Aesthetics and music:
This text presents a fresh and sometimes provocative exploration of the key concepts and arguments in musical aesthetics. It draws on the rich heritage of musical aesthetics, while proposing radical new ways of thinking about music as an art form, and our conception of artistic value in music.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Continuum
2007
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This text presents a fresh and sometimes provocative exploration of the key concepts and arguments in musical aesthetics. It draws on the rich heritage of musical aesthetics, while proposing radical new ways of thinking about music as an art form, and our conception of artistic value in music. |
| Beschreibung: | VII, 246 S. Ill., Notenbeisp. |
| ISBN: | 9780826485182 9780826485199 0826485189 0826485197 |
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| 520 | 3 | |a This text presents a fresh and sometimes provocative exploration of the key concepts and arguments in musical aesthetics. It draws on the rich heritage of musical aesthetics, while proposing radical new ways of thinking about music as an art form, and our conception of artistic value in music. | |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
List of illustrations
vii
Introduction
1
1
Aesthetics and Music in Ancient Greece
10
Music and
mousikë,
art and
technë
11
The Pythagorean and Platonic-Pythagorean
19
mathematical conception
The ethical conception, and Plato s more empirically-
26
minded successors Aristotle and Aristoxenus
The separation of the value spheres
29
Medieval and Renaissance musical thought
32
2
The Concept of Music
40
The possibility of non-musical aural or sound-art
40
The concept of music
46
Sounds, tones and sound-art
59
3
The Aesthetics of Form, the Aesthetics of Expression,
66
and Absolute Music : aesthetics of music in the late
eighteenth and nineteenth centuries
The Romantic metaphysics of music
67
Kant and formalism
70
Hegel: historicism and truth-content
72
Schopenhauer and Wagner: absolute music
76
Nietzsche: the Apollonian and the Dionysian
78
Hanslick and formalism
81
Expression, form and absolute music
82
CONTENTS
4 The Sound
of Music
95
The acousmatic experience of sound
96
Pythagoras and
musique
concrète
98
A broader definition of acousmatic
101
Objections to the acousmatic thesis
103
The twofold thesis
108
A humanistic conception of music versus more 111
abstract conceptions
5
Rhythm and Time
119
Music as an art of time
120
The universality of rhythm
122
A Platonic, organic definition
127
Rhythm and metre
130
Rhythm and accent
137
Rhythm and movement
142
6
Adorno
and Modernism: music as autonomous and
153
social fact
The advent of modernism
153
Adorno s aesthetics of modernism
158
Adorno
and Kant: art as autonomous and purposeless
160
Adorno
and Hegel: dialectic, historicism and
163
truth-content
Adorno
and Marx: art as commodity or social fact
166
The culture industry
171
Music of the avant-garde: Adorno s limited grounds
174
for optimism
Dialectics and the autonomy of art
179
7
Improvisation and Composition
192
The aesthetics of perfection and imperfection
193
The concept of improvisation and improvised feel
199
Spontaneity and the aesthetics of perfection
204
Free improvisers, interpreters and improvisation as a
207
compositional method
Bibliography
218
Index
235
VI
|
| adam_txt |
CONTENTS
List of illustrations
vii
Introduction
1
1
Aesthetics and Music in Ancient Greece
10
Music and
mousikë,
art and
technë
11
The Pythagorean and Platonic-Pythagorean
19
mathematical conception
The ethical conception, and Plato's more empirically-
26
minded successors Aristotle and Aristoxenus
The separation of the value spheres
29
Medieval and Renaissance musical thought
32
2
The Concept of Music
40
The possibility of non-musical aural or sound-art
40
The concept of music
46
Sounds, tones and sound-art
59
3
The Aesthetics of Form, the Aesthetics of Expression,
66
and 'Absolute Music': aesthetics of music in the late
eighteenth and nineteenth centuries
The Romantic metaphysics of music
67
Kant and formalism
70
Hegel: historicism and truth-content
72
Schopenhauer and Wagner: absolute music
76
Nietzsche: the Apollonian and the Dionysian
78
Hanslick and formalism
81
Expression, form and absolute music
82
CONTENTS
4 The Sound
of Music
95
The acousmatic experience of sound
96
Pythagoras and
musique
concrète
98
A broader definition of 'acousmatic'
101
Objections to the acousmatic thesis
103
The twofold thesis
108
A humanistic conception of music versus more 111
abstract conceptions
5
Rhythm and Time
119
Music as an art of time
120
The universality of rhythm
122
A Platonic, organic definition
127
Rhythm and metre
130
Rhythm and accent
137
Rhythm and movement
142
6
Adorno
and Modernism: music as autonomous and
153
'social fact'
The advent of modernism
153
Adorno's aesthetics of modernism
158
Adorno
and Kant: art as autonomous and purposeless
160
Adorno
and Hegel: dialectic, historicism and
163
truth-content
Adorno
and Marx: art as commodity or social fact
166
The culture industry
171
Music of the avant-garde: Adorno's limited grounds
174
for optimism
Dialectics and the autonomy of art
179
7
Improvisation and Composition
192
The aesthetics of perfection and imperfection
193
The concept of improvisation and 'improvised feel'
199
Spontaneity and the aesthetics of perfection
204
Free improvisers, interpreters and 'improvisation as a
207
compositional method'
Bibliography
218
Index
235
VI |
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| index_date | 2024-07-02T18:28:21Z |
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| language | English |
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| spelling | Hamilton, Andy Verfasser aut Aesthetics and music Andy Hamilton London [u.a.] Continuum 2007 VII, 246 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier This text presents a fresh and sometimes provocative exploration of the key concepts and arguments in musical aesthetics. It draws on the rich heritage of musical aesthetics, while proposing radical new ways of thinking about music as an art form, and our conception of artistic value in music. Geschichte gnd rswk-swf Esthetica gtt Muziek gtt Musik Ästhetik Music Philosophy and aesthetics Musikästhetik (DE-588)4040808-5 gnd rswk-swf Musikästhetik (DE-588)4040808-5 s Geschichte z DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015921441&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title_auth | Aesthetics and music |
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| title_full_unstemmed | Aesthetics and music Andy Hamilton |
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