Everyday aesthetics: prosaics, the play of culture, and social identities
Katya Mandoki advances in this book the thesis that it is not only possible but crucial to open up the field of aesthetics (traditionally confined to the study of art and beauty) toward the richness and complexity of everyday life. She argues that in every process of communication, whether face to f...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Aldershot [u.a.]
Ashgate
2007
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Katya Mandoki advances in this book the thesis that it is not only possible but crucial to open up the field of aesthetics (traditionally confined to the study of art and beauty) toward the richness and complexity of everyday life. She argues that in every process of communication, whether face to face or through the media, fashion, and political propaganda, there is always an excess beyond the informative and functional value of a message. This excess is the aesthetic. Following Huizinga's view of play as an ingredient of any social environment, Mandoki explores how various cultural practices are in fact forms of playing since, for the author, aesthetics and play are Siamese twins. One of the unique contributions of this book is the elaboration and application of a semiotic model for the simultaneous analysis of social interactions in the four registers, namely visual, auditory, verbal and body language, to detect the aesthetic strategies deployed in specific situations. She argues that since the presentation of the self is targeted towards participants' sensibilities, aesthetics plays a key role in these modes of exchange. Consequently, the author updates important debates in this field to clear the way for a socio-aesthetic inquiry through contexts such as the family, school, medical, artistic or religious traditions from which social identities emerge. |
| Beschreibung: | Includes bibliographical references (p. ) and index |
| Beschreibung: | XVII, 327 S. |
| ISBN: | 9780754658894 0754658899 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV022538987 | ||
| 003 | DE-604 | ||
| 005 | 20070926 | ||
| 007 | t | ||
| 008 | 070801s2007 xxk |||| 00||| eng d | ||
| 010 | |a 2006019740 | ||
| 020 | |a 9780754658894 |9 978-0-7546-5889-4 | ||
| 020 | |a 0754658899 |9 0-7546-5889-9 | ||
| 035 | |a (OCoLC)70158422 | ||
| 035 | |a (DE-599)BVBBV022538987 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 044 | |a xxk |c GB | ||
| 049 | |a DE-29 |a DE-12 |a DE-11 |a DE-19 | ||
| 050 | 0 | |a BH39 | |
| 082 | 0 | |a 111/.85 | |
| 084 | |a CC 6900 |0 (DE-625)17665: |2 rvk | ||
| 084 | |a 5,1 |2 ssgn | ||
| 100 | 1 | |a Mandoki, Katya |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Everyday aesthetics |b prosaics, the play of culture, and social identities |c Katya Mandoki |
| 264 | 1 | |a Aldershot [u.a.] |b Ashgate |c 2007 | |
| 300 | |a XVII, 327 S. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references (p. ) and index | ||
