Verfügbarkeit: Music as a multicultural experience

Music as a multicultural experience:

Gespeichert in:

Bibliographische Detailangaben
1. Verfasser:	Davis, Shelley G. (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Dubuque, Iowa Kendall/Hunt Publ. 2006
Ausgabe:	4. ed.
Schlagworte:	Geschichte Musik Music appreciation Music > History and criticism Musiklehre Musikinstrument
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	Includes bibliographical references and index
Beschreibung:	294 S. Ill., Kt., Notenbeisp. 28 cm. CD (12 cm)
ISBN:	0757531571

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Datensatz im Suchindex

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adam_text	Preface ix Ρ fì RT OÍIE штеш Tlí« The Voice Aerophones Pipe Organ Chordophones Membranophones Idiophones Electrophones Idiom Transfer Mixed Timbres Nature Key Words Suggested Reading Suggested Listening Helpful Videocassette Review Sheet П0МІ0П Traditional Staff Notation Tonic Durations Other Notations: A Sampling Key Words Suggested Reading Review Sheet Time Pulse and Tempo Meter and Rhythm Simple vs. Compound Meter Additive Meters Syncopation Hemiola and Changing Meters Rhythmic Cycles í Structured Pulse ,¡ Rhythmic Modes Turkish Usui Isorhythm Colotomic Music Polyrhythm Simultaneous Hemiola Free Rhvthm Unmeasured Pulsei 1 2 4 8 8 II Ч Ч 15 15 17 i8 i8 19 19 21 23 24 26 2б 2-9 2-9 33 34 35 36 37 З» З* 39 39 39 ĄO Ąl 4 τ ЇМ IV Contents Improvised Rhythm 41 Indian Tala (North Indian Tal, Tal ) 42 KeyWords 43 Suggested Reading 43 Suggested Listening 43 Helpful Videocassettes 43 Review Sheet 45 Scale 48 Mode 50 Disjunct vs. Conjunct Intervals 51 Contour 52 Melody Type 53 Stylistic Options 53 Modulation 5 5 Melodic Improvisation 56 KeyWords 57 Suggested Reading 57 Suggested Listening 57 Helpful Videocassettes 57 Review Sheet S9 їїхшсшшшіїіопу бі Various Types of Texture 62 Monophony 62 Heterophony 62 Polyphony—Parallel Motion 63 Oblique Motion 64 Imitative Counterpoint 64 Nonimitative Counterpoint 65 Homophony 65 Harmony 66 Other Harmonic Concepts 68 Broken Chords 68 Cadences 68 Rest and Motion 69 Tonality 70 Context 70 Tempo 71 Harmonic Improvisation 72 Key Words 73 Suggested Reading 73 Suggested Listening 73 Helpful Videocassettes 73 Review Sheet 75 FORffi 77 Closed Forms 78 Modular Forms 78 Strophe and Refrain Forms 80 Theme and Variation 81 Free-Strict Pairing 82 Developmental Forms 83 Open Forms 88 Compound Forms 89 Religious Services and Celebrations 90 PART ТШО Contents V Formal Improvisation 90 Indeterminacy 91 Key Words 92 Suggested Reading 9г Suggested Listening 92 Helpful Videocassettes 92 Review Sheet 93 BflROQUMÍK: Badian^«? 