Yorubá bàtá goes global: artists, culture brokers, and fans
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago [u.a.]
University of Chicago Press
[2007]
|
| Schlagworte: | |
| Online-Zugang: | Table of contents only Publisher description Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XXXV, 220 Seiten Illustrationen, Karten 23 cm |
| ISBN: | 0226439542 9780226439549 9780226439556 0226439550 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
List of Figures ix
Acknowledgments xi
Introduction: Reality xv
1 The Making of a Yoruba Culture Movement 1
2 Lamidi Ayankunle: Father of Foreign Lands 27
3 Sculpting Osogbo: Strategic Collaborations among Yoruba
Artists and Three Germanic Culture Brokers 58
4 Managing the Gap between Local and Global Stakes in
Yoruba Tradition 82
s Pop Tradition: I Am Always Me 99
6 Antipolitics of Collaboration 129
Conclusion: Transgressing Reality 165
Appendix: Program, 2004 AyanAgalu performance,
Vassar College 171
Notes 177 Glossary 191 Bibliography 195
Formal Interviews and Praise Song Recordings, 207 Index 209
Figures
1 Yoruba Drum Workshop with Lamidi Ayankunle xxviii
2 Author dancing with Ojetunde group in 1997 xxix
3 Map of Nigeria showing the location of Osun state xxxvi
4 The location of Erin Osun in Osun state 8
5 Settlement pattern of Erin Osun 9
6 King of Erin Osun 10
7 Youngest son of Lamidi in training 14
8 Helmut practices with Lamidi s sons before his
workshop. 15
9 Artists place their bata and dundun drums on a straw
mat. 15
10 Lamidi and junior brother Simiyu pray after Ramadan. 34
11 The Ojetunde group and Ayan drummers at NAFEST 96 51
12 Osun State Cultural Center dancers at NAFEST 96 51
13 Youngest daughter of Ojetunde steals the show at NAFEST
96. 52
14 Susanne Wenger s house in 2005 62
15 Wenger and her ritual council in shrine 66
16 This portion of the Osun River is protected by the grove 69
17 One of Wenger s larger than life sculptures raises hands. 70
18 Some of Ojetunde s wives and children 91
19 Saidi wears his new cloth. 93
20 Ojelade singing praises a few months before his death 96
21 Pop tradition: I Am Always Me 100
22 Sakira s Iwa l ewa emanates as she dances. 105
23 The Ojetunde group at Erin Osun s town egungun 107
24 The Ojetunde group at a local outing 108
25 Lamidi and his apprentices at work 151
26 Original promotional flyer 167
|
| adam_txt |
Contents
List of Figures ix
Acknowledgments xi
Introduction: Reality xv
1 The Making of a Yoruba Culture Movement 1
2 Lamidi Ayankunle: Father of Foreign Lands 27
3 Sculpting Osogbo: Strategic Collaborations among Yoruba
Artists and Three Germanic Culture Brokers 58
4 Managing the Gap between Local and Global Stakes in
Yoruba Tradition 82
s Pop Tradition: I Am Always Me 99
6 Antipolitics of Collaboration 129
Conclusion: Transgressing Reality 165
Appendix: Program, 2004 AyanAgalu performance,
Vassar College 171
Notes 177 Glossary 191 Bibliography 195
Formal Interviews and Praise Song Recordings, 207 Index 209
Figures
1 "Yoruba Drum Workshop with Lamidi Ayankunle" xxviii
2 Author dancing with Ojetunde group in 1997 xxix
3 Map of Nigeria showing the location of Osun state xxxvi
4 The location of Erin Osun in Osun state 8
5 Settlement pattern of Erin Osun 9
6 King of Erin Osun 10
7 Youngest son of Lamidi in training 14
8 Helmut practices with Lamidi's sons before his
workshop. 15
9 Artists place their bata and dundun drums on a straw
mat. 15
10 Lamidi and junior brother Simiyu pray after Ramadan. 34
11 The Ojetunde group and Ayan drummers at NAFEST '96 51