| 520 | 3 | |a Katya Mandoki advances in this book the thesis that it is not only possible but crucial to open up the field of aesthetics (traditionally confined to the study of art and beauty) toward the richness and complexity of everyday life. She argues that in every process of communication, whether face to face or through the media, fashion, and political propaganda, there is always an excess beyond the informative and functional value of a message. This excess is the aesthetic. Following Huizinga's view of play as an ingredient of any social environment, Mandoki explores how various cultural practices are in fact forms of playing since, for the author, aesthetics and play are Siamese twins. One of the unique contributions of this book is the elaboration and application of a semiotic model for the simultaneous analysis of social interactions in the four registers, namely visual, auditory, verbal and body language, to detect the aesthetic strategies deployed in specific situations. She argues that since the presentation of the self is targeted towards participants' sensibilities, aesthetics plays a key role in these modes of exchange. Consequently, the author updates important debates in this field to clear the way for a socio-aesthetic inquiry through contexts such as the family, school, medical, artistic or religious traditions from which social identities emerge. | |
| 650 | 4 | |a Ästhetik | |
| 650 | 4 | |a Aesthetics | |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 856 | 4 | 2 | |m V:DE-604 |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015745466&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-015745466 | ||
Datensatz im Suchindex
| _version_ | 1804136651584176128 |
|---|---|
| adam_text | CONTENTS LIST OFTABLES GLOSSARY PREFAEE AEKNOWLEDGEMENT PART 1 THE
LABYRINTHS OF AESTHETICS CHAPTER 1 THE PROBLEMS OF AESTHETICS PROBLEMS
OF DEFINITION PROBLEMS OF LOEATION PROBLEMS OF DISTINETION CHAPTER 2 THE
FETISHES OF AESTHETICS THE FETISH OFBEAUTY THE FETISH OF THE ARTWORK THE
FETISH OFTHE AESTHETIE OBJEET X XI XV XVIII 1 3 3 3 5 7 7 8 10 CHAPTER 3
THE MYTHS OF AESTHETICS 15 THE MYTH OFTHE OPPOSITION ART/REALITY AND
AESTHETIES/EVERYDAY LIFE 15 THE MYTH OF AESTHETIE DISINTEREST 17 THE
MYTH OF AESTHETIE DISTANEE 19 THE MYTH OF THE AESTHETIE ATTITUDE 22 THE
MYTH OF AESTHETIE ASPEETS OR QUALITIES 24 THE MYTH OFTHE UNIVERSALITY
OFBEAUTY 26 THE MYTH OFTHE OPPOSITION BETWEEN THE AESTHETIE AND THE
INTEL1EETUAL 27 THE MYTH OFTHE SYNONYMITY OF ART AND AESTHETIES 29 THE
MYTH OF THE AESTHETIE POTENTIALITY OF ARTWORKS 30 THE MYTH OF THE
AESTHETIE EXPERIENEE 31 CHAPTER 4 THE FEARS OF AESTHETICS THE FEAR OFTHE
UNDESIRABLE THE FEAR OF EVERYDAY IMPURITIES THE FEAR OFPSYEHOLOGISM THE
FEAR OF THE IMMORAL 37 37 38 39 40 VI EVERYDAY AESTHETICS PART 2 ON
AESTHESIS 43 CHAPTER 5 DEMARCATING AESTHETICS 45 A GENEALOGICAL
PERSPECTIVE FOR A BIO-AESTHETICS 47 BIO-AESTHETICS 49 SOCIO-AESTHETICS
50 CHAPTER 6 BASIC CATEGORIES FOR AESTHETIC ANALYSIS 53 AESTHETIC
SUBJECT AND AESTHETIC OBJECT 53 OBJECTIVITY, OBJECTUALITY, AND
OBJECTIVATION 55 SUBJECTIVITY, INDIVIDUALITY, IDENTITY, ROLE 57 CHAPTER
7 CONDITIONS OF POSSIBILITY OF AESTHESIS: THE A PRIOR; 61 SPACE-TIME 61
THE BODY 62 VITAL ENERGY 63 CULTURAL CONVENTIONS 64 CHAPTER 8 THE
PHENOMENOLOGY OF AESTHESIS: AESTHETIC LATCHING-ON AND LATCHED-BY 67 PART
3 TOWARDS PROSAICS 73 PROSAICS AND PANAESTHETICISM 73 CHAPTER 9 PROSAICS
AND POETICS 75 POESICS AND PROSICS 79 CHAPTER 10 THE TANGENTS OF
