of the British at
war on the cinema screen.
James Chapman shows how official film propaganda policy was more successful
than
ite
critics have alleged. He draws on a wide range of government and trade
sources to explore the relationship between the Ministry of Information and the
different sectors of the film industry, and discusses the role of the cinema as a
vehicle of propaganda set firmly within the politics and
cultore
of a nation at war.
Chapman identifies the themes and images presented to the British public by
analysing key propaganda films, including
4Ψ·
Parallel, The
Ufe
and Death of
Colonel Blimp, Fires Were Started, Millions like Us and Henry V. He explores the
competing demands of propaganda and entertainment value and discusses the
roles of both the commercial film industry and the various film units under
government control. He also corrects previous misunderstandings of the place
in official propaganda of short films and documentaries.
'The British at War is an important, scholarly and well-written book, which
deserves to be given currency in debates about the cultural capital and controls
of the Second World War.'
-
Sue Harper, Journal of Popular British Cinema
James Chapman is Professor of Film at the University of Leicester. His other books
include Licence to Thrill· A Cultural History of the James Bond Films
(1999,
new
revised edition
2007),
Past and Present- National Identity and the British
Historical Film
(2005)
and with Nicholas J. Cull, Projecting Empire: Imperialism
and Popular Cinema
(2009),
all published by l.B.Tauris, |
| any_adam_object | 1 |
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| discipline | Geschichte |
| discipline_str_mv | Geschichte |
| edition | Reprinted |
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| illustrated | Illustrated |
| index_date | 2024-07-02T18:36:23Z |
| indexdate | 2024-07-09T21:06:01Z |
| institution | BVB |
| isbn | 9781860646270 |
| language | English |
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| spelling | Chapman, James 1968- Verfasser (DE-588)135849551 aut The British at war cinema, state and propaganda ; 1939 - 1945 James Chapman Reprinted London [u.a.] Tauris 2008 XII, 308 S. Ill. txt rdacontent n rdamedia nc rdacarrier Cinema and society series Propagandafilm (DE-588)4126398-4 gnd rswk-swf Zweiter Weltkrieg (DE-588)4079167-1 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Propagandafilm (DE-588)4126398-4 s Zweiter Weltkrieg (DE-588)4079167-1 s DE-604 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015987058&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015987058&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Chapman, James 1968- The British at war cinema, state and propaganda ; 1939 - 1945 Propagandafilm (DE-588)4126398-4 gnd Zweiter Weltkrieg (DE-588)4079167-1 gnd |
| subject_GND | (DE-588)4126398-4 (DE-588)4079167-1 (DE-588)4022153-2 |
| title | The British at war cinema, state and propaganda ; 1939 - 1945 |
| title_auth | The British at war cinema, state and propaganda ; 1939 - 1945 |
| title_exact_search | The British at war cinema, state and propaganda ; 1939 - 1945 |
| title_exact_search_txtP | The British at war cinema, state and propaganda ; 1939 - 1945 |
| title_full | The British at war cinema, state and propaganda ; 1939 - 1945 James Chapman |
| title_fullStr | The British at war cinema, state and propaganda ; 1939 - 1945 James Chapman |
| title_full_unstemmed | The British at war cinema, state and propaganda ; 1939 - 1945 James Chapman |
| title_short | The British at war |
| title_sort | the british at war cinema state and propaganda 1939 1945 |
| title_sub | cinema, state and propaganda ; 1939 - 1945 |
| topic | Propagandafilm (DE-588)4126398-4 gnd Zweiter Weltkrieg (DE-588)4079167-1 gnd |
| topic_facet | Propagandafilm Zweiter Weltkrieg Großbritannien |
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