Song and season: science, culture, and theatrical time in early modern Venice
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Stanford, Calif.
Stanford University Press
2007
|
| Ausgabe: | Original print |
| Schriftenreihe: | The calendar of Venetian opera
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 394 Seiten Illustrationen |
| ISBN: | 9780804757652 0804757658 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1818964801830780928 |
|---|---|
| adam_text |
Contents
Illustrations
8
Figures
9
Tables
10
Abbreviations and
Citations
12
Preface
15
Part
One. Marking Time
1.
Venice's Years
21
1.1.
Christendom'
s
Year
22
1.2.
The Liturgical Year
29
1.3.
The Ducal Year
32
1.4.
The Accounting Year
34
1.5.
The Academic Year
35
1.6.
The Virtual Year
36
2.
Calendrical Markers and Their Cultural Foundations
38
2.1.
Civic Markers
38
2.2.
Liturgical Markers
45
2.3.
Actuarial Markers
46
2.4.
Rites of Political Passage
46
2.5.
Civic and Diplomatic Feasts
49
2.6.
Ducal Feasts
50
2.7.
Double Feasts
50
3.
Venice's Days and Hours
54
3.1.
The Mobile Day
54
3.2.
Civic Clocks
56
Song and Season
3.3.
Religious Hours
59
3.4.
Solar Time
62
3.5.
Civic Bells
63
3.6.
Bell-ringing Schedules
65
3.7.
Hour-Glass Time
69
3.8.
Workers' and Artisans' Bells
72
3.9.
Timekeeping Reforms
74
3.10.
The Emergence of Modern Timekeeping
78
3.11.
Modern Equivalents for Venetian Time
80
3.12.
Post-Republican Time
83
Part Two. Using Time
4.
Theatrical Culture and Theatrical Time
87
4.1.
Commedia
and Theatrical Culture
87
4.2.
Gambling and the Theater
93
4.3.
Government Constraints on Productions
98
4.4.
Economic Change and the Theater
101
4.5.
Patronage Models and Practices
102
4.6.
First, Last, and Ordinary Nights
105
4.7.
Carnival as a State of Mind
106
4.8.
Carnival as a Time of Year
107
4.9.
Masking by the Hour
109
4.10.
Pseudo-Carnival Days
111
4.11.
Dating to the Day
112
5.
Theatrical Periods and Seasons
115
5.1.
A Composite Model of the Theatrical Year
115
5.2.
Autumn
119
Autumn as a Comedy Season
(119);
Autumn as an Opera Season
(120);
The St. Luke's Period
(120);
The St. Martin's Period
(121)
5.3.
Advent
124
The St. Andrew's Period
(124);
The
Novena
of Christmas
(125)
Song and Season
5.4.
Winter
126
The St. Stephen's Period
(127);
Carnival
(132);
Fat Week
(134);
Last Nights of Carnival
(136);
Last-Night Theatrical Banquets and
Balls
(137);
Last "Days" vs. Last "Nights"
(140)
5.5.
Spring
143
5.6.
Temporal Dimensions of Productions
148
5.7.
External Proofs of the Composite Model
149
6.
Theatrical Specialization by Period
151
6.1.
SanCassiano
152
6.2.
SS.
Giovanni
e
Paolo
156
6.3.
SanMoisè
157
6.4.
San Salvatore
158
6.5.
Sant'Angelo
160
6.6.
San Giovanni Grisostomo
162
6.7.
Piazzola
166
6.8. San Samuele 168
6.9.
San Fantin and Other Small Theaters
169
6.10.
San Benedetto and the
Teatro La Fenice
173
6.11.
Composite Production Profiles
174
7.
Seasonal Reciprocity
176
7.1.
Opera for Provincial Fairs
176
Autumn Venues
(181);
Spring Venues
(188)
7.2.
Dramatic Music in Private Venues
195
Solo Motets
(195);
Oratorios
(196);
Cantatas
(197);
Serenatas
(198);
Private Concerts
(199);
Rehearsals
(200);
Contributions by
Amateurs
(200)
7.3.