PROSAICS 81 CHAPTER 11 THE NUTRIENTS OFPROSAICS 87 MIKHAIL BAKHTIN 87
LOHN DEWEY 88 LOHAN HUIZINGA 90 CHAPTER 12 THE PLAY OF CULTURE 93
CATEGORIZATION OF GAMES BY CAILLOIS 94 CHAPTER 13 THE HORIZONS OF
PROSAICS 97 PART 4 SEMIO-AESTHETICS 101 SEMIO-AESTHETICS AND
AESTHESIO-SEMIOTICS 101 CHAPTER 14 THRESHOLDS OF SEMIOTIC PERCEPTION:
SENSATION, DISCERNMENT AND REGARD 105 CONTENTS VB CHAPTER 15 THE AXIS OF
THE SIGNIC 109 SIGNIFIER 111 SIGNIFIED 112 CHAPTER 16 THE AXIS OF THE
SYMBOLIC 115 CHAPTER 17 COMPARATIVE VIEW OF BOTH AXES: THE SYMBOLIC AND
THE SIGNIC 119 CHAPTER 18 THE NON-AXIS OF THE OBTUSE 125 CHAPTER 19
BEYOND SEMIOSIS TO AESTHESIS 127 CHAPTER 20 AESTHETIC ENUNCIATION AND
ITS DIALOGICAL CHARACTER 131 AESTHETIC SYNTAGM AND PARADIGM 133 PARTS
OCTADIC MODEL FOR AESTHETIC ANALYSIS 135 THE PROJECTION OFTHE SEMIOTIC
AXES TO THE AESTHETIC 136 CHAPTER 21 RHETORIC AND ITS REGISTERS 139
LEXIC REGISTER 142 ACOUSTIC REGISTER 143 SOMATIC REGISTER 144 SCOPIC
REGISTER 146 CHAPTER 22 DRAMATICS AND ITS MODALITIES 149 PROXEMICS 149
KINETICS 151 EMPHATICS 152 FLUXION 152 CHAPTER 23 THE RHETORIC-DRAMATIC
COUPLING 155 LEXIC PROXEMICS 155 ACOUSTIC PROXEMICS 156 SOMATIC
PROXEMICS 156 SCOPIC PROXEMICS 157 LEXIC KINETICS 157 ACOUSTIC KINETICS
158 SOMATIC KINETICS 158 SCOPIC KINETICS 158 LEXIC EMPHATICS 159
ACOUSTIC EMPHATICS 160 SOMATIC EMPHATICS 161 SCOPIC EMPHATICS 161 LEXIC
FLUXION 162 ACOUSTIC FLUXION 163 VIII EVERYDAY AESTHETICS SOMATIC
FLUXION 164 SCOPIC FLUXION 164 CHAPTER 24 CON-FORMATIONS OF THE
RHETORIC-DRAMATIC COUPLING 169 HETEROG10SSIA 170 PO1YPHONY 172
HYBRIDIZATION 173 EX-PRESSION, IM-PRESSION, COM-PRESSION, DE-PRESSION
173 PART 6 MATRIXES AND IDENTITIES 177 CHAPTER 25 THE MATRIXES: A
GENERAL APPROACH 179 MATRIXES AND PARADIGMS 182 CHAPTER 26 DIACHRONIC
AND SYNCHRONIE PERSPECTIVE OF CULTURAL MATRIXES 185 DIACHRONIE
PERSPECTIVE OF THE MATRIXES 186 SYNCHRONIE PERSPECTIVE OF THE MATRIXES
187 CHAPTER 27 THE FAMILY MATRIX 195 THE REGISTERS OF RHETORICS IN THE
FAMI1Y MATRIX 196 THE MODALITIES OF THE DRAMATIC IN THE FAMILY MATRIX
198 FAMILY PROXEMICS 198 FAMILY KINETICS 199 FAMILY EMPHATICS 200 FAMILY
FLUXION 201 PARADIGMATIC PROJECTIONS IN THE FAMILY MATRIX 203 CHAPTER 28
THE RELIGION MATRIX 205 JUDAIC RELIGIOUS MATRIX 207 CHRISTIAN RELIGIOUS
MATRIX 213 ISLAMIC RELIGIOUS MATRIX 219 A PARALLEL APPROACH TO DRAMATICS
IN THE RELIGIOUS MATRIX 226 RELIGIOUS FLUXION 233 FINAL CONSIDERATIONS
OFTHE RELIGIOUS MATRIX 234 PARADIGMATIC PROJECTION OF AND IN THE
RELIGIOUS MATRIX 235 CHAPTER 29 THE SCHOOL MATRIX 237 SCHOOL RHETORICS
238 SCHOOL DRAMATICS 239 PARADIGMATIC PROJECTION OFTHE SCHOOL MATRIX 246
CHAPTER 30 THE MEDIEAL MATRIX 247 MEDICAL RHETORICS 247 MEDICAL
DRAMATICS 250 MEDICAL EMPHATICS 252 PARADIGMATIC PROJECTION IN AND FROM
THE MEDICAL MATRIX 255 CONTENTS CHAPTER 31 THE OEEULTIST MATRIX
OCCULTIST RHETORICS OCCULTIST DRAMATICS PARADIGMATIC PROJECTION IN THE
OCCULTIST MATRIX CHAPTER 32 THE ARTS MATRIX THE REGISTERS OF THE
RHETORIC IN THE ARTISTIC MATRIX MODALITIES OF ARTISTIC DRAMATICS
PARADIGM PROJECTIONS RELATED TO THE ARTISTIC MATRIX COOCLUSIONS
MATRICIAL SYMBOLS AOD AESTHETIE GAMES REFERENCES INDEX IX 257 258 261
266 269 273 283 293 295 301 313
|
| adam_txt |
CONTENTS LIST OFTABLES GLOSSARY PREFAEE AEKNOWLEDGEMENT PART 1 THE