95 The Baroque Era 96 Baroque Style 96 Basso Continuo Textures 96 Improvisation 99 The Affective Style 99 The Doctrine of Affections 99 Style Consciousness and Transfer of Idiom 100 Baroque Genres 100 Monody and Early Opera 100 Instrumental Music: Sonata and Concerto 101 The Late-Baroque Concerto 102. The Apotheosis of Baroque Instrumental and Vocal Styles: Bach and Handel 103 Johann Sebastian Bach 103 George Frideric Handel 104 Bach s Orchestral Music 105 Handel s Organ Concertos 106 The Concerto in F Major, Opus 4, No. 4 107 Bach s Sacred Vocal Music 107 Bach s Cantatas 108 Handel s Vocal Music: The Operas 109 Handel and the English Oratorio 110 Messiah in India 112 Music Making 112 Rãga 114 Rãga and Mood 115 AH Akbar Khan 115 Tala 116 KeyWords 119 Suggested Reading 119 Suggested Listening 120 Helpful Videocassettes 120 Review Sheet 123 High Classicism: Haydn and Mozart 12.6 The Encyclopedists 12.6 Early Classic Trends 12,6 Haydn: Freedom and Innovation 127 Haydn in England 12,8 Symphony No. 100 in G Major, Military 128 Haydn s Vocal Music 130 VI Contents Mozart: Grace and Balance 131 Style 131 Timbre 132, Rhythm and Melody 13г Polyphony and Harmony 133 Form 133 Mozart and the Mehter 134 Late Classicism: Beethoven 138 Beethoven and Universalism 139 The Ninth Symphony 14a Key Words 144 Suggested Reading 144 Suggested Listening 145 Helpful Vidéocassettes 145 Review Sheet 147 9 ROIÏlflnTKNiïÎ: Ulaçner and the ЫаишШегк од The Romantic Period 150 Romanticism in Literature and Art 150 Music in the Romantic Era 151 Program Music 155 Nationalism and Opera 156 German Romantic Opera 156 Wagner 156 Wagner s Early Operas 156 The Music Drama 157 The Ring Cycle 157 Wagner and Chromatic Harmony 158 Tristan und Isolde 158 The Gesamtkunstwerk 159 Later Occurrences of the Gesamtkunstwerk Ideal 159 Beijing Opera 160 KeyWords 161 Suggested Reading 161 Suggested Listening 162 Helpful Videocassettes 162, Review Sheet 163 10 ЅШШШ flnD ІІШШІОШШ: Debussy and the Шш Щ Debussy and the Symbolist Poets 166 Debussy s Musical Style and Impressionism 168 Indonesian Music 170 Java 172 Key Words 176 Suggested Reading 176 Suggested Listening 176 Helpful Videocassettes 177 Review Sheet 179 11 TH£ 20th CCnTURy : Bartok đnd Ethnic folk Шияс і8і Crosscurrents in the Arts i8z The New Music 182 Bartok 183 Eclecticism and Assimilation 183 Bartok and Ethnic Music 189 Hungarian Gypsy Music 189 Contents VII Key Words 190 Suggested Reading 190 Suggested Listening 191 Helpful Videocassette 191 Review Sheet 193 12 flfRICfl 195 Talking Drums 196 Group Singing of the Ba-Benzele 198 Mbira 199 Yoruba Entertainment Music 200 Timbila 201 Key Words 203 Suggested Reading 203 Suggested Listening 203 Helpful Videocassettes 203 Supplementary Listening 204 Review Sheet 205 PflRT ТНШ СОШХТ із ИККПІ zot Music in Society 208 Ideas 208 Quotation 210 Words 212 The Supernatural 212 Drama 213 Dance 214 Synergism 215 KeyWords 216 Suggested Reading 216 Suggested Listening 216 Helpful Videocassettes 217 Review Sheet 219 щ ШОІШІІІШІС 221 Women as Composers by Suzanne Beteken 222 Women as Patrons by Bonnie Jo Dopp 227 Women as Performers by April Nash Greenan 228 Balkan Women and Diaphony by Robin Wildstein 231 Women as Teachers by April Nash Greenan 232 KeyWords 235 Suggested Reading 23 5 Suggested Listening 236 Helpful Videocassette 236 Review Sheet 237 15 ЙГЖЙП-ШШ (MIC: farly Genre; 239 Ragtime 240 Blues 241 Gospel 244 Jazz 246 New Orleans 246 VIII Contents Key Words 248 Suggested Reading 248 Suggested Listening 249 Helpful Videocassettes 249 Review Sheet 251 Glossary 253 Appendix I: Key Signatures 273 Appendix II: Church Modes and Solmization 275 Appendix III: The Overtone Series and Intervals 277 Appendix IV: Dynamics 279 CD Tracks 281 Index 283
