Musical works in the making: verbal and gestural negotation in rehearsals and peformances of Einojuhani Rautavaara’s piano concerti
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Turku
Turun Yliopisto
2007
|
| Schriftenreihe: | Turun Yliopiston julkaisuja
Sarja B, Humaniora ; 299 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Zugl.: Tuku, Univ. Diss. |
| Beschreibung: | 287 S. Ill., Notenbeisp. |
| ISBN: | 9789512932993 |
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| 245 | 1 | 0 | |a Musical works in the making |b verbal and gestural negotation in rehearsals and peformances of Einojuhani Rautavaara’s piano concerti |c by Marjaana Virtanen |
| 264 | 1 | |a Turku |b Turun Yliopisto |c 2007 | |
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| 490 | 1 | |a Turun Yliopiston julkaisuja : Sarja B, Humaniora |v 299 | |
| 500 | |a Zugl.: Tuku, Univ. Diss. | ||
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Datensatz im Suchindex
| _version_ | 1804136780190973952 |
|---|---|
| adam_text | Contents
Acknowledgements
....................................... 7
0.
Introduction
............................................ 11
1.
Studying musical works in performance
.................. 22
1.1
Central perspectives
...................................... 22
1.1.1
Musical interaction
...................................... 22
1.1.2
Musical gestures
........................................ 25
1.1.3
Making of works: sources
................................ 29
1.2
Fieldwork component of the study
.......................... 31
1.2.1
Performances and performers included in the study
.......... 31
1.2.2
Applied methods of qualitative analysis
..................... 35
1.3
Studies on performance and the performer s agency
........... 43
1.4
Relation to the research tradition
............................. 52
1.4.1
Analysis and performance
................................ 52
1.4.2
Discussion of the work-concept
......................... 54
1.4.3
The debate on authorship in music
........................ 58
1.4.4
Rautavaara studies
...................................... 60
2.
Relations of composer, musicians and scores
............. 62
2.1
Who is the boss?
......................................... 62
2.2
Musical interaction and agency
............................. 69
2.3
First Concerto: author as virtuoso, virtuoso as author
........... 75
2.3.1
Background
........................................... 75
2.3.2
Analysis of the rehearsal process and the performance
........ 79
2.4
Second Concerto: the score at the center of musical interaction
.. 91
2.4.1
Background
............................................ 91
2.4.2
Analysis of the rehearsal process and the performance
........ 97
2.5
Third Concerto: divided agency, balanced interaction
.......... 113
2.5.1
Background
............................................ 113
2.5.2
Analysis of the rehearsal process and the performance
........ 120
2.6
The dependence of agency on situational factors
............... 132
2.7
Composer-performer relations
............................. 138
2.7.1
Laura
Mikkola
as a Rautavaara specialist
................... 138
2.7.2
Score and the composer s intentions
....................... 146
3.
Constructing works through gestures
..................... 152
3.1
Introduction
............................................. 152
3.2
Studying composed and performed gestures
.................. 154
3.2.1
Hatten s theory
......................................... 154
3.2.2
Physical gestures
....................................... 159
3.3
The didactic function of gestures
........................... 165
3.3.1
Rehearsing works and the concept of gestural scaffolding
...... 165
3.3.2
Didactic gestures
....................................... 167
3.4
The negotiative function of gestures
........................ 189
3.5
Disallowed gestures
...................................... 203
3.6
Conclusion: work in performance, work in rehearsal
............ 209
3.7
The question of agency: whose gestures?
.................... 212
3.7.1
Agency of the composer
.................................. 212
3.7.2
Agency of the performers
................................. 218
4.
Musical works and agency:
towards a performance-oriented model
.................... 225
4.1
Model
1:
New and little-performed works. The case of
Rautavaara s Piano
Concerti
................................... 225
4.2
Model
2:
Works developing a performance tradition
............ 234
4.3
The status of the score
.................................... 241
4.4
Authorship and multiple agencies
........................... 246
4.5
A performance-oriented approach to analyzing works: discussion
. 253
Epilogue
................................................. 256
Sources
.................................................. 260
1.
Video recordings
.......................................... 260
2.
Minidisc recordings
....................................... 261
3.
Scores
................................................... 261
4.
Commercial recordings
..................................... 262
5.
Newspapers
.............................................. 262
6.
Bibliography
.............................................. 263
7.
Other sources
............................................. 278
Abstract
................................................. 279
Index of Names
........................................... 283
|
| adam_txt |
Contents
Acknowledgements
. 7
0.
Introduction
. 11
1.
Studying musical works in performance
. 22
1.1
Central perspectives
. 22
1.1.1
Musical interaction
. 22
1.1.2
Musical gestures
. 25
1.1.3
Making of works: sources
. 29
1.2
Fieldwork component of the study
. 31
1.2.1
Performances and performers included in the study
. 31
1.2.2
Applied methods of qualitative analysis
. 35
1.3
Studies on performance and the performer's agency
. 43
1.4
Relation to the research tradition
. 52
1.4.1
Analysis and performance
. 52
1.4.2
Discussion of the "work-concept"
. 54
1.4.3
The debate on authorship in music
. 58
1.4.4
Rautavaara studies
. 60
2.
Relations of composer, musicians and scores
. 62
2.1
Who is the boss?