LABYRINTHS OF AESTHETICS CHAPTER 1 THE PROBLEMS OF AESTHETICS PROBLEMS
OF DEFINITION PROBLEMS OF LOEATION PROBLEMS OF DISTINETION CHAPTER 2 THE
FETISHES OF AESTHETICS THE FETISH OFBEAUTY THE FETISH OF THE ARTWORK THE
FETISH OFTHE AESTHETIE OBJEET X XI XV XVIII 1 3 3 3 5 7 7 8 10 CHAPTER 3
THE MYTHS OF AESTHETICS 15 THE MYTH OFTHE OPPOSITION ART/REALITY AND
AESTHETIES/EVERYDAY LIFE 15 THE MYTH OF AESTHETIE DISINTEREST 17 THE
MYTH OF AESTHETIE DISTANEE 19 THE MYTH OF THE AESTHETIE ATTITUDE 22 THE
MYTH OF AESTHETIE ASPEETS OR QUALITIES 24 THE MYTH OFTHE UNIVERSALITY
OFBEAUTY 26 THE MYTH OFTHE OPPOSITION BETWEEN THE AESTHETIE AND THE
INTEL1EETUAL 27 THE MYTH OFTHE SYNONYMITY OF ART AND AESTHETIES 29 THE
MYTH OF THE AESTHETIE POTENTIALITY OF ARTWORKS 30 THE MYTH OF THE
AESTHETIE EXPERIENEE 31 CHAPTER 4 THE FEARS OF AESTHETICS THE FEAR OFTHE
UNDESIRABLE THE FEAR OF EVERYDAY IMPURITIES THE FEAR OFPSYEHOLOGISM THE
FEAR OF THE IMMORAL 37 37 38 39 40 VI EVERYDAY AESTHETICS PART 2 ON
AESTHESIS 43 CHAPTER 5 DEMARCATING AESTHETICS 45 A GENEALOGICAL
PERSPECTIVE FOR A BIO-AESTHETICS 47 BIO-AESTHETICS 49 SOCIO-AESTHETICS
50 CHAPTER 6 BASIC CATEGORIES FOR AESTHETIC ANALYSIS 53 AESTHETIC
SUBJECT AND AESTHETIC OBJECT 53 OBJECTIVITY, OBJECTUALITY, AND
OBJECTIVATION 55 SUBJECTIVITY, INDIVIDUALITY, IDENTITY, ROLE 57 CHAPTER
7 CONDITIONS OF POSSIBILITY OF AESTHESIS: THE A PRIOR; 61 SPACE-TIME 61
THE BODY 62 VITAL ENERGY 63 CULTURAL CONVENTIONS 64 CHAPTER 8 THE
PHENOMENOLOGY OF AESTHESIS: AESTHETIC LATCHING-ON AND LATCHED-BY 67 PART
3 TOWARDS PROSAICS 73 PROSAICS AND PANAESTHETICISM 73 CHAPTER 9 PROSAICS
AND POETICS 75 POESICS AND PROSICS 79 CHAPTER 10 THE TANGENTS OF
PROSAICS 81 CHAPTER 11 THE NUTRIENTS OFPROSAICS 87 MIKHAIL BAKHTIN 87
LOHN DEWEY 88 LOHAN HUIZINGA 90 CHAPTER 12 THE PLAY OF CULTURE 93
CATEGORIZATION OF GAMES BY CAILLOIS 94 CHAPTER 13 THE HORIZONS OF
PROSAICS 97 PART 4 SEMIO-AESTHETICS 101 SEMIO-AESTHETICS AND
AESTHESIO-SEMIOTICS 101 CHAPTER 14 THRESHOLDS OF SEMIOTIC PERCEPTION:
SENSATION, DISCERNMENT AND REGARD 105 CONTENTS VB CHAPTER 15 THE AXIS OF
THE SIGNIC 109 SIGNIFIER 111 SIGNIFIED 112 CHAPTER 16 THE AXIS OF THE
SYMBOLIC 115 CHAPTER 17 COMPARATIVE VIEW OF BOTH AXES: THE SYMBOLIC AND
THE SIGNIC 119 CHAPTER 18 THE NON-AXIS OF THE OBTUSE 125 CHAPTER 19
BEYOND SEMIOSIS TO AESTHESIS 127 CHAPTER 20 AESTHETIC ENUNCIATION AND
ITS DIALOGICAL CHARACTER 131 AESTHETIC SYNTAGM AND PARADIGM 133 PARTS
OCTADIC MODEL FOR AESTHETIC ANALYSIS 135 THE PROJECTION OFTHE SEMIOTIC
AXES TO THE AESTHETIC 136 CHAPTER 21 RHETORIC AND ITS REGISTERS 139
LEXIC REGISTER 142 ACOUSTIC REGISTER 143 SOMATIC REGISTER 144 SCOPIC
REGISTER 146 CHAPTER 22 DRAMATICS AND ITS MODALITIES 149 PROXEMICS 149
KINETICS 151 EMPHATICS 152 FLUXION 152 CHAPTER 23 THE RHETORIC-DRAMATIC
COUPLING 155 LEXIC PROXEMICS 155 ACOUSTIC PROXEMICS 156 SOMATIC
PROXEMICS 156 SCOPIC PROXEMICS 157 LEXIC KINETICS 157 ACOUSTIC KINETICS
158 SOMATIC KINETICS 158 SCOPIC KINETICS 158 LEXIC EMPHATICS 159
ACOUSTIC EMPHATICS 160 SOMATIC EMPHATICS 161 SCOPIC EMPHATICS 161 LEXIC
FLUXION 162 ACOUSTIC FLUXION 163 VIII EVERYDAY AESTHETICS SOMATIC
FLUXION 164 SCOPIC FLUXION 164 CHAPTER 24 CON-FORMATIONS OF THE
