In attempting to portray the Holocaust and crimes against humanity on the big screen, film-makers generally have to address the key question of realism. This is both an ethical and an artistic issue. The full range of approaches has been adopted, covering documentaries and fiction, historical recons...

Ausführliche Beschreibung

Bibliographische Detailangaben

1. Verfasser:	Baron, Anne-Marie (VerfasserIn)
Format:	Buch
Sprache:	English French
Veröffentlicht:	Strasbourg Council of Europe Publ.
Schlagworte:	Geschichte 1955-2003 Films Holocaust Film Judenvernichtung Genocide in art Holocaust, Jewish (1939-1945), in motion pictures
Zusammenfassung:	In attempting to portray the Holocaust and crimes against humanity on the big screen, film-makers generally have to address the key question of realism. This is both an ethical and an artistic issue. The full range of approaches has been adopted, covering documentaries and fiction, historical reconstructions depicting reality in all its details, and more symbolic films. Is cinema the best way of informing the younger generations about what took place, or should this perhaps be left, for example, to CD-ROMs, videos or archive collections? What is the difference between these and the cinema as an art form? Is it possible to inform and appeal to the emotions without being explicit? Is emotion itself, though often very intense, not ambivalent? These are the questions addressed by this book which sets out to show that the cinema, a major art form today, cannot merely depict the horrors of concentration camps but must also nurture greater sensitivity among increasingly younger audiences, inured by the many images of violence conveyed in the media.--Publisher's description.