Players, playwrights, playhouses: investigating performance, 1660 - 1800
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Basingstoke [u.a.]
Palgrave Macmillan
2007
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Redefining British theatre history
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XIII, 300 S. Ill. |
| ISBN: | 9780230525245 0230525245 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
List of Figures
vii
List of Tables
viii
Notes on the Contributors
ix
Series Introduction: Redefining British Theatre History
xi
Peter Holland
Introduction: Expanding Horizons
1
Michael Cordner
Part
1
Drama, Theatre, and History
1
Theatre History,
1660-1800:
Aims, Materials, Methodology
9
Robert D. Hume
2
Sleeping with the Enemy: Aphra Behn s The Roundheads and the
Political Comedy of Adultery
45
Michael Cordner
3
Shadowing Theatrical Change
78
Paula R. Backscheider
4
Reading Theatre History from Account Books
101
Judith Milhous
Part
2
Controlling the Theatre
5
Jeremy Collier and the Politics of Theatrical Representation
135
Lisa A. Freeman
6
Reconsidering Theatrical Regulation in the Long Eighteenth Century
152
Matthew J. Kinservik
Part
3
Theatre beyond London
7
Theatre for Nothing
175
Michael
Dobson
vi
Contents
8
Mixed Marriage: Sheridan, Macklin, and the Hybrid Audience
189
Susan Cannon Harris
9
Country Matters: Irish Waggery and the Irish and British
Theatrical Traditions
213
Helen Burke
Part
4
Representations
10
Universality, Early Modernity, and the Contingencies of
Representing Race
231
Mita
Choudhury
11
Hearing the Dead: the Sound of David Garrick
248
Peter Holland
12
The Visuality of the Theatre
271
Shearer West
Index
294
List of Figures
ll.l(a) Joshua Steele s version of To be or not to be
258
ll.l(b) David Garrick s version of To be or not to be as recorded by
Joshua Steele
258
12.1
Joshua Reynolds, Mrs Siddons as the Tragic Muse,
1784.
Dulwich
Picture Gallery
276
12.2
J. P. Kemble as Charles I in William Harvard s King Charles I.
Engraving from Bell s British Theatre,
1797 278
12.3
Thomas Gainsborough, Mrs Siddons,
1785.
The National
Gallery, London
281
12.4
Thomas Gainsborough, The Three Eldest Princesses,
1784.
The Royal Collection copyright
2005,
Her Majesty Queen
Elizabeth
282
12.5
James Gillray, Melpomene (Mrs Siddons),
1784.
Engraving, British
Museum, London
283
12.6
R.
Schellenberg,
A Man Drawing a Silhouette of a Woman.
Etching, The Wellcome Library, London
284
12.7
James Scott (after Thomas Gainsborough), David Garrick,
1769.
Mezzotint, National Portrait Gallery, London
286
12.8
Louis-François Roubiliac,
Shakespeare (for Garrick s villa at
Hampton),
1756.
British Museum, London
287
List of Tables
4.1
Transcription of Egerton MS
2268,
fols.
23^24^
Covent Garden
Theatre, Saturday
8
November
1746 103
4.2
Extant daily receipt records and account books
107
4.3
Treasurer s estimate of the Constant Nightly Charge at Covent
Garden for
1757-58,
from Egerton MS
2270 113
4.4
Performer salary ranges for selected companies from
с
1690-1790 117
4.5
A proportional representation of the pay scale for Covent Garden
in
1777-78 119
4.6
The salary trajectories of selected Covent Garden performers over a
twenty-year period
121
Ihis
innovative
collection
brings together a group of leading theatre historians to
identify and exemplify a variety of productive new approaches to the investigation of
plays, players, playwrights, playhouses and other aspects of theatre in the long
eighteenth century, Their inquiries are multi-faceted, ranging from stage censorship and
anti-theatricalism to the investigation of playhouse finances, from the performance
representation of Otkk and
(kwoto
to the political resonances of adultery comedy,
and from Garrick s vocal art to the interpretation of contemporary paintings of actors
and actresses.