RHETORIC-DRAMATIC COUPLING 169 HETEROG10SSIA 170 PO1YPHONY 172
HYBRIDIZATION 173 EX-PRESSION, IM-PRESSION, COM-PRESSION, DE-PRESSION
173 PART 6 MATRIXES AND IDENTITIES 177 CHAPTER 25 THE MATRIXES: A
GENERAL APPROACH 179 MATRIXES AND PARADIGMS 182 CHAPTER 26 DIACHRONIC
AND SYNCHRONIE PERSPECTIVE OF CULTURAL MATRIXES 185 DIACHRONIE
PERSPECTIVE OF THE MATRIXES 186 SYNCHRONIE PERSPECTIVE OF THE MATRIXES
187 CHAPTER 27 THE FAMILY MATRIX 195 THE REGISTERS OF RHETORICS IN THE
FAMI1Y MATRIX 196 THE MODALITIES OF THE DRAMATIC IN THE FAMILY MATRIX
198 FAMILY PROXEMICS 198 FAMILY KINETICS 199 FAMILY EMPHATICS 200 FAMILY
FLUXION 201 PARADIGMATIC PROJECTIONS IN THE FAMILY MATRIX 203 CHAPTER 28
THE RELIGION MATRIX 205 JUDAIC RELIGIOUS MATRIX 207 CHRISTIAN RELIGIOUS
MATRIX 213 ISLAMIC RELIGIOUS MATRIX 219 A PARALLEL APPROACH TO DRAMATICS
IN THE RELIGIOUS MATRIX 226 RELIGIOUS FLUXION 233 FINAL CONSIDERATIONS
OFTHE RELIGIOUS MATRIX 234 PARADIGMATIC PROJECTION OF AND IN THE
RELIGIOUS MATRIX 235 CHAPTER 29 THE SCHOOL MATRIX 237 SCHOOL RHETORICS
238 SCHOOL DRAMATICS 239 PARADIGMATIC PROJECTION OFTHE SCHOOL MATRIX 246
CHAPTER 30 THE MEDIEAL MATRIX 247 MEDICAL RHETORICS 247 MEDICAL
DRAMATICS 250 MEDICAL EMPHATICS 252 PARADIGMATIC PROJECTION IN AND FROM
THE MEDICAL MATRIX 255 CONTENTS CHAPTER 31 THE OEEULTIST MATRIX
OCCULTIST RHETORICS OCCULTIST DRAMATICS PARADIGMATIC PROJECTION IN THE
OCCULTIST MATRIX CHAPTER 32 THE ARTS MATRIX THE REGISTERS OF THE
RHETORIC IN THE ARTISTIC MATRIX MODALITIES OF ARTISTIC DRAMATICS
PARADIGM PROJECTIONS RELATED TO THE ARTISTIC MATRIX COOCLUSIONS
MATRICIAL SYMBOLS AOD AESTHETIE GAMES REFERENCES INDEX IX 257 258 261
266 269 273 283 293 295 301 313 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Mandoki, Katya |
| author_facet | Mandoki, Katya |
| author_role | aut |
| author_sort | Mandoki, Katya |
| author_variant | k m km |
| building | Verbundindex |
| bvnumber | BV022538987 |
| callnumber-first | B - Philosophy, Psychology, Religion |
| callnumber-label | BH39 |
| callnumber-raw | BH39 |
| callnumber-search | BH39 |
| callnumber-sort | BH 239 |
| callnumber-subject | BH - Aesthetics |
| classification_rvk | CC 6900 |
| ctrlnum | (OCoLC)70158422 (DE-599)BVBBV022538987 |
| dewey-full | 111/.85 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 111 - Ontology |
| dewey-raw | 111/.85 |
| dewey-search | 111/.85 |
| dewey-sort | 3111 285 |
| dewey-tens | 110 - Metaphysics |
| discipline | Philosophie |
| discipline_str_mv | Philosophie |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02846nam a2200433zc 4500</leader><controlfield tag="001">BV022538987</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20070926 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">070801s2007 xxk |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2006019740</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780754658894</subfield><subfield code="9">978-0-7546-5889-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0754658899</subfield><subfield code="9">0-7546-5889-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)70158422</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV022538987</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxk</subfield><subfield