12 Osun State Cultural Center dancers at NAFEST '96 51
13 Youngest daughter of Ojetunde steals the show at NAFEST
'96. 52
14 Susanne Wenger's house in 2005 62
15 Wenger and her ritual council in shrine 66
16 This portion of the Osun River is protected by the grove 69
17 One of Wenger's larger than life sculptures raises hands. 70
18 Some of Ojetunde's wives and children 91
19 Saidi wears his new cloth. 93
20 Ojelade singing praises a few months before his death 96
21 Pop tradition: I Am Always Me 100
22 Sakira's Iwa l'ewa emanates as she dances. 105
23 The Ojetunde group at Erin Osun's town egungun 107
24 The Ojetunde group at a local outing 108
25 Lamidi and his apprentices at work 151
26 Original promotional flyer 167 |
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| spelling | Klein, Debra L. (DE-588)138694966 aut Yorubá bàtá goes global artists, culture brokers, and fans Debra L. Klein Chicago [u.a.] University of Chicago Press [2007] © 2007 XXXV, 220 Seiten Illustrationen, Karten 23 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte 1990-2000 gnd rswk-swf Gesellschaft Musik Yoruba (African people) Nigeria Music History and criticism Music Nigeria Social aspects Musik (DE-588)4040802-4 gnd rswk-swf Globalisierung (DE-588)4557997-0 gnd rswk-swf Yoruba (DE-588)4079438-6 gnd rswk-swf Trommelmusik (DE-588)4137417-4 gnd rswk-swf Nigeria (DE-588)4042300-1 gnd rswk-swf Yoruba (DE-588)4079438-6 s Trommelmusik (DE-588)4137417-4 s Geschichte 1990-2000 z DE-604 Nigeria (DE-588)4042300-1 g Musik (DE-588)4040802-4 s Globalisierung (DE-588)4557997-0 s http://www.loc.gov/catdir/enhancements/fy0726/2007018906-t.html Table of contents only http://www.loc.gov/catdir/enhancements/fy0732/2007018906-d.html Publisher description HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015959121&sequence=000006&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Klein, Debra L. Yorubá bàtá goes global artists, culture brokers, and fans Gesellschaft Musik Yoruba (African people) Nigeria Music History and criticism Music Nigeria Social aspects Musik (DE-588)4040802-4 gnd Globalisierung (DE-588)4557997-0 gnd Yoruba (DE-588)4079438-6 gnd Trommelmusik (DE-588)4137417-4 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4557997-0 (DE-588)4079438-6 (DE-588)4137417-4 (DE-588)4042300-1 |
| title | Yorubá bàtá goes global artists, culture brokers, and fans |
| title_auth | Yorubá bàtá goes global artists, culture brokers, and fans |
| title_exact_search | Yorubá bàtá goes global artists, culture brokers, and fans |
| title_exact_search_txtP | Yorubá bàtá goes global artists, culture brokers, and fans |
| title_full | Yorubá bàtá goes global artists, culture brokers, and fans Debra L. Klein |
| title_fullStr | Yorubá bàtá goes global artists, culture brokers, and fans Debra L. Klein |
| title_full_unstemmed | Yorubá bàtá goes global artists, culture brokers, and fans Debra L. Klein |
| title_short | Yorubá bàtá goes global |
| title_sort | yoruba bata goes global artists culture brokers and fans |
| title_sub | artists, culture brokers, and fans |
| topic | Gesellschaft Musik Yoruba (African people) Nigeria Music History and criticism Music Nigeria Social aspects Musik (DE-588)4040802-4 gnd Globalisierung (DE-588)4557997-0 gnd Yoruba (DE-588)4079438-6 gnd Trommelmusik (DE-588)4137417-4 gnd |
| topic_facet | Gesellschaft Musik Yoruba (African people) Nigeria Music History and criticism Music Nigeria Social aspects Globalisierung Yoruba Trommelmusik Nigeria |
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