|
| adam_txt |
Contents
List of Figures
vii
List of Tables
viii
Notes on the Contributors
ix
Series Introduction: Redefining British Theatre History
xi
Peter Holland
Introduction: Expanding Horizons
1
Michael Cordner
Part
1
Drama, Theatre, and History
1
Theatre History,
1660-1800:
Aims, Materials, Methodology
9
Robert D. Hume
2
Sleeping with the Enemy: Aphra Behn's The Roundheads and the
Political Comedy of Adultery
45
Michael Cordner
3
Shadowing Theatrical Change
78
Paula R. Backscheider
4
Reading Theatre History from Account Books
101
Judith Milhous
Part
2
Controlling the Theatre
5
Jeremy Collier and the Politics of Theatrical Representation
135
Lisa A. Freeman
6
Reconsidering Theatrical Regulation in the Long Eighteenth Century
152
Matthew J. Kinservik
Part
3
Theatre beyond London
7
Theatre for Nothing
175
Michael
Dobson
vi
Contents
8
Mixed Marriage: Sheridan, Macklin, and the Hybrid Audience
189
Susan Cannon Harris
9
Country Matters: Irish 'Waggery' and the Irish and British
Theatrical Traditions
213
Helen Burke
Part
4
Representations
10
Universality, Early Modernity, and the Contingencies of
Representing Race
231
Mita
Choudhury
11
Hearing the Dead: the Sound of David Garrick
248
Peter Holland
12
The Visuality of the Theatre
271
Shearer West
Index
294
List of Figures
ll.l(a) Joshua Steele's version of'To be or not to be'
258
ll.l(b) David Garrick's version of 'To be or not to be' as recorded by
Joshua Steele
258
12.1
Joshua Reynolds, Mrs Siddons as the Tragic Muse,
1784.
Dulwich
Picture Gallery
276
12.2
J. P. Kemble as Charles I in William Harvard's King Charles I.
Engraving from Bell's British Theatre,
1797 278
12.3
Thomas Gainsborough, Mrs Siddons,
1785.
The National
Gallery, London
281
12.4
Thomas Gainsborough, The Three Eldest Princesses,
1784.
The Royal Collection copyright
2005,
Her Majesty Queen
Elizabeth
282
12.5
James Gillray, Melpomene (Mrs Siddons),
1784.
Engraving, British
Museum, London
283
12.6
R.
Schellenberg,
A Man Drawing a Silhouette of a Woman.
Etching, The Wellcome Library, London
284
12.7
James Scott (after Thomas Gainsborough), David Garrick,
1769.
Mezzotint, National Portrait Gallery, London
286
12.8
Louis-François Roubiliac,
Shakespeare (for Garrick's villa at
Hampton),
1756.
British Museum, London
287
List of Tables
4.1
Transcription of Egerton MS
2268,
fols.
23^24^
Covent Garden
Theatre, Saturday
8
November
1746 103
4.2
Extant daily receipt records and account books
107
4.3
Treasurer's estimate of the 'Constant Nightly Charge' at Covent
Garden for
1757-58,
from Egerton MS
2270 113
4.4
Performer salary ranges for selected companies from
с
1690-1790 117
4.5
A proportional representation of the pay scale for Covent Garden
in
1777-78 119
4.6
The salary trajectories of selected Covent Garden performers over a
twenty-year period
121
Ihis
innovative
collection
brings together a group of leading theatre historians to
identify and exemplify a variety of productive new approaches to the investigation of
plays, players, playwrights, playhouses and other aspects of theatre in the long
eighteenth century, Their inquiries are multi-faceted, ranging from stage censorship and
anti-theatricalism to the investigation of playhouse finances, from the performance
representation of Otkk and
(kwoto
to the political resonances of adultery comedy,
and from Garrick's vocal art to the interpretation of contemporary paintings of actors
and actresses. |
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| spelling | Players, playwrights, playhouses investigating performance, 1660 - 1800 ed. by Michael Cordner ... 1. publ. Basingstoke [u.a.] Palgrave Macmillan 2007 XIII, 300 S. Ill. txt rdacontent n rdamedia nc rdacarrier Redefining British theatre history Geschichte 1700-1800 Geschichte 1600-1700 Geschichte 1660-1800 gnd rswk-swf Geschichte English drama 17th century History and criticism English drama 18th century History and criticism Theater Great Britain History 17th century Theater Great Britain History 18th century Theater (DE-588)4059702-7 gnd rswk-swf Großbritannien Großbritannien (DE-588)4022153-2 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Großbritannien (DE-588)4022153-2 g Theater (DE-588)4059702-7 s Geschichte 1660-1800 z DE-604 Cordner, Michael Sonstige oth Digitalisierung UB Bamberg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015924265&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015924265&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Players, playwrights, playhouses investigating performance, 1660 - 1800 |
| title_auth | Players, playwrights, playhouses investigating performance, 1660 - 1800 |
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| title_full | Players, playwrights, playhouses investigating performance, 1660 - 1800 ed. by Michael Cordner ... |
| title_fullStr | Players, playwrights, playhouses investigating performance, 1660 - 1800 ed. by Michael Cordner ... |
| title_full_unstemmed | Players, playwrights, playhouses investigating performance, 1660 - 1800 ed. by Michael Cordner ... |
| title_short | Players, playwrights, playhouses |
| title_sort | players playwrights playhouses investigating performance 1660 1800 |
| title_sub | investigating performance, 1660 - 1800 |
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