Olivier Messiaen: Oiseaux exotiques:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Aldershot [u.a.]
Ashgate
2007
|
| Schriftenreihe: | Landmarks in music since 1950
|
| Schlagworte: | |
| Online-Zugang: | Table of contents only Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references, discography, and index |
| Beschreibung: | XII, 128 S. Kt., Notenbeisp. CD (12 cm) |
| ISBN: | 9780754656302 |
Internformat
MARC
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| 245 | 1 | 0 | |a Olivier Messiaen: Oiseaux exotiques |c Peter Hill and Nigel Simeone |
| 264 | 1 | |a Aldershot [u.a.] |b Ashgate |c 2007 | |
| 300 | |a XII, 128 S. |b Kt., Notenbeisp. |e CD (12 cm) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Landmarks in music since 1950 | |
| 500 | |a Includes bibliographical references, discography, and index | ||
| 600 | 1 | 4 | |a Messiaen, Olivier <1908-1992> / Oiseaux exotiques |
| 600 | 1 | 4 | |a Messiaen, Olivier |d 1908-1992 |t Oiseaux exotiques |
| 600 | 1 | 4 | |a Messiaen, Olivier <1908-1992> |t Oiseaux exotiques |
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| 689 | 0 | 0 | |a Messiaen, Olivier |d 1908-1992 |t Oiseaux exotiques |0 (DE-588)300199805 |D u |
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Datensatz im Suchindex
| _version_ | 1804136636463710208 |
|---|---|
| adam_text | Contents
List of Figures and Music Examples
vii
Acknowledgements
ix
General Editor s Preface
xi
Introduction
1
1
Context
5
2
Birdsong and Sketches
21
3
Commentary
47
4
First Performance, Reception and Publication
75
5
Interpretations
93
6
Postscript
105
Appendix A The Birds in
Oiseaux exotiques
115
Bibliography
H
7
Discography
121
CD Track List
123
Index
125
What makes
Oiseaux exotiques
so important is
that it is arguably the first of Messiaen s major
works to create a successful synthesis
between his music and his passion for
ornithology. The earliest composition to use
birdsong to a significant extent was the
Quatuor pour la fin du
Temps
(1940-41).
A
newspaper interview a few years later (France-
Soir,
1948)
demonstrates Messiaen s growing
desire to move away from the stylization that
had characterized the
Quatuor
towards a
much greater realism, based on a close
observation of birds in their natural habitat.
At the same time, Messiaen continued to
regard birdsong as music
-
and divinely
inspired music at that
-
a belief that led for a
time to an obsession with truth-to-nature.
Against this background,
Oiseaux exotiques
proves to be a landmark, the work in which
Messiaen the musician began to regain the
upper hand over Messiaen the ornithologist.
The introductory chapter (Chapter
1 )
outlines
the background to
Oiseaux exotiques,
discussing Messiaen s relations with the
1
950s
avant
garde
-
in particular with his former
pupil Pierre
Boulez
-
and his involvement
with the concerts of the
Domaine
musical, for
which
Oiseaux exotiques
was composed. In
Chapter
2,
access to Messiaen s sketches
enables the authors to analyse his
compositional methods in unprecedented
detail; a generous number of music examples
refer to birdsong recordings actually used by
Messiaen (which can be heard on the
accompanying CD), and trace step-by-step
the evolution of musical ideas from first
notation to finished score. Chapter
3
provides
a commentary on the music, investigating
issues of continuity and texture, and revealing
the processes underlying the score s dazzling
profusion. In two further chapters Peter Hill
and Nigel
Simeoné
recount the reception
history of
Oiseaux exotiques,
and compare
recorded interpretations, taking as their point
of departure the historic premiere, included
in full on the CD. Finally, the Conclusion
considers the implications of
Oiseaux exotiques
for the composer s subsequent music, from
the Catalogue
d oiseaux
(1956-8)
to the later
masterpieces of Messiaen s style
oiseau.
|
| adam_txt |
Contents
List of Figures and Music Examples
vii
Acknowledgements
ix
General Editor's Preface
xi
Introduction
1
1
Context
5
2
Birdsong and Sketches
21
3
Commentary
47
4
First Performance, Reception and Publication
75
5
Interpretations
93
6
Postscript
105
Appendix A The Birds in
Oiseaux exotiques
115
Bibliography
H
7
Discography
121
CD Track List
123
Index
125
What makes
Oiseaux exotiques
so important is
that it is arguably the first of Messiaen's major
works to create a successful synthesis
between his music and his passion for
ornithology. The earliest composition to use
birdsong to a significant extent was the
Quatuor pour la fin du
Temps
(1940-41).
A
newspaper interview a few years later (France-
Soir,
1948)
demonstrates Messiaen's growing
desire to move away from the stylization that
had characterized the
Quatuor
towards a
much greater realism, based on a close
observation of birds in their natural habitat.
At the same time, Messiaen continued to
regard birdsong as music
-
and divinely
inspired music at that
-
a belief that led for a
time to an obsession with truth-to-nature.