code="c">GB</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-29</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-19</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">BH39</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">111/.85</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">CC 6900</subfield><subfield code="0">(DE-625)17665:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">5,1</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Mandoki, Katya</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Everyday aesthetics</subfield><subfield code="b">prosaics, the play of culture, and social identities</subfield><subfield code="c">Katya Mandoki</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Aldershot [u.a.]</subfield><subfield code="b">Ashgate</subfield><subfield code="c">2007</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XVII, 327 S.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (p. ) and index</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Katya Mandoki advances in this book the thesis that it is not only possible but crucial to open up the field of aesthetics (traditionally confined to the study of art and beauty) toward the richness and complexity of everyday life. She argues that in every process of communication, whether face to face or through the media, fashion, and political propaganda, there is always an excess beyond the informative and functional value of a message. This excess is the aesthetic. Following Huizinga's view of play as an ingredient of any social environment, Mandoki explores how various cultural practices are in fact forms of playing since, for the author, aesthetics and play are Siamese twins. One of the unique contributions of this book is the elaboration and application of a semiotic model for the simultaneous analysis of social interactions in the four registers, namely visual, auditory, verbal and body language, to detect the aesthetic strategies deployed in specific situations. She argues that since the presentation of the self is targeted towards participants' sensibilities, aesthetics plays a key role in these modes of exchange. Consequently, the author updates important debates in this field to clear the way for a socio-aesthetic inquiry through contexts such as the family, school, medical, artistic or religious traditions from which social identities emerge.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Ästhetik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Aesthetics</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">V:DE-604</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015745466&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-015745466</subfield></datafield></record></collection> |
| id | DE-604.BV022538987 |
| illustrated | Not Illustrated |
| index_date | 2024-07-02T18:09:32Z |
| indexdate | 2024-07-09T20:59:47Z |
| institution | BVB |
| isbn | 9780754658894 0754658899 |
| language | English |
| lccn | 2006019740 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015745466 |
| oclc_num | 70158422 |
| open_access_boolean | |
| owner | DE-29 DE-12 DE-11 DE-19 DE-BY-UBM |
| owner_facet | DE-29 DE-12 DE-11 DE-19 DE-BY-UBM |
| physical | XVII, 327 S. |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Ashgate |