. 62
2.2
Musical interaction and agency
. 69
2.3
First Concerto: author as virtuoso, virtuoso as author
. 75
2.3.1
Background
. 75
2.3.2
Analysis of the rehearsal process and the performance
. 79
2.4
Second Concerto: the score at the center of musical interaction
. 91
2.4.1
Background
. 91
2.4.2
Analysis of the rehearsal process and the performance
. 97
2.5
Third Concerto: divided agency, balanced interaction
. 113
2.5.1
Background
. 113
2.5.2
Analysis of the rehearsal process and the performance
. 120
2.6
The dependence of agency on situational factors
. 132
2.7
Composer-performer relations
. 138
2.7.1
Laura
Mikkola
as a Rautavaara specialist
. 138
2.7.2
Score and the composer's intentions
. 146
3.
Constructing works through gestures
. 152
3.1
Introduction
. 152
3.2
Studying composed and performed gestures
. 154
3.2.1
Hatten's theory
. 154
3.2.2
Physical gestures
. 159
3.3
The didactic function of gestures
. 165
3.3.1
Rehearsing works and the concept of gestural scaffolding
. 165
3.3.2
Didactic gestures
. 167
3.4
The negotiative function of gestures
. 189
3.5
Disallowed gestures
. 203
3.6
Conclusion: work in performance, work in rehearsal
. 209
3.7
The question of agency: whose gestures?
. 212
3.7.1
Agency of the composer
. 212
3.7.2
Agency of the performers
. 218
4.
Musical works and agency:
towards a performance-oriented model
. 225
4.1
Model
1:
New and little-performed works. The case of
Rautavaara's Piano
Concerti
. 225
4.2
Model
2:
Works developing a performance tradition
. 234
4.3
The status of the score
. 241
4.4
Authorship and multiple agencies
. 246
4.5
A performance-oriented approach to analyzing works: discussion
. 253
Epilogue
. 256
Sources
. 260
1.
Video recordings
. 260
2.
Minidisc recordings
. 261
3.
Scores
. 261
4.
Commercial recordings
. 262
5.
Newspapers
. 262
6.
Bibliography
. 263
7.
Other sources
. 278
Abstract
. 279
Index of Names
. 283 |
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| id | DE-604.BV022620452 |
| illustrated | Illustrated |
| index_date | 2024-07-02T18:19:54Z |
| indexdate | 2024-07-09T21:01:50Z |
| institution | BVB |
| isbn | 9789512932993 |
| language | English |
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| series | Turun Yliopiston julkaisuja |
| series2 | Turun Yliopiston julkaisuja : Sarja B, Humaniora |
| spelling | Virtanen, Marjaana Verfasser aut Musical works in the making verbal and gestural negotation in rehearsals and peformances of Einojuhani Rautavaara’s piano concerti by Marjaana Virtanen Turku Turun Yliopisto 2007 287 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Turun Yliopiston julkaisuja : Sarja B, Humaniora 299 Zugl.: Tuku, Univ. Diss. Rautavaara, Einojuhani 1928-2016 (DE-588)119489325 gnd rswk-swf Musikalische Aufführungspraxis (DE-588)4170800-3 gnd rswk-swf Klavierkonzert (DE-588)4164065-2 gnd rswk-swf Rautavaara, Einojuhani 1928-2016 (DE-588)119489325 p Klavierkonzert (DE-588)4164065-2 s Musikalische Aufführungspraxis (DE-588)4170800-3 s DE-604 Turun Yliopiston julkaisuja Sarja B, Humaniora ; 299 (DE-604)BV008000264 299 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015826524&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Virtanen, Marjaana Musical works in the making verbal and gestural negotation in rehearsals and peformances of Einojuhani Rautavaara’s piano concerti Turun Yliopiston julkaisuja Rautavaara, Einojuhani 1928-2016 (DE-588)119489325 gnd Musikalische Aufführungspraxis (DE-588)4170800-3 gnd Klavierkonzert (DE-588)4164065-2 gnd |
| subject_GND | (DE-588)119489325 (DE-588)4170800-3 (DE-588)4164065-2 |
| title | Musical works in the making verbal and gestural negotation in rehearsals and peformances of Einojuhani Rautavaara’s piano concerti |
| title_auth | Musical works in the making verbal and gestural negotation in rehearsals and peformances of Einojuhani Rautavaara’s piano concerti |
| title_exact_search | Musical works in the making verbal and gestural negotation in rehearsals and peformances of Einojuhani Rautavaara’s piano concerti |
| title_exact_search_txtP | Musical works in the making verbal and gestural negotation in rehearsals and peformances of Einojuhani Rautavaara’s piano concerti |
| title_full | Musical works in the making verbal and gestural negotation in rehearsals and peformances of Einojuhani Rautavaara’s piano concerti by Marjaana Virtanen |
| title_fullStr | Musical works in the making verbal and gestural negotation in rehearsals and peformances of Einojuhani Rautavaara’s piano concerti by Marjaana Virtanen |
| title_full_unstemmed | Musical works in the making verbal and gestural negotation in rehearsals and peformances of Einojuhani Rautavaara’s piano concerti by Marjaana Virtanen |
| title_short | Musical works in the making |
| title_sort | musical works in the making verbal and gestural negotation in rehearsals and peformances of einojuhani rautavaara s piano concerti |
| title_sub | verbal and gestural negotation in rehearsals and peformances of Einojuhani Rautavaara’s piano concerti |
| topic | Rautavaara, Einojuhani 1928-2016 (DE-588)119489325 gnd Musikalische Aufführungspraxis (DE-588)4170800-3 gnd Klavierkonzert (DE-588)4164065-2 gnd |
| topic_facet | Rautavaara, Einojuhani 1928-2016 Musikalische Aufführungspraxis Klavierkonzert |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015826524&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV008000264 |
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