Against this background,
Oiseaux exotiques
proves to be a landmark, the work in which
Messiaen the musician began to regain the
upper hand over Messiaen the ornithologist.
The introductory chapter (Chapter
1 )
outlines
the background to
Oiseaux exotiques,
discussing Messiaen's relations with the
1
950s
avant
garde
-
in particular with his former
pupil Pierre
Boulez
-
and his involvement
with the concerts of the
Domaine
musical, for
which
Oiseaux exotiques
was composed. In
Chapter
2,
access to Messiaen's sketches
enables the authors to analyse his
compositional methods in unprecedented
detail; a generous number of music examples
refer to birdsong recordings actually used by
Messiaen (which can be heard on the
accompanying CD), and trace step-by-step
the evolution of musical ideas from first
notation to finished score. Chapter
3
provides
a commentary on the music, investigating
issues of continuity and texture, and revealing
the processes underlying the score's dazzling
profusion. In two further chapters Peter Hill
and Nigel
Simeoné
recount the reception
history of
Oiseaux exotiques,
and compare
recorded interpretations, taking as their point
of departure the historic premiere, included
in full on the CD. Finally, the Conclusion
considers the implications of
Oiseaux exotiques
for the composer's subsequent music, from
the Catalogue
d'oiseaux
(1956-8)
to the later
masterpieces of Messiaen's style
oiseau. |
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| id | DE-604.BV022527882 |
| illustrated | Illustrated |
| index_date | 2024-07-02T18:05:30Z |
| indexdate | 2024-07-09T20:59:33Z |
| institution | BVB |
| isbn | 9780754656302 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015734528 |
| oclc_num | 274793641 |
| open_access_boolean | |
| owner | DE-12 DE-355 DE-BY-UBR DE-703 |
| owner_facet | DE-12 DE-355 DE-BY-UBR DE-703 |
| physical | XII, 128 S. Kt., Notenbeisp. CD (12 cm) |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Ashgate |
| record_format | marc |
| series2 | Landmarks in music since 1950 |
| spelling | Hill, Peter 1948- Verfasser (DE-588)133322335 aut Olivier Messiaen: Oiseaux exotiques Peter Hill and Nigel Simeone Aldershot [u.a.] Ashgate 2007 XII, 128 S. Kt., Notenbeisp. CD (12 cm) txt rdacontent n rdamedia nc rdacarrier Landmarks in music since 1950 Includes bibliographical references, discography, and index Messiaen, Olivier <1908-1992> / Oiseaux exotiques Messiaen, Olivier 1908-1992 Oiseaux exotiques Messiaen, Olivier <1908-1992> Oiseaux exotiques Messiaen, Olivier 1908-1992 Oiseaux exotiques (DE-588)300199805 gnd rswk-swf Chant des oiseaux ram Messiaen, Olivier 1908-1992 Oiseaux exotiques (DE-588)300199805 u DE-604 Simeone, Nigel 1956- Verfasser (DE-588)133455513 aut http://www.loc.gov/catdir/toc/ecip072/2006032401.html Table of contents only Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015734528&sequence=000007&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015734528&sequence=000008&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Hill, Peter 1948- Simeone, Nigel 1956- Olivier Messiaen: Oiseaux exotiques Messiaen, Olivier <1908-1992> / Oiseaux exotiques Messiaen, Olivier 1908-1992 Oiseaux exotiques Messiaen, Olivier <1908-1992> Oiseaux exotiques Messiaen, Olivier 1908-1992 Oiseaux exotiques (DE-588)300199805 gnd Chant des oiseaux ram |
| subject_GND | (DE-588)300199805 |
| title | Olivier Messiaen: Oiseaux exotiques |
| title_auth | Olivier Messiaen: Oiseaux exotiques |
| title_exact_search | Olivier Messiaen: Oiseaux exotiques |
| title_exact_search_txtP | Olivier Messiaen: Oiseaux exotiques |
| title_full | Olivier Messiaen: Oiseaux exotiques Peter Hill and Nigel Simeone |
| title_fullStr | Olivier Messiaen: Oiseaux exotiques Peter Hill and Nigel Simeone |
| title_full_unstemmed | Olivier Messiaen: Oiseaux exotiques Peter Hill and Nigel Simeone |
| title_short | Olivier Messiaen: Oiseaux exotiques |
| title_sort | olivier messiaen oiseaux exotiques |
| topic | Messiaen, Olivier <1908-1992> / Oiseaux exotiques Messiaen, Olivier 1908-1992 Oiseaux exotiques Messiaen, Olivier <1908-1992> Oiseaux exotiques Messiaen, Olivier 1908-1992 Oiseaux exotiques (DE-588)300199805 gnd Chant des oiseaux ram |
| topic_facet | Messiaen, Olivier <1908-1992> / Oiseaux exotiques Messiaen, Olivier 1908-1992 Oiseaux exotiques Messiaen, Olivier <1908-1992> Oiseaux exotiques Chant des oiseaux |
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