Lawrence of arabia:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
BFI
2007
|
| Schriftenreihe: | BFI Film Classics
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | 127 S. zahlr. Ill. |
| ISBN: | 9781844571789 |
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Datensatz im Suchindex
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| adam_text | Contents Acknowledgments 6 Introduction 7 1 Lawrence and Lawrence 13 2 1919-39 26 3 1945-61 40 4 Shoot Part One: Jordan 56 5 Shoot Part Two: Spain, Morocco, England 75 6 Release and Reactions: 1962 94 7 Reputation and Restoration: 1962-2007 107 Notes 119 Credits 123 Select Bibliography 126
Lawrence of Arabia Almost half a century after its triumphant release, Lawrence of Arabia continues to be regarded as one of the masterpieces of popular cinema, and it remains a vivid inspiration to film-makers from Steven Spielberg and Martin Scorsese to Spike Lee and Martin Campbell. Almost every aspect of its production - Robert Bolt’s powerful and intelligent script, Freddie Young’s rapturous colour photography, and above all David Lean’s masterful direction - has been admired as a high point of cinema history. Spielberg has even called the film ‘a miracle’. But these garlands were not easily won. As Kevin Jackson shows, the process of bringing T. E. Lawrence to the screen was a long and often bitter battle, with many reverses. Marlon Brando was the producer’s first choice for the lead role, and Albert Finney the favoured substitute; Robert Bolt, a leading member of CND, spent part of the production in prison, and then entered into a fierce credit dispute with the original screenwriter, Michael Wilson; Lean and his producer, Sam Spiegel, were locked in endless financial and creative arguments, and the epic shoot was a logistical nightmare. And, long before Spiegel and Lean joined forces, the Lawrence story had already defeated many earlier film-makers, notably Korda, whose abortive attempts to bring the Desert Revolt to the screen lasted well over a decade. Beginning with an account of the extraordinary and paradoxical character of its hero’s flawed genius, Kevin Jackson’s study investigates not only the victories and defeats of Lean’s masterpiece but also the longer
history of Lawrence of Arabia and the cinema. KEVIN JACKSON is a Fellow of the Royal Society of Arts, a Companion of the Guild of St George, and a Regent of the College de ’Pataphysique. Previous publications include Withnail I (2004).
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| adam_txt |
Contents Acknowledgments 6 Introduction 7 1 Lawrence and Lawrence 13 2 1919-39 26 3 1945-61 40 4 Shoot Part One: Jordan 56 5 Shoot Part Two: Spain, Morocco, England 75 6 Release and Reactions: 1962 94 7 Reputation and Restoration: 1962-2007 107 Notes 119 Credits 123 Select Bibliography 126
Lawrence of Arabia Almost half a century after its triumphant release, Lawrence of Arabia continues to be regarded as one of the masterpieces of popular cinema, and it remains a vivid inspiration to film-makers from Steven Spielberg and Martin Scorsese to Spike Lee and Martin Campbell. Almost every aspect of its production - Robert Bolt’s powerful and intelligent script, Freddie Young’s rapturous colour photography, and above all David Lean’s masterful direction - has been admired as a high point of cinema history. Spielberg has even called the film ‘a miracle’. But these garlands were not easily won. As Kevin Jackson shows, the process of bringing T. E. Lawrence to the screen was a long and often bitter battle, with many reverses. Marlon Brando was the producer’s first choice for the lead role, and Albert Finney the favoured substitute; Robert Bolt, a leading member of CND, spent part of the production in prison, and then entered into a fierce credit dispute with the original screenwriter, Michael Wilson; Lean and his producer, Sam Spiegel, were locked in endless financial and creative arguments, and the epic shoot was a logistical nightmare. And, long before Spiegel and Lean joined forces, the Lawrence story had already defeated many earlier film-makers, notably Korda, whose abortive attempts to bring the Desert Revolt to the screen lasted well over a decade. Beginning with an account of the extraordinary and paradoxical character of its hero’s flawed genius, Kevin Jackson’s study investigates not only the victories and defeats of Lean’s masterpiece but also the longer
history of Lawrence of Arabia and the cinema. KEVIN JACKSON is a Fellow of the Royal Society of Arts, a Companion of the Guild of St George, and a Regent of the College de ’Pataphysique. Previous publications include Withnail I (2004). |
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| isbn | 9781844571789 |
| language | English |
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| title | Lawrence of arabia |
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