Dramatic Music in Non-Theatrical Periods
201
Advent and the
Novena
of Christmas
(201);
Lent
(202);
Eastertide
(203);
The St. Anthony's Period
(204);
The Assumption Period
(205);
Autumn
Villeggiatura
(205)
8.
Season and Genre
206
8.1.
Venice as a Metaphorical Stage
206
8.2.
Opera as
Commedia
209
Song and Season
8.3.
Comedy, Tragedy, and Arcadian Reforms
210
The Reform of the
Dramma per musica
(210);
The Revival of the
Classical
Tragedia
(211);
The Grimani vs. the Vendramin
(213);
Effects of the Grimani-Vendramin Contracts
(219)
8.4.
Transitions and Gestations
220
Comedies with Music: Imer and
Gori
(220);
The Reform of
Comedy: Carlo Goldoni
(223);
Other Contributions to the
Opera buffa
(228);
Reactions to the Opera
buffa
(229)
8.5.
Seasonal Dimensions of Genre Conflicts
232
Ambiguities of Spring Opera
(234);
Historical Dimensions of Genre
Change
(235)
9.
Season and Genre from the Middle Ages to Today
237
9.1.
Medieval Models
237
9.2.
Italy from
1660
to
1760 238
Florence
(238);
Naples
(240)
9.3.
Europe from
1660
to
1760 241
Paris
(241);
Dresden
(243)
9.4.
Europe after
1760 245
Opera Calendars under the French
(246);
Opera Calendars under the
Austrians
(248);
Lenten Opera in Vienna
(254)
9.5.
The Calendar of Venetian Opera at Large
256
9.6.
Seasonal Models Today
262
Part Three. Telling Time
10.
Time According to the Eagles
267
10.1.
The Eagles and the Moles
267
10.2.
Cultural Artifacts and Temporal Order
267
Literary Artifacts
(269);
Musical Artifacts
(271)
10.3.
The Eagles and their "Chronologies"
276
Ivanovich
(276);
Bonlini
(278);
Groppo
(283);
Rossi
(290);
Galvani
(292);
Wiel
(293);
Alm
(295)
10.4.
Time in Genre Surveys
298
Opera Surveys
(298);
Theater and Drama Studies
(300);
Chronologies for other Locales
(301);
Work Dates in Music
Encyclopedias
(301)
10.5.
Time, Genre, and Chronology
302
Song and Season
11.
The Chronicles of the Moles
304
11.1.
The Post and the News
306
11.2.
Censorship and the News
311
11.3.
Weekly News from Venice
312
Avvisi
from Venice
(313);
The
Pallade
veneta
Manuscripts
(315);
The Mercuri
(315);
Reports of the Papal Legate
(316);
Avvisi
sent
with Diplomatic Reports
(317)
11.4.
Weekly News Aggregations
317
Bologna
(318);
The
Corriere ordinario
(Vienna)
(318);
The
Diario ordinario (Rome)
(319)
11.5.
Monthly News Aggregations
319
Le Mercure galant
(320);
La Gaceta de Madrid
(321);
Pallade
veneta
(321);
News Translations
(322);
Post-Republican News
(324)
11.6.
Theatrical News in Government Records
325
Diplomats' Records
(325);
Spies' Records
(327);
Censors' Records
(330);
Notaries' Records
(332);
Other Sources for Chronology
(333)
11.7.
Indigenous Theatrical Moles
334
Goldoni as Consul
(335);
Rousseau as Ambassadorial Secretary
(335);
Casanova as Government Informer
(336)
11.8.
From Chronicles to Dates
337
Dispatch Dates
(33);
Rectifying Dates from the Moles
(338);
Error
Rates for the Eagles
(344)
12.
New Times, New Tellers
346
12.1.
New Times
346
12.2.
New Tellers
347
Pietro Gradenigo
(348);
Gasparo
Gozzi
(349)
12.3.
The Polemics of Genre
351
12.4.
The Polemics of Cultural Time
354
12.5.
