English fiction in the 1930s: language, genre, history
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Continuum
2006
|
| Schriftenreihe: | Continuum literary studies series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | VIII, 176 S. |
| ISBN: | 0826489389 9780826489388 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgements
ix
Introduction: Novel Politics: Language, Genre and History
1
in English Fiction of the
1930s
Part
1:
Modernism and Modernity
1
Winifred Holtby, Storm Jameson and Phyllis
Bentley:
11
Three Women Writers and the Crises of Modernity
2
Realism, Modernism and Gendered Identity in Elizabeth
30
Bowen s To the North and The Death of the Heart
Part
2:
Documentary and Proletarian Pastoral
3
Dialect and Dialectic: Region and Nation in Walter
43
Greenwood s Love on the Dole
4
Modernizing Pastorals? Ralph Bates s The Olive Meld
51
and
1930s
Leftist Pastoral
5
Depressed Pastorals? Documenting Wales in the
1930s 61
Part
3:
History and the Historical Novel
6
Vienna, Vienna, Berlin: Naomi Mitchison s Vienna Diary,
77
John Lehmann s Evil Was Abroad, Christopher bherwood s
Goodbye to Berlin
7
Robert Graves and the Historical Novel in the
1930s 95
8 1
Can t be Interested in the
Päsť:
Historicizing Sylvia
102
Tównsend
Warner s After the Death of
Donjuan
viii Contents
Part
4:
Thrillers and Dystopias
9
Leftists and Thrillers: The Politics of a
1930s
Sub-Genre
123
10
Flight, Gender, Dystopia:
Katherine Burdekin s
Swastika Night;
138
Storm Jameson s In the Second Year; Rex Warner s
The Aerodrome
Notes
158
Bibliography
169
Index
174
This study approaches the fiction of the
1930s
through critical debates about genre, language and
history, setting these in their original context, and discussing the generic forms most favoured by
novelists at the time, through a series of case studies of texts which draw on, develop or explore
the boundaries, contemporary usefulness and complexities of particular prose genres. Generic
debates and the political-aesthetic effects of different kinds of representation were live issues as
discursive struggles and negotiations took place between modernist and realist modes, between
high, middle and lowbrow categorizations of culture, between literature and mass culture, and
between different conceptions of the role of the writer, politics and nationality, sexuality and
gender identities.
Chris Hopkins draws both on well-known texts and on novels which have only recently begun to
be discussed by critics of the
1930s —
particularly those by women writers whose work has still
not been related very clearly to the literary and political debates of the period. Organized in
five sections each focusing on major genres, he takes a wide range of novels as case studies and
discusses their uses of generic, forms, relating them to other examples and to their historical,
political and cultural contexts.
Chris Hopkins is Professor of English Studies and Head of the Humanities Research Centre at
Sheffield
Haliam
University, UK.
|
| adam_txt |
Contents
Acknowledgements
ix
Introduction: Novel Politics: Language, Genre and History
1
in English Fiction of the
1930s
Part
1:
Modernism and Modernity
1
Winifred Holtby, Storm Jameson and Phyllis
Bentley:
11
Three Women Writers and the Crises of Modernity
2
Realism, Modernism and Gendered Identity in Elizabeth
30
Bowen's To the North and The Death of the Heart
Part
2:
Documentary and Proletarian Pastoral
3
Dialect and Dialectic: Region and Nation in Walter
43
Greenwood's Love on the Dole
4
Modernizing Pastorals? Ralph Bates's The Olive Meld
51
and
1930s
Leftist Pastoral
5
Depressed Pastorals? Documenting Wales in the
1930s 61
Part
3:
History and the Historical Novel
6
Vienna, Vienna, Berlin: Naomi Mitchison's Vienna Diary,
77
John Lehmann's Evil Was Abroad, Christopher bherwood's
Goodbye to Berlin
7
Robert Graves and the Historical Novel in the
1930s 95
8 1
Can't be Interested in the
Päsť:
Historicizing Sylvia
102
Tównsend
Warner's After the Death of
Donjuan
viii Contents
Part
4:
Thrillers and Dystopias
9
Leftists and Thrillers: The Politics of a
1930s
Sub-Genre
123
10
Flight, Gender, Dystopia:
Katherine Burdekin's
Swastika Night;
138
Storm Jameson's In the Second Year; Rex Warner's
The Aerodrome
Notes
158
Bibliography
169
Index
174
This study approaches the fiction of the
1930s
through critical debates about genre, language and
history, setting these in their original context, and discussing the generic forms most favoured by
novelists at the time, through a series of case studies of texts which draw on, develop or explore
the boundaries, contemporary usefulness and complexities of particular prose genres. Generic
debates and the political-aesthetic effects of different kinds of representation were live issues as
discursive struggles and negotiations took place between modernist and realist modes, between
high, middle and lowbrow categorizations of culture, between literature and mass culture, and
between different conceptions of the role of the writer, politics and nationality, sexuality and
gender identities.
Chris Hopkins draws both on well-known texts and on novels which have only recently begun to
be discussed by critics of the
1930s —
particularly those by women writers whose work has still
not been related very clearly to the literary and political debates of the period. Organized in
five sections each focusing on major genres, he takes a wide range of novels as case studies and
discusses their uses of generic, forms, relating them to other examples and to their historical,
political and cultural contexts.
Chris Hopkins is Professor of English Studies and Head of the Humanities Research Centre at
Sheffield
Haliam
University, UK. |
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| title | English fiction in the 1930s language, genre, history |
| title_auth | English fiction in the 1930s language, genre, history |
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| title_short | English fiction in the 1930s |
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