adam_txt	Preface ix Ρ fì RT OÍIE штеш Tlí« The Voice Aerophones Pipe Organ Chordophones Membranophones Idiophones Electrophones Idiom Transfer Mixed Timbres Nature Key Words Suggested Reading Suggested Listening Helpful Videocassette Review Sheet П0МІ0П Traditional Staff Notation Tonic Durations Other Notations: A Sampling Key Words Suggested Reading Review Sheet Time Pulse and Tempo Meter and Rhythm Simple vs. Compound Meter Additive Meters Syncopation Hemiola and Changing Meters Rhythmic Cycles í Structured Pulse ,¡ Rhythmic Modes Turkish Usui Isorhythm Colotomic Music Polyrhythm Simultaneous Hemiola Free Rhvthm Unmeasured Pulsei 1 2 4 8 8 II Ч Ч 15 15 17 i8 i8 19 19 21 23 24 26 2б 2-9 2-9 33 34 35 36 37 З» З* 39 39 39 ĄO Ąl 4 τ ЇМ IV Contents Improvised Rhythm 41 Indian Tala (North Indian Tal, Tal') 42 KeyWords 43 Suggested Reading 43 Suggested Listening 43 Helpful Videocassettes 43 Review Sheet 45 Scale 48 Mode 50 Disjunct vs. Conjunct Intervals 51 Contour 52 Melody Type 53 Stylistic Options 53 Modulation 5 5 Melodic Improvisation 56 KeyWords 57 Suggested Reading 57 Suggested Listening 57 Helpful Videocassettes 57 Review Sheet S9 їїхшсшшшіїіопу бі Various Types of Texture 62 Monophony 62 Heterophony 62 Polyphony—Parallel Motion 63 Oblique Motion 64 Imitative Counterpoint 64 Nonimitative Counterpoint 65 Homophony 65 Harmony 66 Other Harmonic Concepts 68 Broken Chords 68 Cadences 68 Rest and Motion 69 Tonality 70 Context 70 Tempo 71 Harmonic Improvisation 72 Key Words 73 Suggested Reading 73 Suggested Listening 73 Helpful Videocassettes 73 Review Sheet 75 FORffi 77 Closed Forms 78 Modular Forms 78 Strophe and Refrain Forms 80 Theme and Variation 81 Free-Strict Pairing 82 Developmental Forms 83 Open Forms 88 Compound Forms 89 Religious Services and Celebrations 90 PART ТШО Contents V Formal Improvisation 90 Indeterminacy 91 Key Words 92 Suggested Reading 9г Suggested Listening 92 Helpful Videocassettes 92 Review Sheet 93 BflROQUMÍK: Badian^«? 95 The Baroque Era 96 Baroque Style 96 Basso Continuo Textures 96 Improvisation 99 The Affective Style 99 The Doctrine of Affections 99 Style Consciousness and Transfer of Idiom 100 Baroque Genres 100 Monody and Early Opera 100 Instrumental Music: Sonata and Concerto 101 The Late-Baroque Concerto 102. The Apotheosis of Baroque Instrumental and Vocal Styles: Bach and Handel 103 Johann Sebastian Bach 103 George Frideric Handel 104 Bach's Orchestral Music 105 Handel's Organ Concertos 106 The Concerto in F Major, Opus 4, No. 4 107 Bach's Sacred Vocal Music 107 Bach's Cantatas 108 Handel's Vocal Music: The Operas 109 Handel and the English Oratorio 110 Messiah in India 112 Music Making 112 Rãga 114 Rãga and Mood 115 AH Akbar Khan 115 Tala 116 KeyWords 