The Enduring Theatrical Calendar
356
Sources Cited
359
General Index
375
Index of Musical Works
391 |
| adam_txt |
Contents
Illustrations
8
Figures
9
Tables
10
Abbreviations and
Citations
12
Preface
15
Part
One. Marking Time
1.
Venice's Years
21
1.1.
Christendom'
s
Year
22
1.2.
The Liturgical Year
29
1.3.
The Ducal Year
32
1.4.
The Accounting Year
34
1.5.
The Academic Year
35
1.6.
The Virtual Year
36
2.
Calendrical Markers and Their Cultural Foundations
38
2.1.
Civic Markers
38
2.2.
Liturgical Markers
45
2.3.
Actuarial Markers
46
2.4.
Rites of Political Passage
46
2.5.
Civic and Diplomatic Feasts
49
2.6.
Ducal Feasts
50
2.7.
Double Feasts
50
3.
Venice's Days and Hours
54
3.1.
The Mobile Day
54
3.2.
Civic Clocks
56
Song and Season
3.3.
Religious Hours
59
3.4.
Solar Time
62
3.5.
Civic Bells
63
3.6.
Bell-ringing Schedules
65
3.7.
Hour-Glass Time
69
3.8.
Workers' and Artisans' Bells
72
3.9.
Timekeeping Reforms
74
3.10.
The Emergence of Modern Timekeeping
78
3.11.
Modern Equivalents for Venetian Time
80
3.12.
Post-Republican Time
83
Part Two. Using Time
4.
Theatrical Culture and Theatrical Time
87
4.1.
Commedia
and Theatrical Culture
87
4.2.
Gambling and the Theater
93
4.3.
Government Constraints on Productions
98
4.4.
Economic Change and the Theater
101
4.5.
Patronage Models and Practices
102
4.6.
First, Last, and Ordinary Nights
105
4.7.
Carnival as a State of Mind
106
4.8.
Carnival as a Time of Year
107
4.9.
Masking by the Hour
109
4.10.
Pseudo-Carnival Days
111
4.11.
Dating to the Day
112
5.
Theatrical Periods and Seasons
115
5.1.
A Composite Model of the Theatrical Year
115
5.2.
Autumn
119
Autumn as a Comedy Season
(119);
Autumn as an Opera Season
(120);
The St. Luke's Period
(120);
The St. Martin's Period
(121)
5.3.
Advent
124
The St. Andrew's Period
(124);
The
Novena
of Christmas
(125)
Song and Season
5.4.
Winter
126
The St. Stephen's Period
(127);
Carnival
(132);
Fat Week
(134);
Last Nights of Carnival
(136);
Last-Night Theatrical Banquets and
Balls
(137);
Last "Days" vs. Last "Nights"
(140)
5.5.
Spring
143
5.6.
Temporal Dimensions of Productions
148
5.7.
External Proofs of the Composite Model
149
6.
Theatrical Specialization by Period
151
6.1.
SanCassiano
152
6.2.
SS.
Giovanni
e
Paolo
156
6.3.
SanMoisè
157
6.4.
San Salvatore
158
6.5.
Sant'Angelo
160
6.6.
San Giovanni Grisostomo
162
6.7.
Piazzola
166
6.8. San Samuele 168
6.9.
San Fantin and Other Small Theaters
169
6.10.
San Benedetto and the
Teatro La Fenice
173
6.11.
Composite Production Profiles
174
7.
Seasonal Reciprocity
176
7.1.
Opera for Provincial Fairs
176
Autumn Venues
(181);
Spring Venues
(188)
7.2.
Dramatic Music in Private Venues
195
Solo Motets
(195);
Oratorios
(196);
Cantatas
(197);
Serenatas
(198);
Private Concerts
(199);
Rehearsals
(200);
Contributions by
Amateurs
(200)
7.3.
Dramatic Music in Non-Theatrical Periods
201
Advent and the
Novena
of Christmas
(201);
Lent
(202);
Eastertide
(203);
The St. Anthony's Period
(204);
The Assumption Period
(205);
Autumn
Villeggiatura
(205)
8.
Season and Genre
206
8.1.
Venice as a Metaphorical Stage
206
8.2.
Opera as
Commedia
209
Song and Season
8.3.