| record_format | marc |
| spelling | Mandoki, Katya Verfasser aut Everyday aesthetics prosaics, the play of culture, and social identities Katya Mandoki Aldershot [u.a.] Ashgate 2007 XVII, 327 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. ) and index Katya Mandoki advances in this book the thesis that it is not only possible but crucial to open up the field of aesthetics (traditionally confined to the study of art and beauty) toward the richness and complexity of everyday life. She argues that in every process of communication, whether face to face or through the media, fashion, and political propaganda, there is always an excess beyond the informative and functional value of a message. This excess is the aesthetic. Following Huizinga's view of play as an ingredient of any social environment, Mandoki explores how various cultural practices are in fact forms of playing since, for the author, aesthetics and play are Siamese twins. One of the unique contributions of this book is the elaboration and application of a semiotic model for the simultaneous analysis of social interactions in the four registers, namely visual, auditory, verbal and body language, to detect the aesthetic strategies deployed in specific situations. She argues that since the presentation of the self is targeted towards participants' sensibilities, aesthetics plays a key role in these modes of exchange. Consequently, the author updates important debates in this field to clear the way for a socio-aesthetic inquiry through contexts such as the family, school, medical, artistic or religious traditions from which social identities emerge. Ästhetik Aesthetics Ästhetik (DE-588)4000626-8 gnd rswk-swf Ästhetik (DE-588)4000626-8 s DE-604 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015745466&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Mandoki, Katya Everyday aesthetics prosaics, the play of culture, and social identities Ästhetik Aesthetics Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4000626-8 |
| title | Everyday aesthetics prosaics, the play of culture, and social identities |
| title_auth | Everyday aesthetics prosaics, the play of culture, and social identities |
| title_exact_search | Everyday aesthetics prosaics, the play of culture, and social identities |
| title_exact_search_txtP | Everyday aesthetics prosaics, the play of culture, and social identities |
| title_full | Everyday aesthetics prosaics, the play of culture, and social identities Katya Mandoki |
| title_fullStr | Everyday aesthetics prosaics, the play of culture, and social identities Katya Mandoki |
| title_full_unstemmed | Everyday aesthetics prosaics, the play of culture, and social identities Katya Mandoki |
| title_short | Everyday aesthetics |
| title_sort | everyday aesthetics prosaics the play of culture and social identities |
| title_sub | prosaics, the play of culture, and social identities |
| topic | Ästhetik Aesthetics Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Ästhetik Aesthetics |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015745466&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT mandokikatya everydayaestheticsprosaicstheplayofcultureandsocialidentities |