119 Suggested Reading 119 Suggested Listening 120 Helpful Videocassettes 120 Review Sheet 123 High Classicism: Haydn and Mozart 12.6 The Encyclopedists 12.6 Early Classic Trends 12,6 Haydn: Freedom and Innovation 127 Haydn in England 12,8 Symphony No. 100 in G Major, "Military" 128 Haydn's Vocal Music 130 VI Contents Mozart: Grace and Balance 131 Style 131 Timbre 132, Rhythm and Melody 13г Polyphony and Harmony 133 Form 133 Mozart and the Mehter 134 Late Classicism: Beethoven 138 Beethoven and Universalism 139 The Ninth Symphony 14a Key Words 144 Suggested Reading 144 Suggested Listening 145 Helpful Vidéocassettes 145 Review Sheet 147 9 ROIÏlflnTKNiïÎ: Ulaçner and the ЫаишШегк од The Romantic Period 150 Romanticism in Literature and Art 150 Music in the Romantic Era 151 Program Music 155 Nationalism and Opera 156 German Romantic Opera 156 Wagner 156 Wagner's Early Operas 156 The Music Drama 157 The Ring Cycle 157 Wagner and Chromatic Harmony 158 Tristan und Isolde 158 The Gesamtkunstwerk 159 Later Occurrences of the Gesamtkunstwerk Ideal 159 Beijing Opera 160 KeyWords 161 Suggested Reading 161 Suggested Listening 162 Helpful Videocassettes 162, Review Sheet 163 10 ЅШШШ flnD ІІШШІОШШ: Debussy and the Шш Щ Debussy and the Symbolist Poets 166 Debussy's Musical Style and Impressionism 168 Indonesian Music 170 Java 172 Key Words 176 Suggested Reading 176 Suggested Listening 176 Helpful Videocassettes 177 Review Sheet 179 11 TH£ 20th CCnTURy : Bartok đnd Ethnic folk Шияс і8і Crosscurrents in the Arts i8z The New Music 182 Bartok 183 Eclecticism and Assimilation 183 Bartok and Ethnic Music 189 Hungarian Gypsy Music 189 Contents VII Key Words 190 Suggested Reading 190 Suggested Listening 191 Helpful Videocassette 191 Review Sheet 193 12 flfRICfl 195 Talking Drums 196 Group Singing of the Ba-Benzele 198 Mbira 199 Yoruba Entertainment Music 200 Timbila 201 Key Words 203 Suggested Reading 203 Suggested Listening 203 Helpful Videocassettes 203 Supplementary Listening 204 Review Sheet 205 PflRT ТНШ СОШХТ із ИККПІ zot Music in Society 208 Ideas 208 Quotation 210 Words 212 The Supernatural 212 Drama 213 Dance 214 Synergism 215 KeyWords 216 Suggested Reading 216 Suggested Listening 216 Helpful Videocassettes 217 Review Sheet 219 щ ШОІШІІІШІС 221 Women as Composers by Suzanne Beteken 222 Women as Patrons by Bonnie Jo Dopp 227 Women as Performers by April Nash Greenan 228 Balkan Women and Diaphony by Robin Wildstein 231 Women as Teachers by April Nash Greenan 232 KeyWords 235 Suggested Reading 23 5 Suggested Listening 236 Helpful Videocassette 236 Review Sheet 237 15 ЙГЖЙП-ШШ (MIC: farly Genre; 239 Ragtime 240 Blues 241 Gospel 244 Jazz 246 New Orleans 246 VIII Contents Key Words 248 Suggested Reading 248 Suggested Listening 249 Helpful Videocassettes 249 Review Sheet 251 Glossary 253 Appendix I: Key Signatures 273 Appendix II: "Church" Modes and Solmization 275 Appendix III: The Overtone Series and Intervals 277 Appendix IV: Dynamics 279 CD Tracks 281 Index 283
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