Comedy, Tragedy, and Arcadian Reforms
210
The Reform of the
Dramma per musica
(210);
The Revival of the
Classical
Tragedia
(211);
The Grimani vs. the Vendramin
(213);
Effects of the Grimani-Vendramin Contracts
(219)
8.4.
Transitions and Gestations
220
Comedies with Music: Imer and
Gori
(220);
The Reform of
Comedy: Carlo Goldoni
(223);
Other Contributions to the
Opera buffa
(228);
Reactions to the Opera
buffa
(229)
8.5.
Seasonal Dimensions of Genre Conflicts
232
Ambiguities of Spring Opera
(234);
Historical Dimensions of Genre
Change
(235)
9.
Season and Genre from the Middle Ages to Today
237
9.1.
Medieval Models
237
9.2.
Italy from
1660
to
1760 238
Florence
(238);
Naples
(240)
9.3.
Europe from
1660
to
1760 241
Paris
(241);
Dresden
(243)
9.4.
Europe after
1760 245
Opera Calendars under the French
(246);
Opera Calendars under the
Austrians
(248);
Lenten Opera in Vienna
(254)
9.5.
The Calendar of Venetian Opera at Large
256
9.6.
Seasonal Models Today
262
Part Three. Telling Time
10.
Time According to the Eagles
267
10.1.
The Eagles and the Moles
267
10.2.
Cultural Artifacts and Temporal Order
267
Literary Artifacts
(269);
Musical Artifacts
(271)
10.3.
The Eagles and their "Chronologies"
276
Ivanovich
(276);
Bonlini
(278);
Groppo
(283);
Rossi
(290);
Galvani
(292);
Wiel
(293);
Alm
(295)
10.4.
Time in Genre Surveys
298
Opera Surveys
(298);
Theater and Drama Studies
(300);
Chronologies for other Locales
(301);
Work Dates in Music
Encyclopedias
(301)
10.5.
Time, Genre, and Chronology
302
Song and Season
11.
The Chronicles of the Moles
304
11.1.
The Post and the News
306
11.2.
Censorship and the News
311
11.3.
Weekly News from Venice
312
Avvisi
from Venice
(313);
The
Pallade
veneta
Manuscripts
(315);
The Mercuri
(315);
Reports of the Papal Legate
(316);
Avvisi
sent
with Diplomatic Reports
(317)
11.4.
Weekly News Aggregations
317
Bologna
(318);
The
Corriere ordinario
(Vienna)
(318);
The
Diario ordinario (Rome)
(319)
11.5.
Monthly News Aggregations
319
Le Mercure galant
(320);
La Gaceta de Madrid
(321);
Pallade
veneta
(321);
News Translations
(322);
Post-Republican News
(324)
11.6.
Theatrical News in Government Records
325
Diplomats' Records
(325);
Spies' Records
(327);
Censors' Records
(330);
Notaries' Records
(332);
Other Sources for Chronology
(333)
11.7.
Indigenous Theatrical Moles
334
Goldoni as Consul
(335);
Rousseau as Ambassadorial Secretary
(335);
Casanova as Government Informer
(336)
11.8.
From Chronicles to Dates
337
Dispatch Dates
(33);
Rectifying Dates from the Moles
(338);
Error
Rates for the Eagles
(344)
12.
New Times, New Tellers
346
12.1.
New Times
346
12.2.
New Tellers
347
Pietro Gradenigo
(348);
Gasparo
Gozzi
(349)
12.3.
The Polemics of Genre
351
12.4.
The Polemics of Cultural Time
354
12.5.
The Enduring Theatrical Calendar
356
Sources Cited
359
General Index
375
Index of Musical Works
391 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Selfridge-Field, Eleanor 1940- |
| author_GND | (DE-588)131205579 |
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| callnumber-subject | DG - Italy, Malta |
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| ctrlnum | (OCoLC)237146480 (DE-599)DNB 2007025398 |
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| dewey-tens | 940 - History of Europe |
| discipline | Geschichte Romanistik Musikwissenschaft |
| discipline_str_mv | Geschichte Romanistik Musikwissenschaft |
| edition | Original print |
| era | Geschichte 1582-1797 gnd |
| era_facet | Geschichte 1582-1797 |
| format | Book |
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| geographic | Italien Venice (Italy) Social life and customs Venedig (DE-588)4062501-1 gnd Italien (DE-588)4027833-5 gnd |
| geographic_facet | Italien Venice (Italy) Social life and customs Venedig |
| id | DE-604.BV022714260 |
| illustrated | Illustrated |
| index_date | 2024-07-02T18:27:43Z |
| indexdate | 2024-12-20T13:06:53Z |
| institution | BVB |
| isbn | 9780804757652 0804757658 |
| language | English |
| lccn | 2007025398 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015920065 |
| oclc_num | 237146480 |
| open_access_boolean | |
| owner | DE-12 DE-29 DE-703 DE-20 DE-188 DE-11 |
| owner_facet | DE-12 DE-29 DE-703 DE-20 DE-188 DE-11 |
| physical | 394 Seiten Illustrationen |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Stanford University Press |
| record_format | marc |
| series2 | The calendar of Venetian opera |
| spelling | Selfridge-Field, Eleanor 1940- Verfasser (DE-588)131205579 aut Song and season science, culture, and theatrical time in early modern Venice Eleanor Selfridge-Field Original print Stanford, Calif. Stanford University Press 2007 394 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier The calendar of Venetian opera Geschichte 1582-1797 gnd rswk-swf Alltag, Brauchtum Geschichte Gesellschaft Musik Music Social aspects Italy Venice History Theater and society Italy Venice History Musik (DE-588)4040802-4 gnd rswk-swf Gesellschaft (DE-588)4020588-5 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Italien Venice (Italy) Social life and customs Venedig (DE-588)4062501-1 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Venedig (DE-588)4062501-1 g Musik (DE-588)4040802-4 s Gesellschaft (DE-588)4020588-5 s Geschichte 1582-1797 z DE-604 Theater (DE-588)4059702-7 s Kultur (DE-588)4125698-0 s Italien (DE-588)4027833-5 g Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015920065&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Selfridge-Field, Eleanor 1940- Song and season science, culture, and theatrical time in early modern Venice Alltag, Brauchtum Geschichte Gesellschaft Musik Music Social aspects Italy Venice History Theater and society Italy Venice History Musik (DE-588)4040802-4 gnd Gesellschaft (DE-588)4020588-5 gnd Theater (DE-588)4059702-7 gnd Kultur (DE-588)4125698-0 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4020588-5 (DE-588)4059702-7 (DE-588)4125698-0 (DE-588)4062501-1 (DE-588)4027833-5 |
| title | Song and season science, culture, and theatrical time in early modern Venice |
| title_auth | Song and season science, culture, and theatrical time in early modern Venice |
| title_exact_search | Song and season science, culture, and theatrical time in early modern Venice |
| title_exact_search_txtP | Song and season science, culture, and theatrical time in early modern Venice |
| title_full | Song and season science, culture, and theatrical time in early modern Venice Eleanor Selfridge-Field |
| title_fullStr | Song and season science, culture, and theatrical time in early modern Venice Eleanor Selfridge-Field |
| title_full_unstemmed | Song and season science, culture, and theatrical time in early modern Venice Eleanor Selfridge-Field |
| title_short | Song and season |
| title_sort | song and season science culture and theatrical time in early modern venice |
| title_sub | science, culture, and theatrical time in early modern Venice |
| topic | Alltag, Brauchtum Geschichte Gesellschaft Musik Music Social aspects Italy Venice History Theater and society Italy Venice History Musik (DE-588)4040802-4 gnd Gesellschaft (DE-588)4020588-5 gnd Theater (DE-588)4059702-7 gnd Kultur (DE-588)4125698-0 gnd |
| topic_facet | Alltag, Brauchtum Geschichte Gesellschaft Musik Music Social aspects Italy Venice History Theater and society Italy Venice History Theater Kultur Italien Venice (Italy) Social life and customs Venedig |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015920065&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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